Relevant bibliographies by topics / Motion picture plays, Turkish

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  2. Dissertations / Theses
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Academic literature on the topic 'Motion picture plays, Turkish'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Motion picture plays, Turkish"

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Khavronina, Serafima A., and Kasim Emrak. "Teaching Russian verbs of motion to Turkish students, considering national linguistic picture of the worlds." Russian Language Studies 19, no. 3 (2021): 313–30. http://dx.doi.org/10.22363/2618-8163-2021-19-3-313-330.

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The article deals with Russian prefixed verbs of motion in the reflection of the Turkish language. The topic is relevant due to the fact that in recent years the role of Russian language learning in Turkey is increasing because of the expansion of economic and cultural relations between the two countries. The aim of the study is to create a linguodidactic basis for developing methodological recommendations for teaching Russian prefixed verbs of motion to Turkish students. Different methods have been used to realize the goal. The article is based on the dissertations, textbooks and manuals on t
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Djaha, Siti Susanti Mallida. "THE EMERGENCE OF NEW MEDIUM." Notion: Journal of Linguistics, Literature and Culture 1, no. 1 (2019): 21. http://dx.doi.org/10.12928/notion.v1i1.712.

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This study aims at finding the development of new medium of drama in English literary history. From the very first emergence of drama, the plays that have been written were performed in the theater and in many kinds of theater were appears to represent some ideas from the society. As time passing by, these kind of theater had a kind of transformation to be the new medium that we called motion picture. This motion picture began with the silent movie, then it became the talking picture, and it was improved to be the cinema. In its development until today, which we had been known as the movie. Th
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Montrul, Silvina. "AGENTIVE VERBS OF MANNER OF MOTION IN SPANISH AND ENGLISH AS SECOND LANGUAGES." Studies in Second Language Acquisition 23, no. 2 (2001): 171–206. http://dx.doi.org/10.1017/s0272263101002030.

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This article presents two experiments that examine the effects of the native language (L1) on the second language (L2) acquisition of argument structure. The linguistic focus is on agentive verbs of directed motion (march, walk) and change-of-state verbs (break, melt) in Spanish and English. Agentive verbs of directed motion undergo a transitivity alternation in English when there is a prepositional phrase (The captain marched the soldiers to the tents) but not in Spanish (*El capitán marchó a los soldados hasta el campamento). Two experiments are reported that examine whether Spanish and Turk
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Montrul, Silvina. "TRANSITIVITY ALTERNATIONS IN L2 ACQUISITION Toward a Modular View of Transfer." Studies in Second Language Acquisition 22, no. 2 (2000): 229–73. http://dx.doi.org/10.1017/s0272263100002047.

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This experimental study on English, Spanish, and Turkish as second languages investigates the interaction of universal principles and L1 knowledge in interlanguage grammars by focusing on verbs that participate in the causative/inchoative alternation (such as break in English). These verbs have the same lexico-semantic composition, but differ crosslinguistically as to how they encode the alternation morphologically. Results of a picture judgment task show that, as in L1 acquisition, L2 learners of Turkish, Spanish, and English with different L1s rely on a universal mechanism when learning tran
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Riazantsev, Lev. "The Role of Source Music in a Motion Picture." Bulletin of KNUKiM. Series in Arts, no. 38 (August 16, 2018): 41–50. https://doi.org/10.31866/2410-1176.38.2018.141739.

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The purpose of the article is to analyze the role of source music in a motion picture in the process of organizing its sound design; to reveal the features of its application in films of different genres. The research methodology consisted in the application of audiovisual analysis of foreign and Ukrainian movies, which allowed for understanding the role of source music in a motion picture. The scientific novelty of the work lies in the fact that the basic principles of using source music in a film were clearly formed and its impact on the sound design of the movi
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Zhai, Lujun, Suxia Cui, Yonghui Wang, Song Wang, Jun Zhou, and Greg Wilsbacher. "Historical Blurry Video-Based Face Recognition." Journal of Imaging 10, no. 9 (2024): 236. http://dx.doi.org/10.3390/jimaging10090236.

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Face recognition is a widely used computer vision, which plays an increasingly important role in user authentication systems, security systems, and consumer electronics. The models for most current applications are based on high-definition digital cameras. In this paper, we focus on digital images derived from historical motion picture films. Historical motion picture films often have poorer resolution than modern digital imagery, making face detection a more challenging task. To approach this problem, we first propose a trunk–branch concatenated multi-task cascaded convolutional neural networ
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Rusinova, Elena A. "SOUND TECHNIQUES AS THE BASIS OF EMOTIONAL EMPATHY IN D. MARDER'S FILM “THE SOUND OF METAL”." Articult, no. 4 (December 2024): 63–68. https://doi.org/10.28995/2227-6165-2024-4-63-68.

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The article is devoted to the study of the relations between “subjective” and “objective” sound in a motion picture as an important condition for revealing the artistic image of the character and the development of the dramaturgy of the picture. The term “point of audition” is updated in the context of the concepts of “subjective camera” and “point of view” of the camera. Using the example of a sound-visual analysis of the film “The Sound of Metal” (directed by D. Marder, 2019), it is shown that the “subjective camera” in a modern motion picture assumes not only a “point of vision”, but also a
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Wilson, M. Brett. "THE TWILIGHT OF OTTOMAN SUFISM: ANTIQUITY, IMMORALITY, AND NATION IN YAKUP KADRI KARAOSMANOĞLU'SNUR BABA." International Journal of Middle East Studies 49, no. 2 (2017): 233–53. http://dx.doi.org/10.1017/s0020743817000034.

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AbstractThis article examines modernist-nationalist thought on Sufi lodges during the late Ottoman Empire and early Turkish Republic via the controversial novelNur Baba(1922) by Yakup Kadri Karaosmanoğlu. Widely translated and the basis of the first-ever Turkish motion picture,Nur Babadepicts a debauched Sufi lodge in turn-of-the-century Istanbul where drug use, alcoholism, and illicit amorous liaisons run amok. The novel played an important role in shaping public perceptions of Sufi lodges in the twilight years of the Ottoman Empire. This piece explores the novel's place among early 20th-cent
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GÜNDOĞDU, MURATHAN. "Politics, Incarceration, and Innocence in Harold Pinter's One for the Road and Melih Cevdet Anday's İçerdekiler." Theatre Academy 2, no. 1 (2024): 32–52. https://doi.org/10.5281/zenodo.10829685.

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This study aims to compare two political plays, Harold Pinter’s One for the Road (1984) and Melih Cevdet Anday’s İçerdekiler (1965) with a focus on their thematic presentations of political oppression, incarceration and innocence. Influenced by different turning points in Turkish political history, both plays exhibit striking resemblances in depicting political oppression which includes physical and psychological torture, and the reality of incarceration that is experienced by innocent individuals who merely use their freedom of opinion and speech. Presenting critical reacti
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Yetimova, Serhat, and Abdrasul İsakov. "An Analysis of the Kurmanjan Datka Movie in the Context of Historical and Ideological Film Criticism." Galactica Media: Journal of Media Studies 6, no. 2 (2024): 96–120. http://dx.doi.org/10.46539/gmd.v6i2.434.

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Kurmanjan Datka Queen of the Mountains (2014) is a Kyrgyz historical drama film directed by Sadyk Sher-Niyaz tells the story of Kurmanjan Datka from Kyrgyz history. In this article, how the mentioned motion picture is discussed in Central Asian, Russian, Turkish and Western digital media is analyzed comparatively in the context of historical and ideological film criticism. It is tried to be understood how each country interprets the film in their own media, how they look at the history of Kyrgyzstan and its ideological discourse. In the research, critical discourse analysis method was used and
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Dissertations / Theses on the topic "Motion picture plays, Turkish"

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Pramik, Nicole R. "Chaotic angel." Huntington, WV : [Marshall University Libraries], 2007. http://www.marshall.edu/etd/descript.asp?ref=730.

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Perkins, Margaret. "Song of Bacchus a thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts (Communication Studies), Auckland University of Technology, 2004." Full thesis. Abstract, 2004.

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Abruzzi, Geoffrey. "Three screenplays." To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2008. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.

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Cooper, Madeline. "Exegesis and screenplay for a feature film entitled: PictureSque a dissertation submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Bachelor of Communication Studies (Honours) (BCS(Hons)), 2008 /." Click here to access this resource online, 2008.

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Snead, Nicholas DeVan. "Fabulistic: Examination and application of narratology and screenplay craft." CSUSB ScholarWorks, 2011. https://scholarworks.lib.csusb.edu/etd-project/3320.

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This project contains a literature review, a discussion, and an original feature length screenplay. The review of literature examines the various structuralist-inspired theories of narratology and the three-act structure method of screenplay construction.
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Melville, Andrew. "Exegesis and screenplay for a film entitled Mangrove a thesis submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Communication Studies), August 2004." Full thesis. Abstract, 2004.

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Exegesis (MA--Communication Studies) -- Auckland University of Technology, 2004.<br>Title page and table of contents missing from e-thesis. Also held in print (14 p., 30 cm.) in Wellesley Theses Collection (T 791.4372 MEL)
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Armanno, Venero. "Three screenplay adaptations and the ownership effect." Thesis, Queensland University of Technology, 2003.

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This PhD consists of three screenplays adapted from my novels and an exegesis which explores the involvement and influences producers have had on the eventual screenplay outcomes. In developing a first draft of original screenplays writers often work alone and without critical feedback, development assistance or encouragement from third parties. The writing process can continue in this way for some time, through many drafts, until the writer either abandons the project or finds some development assistance either from government film support agencies, producers, or both. At that stage, the writ
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Eggert, Silke. "Exegesis and screenplay for a film entitled : Spaces between us a thesis submitted to the AUT University in partial fulfilment of the degree of Masters of Communication studies (MCS), 2008 /." Click here to access this resource online, 2008. http://hdl.handle.net/10292/482.

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Su, Xinxin. "Genesis : a feature screenplay /." Online version of thesis, 2009. http://hdl.handle.net/1850/8692.

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McVeigh, Kathryn Margaret. "Work in progress : the writing of Short changed." Thesis, Queensland University of Technology, 1999.

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Work in Progress - the Writing of Short Changed is the account of the script writing process I developed and followed in the writing of the first draft of the Low Budget feature film, Short Changed. It is a process that was developed by a combination of guidance, mentorship, research, experiment and talking with and listening to other writers during the 1998 Pacific Film and Television Commission's New Writer's Workshop. Short Changed was written over a six month period. During the previous year I had intermittently researched and pondered on the knowledge of an event that had invaded my mind
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Books on the topic "Motion picture plays, Turkish"

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Murat, Batmankaya, ed. Babam ve oğlum. 2nd ed. Say, 2006.

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Özgentürk, Ali. Ali Özgentürk filmleri. Anadolu Sanat Yayınları, 1995.

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Erkek, Hasan. Film senaryoları. Anadolu Üniversitesi, 2008.

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Dorsay, Atilla. Sinemamızın umut yılları: 1970-80 arası Türk sinemasına bakışlar. İnkılâp Kitabevi, 1989.

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Şamdereli, Nesrin. Almanya: Willkommen in Deutschland : ein Drehbuch. Pro Business, 2011.

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Mencutekin, Mustafa. Ideology in Turkish cinema. Blue Dome Press, 2014.

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Bowie, Tom. 3 screen plays for reading. Seven Oaks Press, 1991.

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Fassbinder, Rainer Werner. Fassbinders Filme. Verlag der Autoren, 1990.

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Towne, Robert. Chinatown ; The last detail: Screenplays. Grove Press, 1997.

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Rājēndran, Lenin. Anyar. Phēbian Buks, 2004.

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Book chapters on the topic "Motion picture plays, Turkish"

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Hinkle, Eugene M. "II - "THE MOTION PICTURE IN MODERN TURKEY", JULY 1, 1933." In The Turkish Cinema in the Early Republican Years. Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463225919-004.

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"Annotated Films and Plays." In The Hollywood Motion Picture Blacklist. The University Press of Kentucky, 2022. http://dx.doi.org/10.2307/j.ctv2ndwxd0.14.

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Stokes, Melvyn. "Thomas Dixon Jr." In D. W. Griffith’s The Birth of a Nation. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195336788.003.0003.

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Abstract The essential narrative and the principal fictional characters of The Birth of a Nation were originally created by Thomas Dixon Jr. Any attempt to understand the genesis of the film, therefore, must start with Dixon. Successively lawyer, politician, minister, lecturer, novelist, dramatist, actor, theatrical and motion picture producer, and real estate entrepreneur, he was a man of tremendous energy, considerable versatility, and enormous ambition. Almost forgotten nowadays, he was a significant figure in early twentieth-century American culture. He was a highly successful minister and
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Decherney, Peter. "1. Before Hollywood." In Hollywood: A Very Short Introduction. Oxford University Press, 2015. http://dx.doi.org/10.1093/actrade/9780199943548.003.0002.

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‘Before Hollywood’ describes how early film technology and storytelling methods developed out of older media. It begins with Thomas Edison’s Vitascope and the first dedicated movie theaters—nickelodeons—which began to appear around 1903. Around 1908–9, filmmaking and the film industry underwent a number of changes: established film companies started to court a middle-class audience in order to expand the industry’s reach; production companies made films based on novels and Broadway plays; and stories began to be told in new ways. The creation of the trust, Motion Picture Patents Company, in 19
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Sheen, Erica. "Economic Iron Curtains." In Geopolitical Shakespeare. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780191995163.003.0004.

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Abstract This chapter presents an account of the confrontation between British actor Laurence Olivier and American producer David O. Selznick over what were effectively rights of property in films of Shakespeare plays. In April 1946, Selznick registered the titles of seven Shakespeare plays, including Hamlet, with the Title Registration Bureau of the Motion Picture Association of America. Following his refusal to allow Vivien Leigh to take the part of Katherine in Henry V, Selznick used this registration to try to frustrate Olivier’s plans for his celebrated production of Hamlet. The chapter d
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Rubin, Yoram. "The Lagrangian Picture, Part I : Fundamentals of the Lagrangian Approach to Solute Transport." In Applied Stochastic Hydrogeology. Oxford University Press, 2003. http://dx.doi.org/10.1093/oso/9780195138047.003.0014.

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This chapter explores the principles of the Lagrangian approach to solute transport, with an emphasis on the dispersive action of the spatial variability of the velocity field. We start by developing the tools for characterizing the displacement of a single, small solute particle that will subsequently be used for characterization of the concentration’s variability and uncertainty, and we continue with a discussion of the stochastic description of solute travel times and fluxes. The principles presented in this chapter will be employed in chapter 10 to derive tools for applications such as mac
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Lupack, Barbara Tepa. "Introduction." In Silent Serial Sensations. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501748189.003.0001.

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This introductory chapter provides an overview of the serial motion picture. Typically two-reel action-packed films that ran for ten, fifteen, or more installments, serials often ended with a cliffhanger and a promise “to be continued next week.” Episodically structured and suspensefully plotted, they not only served as the precursors of the popular installment dramas and crime procedurals that have become staples of modern network and cable television programming; they also anticipated the extended incremental storytelling methods and “thrilling episodes of inescapable fatality and hair-breat
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