Relevant bibliographies by topics / Motion picture projectors

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Motion picture projectors'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Motion picture projectors"

1

Boegner, Ray F. "Motion-Picture Projectors." Scientific American 279, no. 4 (1998): 134–35. http://dx.doi.org/10.1038/scientificamerican1098-134.

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DuMont, C. L., A. F. Kurtz, B. D. Silverstein, and D. H. Kirkpatrick. "Design Improvements for Motion Picture Film Projectors." SMPTE Journal 110, no. 11 (2001): 785–91. http://dx.doi.org/10.5594/j16428.

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Wicks, Frank. "Picture This." Mechanical Engineering 126, no. 07 (2004): 32–35. http://dx.doi.org/10.1115/1.2004-jul-3.

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This article highlights that the adage, a picture is worth a thousand words, is a flawed understatement. Our memories, knowledge, and opinions rely heavily on pictures. Words can only provide an explanation to information contained in a good picture. Time always moves forward, but a picture allows us to look back to some prior moment in time. Photography, which means writing with light, would require replacing the artist’s paper with a chemically coated screen, exposing the screen to the image, and then stabilizing the resulting picture. The first practical photographic process was announced i
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Al Mousawi, Aqeel Al Mousawi. "Employing (Artificial Intelligence) Techniques in the Aesthetic Construction of Cinematic Tricks in the Cinematic Film." Journal Port Science Research 7, issue (2024): 57–66. http://dx.doi.org/10.36371/port.2024.special.8.

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Cinema is a unique art based on innovation and scientific inventions in addition to the talent and genius of directors, and directors such as Edison, the inventor of the motion picture, the Le Maire brothers, the pioneers of the cinema projector, the Frenchman of genius imagination and visual creativity, Georges Mila and Gervath, the creator of magazines. Editing, photography, directing and innovations such as motion pictures, sound entry to the cinema, color film tape, wide lenses, 3D imaging, films that used scientific techniques, such as the Star Wars series of director Lucas, the Jurassic
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Hadida, Allègre L. "Commercial success and artistic recognition of motion picture projects." Journal of Cultural Economics 34, no. 1 (2009): 45–80. http://dx.doi.org/10.1007/s10824-009-9109-z.

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Kovalev, V., N. A. Testoyedov, A. V. Blinnikov, A. A. Voroshilova, and D. V. Borovinsky. "Physical and technological approaches to systemic film moistening." Journal of Physics: Conference Series 2094, no. 2 (2021): 022082. http://dx.doi.org/10.1088/1742-6596/2094/2/022082.

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Abstract This article discusses the physical and technological approaches to systemic film moistening. The features of storage and operation of film in various conditions are considered. A number of features and facts are presented that affect the organization of both systemic humidification and the maintenance of long-term storage of film materials on analog media. The article presents the main factors that affect the quality of the working surface of 35 mm and 16 mm film: the specifics of the composition of the film; the effects of a temporary, natural and technological nature on motion pict
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Skilton, Paul F. "Knowledge based resources, property based resources and supplier bargaining power in Hollywood motion picture projects." Journal of Business Research 62, no. 8 (2009): 834–40. http://dx.doi.org/10.1016/j.jbusres.2008.05.001.

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Sit, Masganti, Solihah Titin Sumanti, and Indah Sari Siregar. "STRATEGY FOR INSTILLING BASIC RELIGIOUS HUMANIST VALUES IN EARLY CHILDHOOD AT RA AL-HIDAYAH SUNGGAL." JURNAL TARBIYAH 30, no. 1 (2023): 119. http://dx.doi.org/10.30829/tar.v30i1.2610.

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The current acceleration of digitalization at least erodes the religious humanist values in children. This study aims to analyze the strategy of instilling basic religious humanist values in early childhood at RA Al-Hidayah Sunggal. This study uses a qualitative approach with the method of case studies (case study), data collection instruments using the method of observation, interviews, study documentation. Furthermore, the data were analyzed using data reduction, data presentation, and drawing conclusions. The results of this study concluded that first, the basic religious humanist values th
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Svidrak, I. G., I. S. Aftanaziv, O. I. Strogan, and A. O. Shevchuk. "Kinematic projection in modern technologies." Scientific Messenger of LNU of Veterinary Medicine and Biotechnologies 23, no. 96 (2021): 67–75. http://dx.doi.org/10.32718/nvlvet-f9612.

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The trajectories and coordinates of unmanned aircrafts spatial location determination is researched with the help of kinematic projection means. The methodology offered below considers the formation of two mobile and independent kinematic projection centers raised into the air by drones. The electromagnetic radio waves emitted by them, penetrating an unknown aircraft object, form two independent projecting rays intersecting at the searched aircraft location point. In this case, the searched object spatial location instantaneous (at a certain point in time) point will be placed on an imaginary
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Fronc, Jennifer. "“HISTORICAL PRESENTATION” OR “LIBEL TO THE RACE”?: CENSORSHIP AND THE BIRTH OF A NATION." Journal of the Gilded Age and Progressive Era 14, no. 4 (2015): 612–15. http://dx.doi.org/10.1017/s1537781415000432.

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On April 9, 1915, the fiftieth anniversary of General Lee's surrender at Appomattox, The Birth of a Nation opened in Boston. Audience members were “prepared for the unusual” the moment they entered the Tremont Theatre. After “a young man in evening dress and a silk hat” took tickets, “two young women in flounced hoop skirts and with long curls … ma[d]e a sort of graceful minuet bow, and hand[ed] you a program.” While “soldiers ‘on guard’ in the Civil War uniforms of the North and South” flanked the aisles, another costumed young woman “escort[ed] you to your seat.” As the film projector flicke
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Dissertations / Theses on the topic "Motion picture projectors"

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Thomas, Patricia Brooks. "Propaganda on film : shadows from the past, projections for the future?" Thesis, Swansea University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678661.

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Lifshitz, Judith. "Completion guarantees and the financing of entertainment projects in the province of Quebec." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ50946.pdf.

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Hudgins, Donald A. "Rhythm and Views: A Compilation of Eight Projects Including Scoring, Video Production and Motion Graphic Design." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1206070566.

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Bruteig, Rune. "Who's afraid of the Fenris-wolf? : projections of a skin self and Nordic mythographic filmmaking (a feminist and psychoanalytical introspective)." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23208.

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Chapter One of this thesis looks at psychoanalytical object relations theory dealing with early childhood, with an aim to outline the shift that has taken place within critical thinking on personal development--from an emphasis on oedipal relations to the auspicious re-exploration of pre-oedipal states. Here the main theme derives from the paradoxical nature of the human skin, whose fluid sensory and communicative qualities profoundly shape our psychological functioning, and thus ultimately our creation of (gendered) knowledge in all its forms.<br>Chapter Two seeks to establish some of the pos
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Gibbs, Cheryl Jeanne. "The Quaker Farm Boy and the Wizard of Menlo Park: How C. Francis Jenkins Fought to Keep Thomas Edison from Claiming Credit for One of Jenkins' Most Significant Inventions." Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1543522521915393.

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Books on the topic "Motion picture projectors"

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Riimala, Erkki. Valkokangasta vastapäätä: Teatteriprojektoreita Suomessa Filmiteknillisen lautakunnan (FTL) valvonnassa 1928-1978 äänielokuvan ensimmäisellä puolivuosisadalla. Estrex, 1998.

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Jiménez, Carlos. Los orígenes del cine: Catálogo. Comunidad de Madrid, Consejería de Cultura y Turismo, Dirección General de Archivos, Museos y Bibliotecas, 2009.

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Calzini, Mario. Cento anni di cinema al cinema: Storia dei cinematografi, dalla saletta dei Lumière ai multiplex. Gestioni editoriali Agis, 1995.

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Ganz, Thomas. Die Welt im Kasten: Von der Camera obscura zur Audiovision. Verlag Neue Zürcher Zeitung, 1994.

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1933-, Vrielynck Robert, and Crédit communal de Belgique, eds. Derrière l'écran: 150 ans de caméras, de projecteurs et d'affiches. Crédit communal, 1994.

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Ilchev, Georgi. Elektrotekhnika za kinomekhanika. T͡S︡entŭr za propaganda, informat͡s︡ii͡a︡ i pechat pri Kom-ta za kultura, 1987.

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King, Lila. Framing the cinema: Brenograph slide images from the Fox Theatre collection. Edited by Martin Mary Catherine, Miller Keith D, and Schuff Michele. Preservation Maintenance Press, 2000.

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Perriault, Jacques. Dialogues autour d'une lanterne: Une brève histoire de la projection animée. L'Harmattan, 2013.

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Waddington, Damer. Panoramas, magic lanterns, cinemas: A century of "light" entertainment in Jersey 1814-1914. Tocan, 2003.

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Herbert, Stephen. Industry, liberty, and a vision: Wordsworth Donisthorpe's kinesigraph. Projection Box, 1998.

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Book chapters on the topic "Motion picture projectors"

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Lee, Sangjoon. "The Asia Foundation’s Motion Picture Project." In Cinema and the Cultural Cold War. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.003.0002.

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This chapter investigates how and to what extent the Asia Foundation (TAF) and its field agents covertly acted to construct an alliance of anticommunist motion picture producers in Asia. It explores how US government–led Cold War cultural policies influenced the Asian regional film industry in the 1950s. It also scrutinizes the ways TAF agents responded to the various needs of local film executives and negotiated with the constantly changing political, social, and cultural environments in the region during the project's early activities. The chapter reviews the origin of TAF, the Committee for
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Culkin, Nigel, Norbert Morawetz, and Keith Randle. "Digital Cinema as Disruptive Technology." In Information Communication Technologies. IGI Global, 2008. http://dx.doi.org/10.4018/978-1-59904-949-6.ch129.

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The distribution and exhibition of motion pictures are at a crossroads. Ever since the medium was invented in the 1890s the “picture” has been brought to the spectator in the form of photochemical images stored on strips of celluloid film passed in intermittent motion through a projector. Now, at the beginning of the 21st century, an entirely new method has emerged, using digitally stored data in place of film and barely needing any physical support other than a computerised file. This opens an intriguing portfolio of revenue-generating opportunities for the movie exhibitor. This chapter will
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Culkin, Nigel, Norbert Morawetz, and Keith Randle. "Digital Cinema as Disruptive Technology." In Information Communication Technologies and Emerging Business Strategies. IGI Global, 2007. http://dx.doi.org/10.4018/978-1-59904-234-3.ch009.

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The distribution and exhibition of motion pictures are at a crossroads. Ever since the medium was invented in the 1890s the “picture” has been brought to the spectator in the form of photochemical images stored on strips of celluloid film passed in intermittent motion through a projector. Now, at the beginning of the 21st century, an entirely new method has emerged, using digitally stored data in place of film and barely needing any physical support other than a computerised file. This opens an intriguing portfolio of revenue-generating opportunities for the movie exhibitor. This chapter will
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Deveney, Grace. "Motion Pictures: Photographers and Film in Chicago." In Never a Lovely So Real: Photography and Film in Chicago, 1950–1980. The Art Institute of Chicago, 2025. https://doi.org/10.53269/9780865593237/05.

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Many of the Black artists in Chicago who began their careers in the 1960s by engaging with photography later turned to television and film. Tracing the professional trajectories and personal projects of each of these artists suggests some of the shared characteristics across media.
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Waller, Gregory A. "Putting Films to Work." In Films That Work Harder. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789462986534_ch13.

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Focusing on the 1910s, this chapter examines the role of motion pictures for American retailers and manufacturers, as seen from the perspective of the period’s most prominent business publication, System, the Magazine for Business. Published in Chicago by the A.B. Shaw Company, System paid attention to the managerial practices of the commercial film industry but more often surveyed and promoted the manifold utility of motion pictures for the purposes of sales, public relations, and advertising, as well as for training and overseeing employees. According to System, key to the successful use of
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Marzola, Luci. "Inventing the Mazda Tests." In Engineering Hollywood. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190885588.003.0005.

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The second part of the book begins with chapter 4, which explores the key events of 1927–1928, in which the motion picture industry began to bring together companies and workers from the East and West around strategic technological shifts. While the shift to sound was in process, it was not sound but lights and film stock that served as the vehicles for these early collaborative endeavors. With the formation of the Academy of Motion Picture Arts and Sciences (AMPAS) in 1927, the studios united behind a single organization designed to standardize both labor and technology practices across all t
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Bjarnadóttir, Kristín. "Royaumont’s aftermath in Iceland – Motion geometry, transformations and groups." In “DIG WHERE YOU STAND” 6. Proceedings of the Sixth International Conference on the History of Mathematics Education. WTM-Verlag Münster, 2020. http://dx.doi.org/10.37626/ga9783959871686.0.06.

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In the Meran Program in 1905 and at the Royaumont Seminar in 1959, among the main themes were transformation geometry, including motion geometry, and group theory. Those themes entered some Danish mathematics textbooks and the English School Mathematics Project’s textbook series, both used in Iceland around 1970. One of the arguments for including group theory in school mathematics was that its structure corresponded to structures in the minds of children. Eventually, the emphasis on motion in geometry subordinated the structure of the transformation groups. These ideas proved short-lived in I
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Salzberg, Ana. "“What can we do to make the picture better?”." In Produced by Irving Thalberg. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474451048.003.0007.

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This chapter explores the implications of the MGM restructuring, specifically in relation to Thalberg’s focus on retakes. Thalberg had established the process to ensure the quality of a given film, asking, “What can we do to make the picture better?” The chapter reframes that abiding question as part of a broader reflection on Thalberg’s shifting production style and role at the studio in these last years of his life. At this time, Thalberg sought to improve upon his own cinematic oeuvre, effectively “retaking” his thematic concerns and visual style in historical epics Mutiny on the Bounty (Ll
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Dodgson, Mark, and David Gann. "5. Thomas Edison’s organizational genius." In Innovation: A Very Short Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780198825043.003.0005.

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‘Thomas Edison’s organizational genius’ uses examples of Thomas Edison’s work to show how he pioneered a highly structured way of organizing innovation. He developed the phonograph, electric light bulb, and electrical power distribution, and improved the telephone, telegraph, and motion picture technology, as well as founding numerous companies, including General Electric. He always pursued several lines of research, wishing to keep options open until the strongest contender emerged. By working on numerous projects simultaneously, Edison hedged his bets so future income streams did not depend
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Melnick, Ross. "A Prologue to Hollywood." In The Oxford Handbook of Silent Cinema. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780190496692.013.29.

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Abstract This chapter examines Sidney Patrick Grauman’s role in developing film prologues and premieres that helped redirect the focus of the film industry westward via a combination of motion-picture marketing and exhibition and real estate investment and promotion. Grauman, through his real estate development projects, redefined the cityscape of Los Angeles in the 1910s and then, during the 1920s, the growing urbanity of Hollywood. Grauman’s use of stars, publicity, and premieres to sell his real estate, theatrical, and other ventures is part of a larger story about his role in Hollywood’s e
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Conference papers on the topic "Motion picture projectors"

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DuMont, Christopher L., Andrew F. Kurtz, Barry D. Silverstein, and David H. Kirkpatrick. "Design Improvements for Motion Picture Film Projectors." In SMPTE Technical Conference. IEEE, 2001. http://dx.doi.org/10.5594/m00978.

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Alnafjan, Abeer. "Math Game for Elementary School Children Using Leap Motion Controller." In Intelligent Human Systems Integration (IHSI 2024) Integrating People and Intelligent Systems. AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004605.

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Education holds significant importance in society as it provides individuals with essential knowledge, skills, and critical thinking abilities. However, traditional educational approaches may not always engage children effectively. To address this, innovative methods are needed to make education more interesting and captivating for children. By incorporating interactive elements such as educational games, multimedia resources, and creative teaching techniques, we can create a learning environment that fosters curiosity, exploration, and active participation. This approach enhances learning out
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Spadafora, Giovanna, Gabriele Bellingeri, Marco Canciani, et al. "Rilievo 3D e modellazione avanzata nello studio dei Forti di Roma: il Forte Monte Antenne." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11424.

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3D survey and advanced modeling in the study of the Forts of Rome: the Forte Monte AntenneIn the studies the authors are conducting on the entrenched camp of Rome, 3D surveys and digital models are used as means to understand constructions with the aim of developing restoration and re-utilization projects. For Forte Monte Antenne (1882-1891), the authors have carried out systematic studies of the formal and structural aspects. The data acquired from a direct survey and with laser scanner, drone and photogrammetry, integrated with data obtained from iconographic and bibliographic sources, were
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