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1

Riimala, Erkki. Valkokangasta vastapäätä: Teatteriprojektoreita Suomessa Filmiteknillisen lautakunnan (FTL) valvonnassa 1928-1978 äänielokuvan ensimmäisellä puolivuosisadalla. Helsinki: Estrex, 1998.

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2

Jiménez, Carlos. Los orígenes del cine: Catálogo. Madrid: Comunidad de Madrid, Consejería de Cultura y Turismo, Dirección General de Archivos, Museos y Bibliotecas, 2009.

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3

Calzini, Mario. Cento anni di cinema al cinema: Storia dei cinematografi, dalla saletta dei Lumière ai multiplex. Roma: Gestioni editoriali Agis, 1995.

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4

Ganz, Thomas. Die Welt im Kasten: Von der Camera obscura zur Audiovision. Zürich: Verlag Neue Zürcher Zeitung, 1994.

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5

1933-, Vrielynck Robert, and Crédit communal de Belgique, eds. Derrière l'écran: 150 ans de caméras, de projecteurs et d'affiches. Bruxelles: Crédit communal, 1994.

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6

Waddington, Damer. Panoramas, magic lanterns, cinemas: A century of "light" entertainment in Jersey 1814-1914. St. Lawrence, Jersey: Tocan, 2003.

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7

King, Lila. Framing the cinema: Brenograph slide images from the Fox Theatre collection. Edited by Martin Mary Catherine, Miller Keith D, and Schuff Michele. Atlanta: Preservation Maintenance Press, 2000.

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8

Ilchev, Georgi. Elektrotekhnika za kinomekhanika. Sofii͡a︡: T͡S︡entŭr za propaganda, informat͡s︡ii͡a︡ i pechat pri Kom-ta za kultura, 1987.

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9

Perriault, Jacques. Dialogues autour d'une lanterne: Une brève histoire de la projection animée. Paris: L'Harmattan, 2013.

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10

Herbert, Stephen. Industry, liberty, and a vision: Wordsworth Donisthorpe's kinesigraph. London: Projection Box, 1998.

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11

1933-, Boorman John, and Donohue Walter, eds. Projections 2: A forum for film-makers. London, [U.K.]: faber and faber, 1993.

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12

1933-, Boorman John, and Donohue Walter, eds. The director's cut: The best of Projections. London: Faber and Faber, 2006.

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13

1933-, Boorman John, Donohue Walter, Ciment Michel, Niogret Hubert, and Brownlow Keven, eds. Projections 4 1/2: film-makers on film-making. London: Faber and Faber, 1995.

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14

Donohue, Walter, and John Boorman. Projections: A forum for film-makers. London: Faber and Faber, 1994.

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15

Denault, Jocelyne. Dans l'ombre des projecteurs: Les Québécoises et le cinéma. Sainte-Foy, Québec: Presses de l'Université du Québec, 1996.

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16

1933-, Boorman John, and Donohue Walter, eds. Projections 7: Film-makers on film-making in association with Cahiers du Cinéma. London: Faber and Faber, 1997.

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17

Diken, Bülent. Sociology through the projector. Milton Park, Abingdon, Oxon: Routledge, 2007.

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18

How Hollywood projects foreign policy. New York: Palgrave Macmillan, 2009.

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19

1933-, Boorman John, Luddy Tom, Thomson David, and Donohue Walter, eds. Projections 4: Film-makers on film-making. London: faber and faber, 1995.

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20

Olivier, Bert. Projections: Philosophical themes on film. 2nd ed. Port Elizabeth, South Africa: University of Port Elizabeth, 2002.

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21

Shaking the money tree: How to get grants and donations for film and video projects. 2nd ed. Studio City, CA: Michael Wiese Productions, 2003.

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22

Shaking the money tree: How to get grants and donations for film and video projects. Studio City, CA: M. Wiese Productions, 1994.

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23

Warshawski, Morrie. Shaking the money tree: How to get grants and donations for film and video projects. Studio City, CA: M. Wiese Productions, 1994.

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24

Bureau de la statistique du Québec., ed. Projections cinématographiques au Québec: 1975-1987. Québec, Québec: Bureau de la statistique du Québec, 1989.

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25

Imperial projections: Screening the German colonies. New York: Berghahn Books, 2015.

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26

Warshawski, Morrie. Shaking the money tree: The art of getting grants and donations for film and video projects. 3rd ed. Studio City, CA: Michael Wiese Productions, 2010.

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27

El arte del las ilusiones: Espectáculos precinematográficos en México. México, D. F: Instituto Nacional de Antropología e Historia, Fototeca Nacional del INAH, Consejo Nacional para la Cultura y las Artes, 2009.

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28

O cinema ao poder!: A revolução do 25 de Abril e as políticas de cinema entre 1974-76, os grupos, instituições, experiências e projectos. Lisboa: Hugin, 2002.

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29

The city and the moving image: Urban projections. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2010.

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30

1947-, Joshel Sandra R., Malamud Margaret, and McGuire Donald T, eds. Imperial projections: Ancient Rome in modern popular culture. Baltimore: Johns Hopkins University Press, 2001.

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31

Euphoria tapestry quilts: 40 appliqué motifs & 17 flowering projects. Lafayette, California: C&T Publishing, 2016.

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32

Projections of war: Hollywood, American culture, and World War II. New York: Columbia University Press, 1993.

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33

Projections of war: Hollywood, American culture, and World War II. New York: Columbia University Press, 1999.

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34

Frantz, John Parris. Video cinema: Techniques and projects for beginning filmmakers. Chicago, Ill: Chicago Review Press, 1994.

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35

Bergan, Ronald. Jean Renoir: Projections of paradise. Woodstock, N.Y: Overlook Press, 1994.

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36

Star Wars Origami 2: 34 More Projects from a Galaxy Far, Far Away... New York: Workman, 2020.

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37

Art of Film Projection - a Beginner's Guide. Eastman Museum, George, 2019.

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38

Hick, Ulrike. Geschichte der optischen Medien. Fink (Wilhelm), 1999.

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39

Christie, Ian. Robert Paul and the Origins of British Cinema. University of Chicago Press, 2019.

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40

Godfrey, Donald G. Jenkins’ Motion Pictures. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038280.003.0005.

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This chapter examines C. Francis Jenkins' photographic inventions that he used to demonstrate motion pictures in a variety of applications. Despite losing in the early battle with Thomas J. Armat, Jenkins declared himself the inventor of the motion-picture projector. With the Phantoscope, he ventured into home and educational use. He would travel west, filming a Hopi Snake Dance, teach photographic expression, and invent fireproof protections for the projector. This chapter first provides an overview of Jenkins' first Phantoscopes and the patents he obtained for them before turning to his demonstrations of the use of motion pictures at home and in science. It then recounts Jenkins' use of his motion-picture camera to film the Hopi tribe in northeastern Arizona performing the Snake Dance. It also discusses the Jenkins Phantoscope Company's manufacturing of Phantoscopes for educational household use, along with Jenkins' other inventions such as the Marveloscope and a high-speed camera. Finally, the chapter considers Jenkins' promotion of the use of photography in education by teaching photographic expression.
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41

Buoncristiano, Scott. Magical Film Projections: Quidditch. Walker Books, Limited, 2017.

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42

Boorman, John, and Walter Donohue. Projections 8: Film-Makers on Film-Making (Projections). Faber & Faber, 1998.

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43

(Editor), John Boorman, and Walter Donohue (Editor), eds. Projections 6: Film-Makers on Film-Making (Projections). Faber & Faber, 1996.

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44

(Editor), John Boorman, ed. Projections 9: French Film-Makers on Film-Making (Projections). Faber & Faber, 1999.

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45

(Editor), John Boorman, and Walter Donohue (Editor), eds. Projections 5: Film-Makers on Film-Making (Projections). Faber & Faber, 1996.

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46

Projections 15: With the European Film Academy. Faber & Faber, Limited, 2008.

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47

Boorman, John, David Thomson, and Tom Luddy. Projections 4: Film-Makers on Film-Making (Projections). Faber & Faber, 1995.

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48

Boorman, John, and Isabella Weibrecht. Projections 13: Women Filmmakers on Filmmaking (Projections). Faber & Faber, 2005.

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49

Bollywood Crafts: 20 Projects Inspired by Popular Indian Cinema. Guild of Master Craftsman, 2007.

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50

(Editor), John Boorman, and Walter Donohue (Editor), eds. Projections 7: Film-Makers on Film-Making. Faber & Faber, 1997.

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