Relevant bibliographies by topics / Moscow (Russia) in art

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  2. Dissertations / Theses
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Academic literature on the topic 'Moscow (Russia) in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Moscow (Russia) in art"

1

Blakesley, Rosalind P. "Art, Nationhood, and Display: Zinaida Volkonskaia and Russia's Quest for a National Museum of Art." Slavic Review 67, no. 4 (2008): 912–33. http://dx.doi.org/10.2307/27653031.

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In 1831, the journal Teleskop published Princess Zinaida Volkonskaia's proposal for a national art museum in Moscow. Volkonskaia's project was progressive to a degree (Russia had no such museum at the time), yet the model she proposed was highly traditional. She excluded Russian art entirely, despite her support of modern Russian artists. Instead, Volkonskaia privileged classical and more recent western European art, underlining the deference to western practice that influenced cultural politics even as Russia moved toward a stronger national sense of self. Volkonskaia's project marks an important juncture in Russia's cultural history: the intersection of aristocratic female patronage and the institutionalization of academic procedure. It also provides a platform from which to consider Russia's self-image vis-à-vis Europe in the aftermath of the Napoleonic campaigns. By tracing an intricate dialogue in which national pride developed alongside continuing admiration for neoclassical ideals, Rosalind P. Blakesley addresses the paradoxes of Volkonskaia's project, and the difficulties of conceptualizing a “national” space of artistic display. Volkonskaia's project poses significant interpretive problems and her exclusion of Russian art prefigures the segregation of Russian and western art in Russian museums today, which has marginalized Russian art even within Russia itself. Volkonskaia's project thus has wide resonance, for the question of whether and how museums encapsulate national cultural identities remains an issue of great intellectual concern.
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Kharitonova, Natalya Stepanovna. "Interaction of Artistic Culture of Russia and Scandinavian Countries at the turn of the 19th-20th Centuries." Journal of Flm Arts and Film Studies 7, no. 2 (June 15, 2015): 97–104. http://dx.doi.org/10.17816/vgik7297-104.

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The author examines similarity of historical and cultural development of Russia and Scandinavian countries. Cultural ties between the two domains evolved over many centuries. The most intensive period of development of Russian-Scandinavian artistic contacts stretched from mid-1880s-1890s up to the end of the first decade of the 20th century. In 1890s Russian painters considered achievements of Scandinavian colleagues as an example of a quest for progress, a creative approach to finding ones way in development of fine arts. At the same period in Russia a number of major international art exhibitions were arranged with active northern painters participation. The Russian interest in the art of Scandinavian countries in the late 19th - early 20th c. was anything but accidental. The development of artistic culture in Nordic countries was in tune with the Russian artists quest for other ways of creative expression. Northern culture attracted sympathy of Russian painters, black-and-white artists and art critics of diverse, often opposing groups and movements. For example, among the admirers of Scandinavian fine arts were V.V. Stasov and A.N. Benoit, I.E. Repin, V.A. Serov, F.A.Malyavin, the artists of the "Mir iskusstva group, and representatives of Moscow School of Painting (K. Korovin, A. Arkhipov, V. Perepletchikov etc.). By mid-1890s relations of Russian and Scandinavian art schools had become very intense and productive. This interaction coincided with significant events that influenced further development of artistic and other forms of culture on both sides. It manifested itself in publications of works of A. Strinberg and K. Hamsun in Russian, in staging of H. Ibsens plays at the Moscow Art Theater, exhibitions (especially of A.Tsorns works), and other activities that served to cross-fertilisation of cultures of Russia and Scandinavian countries.
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Pipes, Richard. "Russia's Itinerant Painters." Russian History 38, no. 3 (2011): 315–427. http://dx.doi.org/10.1163/187633111x579819.

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AbstractVisual arts in Russia languished through most of her history, partly because the Orthodox Church frowned on pictorial representation, partly because there was virtually no middle class to purchase paintings. In the mid-eighteenth century Russia acquired an Academy of Arts which produced works largely in classical style and content. This changed in the 1870's when, under western influence, a group of Russian artists formed a society of "Itinerants" committed to painting in the realistic mode and to exhibit their works in various cities of the Empire rather than solely in the capital cities of St. Petersburg and Moscow, as had been the custom until then. Their canvasses depicted everyday life in Russia as well as historical scenes; they also painted portraits of contemporaries. This special issue deals with the lives and work of nine leading Itinerant painters. The movement gradually lost popularity toward the beginning of the twentieth century as Impressionism and Abstract art replaced it, but it revived in the Soviet period. Today it is greatly favored by the Russian public which swarms the Tretyakov Gallery in Moscow, the largest collection of Itinerant art.
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Pogosova, Nana, Rafael Oganov, Hugo Saner, Sergey Suvorov, and Olga Sokolova. "Potential and limitations of health policy to improve coronary heart disease prevention and to reduce the burden of disease: A Russian experience." European Journal of Preventive Cardiology 25, no. 16 (April 11, 2018): 1725–34. http://dx.doi.org/10.1177/2047487318768030.

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Background Mortality from cardiovascular diseases is particularly high in Russia compared with the European average. The National Priority Project ‘Health’, launched in 2005, aimed to promote prevention of non-communicable diseases, particularly cardiovascular diseases, in primary care and to increase availability of state-of-art cardiovascular disease management. Methods This is a multiregional population based study with analysis of indicators for cardiovascular health and coronary heart disease in Moscow, St Petersburg, the Moscow region and across Russia, including a total population of 143.7 million inhabitants between 2005 and 2013. Data were collected using conventional methodology and originate from open statistical sources. Results The overall age-standardized coronary heart disease mortality decreased in 2005–2013 by 24.7% from 383.6 to 289.0 per 100000 population, but with substantial interregional differences: it declined from 306.1 to 196.9 per 100,000 in Moscow (–35.7%), from 362.1 to 258.9 per 100,000 in St Petersburg (–28.5%) and from 433.8 to 374.3 per 100,000 in the Moscow region (–13.7%). Income in Moscow exceeded the national average 2–3-fold, and Moscow had the highest availability of modern treatments and interventions. Although vegetables, fruits and fish consumption increased overall in Russia, this trend was most prominent in Moscow. Indicators for psychosocial well-being also were best in Moscow. Life expectancy in Moscow is almost six years higher than the Russian average. Conclusion Health policy interventions turned out to be successful but with substantial interregional differences. Lower coronary heart disease mortality and higher life expectancy in Moscow may be due to a more favourable socioeconomic and psychological environment, more healthy eating and greater availability of medical care.
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Shkurko, Alla. "Medallic Art in Russia XVIII c." Scientific and analytical journal Burganov House. The space of culture 16, no. 1 (March 10, 2020): 80–99. http://dx.doi.org/10.36340/2071-6818-2020-16-1-80-99.

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Summary: The article is dedicated to the history of medalic art of Russia since the time of its appearance at the boundary 17–18 cc. and its further developing as a definite kind of art in the course of the century. In 1701 a new Mint began its work in Moscow in Kadashev sloboda. For some period of time it was the main Mint issuing coins and medals. Among the engravers working there the first place belongs to Fedor Alekseev who was the leading medalist since 1701. Afterwards the leading initiative was given to foreign masters who had come to work for Russia. The first foreign medalists working on Russian services were Frenchman Solomon Gouin and Saxon G. Haupt. During the whole part of the first quarter of 18 c. Russian medalic works were signed by foreign craftsmen. The series of medals in memory of the North war performed by the German medalist Ph.G. Mueller and left a noticeable trace in the development of Russian medalic art. Medals of the first quarter of 18 c. reflected the successful events of Russia in the North war most fully but very few medals were devoted to the home life of the country. Medals of the first quarter of 18 c. served as the firm foundation for further development of the Russian medalic art. In 30–40s years the leading place at the Russian Mints was occupied by foreign medalists. Chief medalist was Dane Anton Shultz who was engaged not only in cutting dies but also taught Russian masters. The main service of I.G. Waechter rendered to the Russian medalic art consists in the further widening of artistic possibilities of medals. Virtuosity of ability to use technique, the accuracy in the gradation of the relief, fine feeling of light and shade allowed the artist to create such pictorial relief that is always connected with his name in the Russian medalic art. Together with the artists already spoken about, Russian masters work professionally too. The creative work of two medalists Tymophey Ivanov and Samoilo Yudin is very important. The circle of Russian medalists of 18 c. is completed by Karl Leberecht. By his creative work he realized the transition to a new period of medalic art – classicism. In the first half of the 18 c. medals immortalized a small number of important events and ruling monarchs, but in the second half of the century the medallic art began to aspire to reflect the events in many fields of historical life of Russia much wider. This tendency became stronger in the 19 c. when medals issue increased.
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Vikulova, Vera P. "First Museum in Russia Devoted to N. Gogol Opened in Moscow." Bibliotekovedenie [Russian Journal of Library Science], no. 3 (May 25, 2009): 12–14. http://dx.doi.org/10.25281/0869-608x-2009-0-3-12-14.

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One of main events of the jubilee year was the opening of Gogol’s Museum, first in Russia. Museum holds authentic historical objects and works of art as well as things belonging to Gogol. Museum Collection counts over thousand and a half items and contains unique collections of art materials, rare books and documents, staff and photo materials. Official opening of the museum was held on March 27, 2009.
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Волкова, Ульяна Михайловна. "Moscow in the Russian medallic art." Искусство Евразии, no. 2(17) (June 27, 2020): 116–25. http://dx.doi.org/10.25712/astu.2518-7767.2020.02.007.

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В статье рассматриваются медали, созданные в Российской империи в XVIII – начале XX века, с изображением города Москвы. В течение XVIII века была отчеканена всего одна медаль с таким изображением – на основание Московского университета. Все памятники XIX – начала XX века с изображением древней столицы можно разделить на три типа – это виды Кремля, различные сооружения и персонифицированный образ города. Персонификация Москвы – самый увлекательный медальный образ старой столицы. С этой аллегорией существует всего три медали. Первая персонификация Москвы была показана на медали, посвященной Отечественной войне 1812 года – «Освобождение Москвы», отчеканенной в 1834 году и принадлежащей к серии графа Ф.П. Толстого. Одеяние аллегорического персонажа соответствует русской моде начала XIX века и включает стилизованный сарафан и кокошник. На примере трех проанализированных медалей с изображением персонификаций Москвы автор прослеживает основные изменения, произошедшие в отечественном медальерном искусстве – от первых попыток включить элементы традиционной культуры в европейское по своей сути искусство до композиций, созданных на основе исторических источников и научных трудов. The article deals with the images of Moscow in the Russian medallic art of the 18th – beginning of the 20th century. Only one medal with the view of Moscow Kremlin was struck during 18th century. It was a medal dedicated to the inauguration of the Moscow University in 1754 by Helvetian medallieur Jacques-Antoine Dassier. During 19th – beginning of the 20th century, there were three types of the images of Moscow on the Russian medals. Moscow Kremlin, some landmark buildings or personification of the town are the main images depicted on the medals. Personification of Moscow is the most fascinating medallic image of the old capital. There were only three medals with this allegory. First personification of Moscow was shown on a medal dedicated to the Patriotic war of 1812 – “Liberation of Moscow” belonging to the series of count F.P. Tolstoy, minted in 1834. Allegory was dressed according to the Russian fashion of the beginning of the 19th century. And wore stylized sarafan (Russian folk costume) and kokoshnik (traditional Russian headdress). Two other personification were depicted after the first one.
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Senelick, Laurence. "The Accidental Evolution of the Moscow Art Theatre Prague Group." New Theatre Quarterly 30, no. 2 (May 2014): 154–67. http://dx.doi.org/10.1017/s0266464x14000268.

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During the period of confusion and divided loyalties that followed the 1917 Revolution in Russia, the resources of the Moscow Art Theatre were severely depleted, and its artists and staff found themselves giving barebones performances for the enlightenment of often mystified working-class audiences. By 1919 the decision was taken to split the company, with a contingent sent out on tour with the intention of rejoining the parent group for the new season. In the event, with civil war raging between the forces of the Red Army and the White Guard, this did not happen, and groups of former members of the Art Theatre worked independently in the provinces and eventually abroad. While some returned to Moscow in 1922, the ‘Prague Group of the Moscow Art Theatre’ continued to lead an independent existence, and in this article Laurence Senelick traces the events leading up to and following its creation – which caused much annoyance to Stanislavsky and confusion in the West. A frequent contributor to New Theatre Quarterly, Laurence Senelick is Fletcher Professor of Drama and Oratory at Tufts University and a Fellow of the American Academy of Arts and Sciences. He is a recipient of the St George medal of the Ministry of Culture of the Russian Federation for services to Russian art and scholarship. His latest books are Stanislavsky: a Life in Letters (Routledge) and the forthcoming Soviet Theatre: a Documentary History (Yale University Press).
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Rychkova, Ekaterina А. "THE HANDICRAFTS MUSEUM AS AN ACTUAL FORM OF MUSEUM ACTIVITY IN THE SECOND HALF OF THE XIX - THE FIRST THIRD OF THE XX CENTURIES (ON THE EXAMPLE OF THE MOSCOW HANDICRAFTS MUSEUM)." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 40 (2020): 273–78. http://dx.doi.org/10.17223/22220836/40/25.

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The development of folk crafts in Russia was closely connected with the formation of handicrafts museums that performed complex tasks of preserving, studying and promoting folk art. The study of their history today is one of the problems that have not yet been sufficiently studied in museology. Handicrafts museums were considered by researchers primarily in the general historical context of the influence of state policy and provincial zemstvos on the development of handicraft industry in Russia. However, the phenomenon of handicrafts museums remains insufficiently studied from the point of view of history and the theory of museum work. The type of the handicrafts museum has not yet been singled out as an actual form of the museum institution of the last quarter of the XIX – the first third of the XX centuries, which spread in several provinces of the Russian Empire. The purpose of the article is to review the main activities of the Moscow Handicrafts Museum - an example of the formation of new types of museums in Russia and their influence on the development of folk crafts in the second half of the 19th century – the first third of the 20th centuries. Moscow Handicrafts Museum opened in 1885. His task was to fully promote the development of folk art and the implementation of handicrafts. One of the main features and goals of creating the Handicrafts Museums in the Russian Empire was the formation of an established system of state patronage over the peasants who were freed from serfdom and promotion of their involvement in the new sector of the economy. The museum staff formed the museum collection, actively participated in organizing the training of folk craftsmen, arranging production workshops, became intermediaries in the art market, and was engaged in active exhibition work around the world, especially at large industrial fairs. In the 1890–1910s, the case started in Moscow spread quickly to almost the whole country. Handicrafts museums immediately arose in several provinces of Russia. One of the program documents of that period was the concept of the development of the Handicrafts Museum, proposed in a report of Sergey Morozov in 1910. Thus, at the beginning of the twentieth century in Moscow, the structure of an effective museum was formed, aimed at systematic work with folk crafts and successfully involving a wide range of partners: artists and scientists, merchants and foreign industrialists. Thanks to the assistance of handicrafts museums in Russia in the late XIX – early XX centuries traditional folk crafts were able to survive and be adequately represented throughout the world. The aesthetic significance of folk art has been recognized. The study of folk art has become an important subject of scientific research. All aspects of the multifaceted history of the formation and development of handicrafts museums and their role in the socio-economic and cultural development of Russia are of great scientific interest and require careful further study.
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Häßler, Miriam. "Moscow Merz and Russian Rhythm." Experiment 23, no. 1 (October 11, 2017): 117–26. http://dx.doi.org/10.1163/2211730x-12341305.

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Abstract The Erste Russische Kunstausstellung [First Russian Art Exhibition] of 1922 was a remarkable event not only for Berlin’s art lovers at that time, but also for the history of twentieth century art. Held at Galerie van Diemen, the show gave a comprehensive overview of Russia’s artistic achievements from late Tsardom to the Russian Civil War. Of all styles in the exhibition, the non-objective art movements of suprematism and constructivism provoked the greatest sensation among the visitors, many of whom were Western artists. Relating Russia’s variations of non-objectivity with their—assumed—political notions, Western modernists reacted in various ways. This article aims at tracking the long-lasting vestiges of the Erste Russische Kunstausstellung in the personal and artistic developments of two key-figures of Germany’s modern art scene: Kurt Schwitters and Hans Richter. While the role of El Lissitzky, who designed the catalogue’s cover, has already been canonized, this article wants to highlight lesser-regarded aspects.
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Dissertations / Theses on the topic "Moscow (Russia) in art"

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Brooks, Cassandra M. "Cultural Exchange: the Role of Stanislavsky and the Moscow Art Theatre’s 1923 and 1924 American Tours." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699929/.

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The following is a historical analysis on the Moscow Art Theatre’s (MAT) tours to the United States in 1923 and 1924, and the developments and changes that occurred in Russian and American theatre cultures as a result of those visits. Konstantin Stanislavsky, the MAT’s co-founder and director, developed the System as a new tool used to help train actors—it provided techniques employed to develop their craft and get into character. This would drastically change modern acting in Russia, the United States and throughout the world. The MAT’s first (January 2, 1923 – June 7, 1923) and second (November 23, 1923 – May 24, 1924) tours provided a vehicle for the transmission of the System. In addition, the tour itself impacted the culture of the countries involved. Thus far, the implications of the 1923 and 1924 tours have been ignored by the historians, and have mostly been briefly discussed by the theatre professionals. This thesis fills the gap in historical knowledge.
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Titarchuk, Victor N. "Christian Liberal Arts Higher Education in Russia: A Case Study of the Russian-American Christian University." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3607/.

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This is a case study of the historical development of a private Christian faith-based school of higher education in post-Soviet Russia from its conception in 1990 until 2006. This bi-national school was founded as the Russian-American Christian University (RACU) in 1996. In 2003, RACU was accredited by the Russian Ministry of Education under the name Russko-Americansky Christiansky Institute. RACU offers two state-accredited undergraduate academic programs: 1) business and economics, and 2) social work. RACU also offers a major in English language and literature. The academic model of RACU was designed according to the traditional American Christian liberal arts model and adapted to Russian higher education system. The study documents the founding, vision, and growth of RACU. It provides insight into the academic, organizational, and campus life of RACU. The study led to the creation of an operational framework of the historical development of RACU. The study also provides recommendations for the development of new Christian liberal arts colleges and universities based on the experience and the underlying structure of RACU.
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Nadezda, Chamina <1977&gt. "La fortuna della scenografia italiana nella Russia Neoclassica. Il teatro di Pietro Gonzaga a Mosca." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/3167/.

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La tesi ha come oggetto lo studio dei legami culturali posti in essere tra la Russia e l’Italia nel Settecento effettuato a partire dall’analisi del teatro di Arkhangelskoe (nei pressi di Mosca), ideato da Pietro Gonzaga. Ciò ha consentito di inquadrare l’atmosfera culturale del periodo neoclassico a partire da un’angolazione insolita: il monumento in questione, a dispetto della scarsa considerazione di cui gode all’interno degli studi di storia dell’arte, racchiude diverse ed interessanti problematiche artistiche. Queste ultime sono state tenute in debito conto nel processo dell’organizzazione della struttura del lavoro in relazione ai differenti livelli di analisi emersi in riferimento alla tematica scelta. Ogni capitolo rappresenta un punto di partenza che va utilizzato al fine di approfondire problematiche relative all’arte ed al teatro nei due Paesi, il tutto reso possibile grazie all’applicazione di un originale orientamento analitico. All’interno della tesi vengono infatti adoperati approcci e tecniche metodologiche che vanno dalla storia dell’arte all’analisi diretta dei monumenti, dall’interpretazione iconografica alla semiotica, per arrivare agli studi sociologici. Ciò alla fine ha consentito di rielaborare il materiale già noto e ampiamente studiato in modo convincente ed efficace, grazie al ragionamento sintetico adottato e alla possibilità di costruire paralleli letterari e artistici, frutto delle ricerche svolte nei diversi contesti. Il punto focale della tesi è rappresentato dalla figura di Pietro Gonzaga. Tra i decoratori e gli scenografi italiani attivi presso la corte russa tra il Settecento e l’Ottocento, questi è stato senza dubbio la figura più rilevante ed affascinante, in grado di lasciare una ricca eredità culturale e materiale nell’ambito dell’arte scenografica russa. Dimenticata per lungo tempo, l’opera di Pietro Gonzaga è attualmente oggetto di una certa riconsiderazione critica, suscitando curiosità e interesse da più parti. Guidando la ricerca su di un duplice binario, sia artistico che interculturale, si è quindi cercato di trovare alcune risonanze tra l’arte ed il pensiero di Gonzaga ed altre figure di rilievo non solo del suo secolo ma anche del Novecento, periodo in cui la cultura scenografica russa è riuscita ad affrancarsi dai dettami impartiti dalla lezione settecentesca, seguendo nuove ed originali strade espressive. In questo contesto spicca, ad esempio, la figura di Vsevolod Meyerchold, regista teatrale (uno dei protagonisti dell’ultimo capitolo della tesi) che ha instaurato un legame del tutto originale con i principi della visione scenica comunicati da Pietro Gonzaga. Lo sviluppo dell’argomento scelto ha richiesto di assumere una certa responsabilità critica, basandosi sulla personale sicurezza metodologica ed esperienza multidisciplinare al fine di tener conto dall’architettura, della teoria e della pratica teatrale – dalla conoscenza delle fonti fino agli studi del repertorio teatrale, delle specifiche artistiche locali, del contesto sociale dei due paesi a cavallo tra il ‘700 e l’‘800. Le problematiche toccate nella tesi (tra le quali si ricordano il ruolo specifico rivestito dal committente, le caratteristiche proprie della villa neoclassica russa, il fenomeno di ‘spettacoli muti’, la “teatralità” presente nel comportamento dei russi nell’epoca dei Lumi, la risonanza delle teorie italiane all’interno del arte russa) sono di chiara attualità per quanto concerne le ricerche relative al dialogo storico-artistico tra i due Paesi.
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Hawkins, Laurie, and University of Lethbridge Faculty of Education. "Education and society in Moscow : teachers' perceptions." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Education, 1999, 1999. http://hdl.handle.net/10133/111.

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Within the span of less than a decade, Russian teachers have lived through the collapse of the Soviet Union, the end of Communist rule, the emergence of a free market economy and levels of inflation which have pushed much of the population into poverty. Restrictive government poliies have been replaced with an infrastructure often described as corrupt and infeffective. New laws on education now allow for innovative curriculums and methodology, but economic restrictions have limited much possiblity for change. The purpose of this descriptive study is to examine the perceptions of Moscow educators regarding public educaion and society in Russia. Selected teachers were surveyed and interviewed about their perceptions of recent soical, political and economic changes within Russia; communism and the future of communism in Russia; democracy in Russia; schooling, students and teachers in general in Moscow; the creditation and training of educators in Russia; their responsibilities as educators in Russia; and the future of their individual professional lives. The study discusses the context of education and schooling in Moscow, provides data from a Likert type quesitonnaire and personal interviews, discusses the quantitative and qualitative data and uses a one way analysis of variance (ANOVA) with teachers' age as the variable. Major findings include teachers' perceptions that the political and economic changes in Russia are "inevitable." Teachers' lives continue to be restricted, however, that restriction is dictated by economics as opposed to political repression. The fall of the communist state is considered desirable and teachers are unsure if the communist party will ever again form the government of Russia. Teachers do not consider themselves to be "free" or Russia to be a true democracy, and most are undecided if Russia will become a true democracy in their lifetime. As well, the quality of public education is seen to have suffered since the end of the Soviet state with severe underfunding limiting the opportunities for innovative practice. Teachers, however, believe that educators in Russia are well- prepared to be professional teachers in post-communist Russia. They also believe that teachers are responsible for fostering a sense of Russian nationalism and instilling proper values in students. They have an important role to play in shaping Russian society in the future and are optimistic about the future of the teaching profession and the role they will play in determing that future.
1 v. (various pagings) ; 29 cm.
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Sanders, Joseph L. "The Moscow uprising of december 1905 : a background study /." New York ; London : Garland, 1987. http://catalogue.bnf.fr/ark:/12148/cb37409049j.

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Falk, Christian. "Moskau in lyrischen Texten des "Silbernen Zeitalters" : ein Beitrag zum moskovskij tekst /." Frankfurt : P. Lang, 2005. http://catalogue.bnf.fr/ark:/12148/cb411347876.

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Manevskaia, Ilona. "Blue Buddha : Tibetan medicine in contemporary Russia (St Petersburg and Moscow)." Thesis, University of Manchester, 2012. https://www.research.manchester.ac.uk/portal/en/theses/blue-buddha-tibetan-medicine-in-contemporary-russia-st-petersburg-and-moscow(98d3d4b1-ee53-4ae2-a033-2ff8eefda142).html.

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This thesis focuses on the socio-cultural and anthropological aspects of Tibetan medicine in contemporary Russia and investigates how Tibetan medicine is practised, consumed and represented in two major Russian cities, Moscow and St Petersburg. It is the first case-study of such kind in the context of Russian culture, as the anthropological aspects of Tibetan medicine in contemporary Russia have not yet been the subject of a systematic research. Up till now, scholarly publications on Tibetan medicine in Russia have dealt either with the translation and textual analysis of ancient Tibetan medical treatises or with the history of the first appearance of Tibetan medicine in Buriatia, the traditionally Buddhist region of Russia, and St Petersburg / Petrograd, paying little attention to contemporary developments and, most importantly, ignoring how Tibetan practitioners and their patients are making sense of Tibetan medicine. Based on twenty four interviews with practitioners and consumers of Tibetan medicine in the two Russian capitals, my research fills in this lacuna by looking at personal experiences, perceptions and accounts of my interviewees and exploring how they adapt Tibetan medicine to their skills, beliefs and ideas. My approach to sources is informed by Iurii Lotman's theory of intercultural communication. Although this theory was developed by Lotman for the analyses of the processes of cultural reception of literary texts, it is also relevant, with some modifications, for the analysis of the process of reception of non-textual cultural forms. The analysis of data collected from interviews with doctors and patients and the textual analysis of media, cinematic and literary sources has revealed two dominant trends and representational techniques. The first trend amounts to representing Tibetan medicine as unique and exotic, while the second trend amounts to the conceiving of Tibetan medicine as Russia's indigenous tradition, a part of Russian history, which had been subverted and suppressed in the Soviet period, yet rediscovered post-1991. Thus, we see here a co-existence of the inter-cultural dialogue between Russian culture and an exotic 'other' and the intra-cultural dialogue with a recently rediscovered part of 'self'. Both trends, which, at first glance, might appear to stand in contradiction to each other, sometimes coexist within a single explanatory narrative. The thesis also focuses on inter-cultural interactions between doctors and patients. It is argued that these interactions take place in the context of a noteworthy sociological and cultural phenomenon that the thesis calls 'mutual counter-adaptation'. Mutual counter-adaptation is the key mechanism used, consciously or spontaneously, by Tibetan doctors and their patients in order to facilitate the process of understanding between the parties involved in an inter-cultural dialogue around Tibetan medicine. The thesis finally reveals how this mutual counter-adaption takes place within a wider Russian cultural and media environment which exploits a set of specific symbols and images in order to make Tibetan medicine comprehensible and attractive to the wider Russian public.
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Rodina, Elena 1982. "How Publication Type, Experience, and Ownership Affect Self-Censorship among Moscow Newspaper Journalists." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10692.

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viii, 89 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.
This thesis examines how social and economic factors shape the behavior of Russian journalists. Although the state does not practice legal censorship today, Western experts compare Russian media with the Soviet period, and Russia is commonly ranked in the bottom 10% of all countries in terms of press freedom. While scholars identify free press as a necessary condition for a democratic society, Russian media are influenced by flak directed at editors and reporters, which results in self-censorship. The central question is: What is the relationship between the ownership structure ofthe media, a reporter's experience, and the occurrence of self-censorship? A random sample of40 journalists was drawn from ten prominent national newspapers. Interviews focused on instances when reporters had been asked to remove facts critical of the government. The data show that self-censorship is significant in Russian journalism; it comes both from the editors and from the journalists themselves.
Committee in Charge: Dr. Caleb Southworth, Chair; Dr. Julie Hessler; Dr. Carol Silverman
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Skaggs, Stephen. "Religion and Russian marriages exploring the relationship and family in Moscow, Russia /." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1147212472.

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SKAGGS, STEPHEN. "RELIGION AND RUSSIAN MARRIAGES: EXPLORING THE RELATIONSHIP AND FAMILY IN MOSCOW, RUSSIA." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1147212472.

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Books on the topic "Moscow (Russia) in art"

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Indonesia, Yayasan Seni Rupa. To Russia with art: Indonesia Contemporary Art Exhibition : Museum of Modern Art, Moscow, October 4-14, 2000. Jakarta, Indonesia: Yayasan Seni Rupa Indonesia, 2005.

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Semler, Helen Boldyreff. Discovering Moscow: Architecture, history, and art. New York: Hippocrene Books, 1987.

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Bogemskai͡a, Ksenii͡a Georgievna. Mikhail Ivanov: Starai͡a Moskva. Moskva: Galart, 1993.

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de, Baere Bart, Museum van Hedendaagse Kunst Antwerpen., and Europalia (2005 : Antwerp, Belgium), eds. Angels of history: Moscow conceptualism and its influence. Brussels: Mercatorfonds, 2005.

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Cherkashin, Valeriĭ Grigorʹevich. Programma "Konet︠s︡ ėpokhi 90-stye", Moskva 1993. [Moscow?: V. Cherkashin?, 1993.

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A, Asharina N., and Danilov Vladislav, eds. Russian decorative art: 12th to early 20th century : the Historical Museum, Moscow. Leningrad: Aurora Art Publishers, 1987.

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Are my blinkers showing?: Adventures in filmmaking in the new Russia. Cambridge, MA: Da Capo Press, 2005.

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Gosudarstvennyĭ istoricheskiĭ muzeĭ (Moscow, Russia), ed. Li︠u︡biteli︠a︡m russkoĭ stariny: Velikiĭ met︠s︡enat Rossii Petr Ivanovich Shchukin. Moskva: Khudozhnik i kniga, 2005.

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Kli︠u︡shkina, I. V. Sobiratelʹ rossiĭskikh drevnosteĭ. Moskva: Gos. istoricheskiǐ muzeĭ, 2002.

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Beli︠a︡kova, I. I︠U︡. Art4.ru: Muzeĭ aktualʹnogo iskusstva = Contemporary art museum. Moskva]: Muzeĭ aktualʹnogo iskusstva, 2007.

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Book chapters on the topic "Moscow (Russia) in art"

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Reid, Susan E. "De-Stalinisation in the Moscow Art Profession." In Regime and Society in Twentieth-Century Russia, 146–84. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27185-6_10.

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Nefedova, Tatiana. "The 2010 Catastrophic Forest Fires in Russia: Consequence of Rural Depopulation?" In The Demography of Disasters, 71–79. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49920-4_4.

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Abstract Catastrophic forest fires hit the European part of Russian Federation during summer 2010 as result of a two-month-long period with temperatures above the average by 10 °C coupled with an unusually long drought period. Even though forest fires are usual for Russia, these are typically located in the sparsely populated Asian part of the country. As a consequence of the 2010 summer fires in the densely populated European part of Russia, the mass media poured forth reports of burning forests, villages, victims, about lost crops by fires. The situation was further dramatized by the fact that the extreme smoke from these fires reached Moscow. Seventeen million people lived in the regions where the state of emergency has been declared, and another 10 million in Moscow suffered from smoke. Over one-third of the population of the Russian Federation lived in those regions where the fires were very intense in summer 2010. Still, the main question remained after the disaster which I attempt to answer in this chapter; was the heat the only cause?
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Ward, Christopher J., and John M. Thompson. "The Rise of Moscow, 1328–1533." In Russia, 35–50. 9th ed. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003015512-3.

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Price, M. Philips. "Moscow (Part II)." In Russia Forty Years On, 52–63. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003243168-4.

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Price, M. Philips. "Moscow (Part I)." In Russia Forty Years On, 36–51. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003243168-3.

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Pickering, Kenneth, and Jayne Thompson. "Moscow Art Theatre." In Naturalism in the Theater, 145–61. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-32911-0_8.

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Dukes, Paul. "Consolidation under Moscow, 1462–1645." In A History of Russia, 39–62. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26080-5_4.

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Ignatieva, Maria, and Rose Whyman. "Serafima Birman, Sofia Giatsintova, Alla Tarasova and Olga Pyzhova: ‘Second Wave’ Russian and Soviet Actresses, Stanislavsky’s System and the Moscow Art Theatre." In The Palgrave Handbook of the History of Women on Stage, 397–423. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-23828-5_18.

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Laruelle, Marlene. "Russia’s Honeymoon with the European Far Right." In Is Russia Fascist?, 121–37. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501754135.003.0008.

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This chapter examines how the Kremlin developed a policy of reaching out globally to Western far-right and populist parties. It asserts that today's Russia plays a multifaceted game of consolidating its soft power on the European stage. The chapter also reviews Russia's alliance with the European far right and its strengthening economic ties, especially energy partnerships; networking with big European businesses that are able to lobby their respective governments; and relaunching an offensive public diplomacy. It discusses the European far right's Russophile tendencies, admiring prerevolutionary Russia, whether for its autocratic regime or for the prominent role given to Orthodoxy. Ultimately, the chapter looks at the direct connections between Russians and European far-right groups after the collapse of the Iron Curtain and the opening of borders. It illustrates the mutual encounters of Russian far-right activists and Western European counterparts in three main phases: they were first pioneered by precursor figures in the 1990s, followed by the Russian Orthodox Church and the Rodina party in the early 2000s, before the relationship reached a peak when Moscow decided to position itself as the herald of a new moralist International during Vladimir Putin's third presidential mandate.
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Voskressenski, Alexei D. "China’s Relations with Russia." In China and the World, 233–50. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190062316.003.0011.

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Russia’s relations with China (and vice versa) have evolved steadily during the post-Soviet period. Leaders on both sides have proclaimed, for a number of years now, that their bilateral relations are at their best point in history. How did the China-Russia relationship reach such a stage, especially given their long (and largely discordant) history? This chapter traces the evolution of China-Russia relations since the collapse of the Soviet Union. It identifies the commonalities and common purposes Moscow and Beijing have in world affairs, as well as their bilateral economic, cultural, and military relations. The China-Russia relationship has important implications for the United States, as well as American allies in the world.
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Conference papers on the topic "Moscow (Russia) in art"

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Guseva, Natalia, and Yaroslav Sovetkin. "IMPLEMENTATION OF MANAGERIAL INNOVATIONS IN RUSSIA: DECISIONS’ BACKGROUND, MAJOR AREAS AND FREQUENCY." In Sixth International Scientific-Business Conference LIMEN Leadership, Innovation, Management and Economics: Integrated Politics of Research. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2020. http://dx.doi.org/10.31410/limen.2020.261.

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Unpredictable, complex and ambiguous business environments compel local and multinational companies to be more flexible and innovative in managerial practices. Nowadays managerial innovations (MI) are becoming a prevailing research area in management worldwide. This study investigates the key aspects of MI implementation in Russia from theoretical and empirical perspectives. The empirical study involved 1 025 employees from 791 companies operating in Moscow and the Moscow region as the major business centers of Russia. The results showed that companies operating in the Russian market base their decision to implement MI mostly on “proprietary investigation” (29% respondents). It was revealed that the major areas of MI implementation for such companies are “motivation” and “effective communication”, which are part of the “soft managerial practices”. Finally, the results of the study showed that in the majority of companies operating in the Russian market, the implementations of MI are made occasionally, without a systematic approach (39% respondents).
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Punanova, Svetlana, and Mikhail Rodkin. "ON THE REGIME OF COVID-19 EPIDEMIC IN RUSSIA AND ITS IMPACT UPON THE FUEL AND ENERGY COMPLEX, INCLUDING IN EDUCATIONAL AND SCIENTIFIC SPHERES." In GEOLINKS International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/geolinks2020/b1/v2/16.

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The mode of development of the COVID-19 pandemic in Russia and the impact of the epidemic on the areas of scientific research, education and functioning of the fuel and energy complex are discussed. The official statistics revealed evidence both of effectivity of the taken anti-epidemic measures in Moscow and of possible cases of incorrectness of statistical data. The social situation and the mode of development of the epidemic in Moscow and in the regions of Russia are essentially different, that reduces the effectiveness of anti-epidemic measures introduced uniformly throughout the whole country. The conditions of the pandemic and quarantine are difficult for everyone, but organizations and persons with a more modern informational character of production adapt to them more easily. In general, it can be suggested that the epidemic besides the very essential losses gives an important impulse for social-economic and political modernization of the society.
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Korotkikh I.N., I. N., M. U. Grjaznov M.U., and S. A. Totskaya S.A. "Biological features of Lavandula angustifolia Mill. сultivated in the conditions of Russia non-chernozem zone." In Растениеводство и луговодство. Тимирязевская сельскохозяйственная академия, 2020. http://dx.doi.org/10.26897/978-5-9675-1762-4-2020-29.

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The article discusses the biological features of Lavandula angustifolia Mill., cultivated in the non-Chernozem zone of Russia. In the Moscow region L. angustifolia goes through the entire seasonal cycle of growth and development lasting 150-155 days, lavandula plants are 93-97% resistant to the conditions of the winter season (if there is a snow cover of at least 10-12 cm high).
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Musatova, Oksana, and Irina Marinovskaya. "Motivation of Professional Activity of Law Enforcement Officers when Ensuring Safety and Security of Large-Scale Public Events." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-40.

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In contemporary conditions, law enforcement officers carry out their professional activity under increasingly complex stressful circumstances. A large number of people’s lives depend on their actions; this affects their own emotional state, complicates their professional work and contributes to psychological and behavioural problems. In the course of teaching potential employees, it is very important to make them feel motivated enough to properly implement their professional duties under extreme conditions of ensuring safety and security during large-scale public events. This study was participated by 520 persons who were sampled from an audience of the Moscow University of the Russian Ministry of Internal Affairs, were members of a consolidated detachment, and had been directly ensuring security during the Winter Olympic & Paralympic Games in Sochi in 2014. The study used the following psychological methods: observation, questionnaires, interviews, tests and training, which made it possible to study the characteristics of the psychological structures of personality, motivation and their changes under the influence of extreme factors of life conditions. The identified negative reactions were neutralised with the help of the training programme developed. Upon completion of the assignment and the analysis of the service of the combined detachment of the Moscow University of the Ministry of Internal Affairs of Russia, it was recognised that the trainees had fully met all the service and professional objectives. It has been found that during the course of special training, primarily psychological training, trainees are able to maintain an optimal level of motivation for the conditions of professional activity in extreme conditions if communication skills and personal qualities such as discipline, responsibility and purposefulness have formed.
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Batyukhnova, O. G., A. E. Arustamov, M. Ojovan, S. A. Dmitriev, Z. Drace, and N. A. Arustamova. "Training Activities and Perspectives in the Radioactive Waste Management Area of Moscow SIA “Radon”." In ASME 2009 12th International Conference on Environmental Remediation and Radioactive Waste Management. ASMEDC, 2009. http://dx.doi.org/10.1115/icem2009-16131.

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The education service for specialists dealing with radioactive waste was established in Russia (former USSR) in 1983 and was based on the capabilities of two organisations: Moscow Scientific and Industrial Association «Radon» (SIA “Radon”) and Lomonosov’s Moscow State University. These two organizations are able jointly to offer training programs in the science fundamentals, applied research and in practical operational areas of the all pre-disposal activities of the radioactive waste management (RWM). Since 1997 this system was upgraded to the international level and now acts as the International Education Training Centre (IETC) at SIA “Radon” under the guidance of the IAEA. During last 12 years more than 350 specialists from 33 European and Asian countries enhanced their knowledge and skills in RWM. The IAEA supported many specialized regional training courses and workshops, fellowships, on-the-job training, and scientific visits which are additional means to assure development of personnel capabilities. Efficiency of training was analysed at IETC using the structural adaptation of educational process as well as factors, which have influence on education quality. In addition social-psychological aspects were also taken into account in assessing the overall efficiency. The analysis of the effect of individual factors and the efficiency of education activity were carried out based on appraisal results and post-course questioning of attendees.
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Samardžić, Biljana, and Daliborka Škipina. "THE IMPORTANCE OF SAVA’S SPELLING BOOK IN THE BEGINNERS’ COURSE OF READING AND WRITING AND IN THE TEACHING OF SERBIAN CULTURE." In SCIENCE AND TEACHING IN EDUCATIONAL CONTEXT. FACULTY OF EDUCATION IN UŽICE, UNIVERSITY OF KRAGUJEVAC, 2020. http://dx.doi.org/10.46793/stec20.299s.

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The authors of this paper deal with the pedagogical and philological significance of Sava’s Spelling Book printed in Russia (Moscow) in 1692, in the Russian-Slavonic language. This spelling book is about 100 years younger than the First Serbian Spelling Book (The Spelling Book of Sava Inok of the monastery Dečani). This spelling book of the Russian recension reached all the way to the Serbian lands, being, on one hand, the precedent, and on the other hand, the follower to the books that are to appear in Serbia and its new literary language. The authors of this paper explain in a detailed way the method of letter teaching by which each letter (Slavonic, Greek, and Latin) is being assigned a corresponding picture. This points out to the pedagogical approach to the acquisition of new knowledge (the basics of reading and writing) which uses pictures of animals and plants in order to facilitate the process of letter learning. In his lecture, KarionIstomin, the author of the spelling book, suggested totally new teaching methods i.e. the new methods. Namely, Sava’s Spelling book is the precursor of contemporary spelling books, since all of them use the connection between letters and pictures as the basis of their teaching method.
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Rogalski, Antoni. "InAs/GaInSb superlattices as a promising material system for third generation infrared detectors." In Moscow, Russia, edited by Anatoly M. Filachov, Vladimir P. Ponomarenko, and Alexander I. Dirochka. SPIE, 2005. http://dx.doi.org/10.1117/12.628637.

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Vasichev, B. N., and G. I. Fatjanova. "Electron beam processors over fast processing the information received from matrix multiplexers." In Moscow, Russia, edited by Anatoly M. Filachov, Vladimir P. Ponomarenko, and Alexander I. Dirochka. SPIE, 2005. http://dx.doi.org/10.1117/12.628638.

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Ovsyannikov, V. A., and V. L. Philippov. "The estimated value of minimum noise equivalent temperature difference and the effective value of the instantaneous field of view of the thermal imaging devices." In Moscow, Russia, edited by Anatoly M. Filachov, Vladimir P. Ponomarenko, and Alexander I. Dirochka. SPIE, 2005. http://dx.doi.org/10.1117/12.628639.

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Ovsyannikov, V. A., N. L. Panteleev, S. D. Pitik, and V. L. Philippov. "On the problem of the detection, recognition, and identification of the figure of man by means of the thermal imaging device." In Moscow, Russia, edited by Anatoly M. Filachov, Vladimir P. Ponomarenko, and Alexander I. Dirochka. SPIE, 2005. http://dx.doi.org/10.1117/12.628643.

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Reports on the topic "Moscow (Russia) in art"

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Rikhlova, Tatiana. Аdministrative division of Russia. Moscow. Edited by Nikolay Komedchikov, Alexandr Khropov, and Larisa Loginova. Entsiklopediya, July 2013. http://dx.doi.org/10.15356/dm2016-07-28-1.

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Novichkova, Tatiana. Аdministrative division of Russia. Moscow Oblast. Edited by Nikolay Komedchikov, Alexandr Khropov, and Larisa Loginova. Entsiklopediya, July 2013. http://dx.doi.org/10.15356/dm2016-07-19-1.

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Golovko, Khrystyna. TRAVEL REPORT BY ALEKSANDER JANTA-POŁCZYNSKI «INTO THE USSR» (1932): FROG PERSPECTIVE. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11091.

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The article analyzes a series of materials by Aleksander Janta-Polczynski «Into the USSR» from Soviet Russia during the in 1932, published on «Wiadomości Literackiе». The purpose of this article is explain the uniqueness of the reporter’s style and personality. We want to emphasize the role of Janta-Polczynski as the pioneer of reportage journalism. He was the first who worked professionally in this position in the full sense of this word. Analyzed the cycle of Alexander Janta-Polczynski from Russia, we can emphasize the scale of the reporter’s trip: in 1932 the journalist made the largest journalistic trip to the USSR. Janta visited the Eastern republics, which differed from the popular Moscow and Leningrad. Also, he saw the largest construction in the USSR at this time – which it bragged about russian newspapers – Magnitogorsk and Dneprostroy. For a better understanding are given the visual examples from reportorial texts. It should be noted that for Janta the main task of the reporter is to show what is seen and recorded: only facts and personal experience in communication. This cycle can safely be called a journey and social expedition. The main task for Janta the scene where the reportage takes place is to find proper characters and convince them of the importance of their story. These are the materials of a reporter – an eyewitness, not a researcher, a report from the scene, which pushes the reader to an independent conclusion. We explore that all the Janta-Polczynski texts are inextricably linked by looking into the «middle» of the process: the diversity of what is seen allows the journalist to look for differences and similarities, compare, look at the fundamental components, track changes and distinguish them. Special attention was paid to a low-angle shot in his materials. He describes how Soviet society lives, how factories work, how the system of educating a Soviet person, goes to the movies and exhibitions, communicates with ordinary citizens. Undoubtedly, all this is successfully complemented by the factual detail and uniqueness of the author’s style.
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Gephart, Roy E. A Short Assessment of Select Remediation Issues at the Russian Research Center-Kurchatov Institute, Moscow, Russia. Office of Scientific and Technical Information (OSTI), June 2007. http://dx.doi.org/10.2172/1016460.

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Macnab, R., W. Roest, and L. C. Kovacs. Visits to geoscience organizations in St. Petersburg and Moscow, Russia, June 29 to July 7, 1993. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1993. http://dx.doi.org/10.4095/183952.

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Gaffney, H. H., and Dmitry P. Gorenburg. The Future of Russia and the Russian Navy. Report of Discussions in Moscow November 2-6, 2003. Fort Belvoir, VA: Defense Technical Information Center, January 2004. http://dx.doi.org/10.21236/ada594198.

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Buichik, A. G. TRADITIONAL APPLIED ART OF RUSSIA IN THE 21-ST CENTURY: OPPORTUNITIES AND PROSPECTS. Modern Science: Actual Problems of Theory and Practice №3, March 2019. http://dx.doi.org/10.18411/buichik-ag-doi-4.

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Melnyk, Iurii. JUSTIFICATION OF OCCUPATION IN GERMAN (1938) AND RUSSIAN (2014) MEDIA: SUBSTITUTION OF AGGRESSOR AND VICTIM. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11101.

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The article is dedicated to the examination and comparison of the justification of occupation of a neighboring country in the German (1938) and Russian (2014) media. The objective of the study is to reveal the mechanics of the application of the classical manipulative method of substituting of aggressor and victim on the material of German and Russian propaganda in 1938 and in 2014 respectively. According to the results of the study, clear parallels between the two information strategies can be traced at the level of the condemnation of internal aggression against a national minority loyal to Berlin / Moscow and its political representative (the Sudeten Germans – the pro-Russian Ukrainians, as well as the security forces of the Yanukovych regime); the reflections on dangers that Czechoslovakia / Ukraine poses to itself and to its neighbors; condemnation of the violation of the cultural rights of the minority that the occupier intends to protect (German language and culture – Russian language and culture); the historical parallels designed to deepen the modern conflict, to show it as a long-standing and a natural one (“Hussites” – “Banderites”). In the manipulative strategy of both media, the main focus is not on factual fabrication, but on the bias selection of facts, due to which the reader should have an unambiguous understanding of who is the permanent aggressor in the conflict (Czechoslovakia, Czechs – Ukraine, Ukrainians), and who is the permanent victim (Germans – Russians, Russian speakers). The substitution of victim and aggressor in the media in both cases became one of the most important manipulative strategies designed to justify the German occupation of part of Czechoslovakia and the Russian occupation of part of Ukraine.
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Lyzanchuk, Vasyl. COMMUNICATIVE SYNERGY OF UKRAINIAN NATIONAL VALUES IN THE CONTEXT OF THE RUSSIAN HYBRID WAR. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11077.

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The author characterized the Ukrainian national values, national interests and national goals. It is emphasized that national values are conceptual, ideological bases, consolidating factors, important life guidelines on the way to effective protection of Ukraine from Russian aggression and building a democratic, united Ukrainian state. Author analyzes the functioning of the mass media in the context of educational propaganda of individual, social and state values, the dominant core of which are patriotism, human rights and freedoms, social justice, material and spiritual wealth of Ukrainians, natural resources, morality, peace, religiosity, benevolence, national security, constitutional order. These key national values are a strong moral and civic core, a life-giving element, a self-affirming synergy, which on the basis of homogeneity binds the current Ukrainian society with the ancestors and their centuries-old material and spiritual heritage. Attention is focused on the fact that the current problem of building the Ukrainian state and protecting it from the brutal Moscow invaders is directly dependent on the awareness of all citizens of the essence of national values, national interests, national goals and filling them with the meaning of life, charitable socio-political life. It is emphasized that the missionary vocation of journalists to orient readers and listeners to the meaningful choice of basic national values, on the basis of which Ukrainian citizens, regardless of nationality together they will overcome the external Moscow and internal aggression of the pro-Russian fifth column, achieve peace, return the Ukrainian territories seized by the Kremlin imperialists and, in agreement will build Ukrainian Ukraine.
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Kim, Alexander. Osteological studies of Archaeological Materials from Bohai Sites in Russia. A State of the Art. Edicions de la Universitat de Lleida, 2017. http://dx.doi.org/10.21001/itma.2017.11.03.

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