Relevant bibliographies by topics / Morte Arthur

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Morte Arthur'

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Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Morte Arthur"

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Kennedy, Edward Donald. "Malory, the Stanzaic Morte Arthur, the Alliterative Morte Arthure, and Chaucer." Arthuriana 28, no. 3 (2018): 51–65. http://dx.doi.org/10.1353/art.2018.0025.

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EDWARDS, A. S. G. "STANZAIC MORTE ARTHUR , line 3651." Notes and Queries 41, no. 1 (March 1, 1994): 14—b—15. http://dx.doi.org/10.1093/nq/41-1-14b.

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van Iersel, Geert. "‘Ile be the bane of Cornwall Kinge’: The ballad of King Arthur and King Cornwall and the relentless pursuit of vengeance in the pre-modern Arthurian tradition." Journal of the International Arthurian Society 9, no. 1 (September 7, 2020): 24–35. http://dx.doi.org/10.1515/jias-2021-0003.

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Abstract This paper concerns the narrative logic behind the disregard for the life of King Arthur’s opponent in the seventeenth-century ballad of King Arthur and King Cornwall. It approaches its subject through comparisons with the last book of Thomas Malory’s Le Morte Darthur, Le pèlerinage de Charlemagne, Le petit Poucet, Jack and the Beanstalk and the History of Mother Twaddle, and the Marvellous Atchievements [sic] of her Son Jack. It argues that by associating Arthur’s rival, King Cornwall, with magic objects and a fire-breathing creature called Burlow Beanie, as well as placing Cornwall’s domain away from Arthur’s, the ballad marks Cornwall as ‘other’ and, in so doing, implies that ordinary moral considerations do not apply when it comes to actions such as the killing of Cornwall. The article additionally argues that a major difference between the ballad and the last book of Le Morte Darthur, where much of the action is driven by factors that also feature prominently in King Arthur and King Cornwall, lies in the fact that in Le Morte Darthur none of the major actors are marked as ‘other’ – highlighting the nature of the tragedy that unfolds as one of destructive internal conflict.
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NOBLE, P. S. "Review. King Arthur's Death: Alliterative 'Morte Arthure' and Stanzaic 'Le Morte Arthur'. Stone, Brian (ed.)." French Studies 44, no. 1 (January 1, 1990): 47. http://dx.doi.org/10.1093/fs/44.1.47-a.

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Naha, Anindita, and Dr Mirza Maqsood Baig. "Overview Of Story- Le Morte D' Arthur." Think India 22, no. 2 (June 20, 2019): 138–43. http://dx.doi.org/10.26643/think-india.v22i2.8322.

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The legend of King Arthur and his knights of the Round Table is immemorial. The heroic knights and their king’s tales contribute western society a great literature that is still well- known today. King Arthur along with the theme of chivalry greatly impacted not only western civilization, but all of society throughout the centuries. King Arthur and his Knights of the Round Table have been around for thousands of years but are only legends. The first reference to King Arthur was in the Historia Brittonum written by Nennius a Welsh monk around 830A.D. The fascinating legends however did not come until 1133 A.D in the work Historia Regum Britaniae written by a Welsh cleric, Geoffrey of Monmouth. His work was actually meant to be a historical document, but over time many other writers added on fictional tales. The Round Table was added in 1155 A.D by a French poet Maistre Wace. Both the English and French cycles of Arthurian Legend are controlled by three inter-related themes:
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Naha, Anindita, and Dr Mirza Maqsood Baig. "Overview Of Story- Le Morte D' Arthur." Think India 22, no. 3 (September 21, 2019): 500–505. http://dx.doi.org/10.26643/think-india.v22i3.8316.

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The legend of King Arthur and his knights of the Round Table is immemorial. The heroic knights and their king’s tales contribute western society a great literature that is still well- known today. King Arthur along with the theme of chivalry greatly impacted not only western civilization, but all of society throughout the centuries. King Arthur and his Knights of the Round Table have been around for thousands of years but are only legends. The first reference to King Arthur was in the Historia Brittonum written by Nennius a Welsh monk around 830A.D. The fascinating legends however did not come until 1133 A.D in the work Historia Regum Britaniae written by a Welsh cleric, Geoffrey of Monmouth. His work was actually meant to be a historical document, but over time many other writers added on fictional tales. The Round Table was added in 1155 A.D by a French poet Maistre Wace. Both the English and French cycles of Arthurian Legend are controlled by three inter-related themes:
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Filho, Gisálio. "AMOR & MORTE EM ARTHUR SCHNITZLER." Passagens. Revista Internacional de História Política e Cultura Jurídica 3, no. 1 (2011): 142–64. http://dx.doi.org/10.5533/1984-2503-20113107.

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Naha, Anindita, Anindita Naha, and Dr Mirza Maqsood Baig. "Study Of Arthurian Romances: With Emphasis To Thomas Malory." Think India 22, no. 3 (September 27, 2019): 527–34. http://dx.doi.org/10.26643/think-india.v22i3.8319.

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The expedition on Malory’s Morte d’Arthur emphasis on the masculine activity of chivalry—fighting, questing, ruling— while parallelly reflects the chivalric enterprise as impossible in absence of the feminine in a subjugated position. The medieval romance text of Malory differs from other Arthurian romance literature in the explicit legislation (as opposed to implicit coding) of chivalric values, most notably in the swearing of the Pentecostal Oath, an event unique to Malory’s text. This paper emphasis on the way the institution of the Oath defines and sharpens specific ideals of masculine and feminine gender identities in the Arthurian community, arguing that a compulsion to fulfill these ideals drives the narrative of the Morte d’ Arthur forward to its inevitable ending. Thus, the function of gender in the Morte d’Arthur can only be adequately explored in a book that traces in depth the development of gender constraints from the beginning of the “Tale of King Arthur” to the “Day of Destiny” and its aftermath. One reason the Morte d’Arthur merits a sustained study in terms of gender is due to its status as the most comprehensive and sustained medieval treatment of the Arthurian legend by a single author. This text is about the famous fiction stories about legendary King Arthur, his life and death predominantly compose the spine of Malory’s tale. There are, as well, other passages and tales, in which Arthur is not in the centre of the plot. Stories were translated by Malory from French models, reflects the major branch of author’s all sources. most famous fiction stories about legendary King Arthur, whose life and death predominantly compose the spine of Malory’s tale. There are, as well, other passages and tales, in which Arthur is not in the centre of the plot.
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DeMarco, Patricia. "An Arthur for the Ricardian Age: Crown, Nobility, and the Alliterative "Morte Arthure"." Speculum 80, no. 2 (April 2005): 464–93. http://dx.doi.org/10.1017/s0038713400000063.

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Beal, Rebecca S. "Arthur as the Bearer of Civilization: The Alliterative Morte Arthure, ll. 901-19." Arthuriana 5, no. 4 (1995): 32–44. http://dx.doi.org/10.1353/art.1995.0007.

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Dissertations / Theses on the topic "Morte Arthur"

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Breda, Juliana Fernandes [UNESP]. "Amor e morte em Schopenhauer." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/93136.

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O presente projeto pretende analisar a função que os temas amor e morte exercem no conjunto da filosofia de Arthur Schopenhauer, examinando atentamente a evolução destes desde o início da construção de seu sistema filosófico. Procuraremos investigar em que medida o tema da morte pode ter servido de motivação, de gérmen à sua especulação filosófica, bem como seu entrelaçamento com o do amor, como impulso gerador da vida. Interessa-nos também o tratamento naturalístico e ético que Schopenhauer dá ao tema amor e morte: primeiramente ele empenha-se para dar uma imagem naturalista dos problemas tratados em Metafísica do Amor e Metafísica da Morte, mas logo ele torna claro que o problema é de ordem ética, contexto em que se apóia fortemente na literatura védica. Neste sentido, investigaremos também como Schopenahuer articula as Ciências Naturais e seus estudos dos Vedas
The present research project aims at analysing the role played by the themes „love“ and „death“ in the context of schopenhauerian philosophy as a whole, by means of a close investigation of the development of Schopenhauer’s refletions on both themes since the beginnings of his philosophycal efforts. We shall try to determine in what measure may the theme of death have worked as first motivation and as an “original seed” for his philosophical especulations, as well as this theme’s profound imbrication with that of love, understood as life generating impulse. We are also interrested in both the naturalistic and the ethical approaches presented by Schopenhauer reflections on love and death. On the one hand, he gives us a naturalistic account of the mentioned problems, but soon, in the other hand, he leaves it clear that these problems have also an ethical dimension. In his explorations of that dimension, his thinking appears to be heavily supported by vedic philosophy. Thus, we shall also investigate how does Schopenhauer menage to articulate nature sciences and his vedic studies
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真樹子, 小宮, and Makiko Komiya. "Bound by the Pentecostal oath : chivalric performance and the round table in Malory's Morte Darthur." Thesis, https://doors.doshisha.ac.jp/opac/opac_link/bibid/BB12864014/?lang=0, 2014. https://doors.doshisha.ac.jp/opac/opac_link/bibid/BB12864014/?lang=0.

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本論文はトマス・マロリーの『アーサー王の死』における「円卓」の役割を、三つの定義を通じて考察するものである。中世において「ラウンド・テーブル」は「(1)アーサー王の騎士組織(2)彼らの集う場である家具(3)アーサー王伝説を模倣して行われた見世物」を意味した。本研究では特に円卓の形状と意味の変化、模擬戦と誓約による理想の提示、円卓が騎士たちの間に生み出す友愛と敵対、誓いにより結ばれた義兄弟と実の兄弟の差異、偽証による円卓の崩壊を取り上げる。
This dissertation presents a more comprehensive study of Thomas Malory's Morte Darthur from the three aspects of the Round Table. I focus on the following elements especially: the evolution of the shape and significance of the Round Table; visual and verbal representations of the Round-Table ideal by means of tournaments and the Pentecostal Oath; the conflicts the table creates between fellowship and rivalry; the chasm between brothers bound by oath and those tied by blood; and its fall due to the violation of the Pentecostal Oath. Through these perspectives, I would like to reveal the functions of the Round Table and capture the essence of Le Morte Darthur.
博士(英文学)
Doctor of Philosophy in English Literature
同志社大学
Doshisha University
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Poppelaars, Antonius Gerardus Maria. "O drama social, o herói trágico e o "sonho americano" em a morte de um caixeiro-viajante de Arthur Miller." Universidade Federal da Paraíba, 2016. http://tede.biblioteca.ufpb.br:8080/handle/tede/8289.

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Willy Loman, the protagonist of Arthur Miller’s Death of a Salesman (1949) is a simple, flawed, middle class salesman. Can a common man such as Willy Loman be considered as a tragic hero? Does tragedy still exist in modern drama? Could the dark side of the “American dream” be the external flaw that provoces Loman’s fall? The objective of studying Arthur Miller’s play Death of a Salesman is focused on the possibility whether the protagonist, Willy Loman, can be considered a tragic hero. This study consists of a literary and historical perspective and is of a qualitative-descriptive character. The problem focuses on the question: what could be the influence, or rather, the illusion of the “American dream” that causes Willy’s tragic fall? This study is constructed by three cornerstones: first, the analysis of drama and tragedy from the perspective of Aristotle’s theory; second, the analysis of social drama and ultimately, the historical and literary perspective of the concept of the “American dream” as a reason for Willy Loman’s fall. The results of this study indicate that Death of a Salesman is not a period piece and that this play highlights issues from the past that are still current. It is noticed that Willy Loman meets his inglorious end because he is fooled and deluded by the “American dream”. The development of tragedy, culminating in modern social drama, indicates that a common man can be tragic, exactly because of the fact that Willy is an ordinary human being, which even more provoces feelings such as fear and pity, once what happened to him can happen to anyone of us.
A Morte de um Caixeiro-Viajante (1949) de Arthur Miller tem como protagonista Willy Loman, um simples vendedor fracassado da classe média baixa. Um homem comum como Willy Loman pode ser considerado como herói trágico? Existe ainda tragicidade no drama moderno? Seria o lado sombrio do “sonho americano” a falha trágica externa para a queda de Loman? O objetivo do estudo da peça de Arthur Miller, A Morte de um Caixeiro-Viajante, está centrado na possibilidade do protagonista, Willy Loman, ser considerado um herói trágico. Esta é uma pesquisa que abrange a perspectiva históricoliterária, bibliográfica e de carater qualitativo-descritiva. A problemática trabalhada centra-se na questão: qual seria a influência, ou melhor, a ilusão, do “sonho americano” que provoca a queda trágica de Willy? O estudo é desenvolvido sob três frentes: em primeiro lugar, a análise da dramaticidade e tragicidade sob a ótica da teoria de Aristóteles; em segundo lugar, a análise do drama social e, finalmente, a perspectiva histórico-literária do conceito do “sonho americano” como uma razão para a queda de Willy Loman. Os resultados do estudo apontam na direção de que A Morte de um Caixeiro-Viajante não é uma peça de época, e que esta peça ressalta questões do passado, ainda atuais. Percebe-se que Willy Loman encontra seu fim inglório porque é enganado e iludo pelo “sonho americano”. O desenvolvimento da tragédia culminando no drama social moderno mostra que um homem comum pode ser trágico, pois, o fato de Willy ser um ser humano comum, provoca sentimentos tais como terror e piedade, e estes ficam maiores, uma vez que aconteceu com ele pode acontecer a qualquer um de nós.
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Justice, Jennifer. "(N)Onomastics and Malory: Anonymity and Female Characters in Sir Thomas Malory's Le Morte D'arthur." OpenSIUC, 2014. https://opensiuc.lib.siu.edu/dissertations/955.

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This dissertation examines the approximately 700 anonymous female characters who appear in Sir Thomas Malory's Le Morte D'Arthur, expanding the possibilities for how gender roles might be interpreted based on a wider range of female roles. Primary named female characters such as Guinevere and Morgan Le Fay perform more stereotypical functions in the text as created and limited by the Arthurian literary tradition, but a significant portion of the nameless female characters challenge these assumptions. Malory uses many of these anonymous women to perform actions which are often attributed to male characters in medieval literature, such as acting as a guide or helper on a quest, challenging gender roles by assigning more active roles to these secondary characters. However, the very anonymity of the women help negate examples of potentially dangerous female agency by downplaying their presence in the text, removing a sense of individuality by creating nameless, faceless female characters who more easily fade into the background by refusing to identify them. This helps reassert patriarchal concerns both by focusing the reader's attention on the male characters' actions and by partially glossing over the female characters' contributions to the text. In order to address such a significant number of characters, this dissertation is divided into two parts. The first section is an analysis of Malory's text, examining the implications of using the anonymous female characters as a more significant factor in examinations of Le Morte. While current scholarship does address gender concerns to some extent, this generally focuses on those primary female characters who align more readily with stereotypical gender roles. I examine how gender assumptions can be undermined when the anonymous women are included as part of an analysis, as well as how they can affect such concerns as threatening or preserving the masculinity of the male characters based on the functions the female characters perform. I also explore medieval naming customs, or onomastics, and how cultural practices might have influenced Malory's text. This includes analyzing how Malory uses various forms of anonymity. How he refers to individual characters, such as through a vocational reference, gives the reader some insight into the character's function and portrayal. The second section of this dissertation consists of indexing the approximately 700 female characters according to Stith Thompson's Motif-Index of Folk-Literature. Because the number of episodes these women are in comprise 44% of the total text , Thompson's Motif-Index offers a systematic approach for dealing with such a significant number of characters. It provides a method for classifying specific actions in Le Morte according to common themes, as well as identifying how these motifs are used by Malory in non-traditional ways. Since many of his anonymous female characters perform stereotypically male roles, the motifs offer a way to quickly identify areas of future interest for scholarship. My own Index sorts the motifs based on forms of anonymity Malory uses to identify his characters. This allows the reader to compare how he portrays women within the same category, such as female relatives or helpers. While this project is necessarily limited, my Index offers a starting point for future study by allowing for an easy identification and comparison of the anonymous female characters in Malory's text.
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Rocha, Andréa Aparecida. "Apontamentos sobre a tragédia moderna nas peças Death of a Salesman [A morte do caixeiro viajante] de Arthur Miller e A moratória de Jorge Andrade." Universidade Federal de Uberlândia, 2018. http://dx.doi.org/10.14393/ufu.di.2018.250.

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A presente pesquisa analisa e interpreta as peças Death of salesman [A morte do caixeiro viajante] (1949), do dramaturgo norte-americano Arthur Miller (1915 - 2005), e A Moratória (1955), do dramaturgo brasileiro Jorge Andrade (1922 - 1984), apoiando-se na forma da tragédia moderna, e baseando-se em ambos enredos, isto é, nos textos teatrais e nos seus respectivos conteúdos dramáticos reflexivos. Tais dramas mostram que tanto Miller quanto Andrade dividiram a mesma inquietude, propondo conflitos baseados em crises históricas, com o objetivo de evidenciar a luta do homem comum contra a sociedade, através do cotidiano de dois patriarcas e suas famílias, os quais estão deslocados com o desenvolvimento social e econômico de meados do século XX. Para entender esses e outros conflitos e como estão inseridos dramaturgicamente, este estudo está organizado da seguinte forma: o primeiro capítulo contextualiza historicamente a tragédia até sua condição moderna, após a influência do drama e de sua crise, com o propósito de se chegar à discussão sobre a tragédia e sua condição liberal adquirida na contemporaneidade. O segundo capítulo, apresenta a vida e a obra de ambos os dramaturgos, seguida das considerações iniciais acerca das peças em questão e de seus respectivos conteúdos históricos. E o terceiro capítulo, compara e analisa os aspectos relevantes de ambos os enredos, tais como: o conflito entre pais e filhos, a representação das mulheres, dos protagonistas como heróis modernos, das casas como plano de fundo das ações dramáticas e dos recursos formais cênicos que ajudam a dar expressividade às inquietações e à realidade subjetiva vivida pelos personagens.
Basead on the form of modern tragedy, the present research is devoted to analyzing the plays of Death of Salesman (1949), the american playwright Arthur Miller (1915 - 2005), and A Moratória (1955) by brazilian playwright Jorge Andrade (1922 – 1984), relying on the form of modern tragedy, and based on both texts, that is, on theatrical texts and their respective dramatic reflective content. These dramas demonstrate that both Miller and Andrade shared the same concern, proposing conflicts based on historical crises, in order to highlight the struggle of the common man against society, through the daily lives of two patriarchs and their families, who are displaced with the social and economic expansion of the mid-twentieth century. To understand these and other issues and how they are inserted dramaturgically, this study is organized as follows: the first chapter contextualizes historically the tragedy to its modern condition, after the influence of the drama and its crisis, with the purpose of arriving at the discussion about the tragedy and its liberal condition acquired in contemporaneity. The second chapter presents the life and work of both playwrights, followed by initial considerations about the plays in question and their respective historical contexts. The third and last chapter, however, compares and analyzes relevant aspects of both texts, such as: father-son conflict, representation of women, protagonists as modern heroes, of the houses as the background of dramatic actions and formal scenic resources that give expressiveness to the concerns and subjective reality experienced by the characters.
Dissertação (Mestrado)
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Ancona, Alexis Faith. "King Arthur as Transcendent Rhetoric of Anxiety: Examining Arthurian Legends as Sociopolitical Paratexts." University of Dayton / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1525102970057973.

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Withrington, John Kenneth Brookes. "The death of King Arthur and the legend of his survival in Sir Thomas Malory's 'Le Morte Darthur' and other late medieval texts of the fifteenth century." Thesis, University of York, 1991. http://etheses.whiterose.ac.uk/4253/.

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Caron, Elaine Cristina [UNESP]. "Rimbaud, Molière e Sade lidos pelos brasileiros: aspectos da representação literária dos escritores franceses homenageados na coleção Literatura ou Morte." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/136799.

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Résumé: Rimbaud, Molière et Sade. Ces sont les trois écrivans français qui ont été honorés, respectivement, par les brésiliens Leandro Konder, Rubem Fonseca et Bernardo Carvalho, dans la collection Literatura ou morte, de 2000, publiée par Companhia das Letras. L'idée de la collection est apparue lorsque Leandro Konder a soumis à son éditeur l'originel de son roman A morte de Rimbaud, où il cite le poète français dans le titre, et en plus, il fait plusieurs références à la littérature française. Heureux du résultat, le rédacteur Luis Schwarcz a contacté plusieurs écrivains pour créer des romans qui doivent suivre le même modèle de A morte de Rimbaud, en prenant deux prémisses fondamentales: qu'ils soient des romans policiers et qu'ils contiennent le nom d'un écrivain consacré par la critique et par le public. Parmi les sept volumes qui ont suivi la proposition, on a O doente Molière et Medo de Sade. Dans la construction de ces romans leurs auteurs ont été menés à revoir les biographies et les oeuvres de chacun des écrivains honorés, en fournissant des relectures et de nouvelles significations pour elles. Le but de notre travail est d'étudier les raisons qui ont fait que Konder, Fonseca et Carvalho choisissent comme thème de leurs oeuvres littéraires précisément ces trois écrivains, en essayant de démontrer que ce choix n'a pas été arbitraire, mais dirigé par l'éditeur, qui à part la promotion obtenue grâce aux références faites aux noms des auteurs classiques, atteint un nouveau type de lecteurs. La collection permet à ses écrivains de suivre deux propositions de récit en même temps, elle se caractérise à la fois comme une littérature de divertissement, marquée par le choix de la forme, le roman policier et la biographie, et une littérature de proposition, marquée par le thème, concernant les oeuvres de auteurs classiques...
Rimbaud, Molière e Sade. Estes são os três escritores franceses homenageados, respectivamente, por Leandro Konder, Rubem Fonseca e Bernardo Carvalho, na coleção Literatura ou morte, de 2000, da editora Companhia das Letras. A ideia da coleção teria surgido quando Leandro Konder apresentou a seu editor os originais do romance A morte de Rimbaud, em que, além de citar o poeta francês no título, inclui referências à literatura francesa. Contente com o resultado, o editor Luís Schwarcz contatou vários escritores para criarem romances que seguissem o mesmo modelo de A morte de Rimbaud, atendendo a duas premissas fundamentais: que fossem romances policiais e envolvessem o nome de um escritor consagrado pela crítica e pelo público, já falecido. Entre os sete volumes que seguiram a proposta, estão O doente Molière e Medo de Sade. Na construção destes romances seus autores foram levados a revisitar as biografias e as obras de cada um dos escritores homenageados, proporcionando releituras e novos significados a elas. O objetivo de nosso trabalho é investigar os motivos que levaram Konder, Fonseca e Carvalho a escolherem como tema de seus trabalhos literários justamente estes três escritores, além de constatar que esta escolha não foi arbitrária, mas direcionada pela editora, que além de se promover com a referência aos nomes dos escritores clássicos, coloca diante de si um novo nicho de leitores. A coleção possibilita a seus escritores seguirem duas propostas narrativas ao mesmo tempo, pois se caracteriza tanto como uma literatura de entretenimento, marcada pela escolha da forma, narrativa policial e biografia, e uma literatura de proposta, marcada pelo tema, que são as obras de escritores clássicos. São romances escritos tanto para aquele que busca na leitura um passatempo de viagem, como o acadêmico que procura nas entrelinhas citações e alusões a outros escritores...
Rimbaud, Molière and Sade. These are the three french writers honored, respectively, by Leandro Konder, Rubem Fonseca and Bernardo Carvalho, at the collection Literatura ou morte (2000 published by Companhia das Letras. The idea of the collection would have appeared when Leandro Konder submitted to his publisher the original novel A morte de Rimbaud, in that in addition to quote the french poet in the title, includes references to french literature. Enthusiastic with the result, the publisher Luis Schwarcz contacted several writers to create novels that follow the same model of A morte de Rimbaud, serving two fundamental assumptions: that they were crime novels and involved the name of an established writer by critics and the public, now deceased. Between the seven volumes that followed the proposal are O doente Molière and Medo de Sade. In constructing these novels his authors were brought to revisit the biographies and works of each of the honored writers, providing readings and new meanings to them. The goal of our work is to investigate the reasons Konder, Carvalho and Fonseca to choose the theme of his literary works precisely these three writers, and demonstrated that these choices was not arbitrary, but directed by the publisher, which besides promoting with the reference to the names of classical writers, sets before itself a new group of readers. The collection allows its writers follow two narratives proposals at the same time, it is characterized both as an entertainment literature, marked by the choice of form, crime novel, and biography, and a proposal literature, marked by the theme, which are the classical writers works. These are novels written for both the reader who search a traveling hobby, as to the academic who seeks the references and allusions to other writers. In addition, we aimed to draw a reading that considers the three works together, this perspective that glimpse the formation of a historical-literary...
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Johnston, Michael R. "The sociology of middle English romance: three late medieval compilers." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1186773637.

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Clark, Aidan. "Malory and Morte Arthure : some problems in sources." Thesis, Bangor University, 1996. https://research.bangor.ac.uk/portal/en/theses/malory-and-morte-arthure--some-problems-in-sources(c36c9f52-cd7b-4134-9ce0-f94288328c28).html.

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Books on the topic "Morte Arthur"

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Le morte d'Arthur. New York: Modern Library, 1999.

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1948-, Matthews John, ed. Le morte d'Arthur. London: Cassell, 2000.

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1913-, Lumiansky R. M., ed. Le morte dArthur. New York: Collier Books, 1986.

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Thomas, Malory. Le Morte Darthur. Norton Critical Editions: W. W. Norton, 2003.

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Janet, Cowen, ed. Le morte d'Arthur. London: Penguin, 2004.

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Thomas, Malory. Le morte d'Arthur. New York: Modern Library, 1999.

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Thomas, Malory. Le morte d'Arthur. New York: Gramercy Books, 1995.

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Thomas, Malory. Le morte d'Arthur. New York: Harrison House, 1985.

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The death of King Arthur: Thomas Malory's Le morte d'Arthur : a retelling. London: Penguin Classics, 2010.

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Thomas, Malory. Le Morte D'Arthur: King Arthur and the legends of the round table. New York: New American Library, 2010.

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Book chapters on the topic "Morte Arthur"

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Lexton, Ruth. "Counsel and Rule in The Tale of King Arthur and Arthur and Lucius." In Contested Language in Malory’s Morte Darthur, 47–76. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137353627_3.

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Stévanovitch, Colette, and Claire Vial. "Les formules dans le Stanzaic Morte Arthur." In Atelier de recherche sur les textes médiévaux, 189–211. Turnhout: Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.artem-eb.5.103351.

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Lexton, Ruth. "Kingship, Justice, and The “Comyns” in The Tale Of King Arthur." In Contested Language in Malory’s Morte Darthur, 15–46. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137353627_2.

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Batt, Catherine. "Narrative Form and Heroic Expectation: The Tale of Arthur and Lucius, The Noble Tale of Sir Launcelot du Lake, and The Tale of Sir Gareth of Orkney." In Malory’s Morte Darthur, 71–101. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-11183-8_3.

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Manion, Lee. "Sovereign Recognition: Contesting Political Claims in the Alliterative Morte Arthure and The Awntyrs off Arthur." In Arizona Studies in the Middle Ages and Renaissance, 69–91. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.asmar-eb.1.100005.

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Schrock, Chad D. "Augustine and Arthur: The Stanzaic Morte and the Consolation of Elegy." In Consolation in Medieval Narrative, 85–105. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137447814_5.

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Brown, Amy. "Lancelot in the Friend Zone: Strategies for Offering and Limiting Affection in the Stanzaic Morte Arthur." In Early European Research, 75–97. Turnhout, Belgium: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.eer-eb.5.115898.

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Turville-Petre, Thorlac. "The Vocabulary of the Alliterative Morte Arthure." In Texts and Transitions, 43–61. Turnhout: Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.tt-eb.5.111437.

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Kobayashi, Hirotada, Keiji Matsumoto, and Tomoyuki Yamakami. "Quantum Merlin-Arthur Proof Systems: Are Multiple Merlins More Helpful to Arthur?" In Algorithms and Computation, 189–98. Berlin, Heidelberg: Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/978-3-540-24587-2_21.

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Frey, Bruno S., and Lasse Steiner. "Towards More Innovative Museums." In The Artful Economist, 187–96. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40637-4_11.

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