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Journal articles on the topic 'Motion picture projectors'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Boegner, Ray F. "Motion-Picture Projectors." Scientific American 279, no. 4 (1998): 134–35. http://dx.doi.org/10.1038/scientificamerican1098-134.

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2

DuMont, C. L., A. F. Kurtz, B. D. Silverstein, and D. H. Kirkpatrick. "Design Improvements for Motion Picture Film Projectors." SMPTE Journal 110, no. 11 (2001): 785–91. http://dx.doi.org/10.5594/j16428.

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3

Wicks, Frank. "Picture This." Mechanical Engineering 126, no. 07 (2004): 32–35. http://dx.doi.org/10.1115/1.2004-jul-3.

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This article highlights that the adage, a picture is worth a thousand words, is a flawed understatement. Our memories, knowledge, and opinions rely heavily on pictures. Words can only provide an explanation to information contained in a good picture. Time always moves forward, but a picture allows us to look back to some prior moment in time. Photography, which means writing with light, would require replacing the artist’s paper with a chemically coated screen, exposing the screen to the image, and then stabilizing the resulting picture. The first practical photographic process was announced i

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4

Al Mousawi, Aqeel Al Mousawi. "Employing (Artificial Intelligence) Techniques in the Aesthetic Construction of Cinematic Tricks in the Cinematic Film." Journal Port Science Research 7, issue (2024): 57–66. http://dx.doi.org/10.36371/port.2024.special.8.

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Cinema is a unique art based on innovation and scientific inventions in addition to the talent and genius of directors, and directors such as Edison, the inventor of the motion picture, the Le Maire brothers, the pioneers of the cinema projector, the Frenchman of genius imagination and visual creativity, Georges Mila and Gervath, the creator of magazines. Editing, photography, directing and innovations such as motion pictures, sound entry to the cinema, color film tape, wide lenses, 3D imaging, films that used scientific techniques, such as the Star Wars series of director Lucas, the Jurassic

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5

Hadida, Allègre L. "Commercial success and artistic recognition of motion picture projects." Journal of Cultural Economics 34, no. 1 (2009): 45–80. http://dx.doi.org/10.1007/s10824-009-9109-z.

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6

Kovalev, V., N. A. Testoyedov, A. V. Blinnikov, A. A. Voroshilova, and D. V. Borovinsky. "Physical and technological approaches to systemic film moistening." Journal of Physics: Conference Series 2094, no. 2 (2021): 022082. http://dx.doi.org/10.1088/1742-6596/2094/2/022082.

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Abstract This article discusses the physical and technological approaches to systemic film moistening. The features of storage and operation of film in various conditions are considered. A number of features and facts are presented that affect the organization of both systemic humidification and the maintenance of long-term storage of film materials on analog media. The article presents the main factors that affect the quality of the working surface of 35 mm and 16 mm film: the specifics of the composition of the film; the effects of a temporary, natural and technological nature on motion pict

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Skilton, Paul F. "Knowledge based resources, property based resources and supplier bargaining power in Hollywood motion picture projects." Journal of Business Research 62, no. 8 (2009): 834–40. http://dx.doi.org/10.1016/j.jbusres.2008.05.001.

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8

Sit, Masganti, Solihah Titin Sumanti, and Indah Sari Siregar. "STRATEGY FOR INSTILLING BASIC RELIGIOUS HUMANIST VALUES IN EARLY CHILDHOOD AT RA AL-HIDAYAH SUNGGAL." JURNAL TARBIYAH 30, no. 1 (2023): 119. http://dx.doi.org/10.30829/tar.v30i1.2610.

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The current acceleration of digitalization at least erodes the religious humanist values in children. This study aims to analyze the strategy of instilling basic religious humanist values in early childhood at RA Al-Hidayah Sunggal. This study uses a qualitative approach with the method of case studies (case study), data collection instruments using the method of observation, interviews, study documentation. Furthermore, the data were analyzed using data reduction, data presentation, and drawing conclusions. The results of this study concluded that first, the basic religious humanist values th

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Svidrak, I. G., I. S. Aftanaziv, O. I. Strogan, and A. O. Shevchuk. "Kinematic projection in modern technologies." Scientific Messenger of LNU of Veterinary Medicine and Biotechnologies 23, no. 96 (2021): 67–75. http://dx.doi.org/10.32718/nvlvet-f9612.

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The trajectories and coordinates of unmanned aircrafts spatial location determination is researched with the help of kinematic projection means. The methodology offered below considers the formation of two mobile and independent kinematic projection centers raised into the air by drones. The electromagnetic radio waves emitted by them, penetrating an unknown aircraft object, form two independent projecting rays intersecting at the searched aircraft location point. In this case, the searched object spatial location instantaneous (at a certain point in time) point will be placed on an imaginary

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Fronc, Jennifer. "“HISTORICAL PRESENTATION” OR “LIBEL TO THE RACE”?: CENSORSHIP AND THE BIRTH OF A NATION." Journal of the Gilded Age and Progressive Era 14, no. 4 (2015): 612–15. http://dx.doi.org/10.1017/s1537781415000432.

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On April 9, 1915, the fiftieth anniversary of General Lee's surrender at Appomattox, The Birth of a Nation opened in Boston. Audience members were “prepared for the unusual” the moment they entered the Tremont Theatre. After “a young man in evening dress and a silk hat” took tickets, “two young women in flounced hoop skirts and with long curls … ma[d]e a sort of graceful minuet bow, and hand[ed] you a program.” While “soldiers ‘on guard’ in the Civil War uniforms of the North and South” flanked the aisles, another costumed young woman “escort[ed] you to your seat.” As the film projector flicke

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11

Hoyler, Michael, and Allan Watson. "Framing city networks through temporary projects: (Trans)national film production beyond ‘Global Hollywood’." Urban Studies 56, no. 5 (2018): 943–59. http://dx.doi.org/10.1177/0042098018790735.

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This article advances research on external urban relations by drawing attention to the role of temporary project-based economic organisation in the formation of inter-firm links between cities. Through a novel empirical examination of (trans)national co-production in the motion picture industry, we reveal how such projects transcend the boundaries of individual production clusters and link urban centres within specific network configurations. Stripping away the ‘top layer’ of Hollywood’s commercially successful feature films, we undertake a social network analysis of film productions in four m

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12

Dzakhmisheva, I. S. "Innovative technologies in merchandising." Proceedings of the Voronezh State University of Engineering Technologies 82, no. 4 (2021): 272–76. http://dx.doi.org/10.20914/2310-1202-2020-4-272-276.

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The article summarizes and systematizes modern high-tech digital tools that allow modeling the behavior of a modern consumer and ensuring the efficiency of the functioning of trade enterprises by increasing sales. It has been established that merchandising has an impressive arsenal of high-tech tools, which include: projection showcase, interactive showcase, virtual shelf, 3D showcase, Aislelabs and Prism Skylabs devices, mobile applications, Fetch Robotics and Lowe's robots, ERP system, Amazon Prime Air system, etc. A projection showcase is a showcase glass (screen) covered with a special fil

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13

Dolan, Michael. "The Original Jenkins Projector, Now in the United States National Museum, Consisted of an Optical System Which First Successfully Projected Motion Pictures on a Screen." SMPTE Motion Imaging Journal 133, no. 1 (2024): 95–96. http://dx.doi.org/10.5594/jmi.2024/idyq4827.

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14

Vaniuha, Liudmyla, Mariia Kyreia, Natalia Lemishka, Olena Spolska, and Iryna Patron. "History of the evolution of cinema in the context of considering the stages of development of science and technology. The first steps to the birth of cinema." History of science and technology 14, no. 2 (2024): 513–38. https://doi.org/10.32703/2415-7422-2024-14-2-513-538.

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Historiographic works on the history of cinema play an important role in preserving knowledge about the development of this art form. They not only document the key stages of the evolution of cinema, but also provide an opportunity to analyze it as a cultural phenomenon that is closely intertwined with the history of mankind. Historiographic works on the history of cinema cover the study of the development of cinema as an art, a means of communication and an industry. They reflect various aspects of its formation: socio-cultural influences, technological breakthroughs, genre transformations an

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15

Speedie, Jessica, Ruobing Dong, Richard Teague, et al. "Mapping the Merging Zone of Late Infall in the AB Aur Planet-forming System." Astrophysical Journal Letters 981, no. 2 (2025): L30. https://doi.org/10.3847/2041-8213/adb7d5.

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Abstract Late infall events challenge the traditional view that planet formation occurs without external influence. Here we present deep Atacama Large Millimeter/submillimeter Array 12CO J = 2–1 and SO J N = 56–45 observations toward AB Aurigae (AB Aur), a Class II disk system with strong signs of gravitational instability and ongoing planet formation. By applying Keplerian and anti-Keplerian masks, we separate disk-like and non-disk-like motions of 12CO, considering the two outputs as the “disk” and “exo-disk” (out of disk) emission components, respectively. The disk component of 12CO extends

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16

Nohrnberg, James. "“Swords, ropes, poison, fire”: The Dark Materials of Spenser’s Objectification of Despair-Assisted Suicide, with Notes on Skelton and Shakespeare." Explorations in Renaissance Culture 43, no. 2 (2017): 158–201. http://dx.doi.org/10.1163/23526963-04302003.

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In the Despair episode in Spenser’s Faerie Queene i.ix, the provocative material means for self-slaughter are emblematically doubled with the psychological inducements, particularly on the models of predecessor texts in Skelton’s Magnyfycence and the Cordela story in The Mirrour for Magistrates. The pairing of means and causes is part of a tradition. So also is the despair of a Christian believer over his own sinfulness, in the face of God’s law, as voiced by a conspiratorial evil conscience, leading to a sinful “unbelief and despair of God” (Luther) and likewise unbelief in salvation—and to a

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17

Menshikov, Leonid A. "DECONSTRUCTION OF CINEMA IN THE NEO-DADA PROJECT: THE FLUXFILM ANTHOLOGY IN THE ANTI-AESTHETICS CONTEXT." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 39 (2020): 79–92. http://dx.doi.org/10.17223/22220836/39/8.

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Fluxus, a neodadaist group of artists, poets, and musicians is known by its multiples namely cardboard boxes containing surprising objects, editions, scores and other similar works of art. One of such works was the Fluxfilm Anthology through which the Fluxus artists were able to express their ideas. Principles of game, irony and art deconstruction were realized in that project as the main aes-thetic principles of Fluxus art. The Fluxfilm Anthology as a project involved a lot of Fluxus artists who in turn created more than 70 films. A common search for stylistic forms of avant-garde cinema was

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18

"Cinematography — Intermittent Sprockets for 35 mm Motion-Picture Projectors — Dimensions." SMPTE Journal 95, no. 2 (1986): 273–74. http://dx.doi.org/10.5594/j07863.

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19

"American National Standards for Motion-Picture Film (16-mm)—Projector Usage." SMPTE Journal 95, no. 4 (1986): 531–33. http://dx.doi.org/10.5594/j17979.

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20

"Cinematography—Projector Usage of 16 mm Motion-Picture Films for Direct Front Projection—Specifications." SMPTE Journal 95, no. 5 (1986): 609–10. http://dx.doi.org/10.5594/j17743.

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21

"American National Standard for Motion-Picture Film (8-mm Type R)—Perforated One Edge—projector Usage." SMPTE Journal 96, no. 11 (1987): 1136–37. http://dx.doi.org/10.5594/j03030.

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22

Panova, Mariya. "The film Memory (1985) and Konstantin Pavlov’s poetry of the 1960s, or on the quests “on the upwind side of the weather-vane”." Proglas 29, no. 1 (2020). http://dx.doi.org/10.54664/cbxt4780.

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The present paper provides an opportunity to interpret the peculiar projections of Konstantin Pavlov’s poetry of the 1960s in the film Memory, based on the poet’s screenplay from 1985. The study focuses on the problems depicted in the motion picture and the peculiarities of the unconventional style which define both the specific place of the film in the developing trends of Bulgarian feature films of the 1980s, and its complex biography related to the institutional pressure for self-censorship and minimal public response. The observations made in the paper focus on understanding the film as an

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23

"A geometrical interpretation of Kane’s Equations." Proceedings of the Royal Society of London. Series A: Mathematical and Physical Sciences 436, no. 1896 (1992): 69–87. http://dx.doi.org/10.1098/rspa.1992.0005.

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The method for the development of the equations of motion for systems of constrained particles and rigid bodies, developed by T. R. Kane and called Kane’s Equations, is discussed from a geometric viewpoint. It is shown that what Kane calls partial velocities and partial angular velocities may be interpreted as components of tangent vectors to the system’s configuration manifold. The geometric picture, when attached to Kane’s formalism shows that Kane’s Equations are projections of the Newton-Euler equations of motion onto a spanning set of the configuration manifold’s tangent space. One advant

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24

"Computer simulation of defect motion in model normal and ‘fast-ion’ conductors I. NaCl and AgCl." Proceedings of the Royal Society of London. A. Mathematical and Physical Sciences 398, no. 1814 (1985): 141–71. http://dx.doi.org/10.1098/rspa.1985.0029.

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The molecular dynamics simulation technique has been used to study Frenkel defects in crystalline NaCl and AgCl. Partial radial distribution functions, mean square displacements and the velocity autocorrelation function with its Fourier transform have been calculated for cation and anion species. Because the minimum Frenkel defect concentration that can be introduced into the molecular dynamics sample is 1/108, the initial configurations represent a non-equilibrium state and their evolution in time provides an opportunity to study mechanisms of defect migration that are involved in the recombi

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25

K, Ramesh, Chandrika V S, Praveena P, Pazhanimuthu C, and Ravindran S. "Multi-rate Sampling Wavelet Lifting Scheme Based Video Compression with Enhanced Adaptive Rood Search Integral Projections." Innovations in Information and Communication Technology Series, December 30, 2020, 237–45. http://dx.doi.org/10.46532/978-81-950008-1-4_052.

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This paper presents the research on video compression for videos by developing a multi rate wavelet lifting scheme method which works better for both colour and grayscale videos along with Enhanced Adaptive Rood Search with Integral Projections for motion Estimation. In wavelet lifting scheme sampling is performed at different rates at the upper and lower branches. It is a powerful alternative to traditional convolution involving forward and inverse filter banks with the total amount of arithmetic computations required is substantially lesser. The ratio used is 3:2 for the upper branch and 3:1

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K, Ramesh, Chandrika V S, Praveena P, Pazhanimuthu C, and Ravindran S. "Multi-rate Sampling Wavelet Lifting Scheme Based Video Compression with Enhanced Adaptive Rood Search Integral Projections." Innovations in Information and Communication Technology Series, December 30, 2020, 237–45. http://dx.doi.org/10.46532/978-81-950008-1-4_052.

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This paper presents the research on video compression for videos by developing a multi rate wavelet lifting scheme method which works better for both colour and grayscale videos along with Enhanced Adaptive Rood Search with Integral Projections for motion Estimation. In wavelet lifting scheme sampling is performed at different rates at the upper and lower branches. It is a powerful alternative to traditional convolution involving forward and inverse filter banks with the total amount of arithmetic computations required is substantially lesser. The ratio used is 3:2 for the upper branch and 3:1

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27

Thomas, Peter. "Anywhere But the Home: The Promiscuous Afterlife of Super 8." M/C Journal 12, no. 3 (2009). http://dx.doi.org/10.5204/mcj.164.

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Consumer or home use (previously ‘amateur’) moving image formats are distinguished from professional (still known as ‘professional’) ones by relative affordability, ubiquity and simplicity of use. Since Pathé Frères released its Pathé Baby camera, projector and 9.5mm film gauge in 1922, a distinct line of viewing and making equipment has been successfully marketed at nonprofessional use, especially in the home. ‘Amateur film’ is a simple term for a complex, variegated and longstanding set of activities. Conceptually it is bounded only by the negative definition of nonprofessional (usually inte

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28

Dr Shubhangi D C, Dr. Baswaraj Gadgay, and Shaista Anjum. "Large-Scale Antiquity Sites: Detailed 3D Reconstruction Using Holistic Methods." Journal of Scientific Research and Technology, June 10, 2024, 1–6. http://dx.doi.org/10.61808/jsrt109.

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Tracking an object's current condition is frequently the first and most important step in cultural heritage preservation. It takes a lot of time and effort to complete this operation, especially for large-scale items like buildings. As a result, interest in new, more effective strategies that simplify the process and lessen the financial impact of surveying actions is developing. Before the actual restoration of the façade can begin, professionals must map the damages and determine the necessary remedial actions. Here, the foundation is provided by three-dimensional drawings that show each ind

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Mr. P. Manikanda Prabu, Arivazhagi R, Deepika G, and Dharshini J. "Hand Gestures Recognition For Virtual Mouse and Keyboard :A Novel Human- Computer Interaction Approach." International Journal of Advanced Research in Science, Communication and Technology, April 22, 2023, 19–26. http://dx.doi.org/10.48175/ijarsct-9313.

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Today's computer vision technology is so good that a machine can recognize its owner by using a simple picture-processing programme.. People use this vision in many parts of daily life in the current technological age, including face recognition, color detection, autonomous vehicles, etc. The One of the marvels of Human-Computer Interaction (HCI) technology is the mouse. Since a wireless mouse or Bluetooth mouse still need a battery for power and a dongle to connect it to the PC, they are not entirely device-free at this time. This study suggests an interactive computer system that converts ha

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Thoutam, Naresh, Bhumi chavan, Kabir Patole, Sakshi Jadhav, and Vidhya Bagal. "Gesture Recognition Based Virtual Mouse and Keyboard." INTERANTIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 07, no. 02 (2023). http://dx.doi.org/10.55041/ijsrem17790.

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Today, computer vision has advanced to the point where a machine can recognise its owner by running a straight forward picture processing application. People are employing this in this period of growth because vision in a variety of everyday activities, including Face Recognition, Color Detection, Autopilot Cars, etc. In this project, computer vision, or a camera, is utilised to recognise hand gestures to create a virtual mouse and keyboard. The computer's camera will scan the image of various hand gestures made by a user, and the computer's mouse cursor will move and even carry out various fu

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31

Avram, Horea. "The Convergence Effect: Real and Virtual Encounters in Augmented Reality Art." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.735.

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Augmented Reality—The Liminal Zone Within the larger context of the post-desktop technological philosophy and practice, an increasing number of efforts are directed towards finding solutions for integrating as close as possible virtual information into specific real environments; a short list of such endeavors include Wi-Fi connectivity, GPS-driven navigation, mobile phones, GIS (Geographic Information System), and various technological systems associated with what is loosely called locative, ubiquitous and pervasive computing. Augmented Reality (AR) is directly related to these technologies,

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32

Dziekan, Vince. "The Synthetic Image." M/C Journal 5, no. 4 (2002). http://dx.doi.org/10.5204/mcj.1970.

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Author's Note: The Theme of the Loop: Image, Exhibition and Networkability In his contribution to the anthology, The Digital Dialectic, George P. Landow inventories a set of characteristics that define digital media. These defining traits result from a hybrid mixture of ideas relating hypertext writing to the visual language of collage. Included in this list is the quality of "networkability".1 It is through reading into this particular element that I will focus on the character of the digital image itself as multi-dimensional and how, by extension, this enmeshes notions of the image within a

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33

Brown, Adam, and Leonie Rutherford. "Postcolonial Play: Constructions of Multicultural Identities in ABC Children's Projects." M/C Journal 14, no. 2 (2011). http://dx.doi.org/10.5204/mcj.353.

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In 1988, historian Nadia Wheatley and indigenous artist Donna Rawlins published their award-winning picture book, My Place, a reinterpretation of Australian national identity and sovereignty prompted by the bicentennial of white settlement. Twenty years later, the Australian Broadcasting Corporation (ABC) commissioned Penny Chapman’s multi-platform project based on this book. The 13 episodes of the television series begin in 2008, each telling the story of a child at a different point in history, and are accompanied by substantial interactive online content. Issues as diverse as religious diff

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34

Joseph, Kaela. "Gays Burying Ourselves." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3140.

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Introduction Jane Schoenbrun’s I Saw the TV Glow (ISTTVG) is a psychological science fiction/horror film which draws upon audiences’ associations between serialised television and queer identity development to ask a terrifying question: would you bury yourself alive to solve the mystery of a parallel life not yet lived? The film is an allegory for queer experiences of internalised heteronormativity and concealment in which the villain is not the typical monster of the week, but our own selves, suffocating under the mundanity of surroundings we have yet to break free from. Neon noir elements ar

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35

Sharma, Sarah. "The Great American Staycation and the Risk of Stillness." M/C Journal 12, no. 1 (2009). http://dx.doi.org/10.5204/mcj.122.

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The habitual passenger cannot grasp the folly of traffic based overwhelmingly on transport. His inherited perceptions of space and time and of personal pace have been industrially deformed. He has lost the power to conceive of himself outside the passenger role (Illich 25).The most basic definition of Stillness refers to a state of being in the absence of both motion and disturbance. Some might say it is anti-American. Stillness denies the democratic freedom of mobility in a social system where, as Ivan Illich writes in Energy and Equity, people “believe that political power grows out of the c

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Acland, Charles. "Matinees, Summers and Opening Weekends." M/C Journal 3, no. 1 (2000). http://dx.doi.org/10.5204/mcj.1824.

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Newspapers and the 7:15 Showing Cinemagoing involves planning. Even in the most impromptu instances, one has to consider meeting places, line-ups and competing responsibilities. One arranges child care, postpones household chores, or rushes to finish meals. One must organise transportation and think about routes, traffic, parking or public transit. And during the course of making plans for a trip to the cinema, whether alone or in the company of others, typically one turns to locate a recent newspaper. Consulting its printed page lets us ascertain locations, a selection of film titles and thei

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37

Macken, Marian. "And Then We Moved In." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2687.

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   Working drawings are produced, when a house is designed, to envisage an imagined building. They are a tangible representation of an object that has no tangible existence. These working drawings act as a manual for constructing the house; they represent that which is to be built. The house comes into being, therefore, via this set of drawings. This is known as documentation. However, these drawings record the house at an ideal moment in time; they capture the house in stasis. They do not represent the future life of the house, the changes and traces the inhabitants make upo

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38

Ahn, Sungyong. "On That <em>Toy-Being</em> of Generative Art Toys." M/C Journal 26, no. 2 (2023). http://dx.doi.org/10.5204/mcj.2947.

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Exhibiting Procedural Generation Generative art toys are software applications that create aesthetically pleasing visual patterns in response to the users toying with various input devices, from keyboard and mouse to more intuitive and tactile devices for motion tracking. The “art” part of these toy objects might relate to the fact that they are often installed in art galleries or festivals as a spectacle for non-players that exhibits the unlimited generation of new patterns from a limited source code. However, the features that used to characterise generative arts as a new meditative genre, s

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Morris, Ieuan. "Interruption/Interaction/Collaboration: A Critical Appraisal of the Textual @traction Interactive Event." M/C Journal 9, no. 2 (2006). http://dx.doi.org/10.5204/mcj.2622.

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This article reflects upon the process of the making and screening of an interactive short film called Textual @traction, which I wrote and directed. The film is 12 minutes long, 35mm film, and shows how a series of messages sent to a lost mobile phone inadvertently allows two gay men to declare their love for each other. In the form of a puzzle, the film denies sight of the crucial messages sent between the characters, messages which motivate their actions. However, through the simple use of SMS (Short Message System) text technology, the audience can receive each of these messages on their o

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