Books on the topic 'Motion picture production code'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 books for your research on the topic 'Motion picture production code.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse books on a wide variety of disciplines and organise your bibliography correctly.
1941-, Simmons Jerold, ed. The dame in the kimono: Hollywood, censorship, and the production code. 2nd ed. Lexington: University Press of Kentucky, 2001.
Find full text1941-, Simmons Jerold, ed. The dame in the kimono: Hollywood, censorship and the production code from the 1920s to the 1960s. London: Weidenfeld and Nicolson, 1990.
Find full text1941-, Simmons Jerold, ed. The dame in the kimono: Hollywood, censorship, and the production code from the 1920s to the 1960s. New York: Grove Weidenfeld, 1990.
Find full textLeff, Leonard J. The dame in the kimono: Hollywood, censorship, and the production code from the 1920s to the 1960s. New York: Anchor Books, 1991.
Find full textJones, Martha. Motion picture production in California. Sacramento, CA: California State Library, California Research Bureau, 2002.
Find full textWilliam, Park. Hollywood: An epic production. Portland, OR: Franklin Street Books, 2003.
Find full textIreland. Special Working Group on the Film Production Industry. The film production industry in Ireland. [Dublin: Stationery Office, 1992.
Find full textGetting past me: A writer's guide to production company readers. Milwaukee, WI: Limelight Editions, 2011.
Find full textA, Peltason Ruth, Vieira Mark A. 1950-, and TCM Archives, eds. In the picture: Production stills from the TCM Archives. San Francisco: Chronicle Books, 2004.
Find full textSouth American cinematic culture: Policy, production, distribution and exhibition. Newcastle upon Tyne: Cambridge Scholars, 2010.
Find full textThe comics come alive: A guide to comic-strip characters in live-action productions. Metuchen, N.J: Scarecrow Press, 1991.
Find full textOffice, Massachusetts Film. The Massachusetts production guide 1998-1999. Boston, Mass: Massachusetts Film Office, 1998.
Find full textCabannes, Xavier. Le financement public de la production cinématographique. Paris, France: L'Harmattan, 2006.
Find full textHudson, Elaine M. A. Open to off shore?: The internationalisation of the Irish film production sector. Dublin: University College Dublin, 1996.
Find full textConfederation, Irish Business and Employers. The economic impact of film production in Ireland 1994. [Dublin]: Irish Business and Employers Confederation, 1995.
Find full textKamba, Sébastien. Production cinématographique et parti unique: L'exemple du Congo. Paris: L'Harmattan, 1992.
Find full textMuir, Shannon. Gardner's guide to animation writing & production. [Washington, D.C.]: GGC/Pub., 2006.
Find full textPerry, Jeb H. Screen Gems: A history of Columbia Pictures Television from Cohn to Coke, 1948-1983. Metuchen, N.J: Scarecrow Press, 1991.
Find full textLoBrutto, Vincent. By design: Interviews with film production designers. Westport, Conn: Praeger, 1992.
Find full textCode of honor: The making of three great American westerns - High Noon, Shane, and The searchers. Lanham: Taylor Trade Publishing, 2003.
Find full textauthor, Kashyap Tahira, ed. Cracking the code: My journey to Bollywood. New Delhi: Rupa Publications India Pvt. Ltd., 2015.
Find full textThe movie producer: A handbook for producing and picture-making. New York: Barnes & Noble Books, 1985.
Find full textCreton, Laurent. Histoire économique du cinéma français: Production et financement, 1940-1959. Paris: CNRS, 2004.
Find full textBordwell, David. The classical Hollywood cinema: Film style & mode of production to 1960. London: Routledge & Kegan Paul, 1985.
Find full textJanet, Staiger, and Thompson Kristin 1950-, eds. The classical Hollywood cinema: Film style & mode of production to 1960. New York: Columbia University Press, 1985.
Find full textWoolverton, Linda. Beauty & the Beast: Production 0254. 2nd ed. London: Hollywood Scripts, 1990.
Find full textPakistan. The Motion Pictures Ordinance, 1979: With censorship rules and films censorship code. Lahore: Punjab Law Book House, 1999.
Find full textThe big picture: Lessons from a life in filmmaking. New York: St. Martin's Press, 2009.
Find full textWhat an art director does: An introduction to motion picture production design. Los Angeles: Silman-James Press, 1994.
Find full textPascal, Christophe. Les contrats dans la production cinématographique. Paris: Adami, 2008.
Find full textPascal, Christophe. Les contrats dans la production cinématographique. Paris: Adami, 2008.
Find full textOffice, Massachusetts Film. Attracting Hollywood just the ticket for Massachusetts: 1997 marks record-breaking year in movie and TV production for state. Boston, MA: Commonwealth of Massachusetts, Dept. of Economic Development, Massachusetts Film Office, 1998.
Find full textHollywood's Censor: Joseph I. Breen and the Production Code Administration. Columbia University Press, 2009.
Find full textLibrary, Margaret Herrick, Motion Picture Association of America., and Primary Source Microfilm (Firm), eds. History of cinema.: Selected files from the Motion Picture Association of America Production Code Administration collection. Woodbridge, CT: Primary Source Microfilm, 2006.
Find full textHollywood's Censor: Joseph I. Breen and the Production Code Administration. Columbia University Press, 2009.
Find full textHollywood's Censor: Joseph I. Breen and the Production Code Administration. Columbia University Press, 2007.
Find full text1944-, Bertetto Paolo, and Fondazione cinema per Roma, eds. Azione!: Come i grandi registi dirigono gli attori. Roma: Fondazione cinema per Roma, 2007.
Find full text