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Dissertations / Theses on the topic 'Motion picture producers and directors – biography'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Law, Yuk-wa, and 羅玉華. "The poetics of absence: a study of Antonioni and Wenders." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B42577093.

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2

Law, Yuk-wa. "The poetics of absence a study of Antonioni and Wenders /." Click to view the E-thesis via HKUTO, 2002. http://sunzi.lib.hku.hk/hkuto/record/B42577093.

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3

Carter, Sandra Gayle. "Moroccan cinema : what Moroccan cinema? /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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4

Hoffman, Alison R. "Our bodies, our cameras women's experimental cinema in the U.S., 1964-1976 /." Diss., Restricted to subscribing institutions, 2010. http://proquest.umi.com/pqdweb?did=2023781661&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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5

Lass, Barbara Frances. "Hans Richter : film artist /." Access Digital Full Text version, 1987. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10778974.

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6

Lin, Yiping, and 林一苹. "Lou Ye: the birth of a personal eye (I)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44517798.

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7

Tu, Haijing. "A Chinese director and his transition from critical banned filmmaker to box office success." Auburn, Ala., 2005. http://repo.lib.auburn.edu/2005%20Summer/master's/TU_HAIJING_25.pdf.

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8

Prime, Rebecca Lynn. "Intimate strangers blacklisted filmmakers in postwar Europe /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1779835961&sid=4&Fmt=2&clientId=48051&RQT=309&VName=PQD.

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9

Sitnisky-Cole, Carolina. "La literatura y el cine Andinos de la segunda mitad del siglo XX de una modernidad sólida a una líquida /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1973896441&sid=2&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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10

Lam, Shue-fung. "(Un)making Chineseness gender and cultural politics in Clara Law's films /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B37754191.

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11

Leonard, Richard James. "The Cinematic mystical gaze : the films of Peter Weir /." Connect to thesis, 2003. http://eprints.unimelb.edu.au/archive/00000471.

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Thesis (Ph.D.)--University of Melbourne, Cinema Stduies Program,School of Fine Arts,Classical Studies and Archaeology, 2004.<br>Typescript (photocopy). Includes bibliographical references (leaves 292-336).

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12

Sze, Siu-sin Jean, and 史筱倩. "Remapping Taipei: globalization and Edward Yang's films." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B29144711.

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13

Lam, Chung-keung Gary. "Disjunction of history, memory, and identity : the narrative of wanderings in Clara Law /." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25549741.

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14

Udden, James. "Hou Hsiao-hsien and the aesthetics of historical experience." access full-text online access from Digital dissertation consortium, 2003. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3089679.

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15

Altıner, Birsen. "Metin Erksan sineması." Bağcılar, İstanbul : Pan, 2005. http://catalog.hathitrust.org/api/volumes/oclc/62555500.html.

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16

Kwok, Lai-yung, and 郭麗容. "The politics of memory: in search of imaginary homes in films by Clara Law and Ann Hui." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B31227454.

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17

Lam, Chung-keung Gary, and 林仲強. "Disjunction of history, memory, and identity: the narrative of wanderings in Clara Law." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31953530.

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18

Lam, Shue-fung, and 林澍峰. "(Un)making Chineseness: gender and cultural politics in Clara Law's films." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B37754191.

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19

Tse, Wing-hin, and 謝穎軒. "Deconstructing the auteur : a study of the process of value-formation in the cinema of Wong Kar-wai." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/206664.

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From a figure of controversy to an illustrious auteur with international renown and widespread critical acclaim, Wong Kar-wai remains unique in the history of Hong Kong cinema. While his films are often box-office failures and criticised for their artistic ostentations at home, Wong enjoys a celebrity status at international film festivals and his films remain a focus in academic studies worldwide. It is this disparity in the reception and value judgment of Wong as a filmmaker that this dissertation is interested in addressing. Thus the central thesis is to explore how critical discourse and i

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20

Ng, Hoi-shan Crystal. "Rewriting Louis Cha's classical characters in filmic representation in response to the political and cultural mutation of Hong Kong 90S - Wong Kar Wai and Tsui Hark." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20272662.

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21

Sobotka, Jens U. "Die Filmwunderkinder Hans Abich und die Filmaufbau GmbH Göttingen /." Düsseldorf : [s.n.], 1999. http://books.google.com/books?id=D3RZAAAAMAAJ.

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22

Lee, Cheuk-chi, and 李卓智. "To live and forget: the limits of comprehension and remembrance in the feature films of Hirokazu Kore-eda." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B47753018.

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Often regarded as one of the eminent humanist directors working today, Japanese filmmaker Kore-eda Hirokazu has demonstrated consistent authorial intentions and thematic orientations throughout his filmography despite the variety of styles – from social documentary to period comedy – involved. Through in-depth textual analysis of his narrative strategies and exhaustive research on the English-language literature about the director, this study seeks to shed light on the first seven feature films in his career. Commentaries by Kore-eda on his creative impulse and filmmaking method, colle

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23

Tsui, Kin-chung. "Wong Kar-wai : the filmmaker of solitude /." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262257.

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24

Ho, Ka-hang Jason. "Reinterpreting a queer experience a study of Stanley Kwan's films and their reception /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B34877642.

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25

Sexton-Finck, Larissa Sexton-Finck Larissa. "Be(coming) reel independent woman : an autoethnographic journey through female subjectivity and agency in contemporary cinema with particular reference to independent scriptwriting practice /." Murdoch University Digital Theses Program, 2009. https://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20100512.122302.

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Thesis (Ph.D.)--Murdoch University, 2009.<br>Thesis submitted to the Faculty of Creative Technologies and Media. Includes the screenplay, Float, by Larissa Sexton-Finck. Includes bibliographical references.

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26

Field, Emma. "Only a trickle? : blood in detail and three women's films /." Connect to this title online, 2003. http://adt.lib.utas.edu.au/public/adt-TU20050315.093920.

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27

Vonderheide, Leah. "Literariness in the films of Eric Rohmer." Thesis, University of Canterbury. Theatre and Film Studies, 2008. http://hdl.handle.net/10092/2158.

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This thesis is an exploration of the writings and films of French filmmaker, Eric Rohmer. I give an overview of the historical context of Rohmer and his work, as well as explore the notion of literariness, literariness in film, and literariness in the films of Eric Rohmer. Though Rohmer was widely known as a cinéaste, he helped shape the French New Wave from the position of critical writer. In the early fifties, Rohmer joined François Truffaut, Jean-Luc Godard, Claude Chabrol, and Jacques Rivette to write for the newly established Cahiers du Cinéma. I analyze how Rohmer’s critical work at the

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28

郭賢偉 and Yin-wai Joseph Kwok. "The construction of gender identity in Hong Kong cinema." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B30257384.

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29

Ho, Ka-hang Jason, and 何家珩. "Reinterpreting a queer experience: a study ofStanley Kwan's films and their reception." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B34877642.

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30

李雅詩 and Nga-sze Sabrina Li. "Postmodernism and globalization in Wong Kar Wai's films." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B42576349.

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31

Li, Nga-sze Sabrina. "Postmodernism and globalization in Wong Kar Wai's films." Click to view the E-thesis via HKUTO, 2002. http://sunzi.lib.hku.hk/hkuto/record/B42576349.

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32

Hui, Suet-hung. "Subversive females : the politics of defiance in Zhang Yimou's films /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20059966.

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33

Papageorgopoulou, Maria Aikaterini. "Modern tragedy : Michael Cacoyannis' early films." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:8ff6b46b-1d25-4ef9-8c13-40962cfcd2b1.

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This thesis is an interpretation of three films by the Greek Cypriot director Michael Cacoyannis: Stella, 1955), To koritsi me ta mavra/A Girl in Black, 1956 and To teleftaio psema/A Matter of Dignity, 1958. These films appear early in Cacoyannis' career and very little has been written on them. My thesis seeks to show that they are accomplished and complex films, which merit close attention, both in virtue of their dramatic form and because of the ethical questions they raise regarding individual autonomy and the force of archaic ethical norms. The aim of this thesis is to interpret these fil

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34

Williams, Tami Michelle. "Beyond impressions the life and films of Germaine Dulac from aesthetics to politics /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1467886421&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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35

Lau, Wai Sim. "Hong Kong auteurs in Hollywood : the case of John Woo." HKBU Institutional Repository, 2002. http://repository.hkbu.edu.hk/etd_ra/437.

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36

Cheung, William, and 張鳳麟. "An evaluation of the new wave cinema in Hong Kong through the study offour directors: Patrick Tam, Allen Fong, AnnHui and Tsui Hark." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31240033.

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37

Kritzinger, Christiaan Cornelius. "The interrelationships between meaning(s), form, cinematic technology and surrealist ideology in Luis Buñuel's, Un Chien Andalou (1929)." Thesis, Nelson Mandela Metropolitan University, 2012. http://hdl.handle.net/10948/d1007847.

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This study sets out to determine the interrelationship between meaning(s), form (specifically framing and composition), cinematic technology and the surrealist ideology with specific reference to Luis Buñuel’s film, Un Chien Andalou (1929). The study utilises a semiotic framework to analyse the seminal film, as well as the researcher’s short film Facebrick (2012). The semiotic reading is conducted according to key surrealist tenets namely, spatio-‐temporal disruption, the use of free-‐association and the inclusion of cultural, religious and sexual symbols as a revolutionary tool. Gillian Ros

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38

吳晶. "杜琪峯的電影世界 : 香港電影作者個案研究 = The cinema world of Johnnie To : a case study of auteur in Hong Kong". HKBU Institutional Repository, 2008. http://repository.hkbu.edu.hk/etd_ra/906.

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39

Allen, J. M. "The films of Asrul Sani from 1966 to 1983: a new art for a new mankind." Thesis, The University of Sydney, 2000. http://hdl.handle.net/2123/20354.

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Why an Indonesian poet and short story writer like Asrul Sani became a film writer and director, and how his work expressed himself and his society in changing times, were the first questions stimulating this research. He claimed that art could be an "engineer of the soul" in a modernising society. Educated in both the Dutch and nationalist Taman Siswa sytems, he travelled overseas to study Western drama and film, and to perform the haj. He wrote extensively on cultural issues and became a cultural bureaucrat. Though his output is diverse, there are some continuous strands in his thinking and

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40

Dickinson, Matthew G. Musser Dale Roy. "Architecting the spatial enablement of a film location database for enhanced geographic analysis and query." Diss., Columbia, Mo. : University of Missouri-Columbia, 2009. http://hdl.handle.net/10355/6729.

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The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on March 19, 2010). Thesis advisor: Dr. Dale R. Musser. Includes bibliographical references.

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41

Ng, Hoi-shan Crystal, and 吳海珊. "Rewriting Louis Cha's classical characters in filmic representation inresponse to the political and cultural mutation of Hong Kong 90S -Wong Kar Wai and Tsui Hark." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31951697.

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42

Moraitis, Catherine. "The art of David Lean : a textual analysis of audio-visual structure /." [Milton Keynes] : Authorhouse, 2004. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9781420899504.

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43

Bae, Sang-Joon. "Rainer Werner Fassbinder und seine filmästhetische Stilisierung." Remscheid : Gardez! Verlag, 2005. http://books.google.com/books?id=4eZkAAAAMAAJ.

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44

Kwok, Yin-wai Joseph. "The construction of gender identity in Hong Kong cinema /." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?

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45

Cheung, William. "An evaluation of the new wave cinema in Hong Kong through the study of four directors : Patrick Tam, Allen Fong, Ann Hui and Tsui Hark /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22030335.

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46

Chen, Fangyu. "The post-2000 Hong Kong film workers." HKBU Institutional Repository, 2020. https://repository.hkbu.edu.hk/etd_oa/751.

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This thesis is an interdisciplinary study that traces the commerce-art-politics nexus of Hong Kong cinema since the new millennium, through investigating the current young generation of film workers who joined the industry as it gradually entered an era marked by the domination of Hong Kong/Mainland co-productions. It reveals the filmmaking ideologies of emerging filmmakers from both within and beyond their film texts, and uncovers the artistic and ideological discrepancies between this young generation and their predecessors - the established generation who contributed to the glory days of Ho

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47

Albertson, Mark C. "Cultivating Chicana/o images negotiating the cinematic mainstream for cultural survival /." To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2007. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.

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48

Tsui, Kin-chung, and 徐建忠. "Wong Kar-wai: the filmmaker of solitude." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31953748.

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49

Ip, Wing Cheung. "Shaw in blue, women in nude : Li Han-Hsiang's fengyue films in 1970s." HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/872.

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50

Sudar, Vlastimir. "A portrait of the artist as a political dissident : the life and work of Aleksandar Petrović." Thesis, St Andrews, 2007. http://hdl.handle.net/10023/480.

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