Log in

Relevant bibliographies by topics / Motion picture industry – economic aspects / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Motion picture industry – economic aspects.

Dissertations / Theses on the topic 'Motion picture industry – economic aspects'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 15 dissertations / theses for your research on the topic 'Motion picture industry – economic aspects.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Bahmad, Jamal. "Casablanca belongs to us : globalisation, everyday life and postcolonial subjectivity in Moroccan cinema since the 1990s." Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/19847.

Full text

Abstract:

This dissertation examines the representations of Casablanca in Moroccan cinema and their articulation of postcolonial subjectivity since the 1990s. To overcome a deep economic recession and simmering social unrest in the early 1980s, Morocco embarked on a comprehensive programme of structural adjustment policies under the aegis of the International Monetary Fund. Market reforms ushered in novel forms of spatial development and social relations in Moroccan cities over the next decades. In the cultural field, a popular cinema emerged in the early 1990s and has projected the complex structures o

APA, Harvard, Vancouver, ISO, and other styles

2

McKenzie, Jordi. "An economic analysis of motion pictures in the Australian cinema industry, 1997-2000." Connect to full text, 2005. http://hdl.handle.net/2123/1794.

Full text

Abstract:

Thesis (Ph. D.)--Discipline of Economics, University of Sydney, [2006?].<br>Title from title screen (viewed 27th June, 2007). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Discipline of Economics, University of Sydney. Degree awarded 2006?; thesis submitted 2005. Includes bibliographical references. Also issued in print.

APA, Harvard, Vancouver, ISO, and other styles

3

Street, Sarah. "Financial and political aspects of state intervention in the British film industry, 1925-1939." Thesis, University of Oxford, 1985. http://ora.ox.ac.uk/objects/uuid:aeedf404-aa82-4a7e-a1b7-feb626ffff81.

Full text

Abstract:

During this period the state's interest in the film industry took several different forms. The area of films policy explored in this thesis is the economic protection of the commercial film industry against the high percentage of American films screened in Britain and the Empire. I begin in 1925 because it was not until then that active steps were taken by the government, in response to agitation from producers and those who saw film as a bond of Empire and advertisement for British goods and 'way of life', leading to the Cinematograph Films Act, 1927. This proposed, for political, cultural, m

APA, Harvard, Vancouver, ISO, and other styles

4

Brown, Anna Marie. "Cinerati." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/808.

Full text

Abstract:

From the polluted canals of turn-of-the-century Birmingham, England, William Moxley is an ineffectual captain of industry burning for a Music Hall life. With his unlikely bride Elvina in tow, he journeys to the west coast of the United States, only to shipwreck against his lifelong dream--a vaudeville hall called "The Sunshine." In "Dear Clara," a depression-era love story, Warren Wilkerson has been a Sunshine fixture since the age of six; suddenly forced out by the theatre's back-stabbing, bootlegging "owner," Warren must resort to desperate measures in order to pay for his dying wife's insul

APA, Harvard, Vancouver, ISO, and other styles

5

Lam, Sui-kwong Sunny, and 林萃光. "The impact of translated Japanese comics on Hong Kong cinematic production: cultural imperialism or localredeployment?" Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B29902289.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Mills, Jane Kathryn. "Hollywood and its others : porous borders and creative tensions in the transnational screenscape." Thesis, View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/19823.

Full text

Abstract:

This dissertation challenges how Hollywood is typically imagined as monolithic, homogenous and homogenising, and separated from other cinemas by fixed and impermeable borders. This influential cinematic paradigm posits a centre-periphery model underpinned by binary oppositions in which most cinemas are negatively defined as Hollywood’s ‘other’ and perceived as fixed in permanent states of opposition and assimilation. It is a perception reinforced by the influential critical paradigm which focuses on the films’ formal stylistic and narrative properties. This conceptualisation ignores, or fails

APA, Harvard, Vancouver, ISO, and other styles

7

Nambiar, Gleema. "Using identity politics to address artworld issues : a case study of the New Initiatives in Film program at the National Film Board of Canada." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85192.

Full text

Abstract:

The Canadian government introduced its Multicultural and Employment Equity policies in a series of attempts to induce federally-controlled institutions to reflect the racial diversity of the Canadian population in their programs and workforces. This is a case study of one institution's response to these policies. It examines the implementation of the six-year New Initiatives in Film (NIF) program begun in 1990 by the now-defunct women's filmmaking unit, Studio D of the National Film Board of Canada (NFB) and exposes the fault lines along which the goals of the NFB's various constituent

APA, Harvard, Vancouver, ISO, and other styles

8

Hall, Martin. "Theories of the subject : British cinema and 1968." Thesis, University of Stirling, 2018. http://hdl.handle.net/1893/28597.

Full text

Abstract:

Aiming to make an intervention in critical theory, film-philosophy and British Cinema scholarship, this thesis investigates what a marriage of Lacanian and Badiouian theories of the subject can bring to the study of the radical British feature film of 1968: films which in differing ways represent the political and intellectual debates current in the culture. The question of what can be learnt through an analysis situated within theories of the subject has not been addressed within British Cinema studies. Psychoanalytic film theory in its previous incarnations utilised a section of Lacan's thou

APA, Harvard, Vancouver, ISO, and other styles

9

"Image capital: a case study of the spatialization and semioticization processes at Hengdian World Studios." 2012. http://library.cuhk.edu.hk/record=b5549512.

Full text

Abstract:

本文提出「影像/形象資本」作為考察影像/形象、資本及權間關係的工具。「影像/形象資本」發展至自布爾迪卮的文化資本，但「影像/形象」資本把焦點放在視覺或形象資源如何在文化/經濟、生產/消費以及上層建築/下層建構界線越趨模糊的符號空間經濟主導代，成為文化場域中新的權資源。<br>透過考察橫店影視城一個結合影視生產及遊的中國影城生產地域化及經濟符號化的過程，本文嘗試對「影像/形象資本」的概作深入的分析。沿著布爾迪卮的框架，影視城被視為一個由擁有同影像/形象資本的能動者構成的場域，而這些能動者自在地及跨境的生產及消費網絡。在橫店影視城生產、積與轉換的過程的探中，本文嘗試回答：一)影像/形象在文化場域中的功能及其轉換為經濟或其他資本的條件；二) 影像/形象資本在國際文化分工成員中的分佈以及其結構對影像資本的價值及轉換的影響。第一條問題旨在闡釋經濟符號化的過程，第二條問題則希望剖析影像/形象與資本主義結下的地域分工以及動政治。作為一個可以同時探究影像帶的可能性及限制的概，影像/形象資本把媒介影像的研究，從批判學派對影像呈現的控制及霸權形成，展至影像對同能動者、以至在符號經濟時代中冒升的社會機構所產生的建設性及壓迫性的權的多重探索。<br>This thesis develops the concept of image capital to investigate the relationsh

APA, Harvard, Vancouver, ISO, and other styles

10

Sebok, Bryan Robert 1978. "Convergent Hollywood, DVD, and the transformation of the home entertainment industries." Thesis, 2007. http://hdl.handle.net/2152/3679.

Full text

Abstract:

In 1997, DVD was introduced to the American public, beginning the fastest diffusion of any consumer electronics product in history. In this dissertation, I show how DVD, via favorable conditions in industry, technology, culture, economics, and the regulatory environment, replaced existing home video and computing technologies while transforming home entertainment. I analyze how DVD was successfully developed and commercialized by member firms in the filmed entertainment, consumer electronics, and computing industries from 1994-2002. I demonstrate how a new industry developed around DVD through

APA, Harvard, Vancouver, ISO, and other styles

11

Jansen, Christian [Verfasser]. "The German motion picture industry : regulations and economic impact / von Christian Jansen." 2002. http://d-nb.info/965346269/34.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

"Exhibitors' shadow land: a study on how movie-exhibitors in China restructure movie-going activity." 1997. http://library.cuhk.edu.hk/record=b5889099.

Full text

Abstract:

by Chu Lui.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 1997.<br>Includes bibliographical references (leaves 351-354).<br>ABSTRACT --- p.ii-iv<br>ACKNOWLEDGEMENT --- p.v<br>LIST OF FIGURES --- p.vi-vii<br>LIST OF ILLUSTRATIONS --- p.viii<br>CHAPTERS<br>Chapter PART I --- Introduction --- p.1<br>Chapter PART II --- Theoretical formulation on exhibitors' structuration of movie-going activity --- p.30<br>Chapter 2 --- Approaches from existing film studies --- p.31<br>Chapter 3 --- Structuration: social practices and social structure --- p.49<br>Chapter 4 --- An analytical applic

APA, Harvard, Vancouver, ISO, and other styles

13

Mills, Jane Kathryn, University of Western Sydney, College of Arts, and School of Humanities and Languages. "Hollywood and its others : porous borders and creative tensions in the transnational screenscape." 2007. http://handle.uws.edu.au:8081/1959.7/19823.

Full text

Abstract:

This dissertation challenges how Hollywood is typically imagined as monolithic, homogenous and homogenising, and separated from other cinemas by fixed and impermeable borders. This influential cinematic paradigm posits a centre-periphery model underpinned by binary oppositions in which most cinemas are negatively defined as Hollywood’s ‘other’ and perceived as fixed in permanent states of opposition and assimilation. It is a perception reinforced by the influential critical paradigm which focuses on the films’ formal stylistic and narrative properties. This conceptualisation ignores, or fails

APA, Harvard, Vancouver, ISO, and other styles

14

Semin, Nancy Leigh. "An examination of Linda Lovelace and her influence on feminist thought and the pornographic industry in America." Thesis, 2006. http://hdl.handle.net/2152/4009.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Falk, Andrew Justin. "Staging the Cold War negotiating American national identity in film and television, 1940-1960 /." 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3120292.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!