Relevant bibliographies by topics / Mothers and daughters – antigua – fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
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Academic literature on the topic 'Mothers and daughters – antigua – fiction'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Mothers and daughters – antigua – fiction"

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Al-Rifaee, Jumana, and Eman Mukattash. "The Economic Shock in Arab and African American Female Fiction: A Socio-Economic Reading of the Mother-Daughter Relationship." Theory and Practice in Language Studies 15, no. 2 (2025): 606–14. https://doi.org/10.17507/tpls.1502.30.

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The study explores the economic difficulties encountered by Arab American and African American mothers, as well as the adverse conditions they endure due to their economic and social circumstances, which are manifested in four selected novels. This study seeks to clarify the reasons behind these difficulties and their impacts on family relations, particularly between mothers and daughters. The introduction of new economic regulations, unfamiliar to the mothers, constitutes a significant shock, profoundly affecting their understanding of their daughters' attitudes and choices. This shift in per
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Schneiderman, Leo. "Toni Morrison: Mothers and Daughters." Imagination, Cognition and Personality 14, no. 4 (1995): 273–90. http://dx.doi.org/10.2190/wb6p-hcbn-03yy-lpbr.

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The present article analyzes Morrison's novels with emphasis on the conflicted emotions of fictional African-American mothers in relation to their children. Of special interest is Morrison's depiction of the mother's role in shaping the individuation process of her daughters in a matriarchal, father-absent context. Also examined is Morrison's treatment of intergenerational continuity and the unique role of the grandmother against a background of social change. Such change is interpreted by Morrison as involving conflict between the norms of traditional, rural, folkloric black culture, and the
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Lucas, Rose. "Telling maternity: Mothers and daughters in recent women's fiction." Australian Feminist Studies 13, no. 27 (1998): 35–46. http://dx.doi.org/10.1080/08164649.1998.9994885.

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Schneider, Karen, Heather Ingman, and Phyllis Lassner. "Women's Fiction between the Wars: Mothers, Daughters and Writing." Albion: A Quarterly Journal Concerned with British Studies 31, no. 2 (1999): 355. http://dx.doi.org/10.2307/4052800.

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Harvey, Melinda. "Women's Fiction Between the Wars: Mothers, Daughters, and Writing (review)." MFS Modern Fiction Studies 46, no. 2 (2000): 551–53. http://dx.doi.org/10.1353/mfs.2000.0030.

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Lakanse, Obakanse. "Of Difficult Mothers and Rebellious Daughters: Investigating the Electra Complex in Contemporary Nigerian Feminist Fiction." NIU Journal of Social Sciences 9, no. 4 (2023): 155–60. http://dx.doi.org/10.58709/niujss.v9i4.1769.

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Chimamanda Ngozi Adichie, Sefi Atta and Lola Shoneyin are undoubtedly three of the most celebrated feminist novelists in the contemporary Nigerian literature. These three women-writers have one thing in common – each has written at least a novel in which she employs the usual problematic relations between a mother figure and a daughter as a means of exploring feminism – inflected issues such as identity-construction, subjecthood, and patriarchy, etc. I am making reference to Adichie’s Half of a Yellow Sun, Atta’s Everything Good Will Come and Shoneyin’s The Secret Lives of Baba Segi’s Wives. T
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Ahmad Rabea, Reem, and Nusaiba Adel Almahameed. "Genre Crossing in Jamaica Kincaid’s ‘Girl’: From Short Fiction to Poetry." Advances in Language and Literary Studies 9, no. 3 (2018): 157. http://dx.doi.org/10.7575/aiac.alls.v.9n.3p.157.

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The paper intends to reread Jamaica Kincaid’s short story, ‘Girl’ (1978) and provide new insights into its understanding. It aims to analyse the poetic qualities, word choice, and structure of the text that are left not fully discussed by recent scholarship. The structure as well as the poetic language of ‘Girl’ make it an unconventional piece of writing falling between two literary categories and so hard to classify. ‘Girl’ apparently violates rules and transgresses conventions by being both poetic and going beyond the traditional fictional structure of a short story. The paper argues that ‘G
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Kalia, Pooja. "The Emergence of New Women in Manju Kapur’s Difficult Daughters, Home, and The Immigrant." NETSOL: New Trends in Social and Liberal Sciences 9, no. 1 (2024): 1–9. http://dx.doi.org/10.24819/netsol2024.1.

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The current study examines how women’s roles have changed in Indian society through an analysis of Manju Kapur’s Difficult Daughters (1998), Home (2006) The Immigrant (2009), and literary works. This paper analyzes the quest for feminine identity and the struggle for change in the female protagonists in the select works. Her fiction projects raise feminist concerns and feminist issues. In Indian tradition goddesses like Lakshmi, Saraswati, and Durga are worshipped in every household. Thus, the women are expected to have goddess-like characteristics to escape the scrutiny of critical eyes and f
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Druker, Jonathan. "Mothers and Daughters in the Holocaust Writing of Edith Bruck, Liana Millu, and Giuliana Tedeschi." Italica 100, no. 1 (2023): 87–97. http://dx.doi.org/10.5406/23256672.100.1.06.

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Abstract This article focuses on Italian Holocaust testimonies written by three female survivor-writers—Edith Bruck, Liana Millu, and Giuliana Tedeschi. It considers how these authors use diverse literary forms to represent the experiences of mothers and daughters in the Auschwitz-Birkenau concentration camp. Key passages in Tedeschi's survivor memoir C’è un punto della terra show the extent to which her experience was shaped by her separation from her children, and by feelings of maternal longing. Millu's autobiographical story collection Il fumo di Birkenau deftly employs the imaginative tec
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Puskás, Andrea. "Autofiction and Therapy: Encounters of Generations and Cultures and the Journey to Self-Discovery in Amy Tan’s Fiction." Acta Universitatis Sapientiae, Philologica 16, no. 1 (2024): 28–39. https://doi.org/10.47745/ausp-2024-0003.

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Amy Tan is one of the most significant contemporary Chinese American authors, whose personal life, full of family traumas, has been openly discussed by the author herself in various forums. Her first significant novel, The Joy Luck Club (1989), was her first fictional attempt in self-definition via exploring and investigating mother–daughter conflicts, ethnic heritage, and the successes and failures in accepting otherness. Tan’s novels, especially The Kitchen God’s Wife (1991) and later The Bonesetter’s Daughter (2001), are concrete examples of the author’s continuing desire to explore deeply
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Dissertations / Theses on the topic "Mothers and daughters – antigua – fiction"

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Lake, Marilyn Hope. "Our mothers' ghosts /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3091940.

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Abrahamsson, Kristine. "Mothers and Daughters between Two Cultures in Short Fiction by Edwidge Danticat." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-8542.

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This essay takes a look at two short stories from the novel Krik? Krak! written by the Haitian-American author Edwidge Danticat. The short stories “Caroline’s Wedding” and “New York Day Women” are about mother-daughter relationships where the mothers and daughters are either first or second generations immigrants from Haiti. This essay focuses on these relationships and how they are related to immigration. To address these issues of relationships and immigration, several critics and their opinions on the subject are presented as well as an examination of key events in the short stories.
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Livingston, Kimberly S. "Sand Beach." Virtual Press, 1997. http://liblink.bsu.edu/uhtbin/catkey/1041889.

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This project consisted of a series of short stories which worked together creating a larger fictional piece in the form of a non-continuous narrative. This non-continuous narrative is in the tradition of Sherwood Anderson's Winesburg, Ohio, and Louise Erdrich's Love Medicine. The stories in this type of fiction are connected by similar themes and settings, allowing the reader to participate directly in the creative process. The reader helps create the fiction by drawing his or her own conclusions about the characters and places from between the individual stories. By involving the reader more
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Jackson, Laura McGee. "Negotiating identity : mother-daughter relationships in novels by Jutta Heinrich, Elfriede Jelinek, Waltraud Anna Mitgutsch and Helga Novak /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/9932.

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Németh, Andrea. "Mothers and daughters, representations on the adoption triad in contemporary popular and literary fiction : theory and original work." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0035/MQ27368.pdf.

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Bigna, Sandy. "Mothers empowering daughters : narrative strategies that reverse Freudian narrative plots of the mother-daughter relationship in young adult fiction." Doctoral thesis, importedStudentThesis, 2014. https://researchprofiles.canberra.edu.au/en/studentTheses/858f2b9b-1479-4aea-aa8c-62d2335972ac.

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Aulls, Katharina. "Mutter-Tochter Beziehungen in deutschsprachigen Romanen im Jahrzehnt nach dem "Jahr der Frau"." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74348.

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This dissertation examines mother-daughter relationships in six novels written by German speaking women authors in the decade after the "Year of the Woman." Three novels depict positive mother-daughter relations: Ausflug mit der Mutter (1976), by Gabriele Wohmann, Gestern war Heute (1979), by Ingeborg Drewitz, Die dreizehnte Fee (1983), by Katja Behrens. Three others portray a negative mother-daughter relationship: Die Eisheiligen (1979), by Helga Novak, Die Zuchtigung (1985), by Waltraud Anna Mitgutsch, and Die Klavierspielerin (1983), by Elfriede Jelinek. Common to all novels is a strong aut
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Di, Cecco Daniela. "Entre femmes et jeunes filles, le roman pour adolescentes en France et au Québec." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0029/NQ27131.pdf.

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Valdés, Vanessa Kimberly. "Mothers and daughters searches for wholeness in the literature of the Americas /." Diss., 2007. http://etd.library.vanderbilt.edu/ETD-db/available/etd-04022007-100201/.

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Diniz, Gonçalo Trindade Salgueiro Vagos. "A Ficção Especulativa de Alyssa Wong: Uma Proposta de Tradução dos Contos "A Fist of Permutations in Lightning and Wildflowers" e "Hungry Daughters of Starving Mothers"." Master's thesis, 2020. http://hdl.handle.net/10362/115900.

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O presente Trabalho de Projeto tem como objetivo apresentar uma proposta de tradução de dois contos da escritora norte-americana contemporânea Alyssa Wong, sendo estes “A Fist of Permutations in Lightning and Wildflowers” e “Hungry Daughters of Starving Mothers”, à qual se segue um comentário à mencionada proposta de tradução. Para a execução do presente Trabalho de Projeto, começa-se com uma breve contextualização teórica, aborda-se o conceito de “ficção especulativa”, género literário no qual se inserem os contos de Wong, e tecem-se algumas considerações sobre a sua presença no sistema lite
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Books on the topic "Mothers and daughters – antigua – fiction"

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Kincaid, Jamaica. Annie John. New American Library, 1986.

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Kincaid, Jamaica. Annie John. Farrar, Straus, Giroux, 1985.

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Kincaid, Jamaica. Annie John. New American Library, 1986.

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Kincaid, Jamaica. Annie John. Noonday Press, 1997.

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Prince, Althea. Loving this man. Insomniac Press, 2001.

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Allan, Barbara. Antiques flee market. Kensington Books, 2008.

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Allan, Barbara. Antiques bizarre: A trash 'n' treasures mystery. Kensington Books, 2010.

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Allan, Barbara. Antiques Knock-off: A Trash 'n' Treasures Mystery - 5. Kensington Books, 2011.

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Cotner, June. Mothers and Daughters. Crown Publishing Group, 2010.

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Fleming, Leah. Mothers and daughters. AVON, a division of HarperCollins Publishers Ltd, 2009.

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Book chapters on the topic "Mothers and daughters – antigua – fiction"

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Heffernan, Valerie. "The (M)other’s Voice: Representations of Motherhood in Contemporary Swiss Writing by Women." In Narratives of Motherhood and Mothering in Fiction and Life Writing. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-17211-3_7.

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AbstractThe mother-daughter relationship has long been a focus in writing by women, and many female authors have sought to explore the close and sometimes complex connections between mothers and daughters. However, as Marianne Hirsch has argued, the stories of mothers are all too often presented from the point of view of their daughters, so that the maternal perspective tends to be absent from literature. This chapter compares the presentation of the mother-daughter relationship in two novels by contemporary Swiss writers, Zoë Jenny’s The Pollen Room (1997) and Ruth Schweikert’s Augen zu [Clos
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Munford, Rebecca. "Daddy’s girls and the Gothic fiction of maternity." In Decadent Daughters and Monstrous Mothers. Manchester University Press, 2015. http://dx.doi.org/10.7765/9781526103444.00012.

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Zimmerman, Tegan. "Introduction." In Matria Redux. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496846341.003.0001.

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This Introduction formulates the postcolonial-psychoanalytic feminist theory of matria, an imagined maternal space and time, through reading fictions of history written by and about Caribbean women. It reconceptualizes matria as an imagined maternal space and time that (re)unites Caribbean mothers with daughters. The tripartite introduction opens with the section, “Matri(a)lineage,” which revisits Sigmund Freud’s theory of mothers and daughters in the Oedipal complex and traces matria’s feminist psychoanalytic and (post)colonial feminist literary roots. The following section, “Mother-(Is)lands
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"The Queer Gaze across the Gay-Straight Generational Divide: Small Talk (2016) and A Dog Barking at the Moon (2019)." In Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463728355_ch05.

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Huang Hui-chen’s documentary Small Talk (2016) and Lisa Zi Xiang’s fiction feature A Dog Barking at the Moon (2019) explore women’s sexuality from the points of view of adult heterosexual daughters of lesbian mothers. These films provide a glimpse beyond compulsory heterosexuality and motherhood in mainland China and Taiwan by reflecting on how daughters look at their lesbian mothers and the reciprocal quality of the gaze across the gay-straight divide. Through a comparison of these two films, the nuances of queer regimes of visualizing sexuality within the family come to the surface in the di
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"4. Mothers, Daughters and die Trope of Maternal Absence in Japanese American Women's Fiction." In Masking Selves, Making Subjects. University of California Press, 1999. http://dx.doi.org/10.1525/9780520919723-007.

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Cooke, John. "Leaving the Mother’s House." In Nadine Gordimer’s Burger’s Daughter. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195147162.003.0005.

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Abstract In The 1972 Review “A Private Apprenticeship,” Gordimer focused on Carson McCullers’s obsessive concern with adolescence in her journals and novels. Gordimer’s own “private apprenticeship” shows a preoccupation as great as her subject’s; Gordimer can accurately be termed, to vary a phrase she applied to McCullers, “the high priestess of childhood.” As Gordimer told Lionel Abrahams in the late 1950s, “the ways of seeing we acquire in our youth remain with us always.”1 In her fiction those ways of seeing are determined, above all else, by unusually possessive mothers. Gordimer’s “strang
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