Relevant bibliographies by topics / Mothers of Plaza de Mayo

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Mothers of Plaza de Mayo'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Mothers of Plaza de Mayo"

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Polk, J. B. "Mothers from Plaza Mayo." Books Ireland, no. 197 (1996): 239. http://dx.doi.org/10.2307/20631593.

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Thornton, Sally Webb. "Grief Transformed: The Mothers of the Plaza De Mayo." OMEGA - Journal of Death and Dying 41, no. 4 (December 2000): 279–89. http://dx.doi.org/10.2190/yvkv-7601-8vkd-vm5t.

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In Argentina during the years 1976–1983 the military assumed power, employing oppression, torture, death, and disappearance to intimidate the citizenry. A group of mothers, who met while searching for their “disappeared” children, banded together in 1977, organized the group “Madres de la Plaza de Mayo” (Mothers of the Plaza de Mayo), and protested publicly the atrocities that were being inflicted on the Argentine people. Through the support of their group, the public protesting, and the continuation of their disappeared children's work, the Mothers transformed their grief into positive action.
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Guy, Donna J., and Marguerite Guzman Bouvard. "Revolutionizing Motherhood: The Mothers of the Plaza de Mayo." American Historical Review 100, no. 5 (December 1995): 1735. http://dx.doi.org/10.2307/2170167.

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Gordenstein, Roberta, and Marguerite Guzman Bouvard. "Revolutionizing Motherhood: The Mothers of the Plaza de Mayo." Hispania 78, no. 2 (May 1995): 295. http://dx.doi.org/10.2307/345406.

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Agosin, Marjorie, and Cola Franzen. "A Visit to the Mothers of the Plaza de Mayo." Human Rights Quarterly 9, no. 3 (August 1987): 426. http://dx.doi.org/10.2307/761884.

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Bouvard, Marguerite Guzmán. "The Mothers of the Plaza de Mayo, Buenos Aires, Argentina." Journal of Aging, Humanities, and the Arts 3, no. 4 (November 30, 2009): 308–10. http://dx.doi.org/10.1080/19325610903301079.

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Abreu Hernandez, Viviana M. "The Mothers of La Plaza de Mayo: A Peace Movement." Peace & Change 27, no. 3 (July 2002): 385–411. http://dx.doi.org/10.1111/0149-0508.00235.

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Sarraméa, Adriana G. "Revolutionizing Motherhood: The Mothers of the Plaza de Mayo . Marguerite Guzman Bouvard." American Anthropologist 98, no. 3 (September 1996): 665–66. http://dx.doi.org/10.1525/aa.1996.98.3.02a00440.

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Femenia, Nora Amalia, and Carlos Ariel Gil. "Argentina's Mothers of Plaza de Mayo: The Mourning Process from Junta to Democracy." Feminist Studies 13, no. 1 (1987): 9. http://dx.doi.org/10.2307/3177832.

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Fabj, Valeria. "Motherhood as political voice: The rhetoric of the mothers of Plaza de Mayo." Communication Studies 44, no. 1 (March 1993): 1–18. http://dx.doi.org/10.1080/10510979309368379.

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Dissertations / Theses on the topic "Mothers of Plaza de Mayo"

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Cavalcante, Laís Siqueira Ribeiro. "Movimentos sociais e políticas públicas na Argentina : o caso das Madres de Plaza de Mayo." reponame:Repositório Institucional da UFABC, 2017.

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Orientador: Prof. Dr. Pedro C. Chadarevian
Dissertação (mestrado) - Universidade Federal do ABC. Programa de Pós-Graduação em Políticas Públicas, 2017.
Este trabalho analisa o debate acerca dos movimentos sociais e sua atuação como atores de políticas públicas na Argentina, a partir de um estudo de caso do movimento social Madres de Plaza de Mayo, verificando como este alterou sua agenda e suas reivindicações ao longo dos anos tornando-se um ator de políticas públicas. Foram realizadas entrevistas com pessoas envolvidas de maneira direta e indireta com as políticas executadas pelas Madres, bem como uma revisão e análise de documentos, informes oficiais, revistas e jornais produzidos pela Fundación Madres de Plaza de Mayo, que estão disponíveis na biblioteca das Madres na sede da Associação. Também foram objeto de análise artigos, documentos, bancos de dados sobre a ditadura militar argentina, revistas e jornais, de forma a buscar uma visão completa dos acontecimentos. O estudo realizado mostra que o movimento se transformou ao longo desses anos tendo momentos de maior distanciamento do Estado, e momentos em que esteve mais próximo não no sentido de ser cooptado pelo governo, mas de atuar em parceria. Sua agenda também se modificou no decorrer desse período, mas tendo sempre como fio condutor a temática da ditadura, e de como o modelo neoliberal gera pobreza e agrava as desigualdades.
This study analysis the debate about social movements and their role as public politics actors in Argentina, and also makes a case study of the social movement Madres de Plaza de Mayo that aims to verify how it has changed its agenda and its claims during the years, becoming a public policy actor. Interviews were conducted with people that was directly or indirectly involved on politics that was developed by Madres, as well as a review and analysis from documents, official reports, magazines and journals that was produced by the Fundación Madres de Plaza de Mayo, which are available on the Madres library at the association's headquarters. It was also object of analysis articles, documents, military dictatorship databases, magazines and journals, that aims to obtain a completely view of the events. The study shows that the movement has changed over the years by having moments of greater distance from the State, and moments of closeness, not in the sense of being coopted by the government, it was a partnership. The Madres agenda has changed over the course of this period, but they always have as a guiding principle the theme of dictatorship and how the neoliberal model generates poverty and aggravates inequalities.
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Becker, Elizabeth A. "Competing Discourses in Argentina's Dirty War: The Junta, The Madres de Plaza de Mayo, and León Gieco." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1284394753.

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Paula, Adriana das Graças de. "Pensar a democracia: o movimento feminino pela anistia e as Mães da Praça de Maio (1977-1985)." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-21012015-185723/.

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A presente dissertação de mestrado desenvolve um estudo comparado sobre os significados de democracia formulados pelo Movimento Feminino pela Anistia, no Brasil, e pelas Mães da Praça de Maio, na Argentina, durante a transição dos regimes autoritários, entre os anos de 1970 e 1980. Busca-se analisar de que maneira e por que razões os dois grupos passaram a tratar de democracia em seus discursos, identificando as relações entre os significados e as reivindicações levantadas por ambas as entidades durante a ditadura. O trabalho pretende também examinar o contexto em que essas ideias foram criadas, comparando com as perspectivas de democracia levantadas por outros grupos políticos e sociais, como os intelectuais. Trata-se, enfim, de investigar a articulação entre direitos humanos e democracia feita pelo Movimento Feminino pela Anistia e pelas Mães da Praça de Maio, reconstituindo o lugar desses dois grupos em um debate em que se definia a construção de democracia nesses países
This dissertation develops a comparative study on the meanings of democracy formulated by the Womens Movement for Amnesty, in Brazil, and the Mothers of the Plaza de Mayo, in Argentina, during the transition from authoritarian regimes, between the years 1970 and 1980. Seeks to analyze how and for what reasons the two groups began treating democracy in his speeches, identifying the relationships between the meanings and the claims raised by both parties during the dictatorship. The work also aims to examine the context in which these ideas were created, compared with the prospects of democracy raised by other political and social groups such as intellectuals. It is, finally, to investigate the relationship between human rights and democracy made by the Women\'s Movement for Amnesty and the Mothers of Plaza de Mayo rights, reconstituting the place of these two groups in a debate in which he defined the construction of democracy in these countries
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Lorca, Macchiavelli Cassandra. "Vita Havet : Whiteness and Otherness - Plaza De Mayo and Konstfack." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7129.

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This text is written as a masterexam within an important Art institution in Stockholm as Konstfack, where the researcher has been studying interior and furniture design for the last five years. Therefore, it is the result of the knowledge accumulated during that period of time, in combination with the socio-cultural baggage that characterizes her identity and positioning towards the world. There are many ways of defining architecture and design. Also, within the concept of architecture, there are plenty of branches. This study is, as said before, a sum of the interpretation of how to use the education in order to socially contribute to a sustainable and more egalitarian world. As the writers' background profoundly influences her point of view, it seems essential to exhibit it for the reader.  Her parents came to Sweden as political refugees from Chile and Argentina during the military dictatorships that had taken over the democratic governments in those countries during the '70s. They, as well as the researcher, are by definition, either Swedish or "white". Even as born in Sweden and having Swedish citizenship, the law does not define the writer as Swedish. This fact has featured the formation of her identity as "not white," and in that way excluded from the dominating "ethnicity". Initially, the aim of the study contextualises by the description of the experiences and knowledge that have guided the author through her education at Konstfack. As a result,  there arise perspectives that criticize excluding power structures and how they reproduce through architecture and spatial design. Experiences, reflections, and knowledge that emerged through the described education at Konstfack led further into the exploration of the concepts inclusive-excluding design, activism, social and political architecture, postcolonial perspectives, and decolonizing processes. The study's theoretical part presents various practitioners that have inspired and empowered this project. Further, a more in-depth analysis of the institution responsible for the writer's education for the last five years results in unfolding problems and issues to give the reader an understanding of the chosen strategies to follow, starting with "manipulating manipulation". The fifth chapter consists of the study's method part, where the researcher describes the methods and strategies used. The results are presented based on spatial interventions, used as a tool to activate dialogues about shared spaces, here called common spaces. The reactions caused by the interventions are also a ground for analysis. Keywords: white supremacy, subversive interventions, disruptive aesthetics, activism, civil disobedience, architecture
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Verstraeten, Alice. "La disparition sur la scène sociale argentine : modalités de résistance à l’impunité." Thesis, Lyon 2, 2010. http://www.theses.fr/2010LYO20021.

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Entre 1976 et 1983, la dictature militaire argentine orchestre la disparition d’environ trente mille personnes. Son but n’est pas seulement la mort, mais l’empêchement de toute forme de différence et de toute forme de résistance chez les vivants. Dans un parcours menant d’une esquisse de la terreur à une anthropologie des possibles résistances, cette thèse confronte la recherche à l’effacement, à la déliaison puis à la possible reconstruction. Elle apparaît comme une démarche exploratoire et impliquée, aux côtés de (sur)vivants qui sont parvenus à recréer des liens de sens et des liens sociaux et donc, à refaire émerger du politique. Leurs témoignages, déclinés autour de ceux des « Mères de la Place de Mai », ont permis une résistance par les mots, par les corps et par les images à l’indicible, l’invisible et l’irreprésentable. Au fil de l’émergence d’un réseau de lutte contre l’effacement des traces et des preuves de la disparition, avec en ligne de mire les objectifs utopiques de « mémoire, vérité et justice », les résistants développent une forme de paradigme indiciaire qui n’a de cesse de rappeler à l’anthropologie l’importance des détails et des petits liens. En comprenant le social comme un théâtre, nous parvenons à appréhender diverses modalités de mise en scène de la disparition qui, toutes, révèlent l’importance cruciale de l’articulation entre l’intime et le collectif dans la reconstruction du social.Parce que les gouvernements démocratiques ont perpétué les représentations sociales qui ont rendu possible cette extermination politique, la résistance est toujours soumise à de nouvelles défiances révisionnistes. Elle est toujours renouvelée. Les questions qu’elle soulève restent, quant à elles, toujours aussi brûlantes
From 1976 to 1983 the military dictatorship in Argentina engineered the “disappearance” of an estimated thirty thousand people. Its aim was not merely to put people to death but to eradicate all forms of diversity and every trace of resistance in the living.By sketching the reign of terror and by proposing an anthropological analysis of the different possible forms of resistance, this thesis confronts the research to effacement, dismemberment and then to the possibilities of reconstruction. It is an explorative and involved research by the side of survivors who succeeded in reconstruct sense and social relationships and have thus contributed to a political renaissance. Their testimonies - with those of the “Mothers of the Plaza de Mayo” as a heart - are resisting to what is unspeakable, impossible to see and to portray: they are based on words, on bodies and on images. A network, whose utopian motto was “memory, truth and justice”, gradually emerged to fight against the concealment of every trace of evidence of the “disappeared”. Its members developed a form of indicative paradigm which serves as a constant reminder to the anthropologist of the importance of details and minor connections.If we see society as theatre we may understand the different ways the forced disappearance was staged, which illustrate the crucial importance of the links between the intimate and the collective in social reconstruction.The resistance network is still constantly subject to revisionist suspicion, because democratic governments have maintained the social representations which made this political extermination possible. Resistance has to bee constantly re-invented. The questions this movement raises are, for their part, still a burning issue
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Ross, Stephanie (Stephanie Ann) Carleton University Dissertation Political Economy. "Las Madres de la Plaza de Mayo and the political economy of resistance." Ottawa, 1995.

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Ponzio, Maria Fernanda Garbero de Aragão. "Las madres de Plaza de Mayo: à memória do sangue, o legado ao revés." Universidade do Estado do Rio de Janeiro, 2009. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1036.

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Fundação de Amparo à Pesquisa do Estado do Rio de Janeiro
O contexto da Argentina da década de setenta é o cenário de personagens e narrativas que emergem do medo e permanecem, até os dias atuais, em posições de resistência e enfrentamento. Nessa paisagem marcada pela opressão do Estado militar, nascem as Madres de Plaza de Mayo, originadas pela tragédia do desaparecimento forçado de seus filhos. Investidas pela maternidade, elas rompem com a esfera privada para desestabilizar a esfera pública e questionar a memória de um país maculado pelo silenciamento, alcançando um protagonismo viável à reelaboração da dor, em mais de três décadas de luta em defesa de seus filhos. Paralelo às performances na Plaza de Mayo, elas esboçam um intento literário e publicam, durante a ditadura militar, seus primeiros poemas. O desejo anunciado de um encontro com a literatura ganha força no projeto das oficinas literárias, do qual são produzidos cinco livros, restando também um material inédito que servirá de base para publicações futuras. O encontro com a ficção viabiliza um processo narrativo empreendido rumo à reconstrução biográfica do ser responsável pelo nascimento do ator político Madre, quem se torna personagem de si mesma, recriando-se na escritura e propondo novos olhares à memória, ao testemunho. A reelaboração do trauma e o surgimento de uma discursividade capaz de ressignificar a ausência compõem os principais elementos desses textos. Em analogia a personagens como Antígona (de Sófocles), Hécuba (de Eurípides) e Pelagea Wlassowa (de Gorki- Brecht), elas confirmam uma postura de enfrentamento e se projetam como herdeiras de uma linhagem de mulheres que convulsionaram o público, a partir da entoação de um páthos coletivo. Em devoção aos seus desaparecidos insepultos, as Madres recriam um legado ao revés, presente na escritura e na reinvenção de personagens que encontram o caminho da sobrevivência na memória do filho
El contexto de la Argentina de los años setenta es el escenario de personajes y narrativas que provienen del miedo y permanecen hasta la actualidad en posiciones de resistencia y enfrentamiento. En este paisaje escrito por la opresión del Estado militar, nacen las Madres de Plaza de Mayo, originadas por la tragedia de la desaparición forzada de sus hijos. Investidas por la maternidad, ellas rompen con la esfera privada para desestabilizar la esfera pública y cuestionar la memoria de un país maculado por el silencio, alcanzando una situación de protagonismo viable a la reelaboración del dolor, en más de tres décadas de lucha por la defensa de sus hijos. Paralelo a las performances en la Plaza de Mayo, ellas esbozan un intento literario y publican durante la dictadura sus primeros poemas. El deseo anunciado de un encuentro con la literatura crece en el proyecto de las oficinas literarias, del cual son publicados cinco libros, quedando además material inédito que servirá de base para publicaciones futuras. El encuentro con la ficción viabiliza un proceso narrativo emprendido rumbo a la reconstrucción biográfica del ser responsable por el nacimiento del actor político Madre, quien se transforma en personaje de sí misma, recreándose en la escritura y proponiendo nuevas miradas hacia la memoria y el testimonio. La reelaboración del trauma y el surgimiento de una discursividad capaz de resignificar la ausencia componen los principales elementos de estos textos. En analogía a personajes como Antígona (de Sófocles), Hécuba (de Eurípides) y Pelagea Wlassowa (de Gorki-Brecht), ellas confirman una postura de enfrentamiento y se proyectan como herederas de un linaje de mujeres que convulsionaron al público a partir de la entonación de un páthos colectivo. En devoción a sus desaparecidos insepultos, las Madres recrean un legado al revés, presente en la escritura y en la reinvención de personajes que encuentran el camino de la supervivencia en la memoria del hijo
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Guerin, Mariángeles. "Memória e conformação da identidade nos integrantes dos movimentos de "Madres y Abuelas de Plaza de Mayo"." reponame:Repositório Institucional da UnB, 2009. http://repositorio.unb.br/handle/10482/4411.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Ciências Sociais, Centro de Pesquisa e Pós-Graduação sobre as Américas, 2009.
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Esta dissertação tem como principal objetivo perceber como as integrantes dos Movimentos de Madres e Abuelas de Plaza de Mayo construíam as suas identidades. Para tanto, a analise da memória foi o médio privilegiado para a compreensão desses elementos estruturantes em suas construções identitarias. É importante ressaltar que os elementos acionados e reforçados pelas integrantes não se devem a aspectos comuns anteriores a seu agrupamento, mas a construções que se desenvolveram em seus diversos confrontos com diversos governos ditatoriais e democráticos, e também com outros grupos e pessoas individuas fora e dentro dos movimentos. _________________________________________________________________________________ ABSTRACT
This dissertation has as principal aim perceive as the members of the Movement of Mothers and Grandmothers of Plaza of May construct their identities. For it, the analysis of the memory was the way favoured for the comprehension of the elements in their identities constructions . It is important to highlight that the elements driven and reinforced by the members do not owe to common previous aspects to its grouping, but to the contructions that were developed in his different clashes by diverse dictatorial and democratic governments; and also with other groups and individual persons out and inside the respective movements.
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Tonner, Sarah Louise. "How has grief tourism re-defined the social and judicial progress of the Madres de Plaza de Mayo?" Texas A&M University, 2008. http://hdl.handle.net/1969.1/85908.

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The intent of this thesis is to examine the ways in which grief tourism has changed the nature and progress of the Madres de Plaza de Mayo as an organized group of mothers who have spent thirty years searching for answers about the fate of their disappeared children. This thesis will provide a historical overview of the Dirty War followed by a definition of grief tourism and an analysis of tourist's motivations to visit sites of death and disaster. With the increase and development of mass communications, people are able to research and discover remote corners of the world very easily. Furthermore, death and disaster always features as the predominant portion of the daily news. With the free flow of information, whether desired or not, coupled with an innate fascination for the morose, one is enticed to discover and visit sites of death and disaster. Grief tourism has linked visitor destinations all over the world including the concentration camps in Germany, Ground Zero in New York and now, the Plaza de Mayo in Argentina. Research indicates that grief tourism emerges in many differing forms of tourism, cultural being the most prominent. The research also shows that visitation to such sites is becoming increasingly popular. During the thirty years of their campaign, the Madres de Plaza de Mayo have been successful in bringing to justice many of the military leaders guilty of human rights violations, assassination and murder. Having partially met their initial goal, the Madres have continued to focus their attention on other human rights work. Their new found enterprises are intertwined with increasing visitation to the Plaza de Mayo. They have used tourism to their advantage in helping attain their goal of achieving a free Argentina.
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Bosco, Fernando J. "The spatiality of collective action : flexible networks and symbolic performances among the Madres de Plaza de Mayo in Argentina /." The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486546889384101.

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Books on the topic "Mothers of Plaza de Mayo"

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Revolutionizing motherhood: The mothers of the Plaza de Mayo. Wilmington, Del: Scholarly Resources Inc., 1994.

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Agosín, Marjorie. Circles of madness: Mothers of the Plaza de Mayo = Círculos de locura : madres de la Plaza de Mayo. Fredonia, N.Y: White Pine Press, 1992.

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Agosín, Marjorie. Circles of madness: Mothers of the Plaza de Mayo = Círculos de locura : Madres de la Plaza de Mayo. Fredonia, N.Y: White Pine Press, 1992.

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Fisher, Jo. Mothers of the Disappeared. Boston: South End Press, 1989.

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Mothers of the disappeared. London: Zed, 1989.

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Arrosagaray, Enrique. Biografía de Azucena Villafor: Creadora del Movimiento Madres de Plaza de Mayo. Ituzaingó, Provincia de Buenos Aires: Editorial Cienflores, 2014.

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Circle of love over death: Testimonies of the mothers of the Plaza de Mayo. Willimantic, CT: Curbstone Press, 1997.

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Carr, Laura. The politics of motherhood: The case of the mothers of the Plaza de Mayo. Manchester: University of Manchester, 2003.

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Agosín, Marjorie. Mothers of Plaza de Mayo (Linea Fundadora): The story of Renée Epelbaum, 1976-1985. Stratford, Ont: Williams-Wallace Publishers, 1989.

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Agosín, Marjorie. The mothers of Plaza de Mayo (Linea Fundadora): The story of Renée Epelbaum 1976-1985. Stratford, Ont: Williams-Wallace, 1989.

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Book chapters on the topic "Mothers of Plaza de Mayo"

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Gallo-Cruz, Selina. "The Mothers of the Plaza de Mayo." In Political Invisibility and Mobilization, 29–63. Abingdon, Oxon ; New York, NY : Routledge, 2021. | Series: Routledge research in gender and society: Routledge, 2020. http://dx.doi.org/10.4324/9781003014416-2.

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Sosa, Cecilia. "Queering Acts of Mourning in the Aftermath of Argentina’s Dictatorship: The Mothers of Plaza de Mayo and Los Rubios." In The Memory of State Terrorism in the Southern Cone, 63–85. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118621_4.

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Gatti, Gabriel. "The Meaning-Preserving Machinery of the Grandmothers of Plaza de Mayo." In Surviving Forced Disappearance in Argentina and Uruguay, 77–95. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137394156_5.

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Leyton, Cristian Alvarado. "Leidensgemeinschaften und ,fiktive‘ Verwandtschaft als strategischer Essentialismus – die Abuelas de Plaza de Mayo." In Nahbeziehungen zwischen Freundschaft und Patronage, 197–218. Göttingen: V&R unipress, 2017. http://dx.doi.org/10.14220/9783737006156.197.

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Wagner, Lisa. "Strategic alignment in the discourse of Las Madres de la Plaza de Mayo." In Us and Others, 357–74. Amsterdam: John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/pbns.98.21wag.

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Adair, Jennifer. "The Mothers of the Plaza de Mayo." In The Routledge History of Human Rights, 375–91. Routledge, 2019. http://dx.doi.org/10.4324/9780429324376-20.

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"5. The Mothers and Grandmothers of Plaza de Mayo Speak." In Women's Activism in Latin America and the Caribbean, 95–110. Rutgers University Press, 2019. http://dx.doi.org/10.36019/9780813549514-009.

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Torre, Suzanna. "Claiming the Public Space: The Mothers of Plaza de Mayo." In Public Space Reader, 198–203. Routledge, 2021. http://dx.doi.org/10.4324/9781351202558-29.

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Partnoy, Alicia. "Textual Strategies to Resist Disappearance and the Mothers of Plaza de Mayo." In Representing Humanity in an Age of Terror, 221–31. Purdue University Press, 2010. http://dx.doi.org/10.2307/j.ctt6wq6sb.16.

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"7 Trapped In Bad Serlpts: The Mothers of the Plaza de Mayo." In Disappearing Acts, 183–222. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822399285-008.

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Conference papers on the topic "Mothers of Plaza de Mayo"

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Alcino, Valeria Fabiana. "La imagen inmaterial. Visualidad, sonoridad y política en el arte contemporáneo argentino." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9095.

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Este trabajo analiza la relación entre la imagen visual, la dimensión sonora y la historia política argentina en la obra Evidencias de Norberto Puzzolo y Eva. La lluvia de Nicola Costantino. La capacidad evocadora de lo sonoro como una dimensión de las emociones, de las huellas de presencias arrebatadas de un tiempo pasado, se propone como un punto de partida para la reflexión sobre el pasado de la historia reciente argentina, una historia en constante revisión y re-construcción. "Evidencias" (2010) -Museo de la Memoria de Rosario- es una instalación en proceso de Norberto Puzzolo (Rosario, 1948). Esta obra trata sobre la ardua búsqueda de las Abuelas de Plaza de Mayo y la restitución de la identidad a sus nietos, hijos de los desaparecidos por el terrorismo de Estado (1976-1983). Desde este punto, se intenta abordar la sonoridad, el movimiento de las imágenes y las múltiples temporalidades: pasado/presente; pasado/futuro; presente/futuro. Pensar el sonido como un signo de presencia/ausencia, como signo de aquello que en un tiempo venidero podrá –o no- estar presente. La instalación Eva. La lluvia (2013) de Nicola Costantino (Rosario, 1964) forma parte de la obra Rapsodia Inconclusa (2013) que a partir de una serie de video-instalaciones trabaja el aspecto íntimo de la vida de Eva Perón. Del grupo, ésta es la producción que evoca la dimensión pública de Evita, pues de una forma abstracta representa los funerales de la importante figura política de la historia argentina. Este estudio considera la desmaterialización visual -que en este caso es conceptual- producida por el aspecto sonoro de la obra como parte fundamental del proceso artístico. En conclusión, esta ponencia intentará explorar las tensiones entre visualidad y sonoridad, las formas inmateriales constitutivas de sentidos vinculadas con poéticas y reconstrucciones de la memoria histórica.
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Alcino, Valeria Fabiana. "Voces de la ausencia/poética de la memoria en la obra Evidencias (2010) de Norberto Puzzolo, Museo de la Memoria, Rosario, Argentina. Sonido, silencio e imagen durante la dictadura argentina (1976-1983)." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9164.

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Este trabajo se propone analizar los diversos planos puestos en relación a partir del sonido y la visualidad con las poéticas de la memoria a partir de la instalación Evidencias (2010) del artista argentino Norberto Puzzolo (Rosario,1943).La obra trata una doble problemática.Por una parte, expone los trágicos hechos de apropiación de niños, hijos de detenidos desaparecidos por el terrorismo de Estado argentino entre 1976 y 1983. Por otro lado, muestra la ardua búsqueda de las Abuelas de Plaza de Mayo y la restitución de la identidad a sus nietos.En la instalación de Puzzolo, el sonido se ubica como una evocación del pasado en tanto que el aspecto visual instala el tiempo presente y futuro. En esta unión de poéticas y temporalidades, emerge el interrogante del ser social nacional. El artista ha dejado los espacios vacíos para que sea la voluntad de la sociedad la que cierre esta obra.Evidencias, es un site specific concebido para el Museo de la Memoria de Rosario, Provincia de Santa Fe, Argentina. Asimismo, es una obra en progreso, en constante cambio a medida que los hallazgos de las identidades de los nietos desaparecidos se incorporan a la composición.Desde este punto, se intenta abordar la relación entre la materialidad de la obra visual y la invisibidad del sonido. La dimensión sonora como medio evocativo de múltiples temporalidades: pasado/presente; pasado/futuro; presente/futuro. Pensar el sonido como un signo de presencia/ausencia en esas temporalidades, como signo de aquello que en un tiempo venidero podrá –o no- estar presente. La dimensión histórica/política y política/social enfrentando la tensión entre memoria/olvido, resulta central en este abordaje. La pregunta sobre cómo vamos a reconstruir nuestro pasado reciente se pone en evidencia en el proceso de ir completando la obra. El desafío al que nos enfrenta como sociedad es la incógnita de saber si seremos capaces de restituir las imágenes faltantes y a partir de ellas, reponer las voces del pasado.
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