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Relevant bibliographies by topics / Motion in art

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Academic literature on the topic 'Motion in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Motion in art"

1

Malina, Roger F., Jim Jenkins, and Dave Quick. "Motion Motion Kinetic Art." Leonardo 24, no. 4 (1991): 493. http://dx.doi.org/10.2307/1575547.

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John. "“Art in Motion”." Television & New Media 1, no. 4 (2000): 437–42. http://dx.doi.org/10.1177/152747640000100406.

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Woodacre, Elena. "Medieval Art in Motion." Medieval Feminist Forum 56, no. 2 (2021): 218–20. http://dx.doi.org/10.17077/1536-8742.2263.

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Ríos Moyano, Sonia. "«Motion, autos, art, architecture»." Boletín de Arte, no. 43 (November 24, 2022): 298–304. http://dx.doi.org/10.24310/bolarte.2022.vi43.15358.

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Maghfudzah, Kamilia, and Herlinda Mansyur. "RINTIHAN." Jurnal Sendratasik 9, no. 1 (2020): 80. http://dx.doi.org/10.24036/jsu.v8i3.108099.

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Abstract The "Moans (Rintihan)" artwork aims to elevate personal life into motion elements, create dance artworks, stimulate art performers to increase creativity in art and express the experience of writers as beginner choreographers in the field of dance art creation. The form of presentation in the “Moans (Rintihan)" artwork was representational. The “Moans (Rintihan)" artwork depict family activities that began with a beauty and harmony of the family that end in something not as expected. In this work, the choreographers used movements that have meaning and pure motion that had been distri

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Henrich, Allison. "John Edmark: Art in Motion." Mathematics Magazine 94, no. 1 (2021): 65–68. http://dx.doi.org/10.1080/0025570x.2021.1843890.

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Rafi, Ahmad. "Motion capture and computer art." International Journal of Arts and Technology 1, no. 1 (2008): 1. http://dx.doi.org/10.1504/ijart.2008.019874.

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Lee, JiYong, YoungEun Kim, and SangHun Nam. "Motion Capture based Taekwondo Motion Trajectory Visualization Media Art Technique." Journal of Digital Art Engineering and Multimedia 6, no. 1 (2019): 1–8. http://dx.doi.org/10.29056/idaem.2019.06.04.

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Haar, Sherry J. "Wearable Art through Free-Motion Stitching." Clothing and Textiles Research Journal 22, no. 1-2 (2004): 31–37. http://dx.doi.org/10.1177/0887302x0402200105.

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Farley, Rebecca. "Review: Art in Motion: Animation Aesthetics." Media International Australia 91, no. 1 (1999): 177–78. http://dx.doi.org/10.1177/1329878x9909100119.

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Dissertations / Theses on the topic "Motion in art"

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Tsen, Jung-mei. "Motion in graphics /." Online version of thesis, 1995. http://hdl.handle.net/1850/12246.

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Wegner, Dietrich Anjelmurra. "Private splashes frozen motion." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1382951715.

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Segelstad, Johan. "Layering animation principles on motion capture data : Surpass the limitations of motion capture." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-74636.

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This thesis deals with the use of Disney's twelve animation principles in relation to Motion Capture. The purpose of the work was to investigate whether animation principles can be applied to finished motion capture animations to surpass the limitations of motion capture by using animation layers, where each added layer is a new principle. To investigate this, motion capture data was retrieved with various movements from Mixamo, which was then imported into Maya where various animation principles were applied with the help of Maya animation layers. The result of this research will answer the

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Wolk, Lisa C. "Motion in metal /." Online version of thesis, 1990. http://hdl.handle.net/1850/11321.

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Zhu, Ying. "From art to commerce : Chinese cinema in the era of reforms /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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Cosovic, Daniela. "FABRIC ARCHITECTURE: BODY IN MOTION." Master's thesis, Orlando, Fla. : University of Central Florida, 2009. http://purl.fcla.edu/fcla/etd/CFE0002606.

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Barradas, Jorge Nuno. "Pedro Costa : producing and consuming contemporary art cinema." Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33021/.

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This thesis examines the work of Portuguese filmmaker Pedro Costa as a paradigm of recent developments in production and consumption practices in contemporary art cinema. With a notable problematic relationship with industrial film production and with a pragmatic approach to distribution, Costa’s working methods have sustained an evolving narrative of production that negotiates between interstitial filmmaking, and different authorial and collaborative practices, which helped his work to circulate in different circuits of consumption. Scholarly study of Costa’s work has stressed particular styl

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Johnson, Gwendolyn L. "Art in motion : a poster book on CD-ROM /." Online version of thesis, 1994. http://hdl.handle.net/1850/12195.

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Bain, Keith Norman. "Hyperartifical cinema and the art of cool." Thesis, Stellenbosch : Stellenbosch University, 2002. http://hdl.handle.net/10019.1/52880.

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Thesis (PhD)--Stellenbosch University, 2002.<br>ENGLISH ABSTRACT: In this thesis, an ontology of contemporary cinema is developed using the position assumed by postmodern thinkers (notably Jean Baudrillard) and contemporary filmmakers. Using Baudrillard's perspective it is argued that the cinematic apparatus is an expression of both human curiosity and a desire to place "reality" at a distance. While the spectator seeks involvement with the viewed subject, he or she remains detached from the images which simulate the various "realities" in which he or she becomes "involved" through the a

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Lindloff, Aaron. "Filmic icons a new art for worship /." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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Books on the topic "Motion in art"

1

1950-, Quick Dave, ed. Motion motion kinetic art. Peregrine Smith Books, 1989.

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Nevinskas, Nancy. Art in motion. Rochester City School District, Early Childhood Center School No. 56, Early childhood Center School, No. 57, 1995.

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Richardson, Joy. Showing motion in art. Gareth Stevens Pub., 2000.

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Bilbao, Museo Guggenheim, ed. Motion: Autos art architecture. Ivorypress, 2022.

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editor, Peeters Julie, Fitzpatrick Chris 1978 author, Kunstverein München, and Roma Publications (Firm), eds. Karel Martens: Motion. Roma Publications, 2017.

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Furniss, Maureen. Art in motion: Animation aesthetics. John Libbey, 2007.

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Furniss, Maureen. Art in motion: Animation aesthetics. John Libbey, 2007.

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Gallagher, Rebecca. Exploring motion graphics. Thomson Delmar Learning, 2007.

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LoBrutto, Vincent. The art of motion picture editing. Allworth Press, 2012.

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Yewdall, David Lewis. Practical art of motion picture sound. Focal Press, 1999.

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Book chapters on the topic "Motion in art"

1

Wade, Nicholas. "Moiré and Motion." In Art and Illusionists. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-25229-2_15.

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Navas, Eduardo. "Regenerative Motion." In Art, Media Design, and Postproduction. Routledge, 2018. http://dx.doi.org/10.4324/9781315453255-18.

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Wade, Nicholas. "Scintillation and Apparent Motion." In Art and Illusionists. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-25229-2_14.

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"3. Art in Motion, Motion in Art." In Argentina in the Global Middle East. Stanford University Press, 2020. http://dx.doi.org/10.1515/9781503613027-005.

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Wishart, Trevor. "Spatial Motion." In On Sonic Art, edited by Simon Emmerson. Routledge, 1996. http://dx.doi.org/10.4324/9781315077895-13.

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Hutchinson, G. O. "Visual Art." In Motion in Classical Literature. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198855620.003.0002.

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Visual art shows the ancient interest in motion palpably, and helps in perceiving both differences between depictions in art and literature and aspects they have in common. Mostly well-known works of art are chosen for detailed discussion. A Corinthian arbyallos shows leaping in a dance as an action admired in itself; a Boeotian skyphos gives a dynamic picture of Odysseus blown by the wind. The stele of Dexileos presents a moment of motion just before a decisive event, as does a wall-painting of Pentheus. Still further back before events come the discus-thrower (Discobolus) and a painting of Medea. A wall-painting of Hades and Persephone and Exekias’ vase-painting of Dionysus show gods in motion at the start and in the sequel of events. Artistic depictions exploit space, visual detail, and the regularity of motion; the viewer’s knowledge is important, as in literature. Lessing misguidedly thinks that literature is more suited to depicting motion; literature can do more with time, but less with physical detail and space. The contribution of the reader’s or listener’s imagination does not reduce the significance of described motion, any more than the contribution of the viewer reduces the significance of depicted thought. Part of literature’s interest in art is an interest in motion, as in ekphrasis or Pindar. Art and literature together show important variables (like speed), oppositions (as between individual and a group), structures (as of male and female). In literature, language is important to what motion arrests attention.

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"MOTION." In Film as Art, 50th Anniversary Printing. University of California Press, 2006. http://dx.doi.org/10.1525/9780520351639-008.

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"Art is not a Luxury." In Knowledge in Motion. transcript-Verlag, 2007. http://dx.doi.org/10.14361/9783839408094-033.

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Patrizi, Livia, and Silvia Stammen. "Art is not a Luxury." In Knowledge in Motion. transcript Verlag, 2007. http://dx.doi.org/10.1515/9783839408094-033.

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"AFRICAN ART AND MOTION." In African Art in Motion. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8305983.8.

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Conference papers on the topic "Motion in art"

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Jordao, Kevin, Panayiotis Charalambous, Marc Christie, Julien Pettré, and Marie-Paule Cani. "Crowd art." In MIG '15: Motion in Games. ACM, 2015. http://dx.doi.org/10.1145/2822013.2822023.

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Crawford, David. "Stop Motion Studies - Tokyo." In ACM SIGGRAPH 2004 Art gallery. ACM Press, 2004. http://dx.doi.org/10.1145/1185884.1185974.

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Beckhaus, Steffi. "Eyes in motion I." In ACM SIGGRAPH 2004 Art gallery. ACM Press, 2004. http://dx.doi.org/10.1145/1185884.1185888.

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Hunter, Pat. "Advancing captured motion." In ACM SIGGRAPH 98 Electronic art and animation catalog. ACM Press, 1998. http://dx.doi.org/10.1145/281388.281787.

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Slavkovikj, Viktor, Pieterjan De Potter, Steven Verstockt, Wesley De Neve, Sofie Van Hoecke, and Rik Van de Walle. "Visitor-art interaction by motion path detection." In 2013 18th International Conference on Digital Signal Processing (DSP). IEEE, 2013. http://dx.doi.org/10.1109/icdsp.2013.6622822.

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D’Agostino, Fernanda, Harry D. Dawson, and Bret W. Tobalske. "Motion Studies: an art and science collaboration." In Electronic Visualisation and the Arts (EVA 2010). BCS Learning & Development, 2010. http://dx.doi.org/10.14236/ewic/eva2010.44.

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Basset, Jean, Pierre Bénard, and Pascal Barla. "SMEAR: Stylized Motion Exaggeration with ARt-direction." In SIGGRAPH '24: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2024. http://dx.doi.org/10.1145/3641519.3657457.

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Yasumaru, Shingo. "Wild river --- motion ride." In ACM SIGGRAPH 98 Electronic art and animation catalog. ACM Press, 1998. http://dx.doi.org/10.1145/281388.282029.

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Chou, Yu-Min, Hong-Ren Chen, and Yu-Ting Shih. "Design of Motion Sensing Martial Art Learning System." In 2019 International Conference on Intelligent Computing and its Emerging Applications (ICEA). IEEE, 2019. http://dx.doi.org/10.1109/icea.2019.8858320.

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Vu, Thanh L., and Russell Thamm. "State of the Art Flight Motion Simulator Controller." In AIAA Modeling and Simulation Technologies Conference. American Institute of Aeronautics and Astronautics, 2015. http://dx.doi.org/10.2514/6.2015-1141.

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Reports on the topic "Motion in art"

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Rysjedal, Fredrik. Frozen Moments in Motion. Universitetet i Bergen KMD, 2019. http://dx.doi.org/10.22501/kmd-ar.31524.

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What are the concepts of motion in digital comics? What types of motion can be used in comics and how does motion affect the presentation, the story and even the reader/viewer? This project is a part of the Norwegian Programme for Artistic Research, and it's executed at the Bergen Academy of Art and Design, today called Faculty of Fine Art, Music and Design at the University of Bergen.

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Abrahamson, Norman, Nicolas Kuehn, Zeynep Gulerce, et al. Update of the BC Hydro Subduction Ground-Motion Model using the NGA- Subduction Dataset. Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, 2018. http://dx.doi.org/10.55461/oycd7434.

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An update to the BCHydro ground-motion model for subduction earthquakes has been developed using the 2018 PEER NGA-SUB dataset. The selected subset includes over 70,000 recordings from 1880 earthquakes. The update modifies the BCHydro model to include regional terms for the VS30 scaling, large distance (linear R) scaling, and constant terms, which is consistent with the regionalization approach used in the NGA-W2 ground-motion models. A total of six regions were considered: Cascadia, Central America, Japan, New Zealand, South America, and Taiwan. Region- independent terms are used for the smal

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Goulet, Christine, Yousef Bozorgnia, Norman Abrahamson, et al. Central and Eastern North America Ground-Motion Characterization - NGA-East Final Report. Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, 2018. http://dx.doi.org/10.55461/wdwr4082.

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This document is the final project report of the Next Generation Attenuation for Central and Eastern North America (CENA) project (NGA-East). The NGA-East objective was to develop a new ground-motion characterization (GMC) model for the CENA region. The GMC model consists of a set of new ground-motion models (GMMs) for median and standard deviation of ground motions and their associated weights to be used with logic-trees in probabilistic seismic hazard analyses (PSHA). NGA-East is a large multidisciplinary project coordinated by the Pacific Earthquake Engineering Research Center (PEER), at th

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Mazzoni, Silvia, Nicholas Gregor, Linda Al Atik, Yousef Bozorgnia, David Welch, and Gregory Deierlein. Probabilistic Seismic Hazard Analysis and Selecting and Scaling of Ground-Motion Records (PEER-CEA Project). Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, 2020. http://dx.doi.org/10.55461/zjdn7385.

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This report is one of a series of reports documenting the methods and findings of a multi-year, multi-disciplinary project coordinated by the Pacific Earthquake Engineering Research Center (PEER) and funded by the California Earthquake Authority (CEA). The overall project is titled “Quantifying the Performance of Retrofit of Cripple Walls and Sill Anchorage in Single-Family Wood-Frame Buildings,” henceforth referred to as the “PEER–CEA Project.” The overall objective of the PEER–CEA Project is to provide scientifically based information (e.g., testing, analysis, and resulting loss models) that

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Goulet, Christine, Yousef Bozorgnia, Nicolas Kuehn, et al. NGA-East Ground-Motion Models for the U.S. Geological Survey National Seismic Hazard Maps. Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, 2017. http://dx.doi.org/10.55461/qozj4825.

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The purpose of this report is to provide a set of ground motion models (GMMs) to be considered by the U.S. Geological Survey (USGS) for their National Seismic Hazard Maps (NSHMs) for the Central and Eastern U.S. (CEUS). These interim GMMs are adjusted and modified from a set of preliminary models developed as part of the Next Generation Attenuation for Central and Eastern North-America (CENA) project (NGA-East). The NGA-East objective was to develop a new ground-motion characterization (GMC) model for the CENA region. The GMC model consists of a set of GMMs for median and standard deviation of

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Hammad, Ali, and Mohamed Moustafa. Seismic Behavior of Special Concentric Braced Frames under Short- and Long-Duration Ground Motions. Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, 2019. http://dx.doi.org/10.55461/zont9308.

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Over the past decade, several long-duration subduction earthquakes took place in different locations around the world, e.g., Chile in 2010, Japan in 2011, China in 2008, and Indonesia in 2004. Recent research has revealed that long-duration, large-magnitude earthquakes may occur along the Cascadia subduction zone of the Pacific Northwest Coast of the U.S. The duration of an earthquake often affects the response of structures. Current seismic design specifications mostly use response spectra to identify the hazard and do not consider duration effects. Thus, a comprehensive understanding of the

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Mojidra, Rushil, and Keri Ryan. Influence of Vertical Ground Motion on Bridges Isolated with Spherical Sliding Bearings. Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, 2019. http://dx.doi.org/10.55461/rynq3624.

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The motivation for this project developed from testing of a full scale building isolated with triple friction pendulum bearings on the E-defense shake table in Japan. The test demonstrated experimentally that the vertical component of ground motion can amplify both the base shear and the story acceleration in the isolated building. Vertical shaking introduced high-frequency variation in the axial force of the bearings, and, consequently, a high-frequency component in the bearing lateral force, which excited higher structural modes in the building. Since vertical bridges are flexible in the ver

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Brodsky, Tomas, Cornelia Fermuller, and Yiannis Aloimonos. Directions of Motion Fields are Hardly Ever Ambiguous,. Defense Technical Information Center, 1995. http://dx.doi.org/10.21236/ada297576.

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Max Karasik. Driven Motion and Instability of an Atmospheric Pressure Arc. Office of Scientific and Technical Information (OSTI), 1999. http://dx.doi.org/10.2172/15034.

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Naqvi, Qaim, Patrick Wolff, Brenda Molano-Flores, and Jinelle Sperry. Camera traps are an effective tool for monitoring insect–plant interactions. Engineer Research and Development Center (U.S.), 2024. http://dx.doi.org/10.21079/11681/48496.

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Insect and pollinator populations are vitally important to the health of ecosystems, food production, and economic stability, but are declining worldwide. New, cheap, and simple monitoring methods are necessary to inform management actions and should be available to researchers around the world. Here, we evaluate the efficacy of a commercially available, close-focus automated camera trap to monitor insect–plant interactions and insect behavior. We compared two video settings—scheduled and motion-activated—to a traditional human observation method. Our results show that camera traps with schedu

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