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Journal articles on the topic 'Morte Arthur'

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Published: 4 June 2021
Last updated: 17 February 2022

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1

Kennedy, Edward Donald. "Malory, the Stanzaic Morte Arthur, the Alliterative Morte Arthure, and Chaucer." Arthuriana 28, no. 3 (2018): 51–65. http://dx.doi.org/10.1353/art.2018.0025.

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2

EDWARDS, A. S. G. "STANZAIC MORTE ARTHUR , line 3651." Notes and Queries 41, no. 1 (March 1, 1994): 14—b—15. http://dx.doi.org/10.1093/nq/41-1-14b.

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3

van Iersel, Geert. "‘Ile be the bane of Cornwall Kinge’: The ballad of King Arthur and King Cornwall and the relentless pursuit of vengeance in the pre-modern Arthurian tradition." Journal of the International Arthurian Society 9, no. 1 (September 7, 2020): 24–35. http://dx.doi.org/10.1515/jias-2021-0003.

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Abstract This paper concerns the narrative logic behind the disregard for the life of King Arthur’s opponent in the seventeenth-century ballad of King Arthur and King Cornwall. It approaches its subject through comparisons with the last book of Thomas Malory’s Le Morte Darthur, Le pèlerinage de Charlemagne, Le petit Poucet, Jack and the Beanstalk and the History of Mother Twaddle, and the Marvellous Atchievements [sic] of her Son Jack. It argues that by associating Arthur’s rival, King Cornwall, with magic objects and a fire-breathing creature called Burlow Beanie, as well as placing Cornwall’s domain away from Arthur’s, the ballad marks Cornwall as ‘other’ and, in so doing, implies that ordinary moral considerations do not apply when it comes to actions such as the killing of Cornwall. The article additionally argues that a major difference between the ballad and the last book of Le Morte Darthur, where much of the action is driven by factors that also feature prominently in King Arthur and King Cornwall, lies in the fact that in Le Morte Darthur none of the major actors are marked as ‘other’ – highlighting the nature of the tragedy that unfolds as one of destructive internal conflict.
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4

NOBLE, P. S. "Review. King Arthur's Death: Alliterative 'Morte Arthure' and Stanzaic 'Le Morte Arthur'. Stone, Brian (ed.)." French Studies 44, no. 1 (January 1, 1990): 47. http://dx.doi.org/10.1093/fs/44.1.47-a.

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5

Naha, Anindita, and Dr Mirza Maqsood Baig. "Overview Of Story- Le Morte D' Arthur." Think India 22, no. 2 (June 20, 2019): 138–43. http://dx.doi.org/10.26643/think-india.v22i2.8322.

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The legend of King Arthur and his knights of the Round Table is immemorial. The heroic knights and their king’s tales contribute western society a great literature that is still well- known today. King Arthur along with the theme of chivalry greatly impacted not only western civilization, but all of society throughout the centuries. King Arthur and his Knights of the Round Table have been around for thousands of years but are only legends. The first reference to King Arthur was in the Historia Brittonum written by Nennius a Welsh monk around 830A.D. The fascinating legends however did not come until 1133 A.D in the work Historia Regum Britaniae written by a Welsh cleric, Geoffrey of Monmouth. His work was actually meant to be a historical document, but over time many other writers added on fictional tales. The Round Table was added in 1155 A.D by a French poet Maistre Wace. Both the English and French cycles of Arthurian Legend are controlled by three inter-related themes:
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6

Naha, Anindita, and Dr Mirza Maqsood Baig. "Overview Of Story- Le Morte D' Arthur." Think India 22, no. 3 (September 21, 2019): 500–505. http://dx.doi.org/10.26643/think-india.v22i3.8316.

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The legend of King Arthur and his knights of the Round Table is immemorial. The heroic knights and their king’s tales contribute western society a great literature that is still well- known today. King Arthur along with the theme of chivalry greatly impacted not only western civilization, but all of society throughout the centuries. King Arthur and his Knights of the Round Table have been around for thousands of years but are only legends. The first reference to King Arthur was in the Historia Brittonum written by Nennius a Welsh monk around 830A.D. The fascinating legends however did not come until 1133 A.D in the work Historia Regum Britaniae written by a Welsh cleric, Geoffrey of Monmouth. His work was actually meant to be a historical document, but over time many other writers added on fictional tales. The Round Table was added in 1155 A.D by a French poet Maistre Wace. Both the English and French cycles of Arthurian Legend are controlled by three inter-related themes:
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7

Filho, Gisálio. "AMOR & MORTE EM ARTHUR SCHNITZLER." Passagens. Revista Internacional de História Política e Cultura Jurídica 3, no. 1 (2011): 142–64. http://dx.doi.org/10.5533/1984-2503-20113107.

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8

Naha, Anindita, Anindita Naha, and Dr Mirza Maqsood Baig. "Study Of Arthurian Romances: With Emphasis To Thomas Malory." Think India 22, no. 3 (September 27, 2019): 527–34. http://dx.doi.org/10.26643/think-india.v22i3.8319.

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The expedition on Malory’s Morte d’Arthur emphasis on the masculine activity of chivalry—fighting, questing, ruling— while parallelly reflects the chivalric enterprise as impossible in absence of the feminine in a subjugated position. The medieval romance text of Malory differs from other Arthurian romance literature in the explicit legislation (as opposed to implicit coding) of chivalric values, most notably in the swearing of the Pentecostal Oath, an event unique to Malory’s text. This paper emphasis on the way the institution of the Oath defines and sharpens specific ideals of masculine and feminine gender identities in the Arthurian community, arguing that a compulsion to fulfill these ideals drives the narrative of the Morte d’ Arthur forward to its inevitable ending. Thus, the function of gender in the Morte d’Arthur can only be adequately explored in a book that traces in depth the development of gender constraints from the beginning of the “Tale of King Arthur” to the “Day of Destiny” and its aftermath. One reason the Morte d’Arthur merits a sustained study in terms of gender is due to its status as the most comprehensive and sustained medieval treatment of the Arthurian legend by a single author. This text is about the famous fiction stories about legendary King Arthur, his life and death predominantly compose the spine of Malory’s tale. There are, as well, other passages and tales, in which Arthur is not in the centre of the plot. Stories were translated by Malory from French models, reflects the major branch of author’s all sources. most famous fiction stories about legendary King Arthur, whose life and death predominantly compose the spine of Malory’s tale. There are, as well, other passages and tales, in which Arthur is not in the centre of the plot.
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9

DeMarco, Patricia. "An Arthur for the Ricardian Age: Crown, Nobility, and the Alliterative "Morte Arthure"." Speculum 80, no. 2 (April 2005): 464–93. http://dx.doi.org/10.1017/s0038713400000063.

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10

Beal, Rebecca S. "Arthur as the Bearer of Civilization: The Alliterative Morte Arthure, ll. 901-19." Arthuriana 5, no. 4 (1995): 32–44. http://dx.doi.org/10.1353/art.1995.0007.

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11

Jack Kolb. "Morte d'Arthur: The Death of Arthur Henry Hallam." Biography 9, no. 1 (1986): 37–58. http://dx.doi.org/10.1353/bio.2010.0791.

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12

Oliveira, Adilson Silva. "A MORTE E O MORRER NOS FILMES LOVE STORY E A CULPA É DAS ESTRELAS." Prometeica - Revista de Filosofía y Ciencias, no. 10 (March 2, 2015): 74–88. http://dx.doi.org/10.24316/prometeica.v0i10.102.

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Este texto apresenta breves considerações acerca da morte e do morrer, com base, sobremaneira, nos posicionamentos de Kübler-Ross (2012). A teoria está dividida em duas partes: significações da morte e do morrer para diferentes culturas e apresentação sucinta dos cinco estágios pelos quais passa um paciente terminal – negação/isolamento, raiva, barganha, depressão e aceitação. Analisam-se os filmes “Love story”, de Arthur Hiller, e “A culpa é das estrelas”, de Josh Boone, no tocante à temática da morte e do morrer.
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13

Tolhurst, Fiona, and K. S. Whetter. "Re-evaluating the Stanzaic Morte Arthur: Content and Contexts." Arthuriana 28, no. 3 (2018): 3–14. http://dx.doi.org/10.1353/art.2018.0022.

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14

Fludernik, Monika. "Narrative Discourse Markers in Malory’s Morte D’Arthur." Journal of Historical Pragmatics 1, no. 2 (August 30, 2000): 231–62. http://dx.doi.org/10.1075/jhp.1.2.05flu.

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On the basis of the model of narrative structure proposed in Fludernik (1996b) this paper presents the results of an investigation of discourse markers in Thomas Malory’s Morte D’Arthur, with a complete line-by-line analysis of The Tale of King Arthur, Books I to III (“Merlin”; “Balin”; “Torre and Pellinor”), A Noble Tale of Sir Launcelot du Lake, and The Book of Sir Tristram de Lyones (Book XIV: “Launcelot and Elaine”). The paper argues that the inflation of discourse markers in Malory is a sign of their imminent disappearance from narrative prose and that other features that indicate a dissolution of the oral narrative episode pattern are also visible in the text.
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15

Sutherland, Jenifer. "Rhyming Patterns and Structures of Meaning in the Stanzaic Morte Arthur." Arthuriana 12, no. 4 (2002): 1–24. http://dx.doi.org/10.1353/art.2002.0006.

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16

Classen, Albrecht. "Sir Thomas Malory, Le Morte DArthur: Selections, ed. Maureen Okun. Broadview Anthology of British Literature. Peterborough, Ont.: Broadview Press, 2015, 374 pp., 7 b/w ill." Mediaevistik 31, no. 1 (January 1, 2018): 482. http://dx.doi.org/10.3726/med012018_482.

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As important as Sir Thomas Malory’s Le Morte D’Artur certainly proves to be for the entire history of medieval English literature, its massive volume makes it difficult for many of our students today to read the complete work. The present selection offers a more or less reasonable alternative and deserves to be considered for a variety of English literature courses. Maureen Okun offers the following sections: from From the Marriage of King Uther unto King Arthur; from A Noble Tale of Sir Launcelot du Lake; from Sir Tristram de Lyones; from The Noble Tale of the Sankgreal; from The Tale of Sir Launcelot and Queen Guinevere; and from The Death of Arthur.
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17

Bruso, Steven P. W. "The Sword and the Scepter: Mordred, Arthur, and the Dual Roles of Kingship in the Alliterative Morte Arthure." Arthuriana 25, no. 2 (2015): 44–66. http://dx.doi.org/10.1353/art.2015.0018.

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18

Adler, Gillian. "‘Ʒit þat traytour alls tite teris lete he fall’: Arthur, Mordred, and Tragedy in the Alliterative Morte Arthure." Arthuriana 25, no. 3 (2015): 3–21. http://dx.doi.org/10.1353/art.2015.0043.

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19

Tolhurst, Fiona. "Gender and the Chivalric Community in Malory's "Morte d' Arthur". Dorsey Armstrong." Speculum 80, no. 4 (October 2005): 1229–31. http://dx.doi.org/10.1017/s003871340000141x.

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20

Johnson, David F. "Black Waters, Dragons, and Fiends: Arthur's Dream in the Stanzaic Morte Arthur." Arthuriana 28, no. 3 (2018): 15–32. http://dx.doi.org/10.1353/art.2018.0023.

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21

Archibald, Elizabeth. "Some Uses of Direct Speech in the Stanzaic Morte Arthur and Malory." Arthuriana 28, no. 3 (2018): 66–85. http://dx.doi.org/10.1353/art.2018.0026.

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22

Tolhurst, Fiona, and K. S. Whetter. "Standing Up for the Stanzaic-poet: Artistry, Characterization, and Narration in the Stanzaic Morte Arthur and Malory's Morte Darthur." Arthuriana 28, no. 3 (2018): 86–113. http://dx.doi.org/10.1353/art.2018.0027.

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23

Kennedy, Beverly. "Love, Freedom, and Marital Fidelity in Malory's Morte Darthur." Florilegium 10, no. 1 (January 1991): 179–92. http://dx.doi.org/10.3138/flor.10.012.

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Sir Thomas Malory has little to say about women in his Morte Darthur, but this is hardly surprising. His decision to retell the entire history of King Arthur and his knights of the Round Table necessarily entailed a primary focus upon knighthood (and its principal functions, war and governance), from which women were barred by virtue of their sex.1 Therefore, the relative lack of interest which Malory shows in women should not necessarily be taken as a sign that he is, as one feminist critic has alleged, “misogynistic” or “homoerotic” (Stiller 94). In fact, if we examine closely Malory’s representation of courtship and marriage — a sphere of human activity within knightly society where men’s and women’s interests and activities converge — we will realize that he is not at all “misogynistic.” On the contrary, he is remarkably sympathetic towards women.
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24

Lynch, Andrew. "Making Joy / Seeing Sorrow: Emotional and Affective Resources in the Stanzaic Morte Arthur." Arthuriana 28, no. 3 (2018): 33–50. http://dx.doi.org/10.1353/art.2018.0024.

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25

Ribeiro, Jonatan da Silva. "A CASA DA MORTE EM PETRÓPOLIS. O PATRIMÔNIO DE UMA MEMÓRIA TRAUMÁTICA." Revista Ibero-Americana de Humanidades, Ciências e Educação 7, no. 8 (August 31, 2021): 133–46. http://dx.doi.org/10.51891/rease.v7i8.1932.

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A “Casa da Morte”, localizada na Rua Arthur Barbosa, número 120, Caxambu, na cidade de Petrópolis, funcionava como um ativo centro clandestino de repressão coordenado pelo CIE (Centro de Informações do Exército) no início dos anos de 1970. O imóvel foi cedido pelo empresário alemão Mário Lodders, era um espaço afastado das demais localidades e sem moradores ao redor, tornando-se um ambiente propício às sessões de tortura. Considerada como um dos piores porões de tortura da Ditadura Militar ficou também conhecida como a Casa dos Horrores e Codão, pois era quase impossível sair vivo do local, com exceção de Inês Etienne Romeu, a militante sobrevivente que relatou as violações que ali passou. Criada como um centro clandestino de opressão política, a Casa da Morte foi um dos piores centros de repressão da ditadura, em que o ódio e a violência contra os que não concordavam com as medidas
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Santos, Élcio José dos. "Algumas considerações sobre a questão do suicídio na filosofia de Arthur Schopenhauer." Voluntas: Revista Internacional de Filosofia 1, no. 2 (December 1, 2010): 23. http://dx.doi.org/10.5902/2179378634121.

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O objetivo do presente texto é abordar algumas questões referentes à posição de Schopenhauer acerca do suicídio. Se viver é sofrer, somente a dor é positiva, vida e morte são meras ilusões. Se o mundo constitui o inferno, seria o suicídio a forma mais eficiente de escapar ao martírio da vida? De acordo com o filósofo, não. O suicídio não passa de um equívoco, pois ao destruir o corpo o indivíduo não nega a Vontade, mas a afirma, sendo que o corpo é apenas o fenômeno dessa Vontade. No entanto, também não há motivos para o suicídio ser considerado um crime. A moral utilizada pelos filósofos europeus não tem bases para condená-lo, mas somente a partir de um ponto de vista ascético é que podemos entender porque é errado matar a si próprio.
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Rayner, Samantha J. "Lost in the Woods: Grey Areas in Malory and the Stanzaic Morte Arthur." Arthuriana 22, no. 2 (2012): 75–84. http://dx.doi.org/10.1353/art.2012.0018.

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Moloney, Karen. "Maidens, Magic, and Manipulation: The Female Presence in Sir Thomas Malory’s Morte Darthur." Boolean: Snapshots of Doctoral Research at University College Cork, no. 2014 (January 1, 2014): 89–93. http://dx.doi.org/10.33178/boolean.2014.17.

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The legends of King Arthur and the Knights of the Round Table are preeminent in medieval lore, as literary history celebrates these valiant knights on their illustrious quests; these crusades, however, were very often affected, or even entirely motived, by love, lust, or a damsel in distress. What of those women whom these knights loved and lost, or feared and fought? A distinctly male presence remains the primary focus of medieval literature; my work aims to explore how the dynamic of these medieval texts is influenced and motivated by the consequences of female endeavours, in terms of an autonomous feminine presence in the narrative world, and the authority with which this is presented. My focus lies primarily with an exploration of this female form in Sir Thomas Malory’s Morte Darthur, a fifteenth-century text which presents the Arthurian world governed by the king and his renowned company of knights, based on ...
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Wiśniewska-Przymusińska, Malwina. "T/V Pronouns and FTAs in the Works of Sir Thomas Malory: Medieval Politeness and Impoliteness in Directives, Expressives, and Commissives." Studia Anglica Posnaniensia 55, no. 1 (March 1, 2020): 139–76. http://dx.doi.org/10.2478/stap-2020-0006.

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Abstract Middle English second person pronouns thou and you (T/V) are considered to be among the means employed by medieval speakers to express their attitudes towards each other. Along with face-threatening acts, the use of these pronouns could indicate power relations or solidarity/distance between the interactants (Taavitsainen & Jucker 2003; Jucker 2010; Mazzon 2010; Bax & Kádár 2011, 2012; Jucker 2012). Using the tools available in pragmatic research, this paper attempts to provide an analysis of selected fragments from The Works of Sir Thomas Malory (Vinaver 1948 [1947]), analysed through the lens of Searle’s speech act theory (1969, 1976). The aim of this paper is to investigate whether the usage of T/V pronouns in polite or impolite contexts depends on the speech act in which they appear or not. Secondly, it looks at the presence of face-threatening acts (FTAs) and their potential influence on polite or impolite pronoun usage. Lastly, the analysis looks at the usage of FTAs within specific speech acts. The fragments used in this article were chosen from five chapters of Malory’s text: The Tale of King Arthur, Lancelot and Guinevere, The Morte Arthur, The Noble Tale, and Tristram de Lyones.
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Almeida de souza, Ayanne Larissa. "O Regime Noturno da Imagem na Poesia de Antero de Quental." Téssera 2, no. 2 (June 23, 2020): 19–38. http://dx.doi.org/10.14393/tes-v2n2-2020-52346.

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Este trabalho investiga a poesia portuguesa, analisando o simbolismo do regime noturno da imagem, tomando como pressuposto a estrutura do imaginário de Gilbert Durand. Buscamos analisar, a partir de um estudo sobre a poesia de Antero de Quental, de que modo o regime imagético noturno emerge enquanto símbolo do não-ser, da eternidade, da vida como termo disfórico/negativo, enquanto a morte surge como termo eufórico/positivo. Dialogaremos com as filosofias de Friedrich Nietzsche - no que diz respeito à dimensão disonisíaca da estética nietzschiana - e de Arthur Schopenhauer, discorrendo sobre o mundo como vontade e como representação e demonstrando de que maneira essas duas filosofias dialogam com o imaginário de Durand dentro da poesia anteriana.
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Duenha, Milene Lopes, and Moacir Romanini Junior. "Cavar espaços, revelar contextos." Conceição/Conception 8, no. 2 (December 16, 2019): 132–47. http://dx.doi.org/10.20396/conce.v8i2.8656483.

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O que cabe à arte diante de um contexto Brasil, em uma América Latina incendiada, seja de fogo literal, seja de desejo de morte? Cavar espaço em sistemas contentores das subjetividades e atentar-se ao potencial de incidência coletiva que esse fazer carrega, nos parece um caminho possível. Por uma abordagem cartográfica, o presente artigo discute as relações entre ética, estética e o político, destacando a co-determinância entre essas esferas em favor da potência de vida. Para tanto, o olhar para as ações dos artistas Regina José Galindo e Arthur Barrio oferece exemplos de intersecção entre arte e vida pública. Autores como Baruch Spinoza, Vladmir Safatle, Georges Didi Huberman e Walter Benjamin são trazidos como referência nessa discussão.
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Gerrits, Gerry. "Acadia University." Florilegium 20, no. 1 (January 2003): 123–24. http://dx.doi.org/10.3138/flor.20.037.

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K.S. Whetter (Ph. D. Wales) teaches first-year literature and medieval literature in Acadia University’s English Department. His principal areas of expertise and interest are medieval literature, especially the medieval Arthurian tradition, Thomas Malory’s Morte Darthur, and Middle English romance, but he is also interested in genre theory, and epic and heroic literature (both medieval and classical). He has published in the Bibliographical Bulletin of the International Arthurian Society, Reading Medieval Studies (forthcoming), a collection of essays from Trent University’s Department of Ancient History and Classics, and a collection of essays entitled Writing War: Medieval Literary Responses (forthcoming from Boydell & Brewer). He has also appeared on BBC’s Time Team as the Malory expert for their In Search of King Arthur special.
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Debona, Vilmar. "Arthur Schopenhauer no Brasil: em memória dos 150 anos da morte de Schopenhauer. Org. de Deyve Redyson." Voluntas: Revista Internacional de Filosofia 2, no. 2 (December 1, 2011): 216. http://dx.doi.org/10.5902/2179378634130.

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Nievergelt, Marco. "Writing the “Hoole Book” of King Arthur: The Inscription of the Textual Subject in Malory’s Morte Darthur." Modern Philology 113, no. 4 (May 2016): 460–81. http://dx.doi.org/10.1086/685098.

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Portella, Rodrigo, and Vinícius Lara Da Costa. "Letras imortais: a presença das ideias espíritas / espiritualistas na obra de autores clássicos da literatura americana e europeia do século XIX." TEOLITERARIA - Revista de Literaturas e Teologias 10, no. 20 (May 9, 2020): 280–301. http://dx.doi.org/10.23925/2236-9937.2020v20p280-301.

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Abordando as relações entre vida e morte, o modern spiritualism norte americano e o espiritismo francês se converteram em movimentos de caráter religioso muito rapidamente a partir da segunda metade do séc. XIX. Além de obras produzidas por apologéticos da causa, ocorreu movimento interessante de identificação de vários autores da literatura clássica com as ideias do contato com o mundo invisível. A partir desta leitura, nos deparamos com relatos auto biográficos e literários significativos nas obras de Arthur Conan Doyle, Harriet Beecher Stowe e Victor Hugo. O objetivo deste trabalho é identificar, destacar e analisar a presença das idéias espiritualistas na produção de alguns escritores do século XIX, estabelecendo relações possíveis entre a penetração social do modern spiritualism e a construção de um imaginário religioso moderno através da literatura.
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Silva, Evaldo Balbino da. "Entre a província e o litoral: a bagagem poética de Adélia Prado." Revista do Centro de Estudos Portugueses 22, no. 31 (December 31, 2002): 275. http://dx.doi.org/10.17851/2359-0076.22.31.275-296.

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<p>Este estudo tem por objetivo fazer algumas reflexões sobre o processo de transcriação das famosas “Voyelles”, de Arthur Rimbaud, pelo poeta mineiro, Alphonsus de Guimaraens. Ao passar pela ótica do “poeta da morte”, a aura de luminosidade que envolve a cor das vogais adquire tonalidades sombrias e escuras. Essa transmutação, com fortes ressonâncias da poesia baudelairiana, aponta para uma visão diferente da do autor de “Voyelles”.</p> <p>Cette étude vise à faire quelques réflexions à propos du processus de transcréation des fameuses ‘Voyelles’ d’Arthur Rimbaud, par le poète ‘mineiro’ (brésilien), Alphonsus de Guimaraens. À cause de l’optique du ‘poète de la mort’, l’allure de luminosité que couvre la couleur des voyelles acquiert des tonalités sombres et noirâtres. Cette transmutation, avec des fortes résonances de la poésie baudelairienne, suggère une visée différente de celle de l’auteur de ‘Voyelles’.</p>
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Davis, Craig R. ""King Arthur's Death": The Middle English "Stanzaic Morte Arthur" and "Alliterative Morte Arthure.". Larry D. Benson , Edward E. Foster"Lancelot of the Laik" and "Sir Tristrem.". Alan LupackThe Shewings of Julian of Norwich.Julian of Norwich , Georgia Ronan Crampton." Speculum 71, no. 1 (January 1996): 121–23. http://dx.doi.org/10.2307/2865207.

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Gerardus Maria Poppelaars, Antonius. "O SOFRIMENTO DO HOMEM COMUM: O HERÓI TRÁGICO E TRAGICIDADE EM A MORTE DE UM CAIXEIRO-VIAJANTE DE ARTHUR MILLER." Labirinto 27, no. 1 (2017): 126–45. http://dx.doi.org/10.47209/1519-6674.v.27.n.1.p.126-145.

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Marques, Rodrigo Vieira. "O CAIXEIRO-VIAJANTE REVISITADO: OS PARADOXOS DA “FÚRIA NARCÍSICA” NA LITERATURA E NO CINEMA." Revista Graphos 20, no. 1 (September 11, 2018): 138. http://dx.doi.org/10.22478/ufpb.1516-1536.2018v20n1.41737.

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O presente artigo busca estabelecer uma relação entre o filme O Apartamento, de Asghar Farhadi, e a peça de Arthur Miller, A morte de um caixeiro-viajante. Tendo por fundamento a noção psicanalítica de narcisismo e a teoria do “modo de endereçamento”, busca-se desenvolver uma discussão em torno da noção de “fúria narcísica” (Kohut) e o que se considera ser seus paradoxos. Destaca-se, principalmente, dois paradoxos que se encontram entrelaçados: em primeiro lugar, o modo como, nessa condição psíquica, o inimigo é uma parte não reconhecida do próprio Self e, em segundo lugar, o modo como o outro, que serve de tela para projeção de sentimentos de hostilidade, torna-se um presente-ausente, não percebido em sua inteireza. Nesse contexto, a “fúria narcísica” origina-se, sobretudo, da ausência de um registro psíquico integrado da alteridade e, por conseguinte, de suas complexidades e ambivalências. A partir dessas questões, espera-se mostrar como tanto no filme como na peça teatral que lhe serve de intertexto um “narcisismo extremamente vulnerável” e suas falhas vão sendo elucidados.
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Donadoni, Marcilene Moreira. "Rodrigo Lacerda: estilos que se fundem entre a vida e os livros traduzidos." Letrônica 12, no. 1 (June 26, 2019): 32076. http://dx.doi.org/10.15448/1984-4301.2019.1.32076.

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Na trajetória para se consagrarem escritores, vários autores se enveredam por diferentes caminhos artísticos. Assim, conforme seus nomes ganham destaque na mídia, suas obras começam a sair das últimas prateleiras empoeiradas das pequenas livrarias. Neste artigo, nos interessa apresentar o trabalho de Rodrigo Lacerda, conceituado e premiado escritor de literatura brasileira, por meio de sua relação com a atividade de tradução e adaptação. O objetivo é mostrar a relação entre a obra literária autoral de Lacerda e suas obras de tradução e adaptação de literatura de língua inglesa. Para tanto, propomos refletir sua habilidade com a arte da tradução e da adaptação de romances como O médico e o monstro (1992), de Robert Louis Stevenson; A nuvem da morte (1993), de Arthur Conan Doyle; Coleção Movimentos da Arte, com o título Expressionismo (2002), de Shulamith Behr; Poemas (2006), de Raymond Carver e O pequeno príncipe, de Antoine de Saint-Exupéry (2015). Ancorados nos estudos de Candido (2006), Kristeva (2005) e Perrone-Moisés (1998) no que concerne à arte literária, demonstraremos que, com leveza e suavidade, o tradutor propõe resgatar o leitor juvenil que desconhece os clássicos literários, especialmente com a publicação de seu romance Hamlet ou Amleto? Shakespeare para jovens curiosos e adultos preguiçosos (2015).
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41

Stock, Lorraine Kochanske. "Malory's Le Morte Darthur: Anatomy of a Legend; Understanding Sir Gawain and the Green Knight; The Legend of Arthur in Literature and Popular Culture." Arthuriana 14, no. 2 (2004): 96–99. http://dx.doi.org/10.1353/art.2004.0056.

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Adderley, C. M. "Le Morte Darthur or The Hoole Book of Kyng Arthur and of His Noble Knyghtes of The Rounde Table: Authoritative Text, Sources and Backgrounds, Criticism edited by Stephen H.A. Shepherd." Arthuriana 14, no. 4 (2004): 96–98. http://dx.doi.org/10.1353/art.2004.0048.

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43

Hosington, Brenda. "In memoriam: Arthur Barker." Moreana 29 (Number 111-, no. 3-4 (November 1992): 195–96. http://dx.doi.org/10.3366/more.1992.29.3-4.35.

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FIELD. ""MORTE ARTHURE", THE MONTAGUS, AND MILAN." Medium Ævum 78, no. 1 (2009): 98. http://dx.doi.org/10.2307/43632801.

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Jefferson, Judith Anne, and Ad Putter. "Alliterative Patterning in the Morte Arthure." Studies in Philology 102, no. 4 (2005): 415–33. http://dx.doi.org/10.1353/sip.2005.0020.

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Finlayson, John. "Morte Arthure: A Critical Edition. Mary Hamel." Speculum 63, no. 4 (October 1988): 936–39. http://dx.doi.org/10.2307/2853563.

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Withers, J. "Mordred's Disguise in the Alliterative Morte Arthure." Notes and Queries 57, no. 1 (January 7, 2010): 20–24. http://dx.doi.org/10.1093/notesj/gjp292.

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Moriya, Yasuyo. "Identical Alliteration in The Alliterative Morte Arthure." English Language Notes 38, no. 1 (September 1, 2000): 1–16. http://dx.doi.org/10.1215/00138282-38.1.1.

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Stanley, E. G. "A Concordance to the Alliterative ‘Morte Arthure’." Notes and Queries 50, no. 2 (June 1, 2003): 227–28. http://dx.doi.org/10.1093/nq/500227.

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Stanley, E. G. "A Concordance to the Alliterative 'Morte Arthure'." Notes and Queries 50, no. 2 (June 1, 2003): 227–28. http://dx.doi.org/10.1093/nq/50.2.227.

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