Relevant bibliographies by topics / Motif of drowned man

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Motif of drowned man'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Motif of drowned man"

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Sosik, Olha. "The Drowned Man Motif in the Works of the Fin de Siècle Period." Bulletin of KNUKiM. Series in Arts, no. 41 (December 30, 2019): 233–40. https://doi.org/10.31866/2410-1176.41.2019.188705.

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The purpose of the article is to analyse the features of the drowned man motif in the works of the fin de siècle period. The research methodology consists of art  and  general  scientific  approaches.  A  comparative  method  was  used to reveal figurative and thematic parallels in the works of artists of different European countries at the turn of the 20th century; historical and cultural – to determine the mythopoetic sources for themes and images; semiotic method – to insight the symbolism of works. The scientific novelty of th
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Owen, W. J. B., and Susan J. Wolfson. "The Drowned Man of Esthwaite." PMLA 100, no. 5 (1985): 817. http://dx.doi.org/10.2307/462103.

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Nichols, Ashton. "“The Drowned Man of Esthwaite”." PMLA/Publications of the Modern Language Association of America 100, no. 2 (1985): 234–35. http://dx.doi.org/10.2307/462292.

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Deming, Alison Hawthorne. "Provincetown, and: The Drowned Man." Massachusetts Review 56, no. 1 (2015): 44–47. http://dx.doi.org/10.1353/mar.2015.0021.

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Owen, W. J. B. "“The Drowned Man of Esthwaite”." Publications of the Modern Language Association of America 100, no. 5 (1985): 817. http://dx.doi.org/10.1632/s0030812900135047.

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Freeman, Castle. "The Drowned Man at Sanderlings." New England Review 32, no. 1 (2011): 65–73. http://dx.doi.org/10.1353/ner.2011.a433212.

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Wolfson, Susan J. "“The Drowned Man of Esthwaite - Reply”." PMLA/Publications of the Modern Language Association of America 100, no. 2 (1985): 235–36. http://dx.doi.org/10.1632/s0030812900134704.

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Wolfson, Susan J. "“The Drowned Man of Esthwaite” - Reply." Publications of the Modern Language Association of America 100, no. 5 (1985): 817–18. http://dx.doi.org/10.1632/s0030812900135059.

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Grunina, L. P., and O. A. Saltymakova. "Motif in Fiction: A New Research Methodology." SibScript 25, no. 1 (2023): 119–27. http://dx.doi.org/10.21603/sibscript-2023-25-1-119-127.

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The article focuses on the understanding of the motif as one of the central categories of fiction and the key conceptof text analysis. The article focuses on various approaches to the pragmatic content of the motif. A review of scientific publications revealed an ambiguity in its definition: motif can be interpreted as a scenario act or an ideologeme. The author believes that the objective basis for determining the content and function of a particular motif is a detailed analysis of its verbalization in the text. The article introduces the fundamental difference between literary and linguo-sty
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Vértiz, Vickie. "El Sueño del Ahogado / Dream of the Drowned Man." Diálogo 18, no. 2 (2015): 181–82. http://dx.doi.org/10.1353/dlg.2015.0019.

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Dissertations / Theses on the topic "Motif of drowned man"

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Mathews, Alice McWhirter. "The Path to Paradox: The Effects of the Falls in Milton's "Paradise Lost" and Conrad's "Lord Jim"." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc332146/.

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This study arranges symptoms of polarity into a causal sequence# beginning with the origin of contrarieties and ending with the ultimate effect. The origin is considered as the fall of man, denoting both a mythic concept and a specific act of betrayal. This study argues that a sense of separateness precedes the fall or act of separation; the act of separation produces various kinds of fragmentation; and the fragments are reunited through paradox. Therefore, a causal relationship exists between the "fall" motif and the concept of paradox.
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Collopen, Leigh-Ann Mary. "Narrating survival in Primo Levi's If this is a man, and The drowned and the saved." Thesis, 2008. http://hdl.handle.net/10539/5431.

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Abstract This research report explores the process of narrating survival in Primo Levi’s If This Is A Man and The Drowned and The Saved. The central objective is to understand the process of psychological survival is narrated in Levi’s autobiographical narrative. To this end, I have used a psychoanalytical framework to understand the traumatic impact of Auschwitz on subjectivity as well as to position subjectivity in relation to autobiographical narrative. I shall argue that the trauma of Auschwitz resulted in an eroded and shattered subjectivity and that narrative offers a space in wh
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Shin, Eun-Chul. "More than conquerors : the conqueror (NIKΑΏ) motif in the Book of Revelation". Thesis, 2007. http://hdl.handle.net/2263/28616.

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This dissertation intends to reveal the theme of the conqueror, which is spread throughout the book of Revelation. I try to determine the identity and function of the conquerors who were faced with various problems in their present situations. Various present situations such as the political, economical, social, and religious phenomena that the first Christians confronted must be considered. Thus, the main aim of Revelation is to persuade compromising Christians to disengage from pagan idolatry and to sustain those who resist. One must remember the fact that the designated conquerors were abso
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Lubengo, Takalani. "Victim-victimiser relationship, loss and survival in war: a comparative study of Elsa Morante's History, a Novel and Primo Levi's If this is a Man, and The Drowned and the Saved." Thesis, 2015. http://hdl.handle.net/10539/18418.

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A dissertation submitted to the Department of Modern Languages and Literature in the School of Literature, Language and Media, University of the Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Masters of Arts in European Literature. January, 2015
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Books on the topic "Motif of drowned man"

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A, Foresta Merry, ed. Perpetual motif: The art of Man Ray. National Museum of American Art, Smithsonian Institution, 1988.

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Drowned Man. FLP Media Group, 2006.

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(Editor), Leah Maines, ed. The Drowned Man. Finishing Line Press, 2006.

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Bennett, Christopher L., Richard Rohan, and Diverse Cast. Spider-Man: Drowned in Thunder. Dreamscape Media, 2019.

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Whellams, David. Drowned Man: A Peter Cammon Mystery. ECW Press, 2013.

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Bennett, Christopher L. Spider-Man: Drowned in Thunder (Spiderman). Pocket Star, 2007.

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Whellams, David. The drowned man: A Peter Cammon mystery. 2013.

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Golden Valley Study Group Staff. Man Who Drowned the Meadows: Rowland Vaughan, 1558-1627. 0Logaston Press, 2016.

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Foster, Stephen C., and Billy Kluver. Perpetual Motif: The Art of Man Ray. Abbeville Press, 1994.

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Foster, Stephen C., Sandra S. Phillips, Roger Shattuck, et al. Perpetual Motif: The Art of Man Ray. Abbeville Press, 1999.

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Book chapters on the topic "Motif of drowned man"

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Biggin, Rose. "Interactivity and Immersion in The Drowned Man." In Immersive Theatre and Audience Experience. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-62039-8_3.

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Green, Richard Firth. "Legs and the Man: The History of a Medieval Motif." In The Medieval Python. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137075055_15.

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Westling, Carina. "Immanent Story Worlds: The Making of Punchdrunk’s The Drowned Man: A Hollywood Fable." In Human–Computer Interaction Series. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-29553-4_10.

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MacArthur, Sian. "‘The Last Man in the World’: Gothic Motif in the Apocalyptical Novel." In Gothic Science Fiction. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137389275_3.

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Komporaly, Jozefina. "Adaptation as Experiential Theatre: Immersion and the Dramaturgy of Fragmentation (The Drowned Man, Hotel Medea)." In Radical Revival as Adaptation. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-48102-3_4.

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Harris, Geraldine. "Differences in Degree or Kind? Ockham’s Razor’s Not Until We Are Lost and Punchdrunk’s The Drowned Man: A Hollywood Fable." In Reframing Immersive Theatre. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-36604-7_20.

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Milner, Andrew, and J. R. Burgmann. "Ice, Fire and Flood: A Short Pre-history of Climate Fiction." In Science Fiction and Climate Change. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621723.003.0001.

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This chapter argues that catastrophic climate change fictions have been organised around three main tropes: the new ice age, the burning world and the drowned world. Of these, only the last has a deep history in the Western mythos, dating back to stories of a Great Flood in Genesis and the Epic of Gilgamesh. When modern science fiction (SF) began to take shape in the early nineteenth century, it inherited a preoccupation with the Flood from its parent cultures, for example, Mary Shelley’s The Last Man, Richard Jefferies’s After London and Jules Verne’s Sans dessus dessous. This flood motif con
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Sampson, Fiona. "Drowned Man." In On Shakespeare’s Sonnets. Bloomsbury Arden Shakespeare, 2016. http://dx.doi.org/10.5040/9781474275057.ch-052.

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"Amdu—Drowned Man." In For Nirvana. Columbia University Press, 2016. http://dx.doi.org/10.7312/cho-17990-026.

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Saliot, Anne-Gaëlle. "Man Ray and Aurélien." In The Drowned Muse. Oxford University Press, 2015. http://dx.doi.org/10.1093/acprof:oso/9780198708629.003.0008.

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Conference papers on the topic "Motif of drowned man"

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Liu, Bo, Yinxing Liu, Jianqiang Li, Jianlei Lang, and Rentao Gu. "Multi-dimensional motif discovery in air pollution data." In 2017 IEEE International Conference on Systems, Man and Cybernetics (SMC). IEEE, 2017. http://dx.doi.org/10.1109/smc.2017.8122660.

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Huang, Chiung-Wei, Ching-Chung Yu, Ching-Hao Mao, and Hahn-Ming Lee. "Network Motif Model: An Efficient Approach for Extracting Features from Relational Data." In 2006 IEEE International Conference on Systems, Man and Cybernetics. IEEE, 2006. http://dx.doi.org/10.1109/icsmc.2006.385124.

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Khovanchuk, Olga, and Tatiana Breslavets. "THE MAN IMAGE IN OKAMOTO KANOKO’S FICTION." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.45.

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The paper is devoted to the peculiarities of the man image in Japanese woman writer Okamoto Kanoko’s fiction. As a rule, the hero-lover (victim) has not the indispensable vitality and innate power. He is sickly or weak-minded. His fragility and passivity are contrasted with heroine’s (vampire) strength and assertiveness. The demonic motif is ubiquitous in Okamoto Kanoko’s stories. In other side, the man image is not a “lover”, but a “son”, which cult was set in her works. In certain cases heroine’s attitude to a hero leads to the erotic conflict.
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Shmidt, I. "CHERNOOZERSKY ORNAMENTAL MOTIF IN THE PERSPECTIVE OF SEMIOTIC RESEARCH." In Знаки и образы в искусстве каменного века. Международная конференция. Тезисы докладов [Электронный ресурс]. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-308-4.30-31.

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A thing made by man is a kind of coded message about him, the group which he lives in, and a thesis expression of their views on the world. According to the fair remark of Lotman, any such message is reasonable to perceive as superlingual organization (Lotman, 2004). It makes the reading of these messages a complicated process. We face texts that are not based on linguistic principles. If the archaeologist-interpreter expands the methodological horizon of the analysis to the level of semiot-ics, the objects-texts can demonstrate their linguistic specific. This is especially felt when working w
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Adascalița-Crigan, Lucia, and Viorica Cazac-Scobioala. "Perpetuating the rhombus in traditional Romanian art." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.01.

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The rhombus as an ornamental motif of traditional art can be found both among the signs sewn on popular costumes or in interior textiles, on household objects, and among the shapes found in traditional cuisine. Being a geometrical motif with an archaic symbolic charge, characterized by perpetuity and cosmic sacredness, it was exploited and integrated into all the daily, celebratory and ceremonial circumstances of man. In this context, the objective of the study was directed towards the presentation of the multicriteria interpretation of this motif. On the one hand, the Rhombus carries a specia
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Starkova, Veronika. "Transformation of the “Little Man” Motif in the Ivan Cankar’s Early Stories (Storybooks “Vignettes” and “A Book for Thoughtless People”)." In Slavic World: Commonality and Diversity. Institute of Slavic Studies, Russian Academy of Sciences, 2022. http://dx.doi.org/10.31168/2619-0869.2022.3.02.

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Duta, Florica. "I.L.Caragiale, important precursor and creator of the modern theatre concept." In Universitas Europaea: Towards a Knowledge Based Society Through Europeanisation and Globalisation. Free International University of Moldova, 2025. https://doi.org/10.54481/uekbs2024.v2.10.

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Thanks to the content, to the form of his plays and to the technique used, I.L. Caragiale is considered one of the precursors of the absurd theater and one of the creators of the modern concept of theater because he abandoned the traditional romantic forms of a literary theater in favor of a theatrical theater, revising the original constitutive elements of dramatic art: movement, pantomime, mimicry, puppetry, masks, the plastic element, the play of lights and shadows, the theatrical word. Caragiale's comedies, like the later theater of the absurd, suffer from a crisis of action, his theater i
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Zlotnikova, Tatyana. "Power in Russia: Modus Vivendi and Artis Imago." In Russian Man and Power in the Context of Dramatic Changes in Today’s World, the 21st Russian scientific-practical conference (with international participation) (Yekaterinburg, April 12–13, 2019). Liberal Arts University – University for Humanities, Yekaterinburg, 2019. http://dx.doi.org/10.35853/ufh-rmp-2019-pc02.

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Contemporary Russian socio-cultural, cultural and philosophical, socio psychological, artistic and aesthetic practices actualize the Russian tradition of rejection, criticism, undisguised hatred and fear of power. Today, however, power has ceased to be a subject of one-dimensional denial or condemnation, becoming the subject of an interdisciplinary scientific discourse that integrates cultural studies, philosophy, social psychology, semiotics, art criticism and history (history of culture). The article provides theoretical substantiation and empirical support for the two facets of notions of p
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