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1

1941-, Simmons Jerold, ed. The dame in the kimono: Hollywood, censorship, and the production code. 2nd ed. Lexington: University Press of Kentucky, 2001.

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2

1941-, Simmons Jerold, ed. The dame in the kimono: Hollywood, censorship and the production code from the 1920s to the 1960s. London: Weidenfeld and Nicolson, 1990.

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3

1941-, Simmons Jerold, ed. The dame in the kimono: Hollywood, censorship, and the production code from the 1920s to the 1960s. New York: Grove Weidenfeld, 1990.

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4

Leff, Leonard J. The dame in the kimono: Hollywood, censorship, and the production code from the 1920s to the 1960s. New York: Anchor Books, 1991.

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5

Jones, Martha. Motion picture production in California. Sacramento, CA: California State Library, California Research Bureau, 2002.

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6

Biondi, Claudio. Come si produce un film. Roma: Audino, 1996.

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7

Picture perfect. Lanham, Md: Scarecrow Press, 2000.

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8

William, Park. Hollywood: An epic production. Portland, OR: Franklin Street Books, 2003.

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9

Ireland. Special Working Group on the Film Production Industry. The film production industry in Ireland. [Dublin: Stationery Office, 1992.

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10

Motion picture and video lighting. Boston: Focal Press, 1996.

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11

Motion picture and video lighting. 2nd ed. Boston: Focal Press, 2007.

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12

Motion picture and video lighting. Boston: Focal Press, 1992.

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13

Getting past me: A writer's guide to production company readers. Milwaukee, WI: Limelight Editions, 2011.

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14

A, Peltason Ruth, Vieira Mark A. 1950-, and TCM Archives, eds. In the picture: Production stills from the TCM Archives. San Francisco: Chronicle Books, 2004.

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15

South American cinematic culture: Policy, production, distribution and exhibition. Newcastle upon Tyne: Cambridge Scholars, 2010.

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16

The comics come alive: A guide to comic-strip characters in live-action productions. Metuchen, N.J: Scarecrow Press, 1991.

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17

Production design. Lewes, UK: Ilex, 2012.

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18

Cooper, J. B. Picture perfect romance. New York: Bantam Books, 1993.

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19

Office, Massachusetts Film. The Massachusetts production guide 1998-1999. Boston, Mass: Massachusetts Film Office, 1998.

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20

Cabannes, Xavier. Le financement public de la production cinématographique. Paris, France: L'Harmattan, 2006.

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21

Hudson, Elaine M. A. Open to off shore?: The internationalisation of the Irish film production sector. Dublin: University College Dublin, 1996.

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22

Confederation, Irish Business and Employers. The economic impact of film production in Ireland 1994. [Dublin]: Irish Business and Employers Confederation, 1995.

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23

Production design & art direction. Woburn, MA: Focal Press, 1999.

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24

Kamba, Sébastien. Production cinématographique et parti unique: L'exemple du Congo. Paris: L'Harmattan, 1992.

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25

Muir, Shannon. Gardner's guide to animation writing & production. [Washington, D.C.]: GGC/Pub., 2006.

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26

Koster, Robert. The on production budget book. Boston: Focal Press, 1997.

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27

Perry, Jeb H. Screen Gems: A history of Columbia Pictures Television from Cohn to Coke, 1948-1983. Metuchen, N.J: Scarecrow Press, 1991.

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28

LoBrutto, Vincent. By design: Interviews with film production designers. Westport, Conn: Praeger, 1992.

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29

Code of honor: The making of three great American westerns - High Noon, Shane, and The searchers. Lanham: Taylor Trade Publishing, 2003.

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30

A British picture: An autobiography. London: Southbank Pub., 2008.

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31

A British picture: An autobiography. London: Heinemann, 1989.

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32

author, Kashyap Tahira, ed. Cracking the code: My journey to Bollywood. New Delhi: Rupa Publications India Pvt. Ltd., 2015.

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33

The movie producer: A handbook for producing and picture-making. New York: Barnes & Noble Books, 1985.

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34

Creton, Laurent. Histoire économique du cinéma français: Production et financement, 1940-1959. Paris: CNRS, 2004.

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35

Bordwell, David. The classical Hollywood cinema: Film style & mode of production to 1960. London: Routledge & Kegan Paul, 1985.

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36

Janet, Staiger, and Thompson Kristin 1950-, eds. The classical Hollywood cinema: Film style & mode of production to 1960. New York: Columbia University Press, 1985.

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37

Production safety for film, television, and video. Oxford: Focal Press, 2000.

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38

Woolverton, Linda. Beauty & the Beast: Production 0254. 2nd ed. London: Hollywood Scripts, 1990.

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39

Pakistan. The Motion Pictures Ordinance, 1979: With censorship rules and films censorship code. Lahore: Punjab Law Book House, 1999.

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40

The big picture: Lessons from a life in filmmaking. New York: St. Martin's Press, 2009.

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41

What an art director does: An introduction to motion picture production design. Los Angeles: Silman-James Press, 1994.

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42

Pascal, Christophe. Les contrats dans la production cinématographique. Paris: Adami, 2008.

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43

Pascal, Christophe. Les contrats dans la production cinématographique. Paris: Adami, 2008.

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44

Office, Massachusetts Film. Attracting Hollywood just the ticket for Massachusetts: 1997 marks record-breaking year in movie and TV production for state. Boston, MA: Commonwealth of Massachusetts, Dept. of Economic Development, Massachusetts Film Office, 1998.

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45

Hollywood's Censor: Joseph I. Breen and the Production Code Administration. Columbia University Press, 2009.

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46

Library, Margaret Herrick, Motion Picture Association of America., and Primary Source Microfilm (Firm), eds. History of cinema.: Selected files from the Motion Picture Association of America Production Code Administration collection. Woodbridge, CT: Primary Source Microfilm, 2006.

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47

Hollywood's Censor: Joseph I. Breen and the Production Code Administration. Columbia University Press, 2009.

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48

Hollywood's Censor: Joseph I. Breen and the Production Code Administration. Columbia University Press, 2007.

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49

1944-, Bertetto Paolo, and Fondazione cinema per Roma, eds. Azione!: Come i grandi registi dirigono gli attori. Roma: Fondazione cinema per Roma, 2007.

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50

Shea. Motion Picture Production Manual. Focal Press, 1991.

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