Relevant bibliographies by topics / Motion pictures Cinematography / Dissertations / Theses
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Dissertations / Theses on the topic 'Motion pictures Cinematography'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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1

Ryu, Jae Hyung. "Reality & effect a cultural history of visual effects /." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-03292007-172937/.

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Thesis (Ph. D.)--Georgia State University, 2006.<br>Title from file title page. Ted Friedman, committee chair; Kathy Fuller-Seeley, Angelo Restivo, Jung-Bong Choi, Alisa Perren, committee members. Electronic text (249 p.) : digital, PDF file. Description based on contents viewed Oct. 29, 2007. Includes bibliographical references (p. 236-249).
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2

Lord, Bruce Allan. "Time matching of separate cine camera views for three dimensional motion studies." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25144.

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The purpose of this study was to evaluate the importance of time-matching separate cine camera views in three-dimensional motion studies and to develop analytical methods to accomplish the time matching. An image space was calibrated using twenty-four control points and motion picture films at about 60 frames per second were taken of a moving bar, and of a subject putting a shot. Combinations of correctly and incorrectly matched views were compared for their accuracy in determining the positions of six object points. An algorithm was derived which included the timing variable in the least squa
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3

Furstenau, Marc. "Cinema, language, reality : digitization and the challenge to film theory." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84508.

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Digital cinema has provoked a strong response over the last decade, not only from the movie-going public, but also from film theorists. It has re-opened basic theoretical questions about cinematic representations of and reference to reality.<br>This thesis begins with a critical review of the vast theoretical literature dealing with the digitization of the cinema. Most theorists have come to the conclusion that the cinema is dead because digitization has severed the ties between what we see on the screen and real life. At root, this conclusion is derived from a structuralist, nominalist
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4

Cossar, Harper. "Snakes and funerals aesthetics and American widescreen films /." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-03162007-175907/.

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Thesis (Ph. D.)--Georgia State University, 2006.<br>Title from file title page. Greg M. Smith, committee chair; Matthew Bernstein, Kathy Fuller-Seeley, Jack Boozer, Angelo Restivo, committee members. Electronic text (349 p. : ill. (some col.)) : digital, PDF file. Description based on contents viewed June 4, 2007. Includes bibliographical references (p. 342-348).
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5

Bae, Sang-Joon. "Rainer Werner Fassbinder und seine filmästhetische Stilisierung." Remscheid : Gardez! Verlag, 2005. http://books.google.com/books?id=4eZkAAAAMAAJ.

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6

Jansen, Rhyno. "The alchemy of sound : creating unbelievable believability through audiovisual fusion." Thesis, Stellenbosch : University of Stellenbosch, 2011. http://hdl.handle.net/10019.1/6561.

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Thesis (MPhil (Music))--University of Stellenbosch, 2011.<br>ENGLISH ABSTRACT: This thesis represents an attempt to explore the use of metadiegetic film sound and its connection with qualities displayed by human physiology. Metadiegesis is chosen as the focus of this study, in order to point out the potential of film sound to be representative and not to slavishly imitate its visual counterpart. Therefore, because metadiegetic sound is deictic in nature, the first hurdle to clear was to navigate through a terminological minefield, allowing a clear glimpse of its true meaning and its conne
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7

Elkington, Trevor G. "Moments in space, spaces in time : phenomenology and the embodied depth of cinematic image /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/6621.

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8

Serra, Jennifer Jane 1981. "O documentário animado e a leitura não-ficcional da animação." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284362.

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Orientador: Marcius Cesar Soares Freire<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-19T18:32:25Z (GMT). No. of bitstreams: 1 Serra_JenniferJane_M.pdf: 8736280 bytes, checksum: c66b3c043b6914ea9a87103eb4ba4909 (MD5) Previous issue date: 2011<br>Resumo: Esta pesquisa teve por finalidade analisar os mecanismos através dos quais filmes de animação podem ser vistos pelo espectador a partir de uma leitura documental e como a animação pode ser utilizada como estratégia discursiva em filmes documentários. Para tanto, delimi
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9

Pyanzina, Elizaveta Anatolyevna 1981. "Representation of the Peoples of the Caucasus in 20th Century Russian Literature and Cinematography." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11489.

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ix, 67 p.<br>For centuries, Russian writers have stressed the important role the Caucasus played in the Russian Empire. In the last few decades, much attention has been directed at the Caucasians in literary works and movies as a result of the two Chechen wars. This thesis addresses the evolution of the Caucasian theme in Russian literature beginning from the 18th century with a focus on the contemporary representation of the peoples of Caucasus, mainly Chechens, in three works: a Soviet-era movie by Leonid Gaidai, <italic>Kidnapping, Caucasian Style</italic> (1966); Vladimir Makanin's story,
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10

Hamonic, Wynn Gerald. ""Disney is the Tiffany's and I am the Woolworth's of the business" : a critical re-analysis of the business philosophies, production values and studio practices of animator-producer Paul Houlton Terry." Thesis, Brunel University, 2011. http://bura.brunel.ac.uk/handle/2438/6436.

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Animator-producer Paul Houlton Terry has been portrayed as having little passion for the animation he produced and being more concerned with making a profit than producing entertaining cartoons with high production values. The purpose of the dissertation is to re-evaluate Terry‘s legacy to animated cartooning by analyzing his business philosophies, production values, and studio practices. Application of four psychodynamic factors to the early life and career of Terry, 1887-1929, found that his economic decision making was characterized by: an external locus of control, risk-averse financial be
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11

Albright, Laura Beth. "2D Spatial Design Principles Applied to 3D Animation: A Proposed Toolset for Filmmakers." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1230703092.

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12

Bowser, Alexander Jon. "Bad pixels challenges of microbudget digital cinema." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4852.

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Bad Pixels is a feature-length, microbudget, digital motion picture, produced, written, and directed by Alexander Jon Bowser as part of the requirements for earning a Master of Fine Arts in Film and Digital Media from the University of Central Florida. The materials contained herein serve as a record of the microbudget filmmaking experience. This thesis documents the challenges confronted by a first-time feature filmmaker; an evaluation of both the theory and application of a dynamic microbudget approach to digital content creation. From script development to digital distribution, the thesis a
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13

Strausz, Laszlo. "Traveling through Space: Stylistic Progression and Camera Movement." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04202007-122230/.

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Thesis (Ph. D.)--Georgia State University, 2007.<br>Title from file title page. Greg M. Smith, committee chair; Charlie Keil, Ted Friedman, Kathy Fuller-Seeley, Angelo Restivo, committee members. Electronic text (310 p. : ill. (some col.)) : digital, PDF file. Description based on contents viewed Oct. 17, 2007. Includes bibliographical references (p. 276-283).
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14

Marchesan, Aline Ariana Alcântara Anacleto. "Entram em cena as tecnologias de subjetivação: corpos e desejos na cinematografia brasileira pela ótica de diretoras de cinema no período de 2002 à 2012 e suas implicações para (des)construção dos gêneros." Universidade Estadual Paulista, 2016. http://repositorio.utfpr.edu.br/jspui/handle/1/2724.

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Em cenário brasileiro, os estudos de gênero se consolidam no final da década de 70, com fortalecimento dos movimentos feministas que possuíam reivindicações específicas do universo feminino. Ao longo dos anos, esta luta por direitos de igualdade, construiu uma significativa representação da imagem da mulher na sociedade, que busca ultrapassar a imagem tradicional e estereotipada, advinda de forças patriarcais e machistas. A construção dessa mudança é o resultado de muitas elaborações críticas e teóricas por parte da comunidade acadêmica que, interessada nos estudos culturais e pós-estruturalis
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15

Hall, Stefan. "“You’ve Seen the Movie, Now Play the Game”: Recoding the Cinematic in Digital Media and Virtual Culture." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300365433.

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16

Bouxsein, Benjamin D. "An Analysis of the Depiction of Romantic Relationships in Western Cinema Compared to Cultural Perceptions of Relationships." Ohio University Honors Tutorial College / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1556721347157763.

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17

Leão, Carolina Morgado 1986. "A trilha musical do cartoon no período clássico do cinema." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284495.

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Orientador: Claudiney Rodrigues Carrasco<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-23T23:24:38Z (GMT). No. of bitstreams: 2 Leao_CarolinaMorgado_M.pdf: 2729435 bytes, checksum: 3cccc2782d27c4926dca0243044b2804 (MD5) Leao_CarolinaMorgado_M_Anexo.zip: 2581908598 bytes, checksum: 8acc1a686e30a6fa52cb27e0083ad192 (MD5) Previous issue date: 2013<br>Resumo: Desde os primórdios do que entendemos hoje como cinema, já se fazia uso de intervenções sonoras. O acompanhamento musical era normalmente executado ao vivo, através
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18

Schofield, Guy Peter. "Soundtrack-controlled cinematographic systems." Thesis, University of Newcastle upon Tyne, 2014. http://hdl.handle.net/10443/2422.

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19

Sin, Yat-lun Marconi. "Experimental studio of cinematography in Temple Street : an urban subtext /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25948222.

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20

Sanz, Javier 1983. "Aproximación neurocinemática al corte como articulador fílmico." Doctoral thesis, Universitat de Barcelona, 2020. http://hdl.handle.net/10803/669227.

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El objetivo de esta tesis es caracterizar el cambio de plano por corte en la edición cinematográfica como articulador del discurso fílmico. Para conseguir nuestro objetivo nos basamos en analizar los mecanismos cognitivos del espectador que observa el film, a través del análisis de sus respuestas neuronales registradas por medio del electroencefalograma. Caracterizar el cambio de plano por corte como articulador cinematográfico desde las reacciones neuronales del espectador requiere comprobar que, al mismo tiempo que se producen patrones de reacción neuronal debidas a la percepción del input d
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Verga, Fernando Henrique Bononi. "A influência do romantismo no cinema expressionista alemão." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/156010.

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Submitted by Fernando Henrique Bononi Verga (fernando.jornalista@hotmail.com) on 2018-09-13T15:18:05Z No. of bitstreams: 1 MESTRADO VERSÃO FINAL.docx: 9189974 bytes, checksum: 29339496b1219b1498511af60925970d (MD5)<br>Rejected by Lucilene Cordeiro da Silva Messias null (lubiblio@bauru.unesp.br), reason: Solicitamos que realize uma nova submissão seguindo as orientações abaixo: 1 - O formato do arquivo deve ser em PDF. Agradecemos a compreensão on 2018-09-14T12:59:08Z (GMT)<br>Submitted by Fernando Henrique Bononi Verga (fernando.jornalista@hotmail.com) on 2018-09-14T18:24:38Z No. of
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Antonsen, Torben. "Sublime pixels : exploring the audience experience in digital special effects cinema : [a thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in Film] /." ResearchArchive@Victoria, 2009. http://hdl.handle.net/10063/1075.

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冼逸倫 and Yat-lun Marconi Sin. "Experimental studio of cinematography in Temple Street: An urban subtext." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31985427.

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Wagenheim, Christopher Paul Ph D. "Male Bodies On-Screen: Spectacle, Affect, and the Most Popular Action Adventure Films in the 1980s." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1479480931551239.

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Barber, Cody. "The Virtual Steamroller: How CGI Paved the Way for 3D's Comeback." Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1323194803.

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Jaramillo, Ampuero Gloria Patricia. "Límites e identidades. Un estudio del personaje en el cine moderno europeo." Doctoral thesis, Universitat de Barcelona, 2019. http://hdl.handle.net/10803/666266.

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La presente investigación está centrada en el estudio de la modernidad cinematográfica dentro del contexto europeo. Su delimitación cronológica se extiende desde sus primeras manifestaciones, a mediados de los años cuarenta, hasta su declive histórico, a finales de los años setenta. El cine moderno surgió en Europa a mediados del siglo XX dentro del contexto de crisis generalizada en la que se encontraba sumida la industria cinematográfica europea como consecuencia de la II Guerra Mundial. Como parte de los procesos de recuperación de la industria surgió un nuevo cine adquirió la etiqueta de m
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Ernst, Priscila. "Cinema e ensino: a produção de cinema de animação para o ensino de ciências por meio do enfoque Ciência, Tecnologia e Sociedade (CTS)." Universidade Tecnológica Federal do Paraná, 2017. http://repositorio.utfpr.edu.br/jspui/handle/1/2723.

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Acompanha: Guia didático: cine animação na escola<br>Este trabalho apresenta a análise e os resultados de um estudo desenvolvido com alunos de uma turma de 7º ano de um colégio estadual público de São João do Triunfo - PR, Brasil, em relação ao tema Cinema e Ensino. O objetivo da pesquisa foi verificar as contribuições de se ensinar Ciências (conteúdo de vírus e bactérias) em um enfoque CTS - Ciência, Tecnologia e Sociedade; visando a Alfabetização Científica e Tecnológica - ACT, utilizando como estratégia didática a produção de Cinema de Animação com a técnica Stop Motion. O Stop Motion é um
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Jones, Sarah B. "Digitized : women, careers, and the new media age : a heuristic analysis." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1397377.

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This project presents an overview of the entertainment industry's acceptance of women historically within its job market and a changing climate due, in part, to emerging digital technology. Findings suggest the female-disadvantage in procuring a behind-the camera job in the entertainment industry is on the decline. Also, the disparity between the number of women versus men working in this industry appears to be narrowing. New technology seems to be speeding up these processes, due largely in part to its relatively low cost and accessibility. An apparent shift in societal views of gender roles
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Tohline, Andrew M. "“Around the Corner”: How Jam Handy’s Films Reflected and Shaped the 1930s and Beyond." Ohio University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1248295030.

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Belintani, Júlia Ramiro. "Projecionistas de cinema na transição película / digital: diálogos entre um futuro desapegado e um passado que resiste." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21689.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-12-05T11:47:25Z No. of bitstreams: 1 Júlia Ramiro Belintani.pdf: 1644791 bytes, checksum: 109215c4c0bcff1bdea018ff4d8f8428 (MD5)<br>Made available in DSpace on 2018-12-05T11:47:25Z (GMT). No. of bitstreams: 1 Júlia Ramiro Belintani.pdf: 1644791 bytes, checksum: 109215c4c0bcff1bdea018ff4d8f8428 (MD5) Previous issue date: 2018-10-26<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The research has emerged from the concern about technologies that fascinate people due to their eases and possibilities and that
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Maria, João Paulo Miranda. "A influência do Grupo Dziga Vertov no cinema de Jean-Luc Godard." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284944.

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Orientador: Etienne Ghislain Samain<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-16T23:32:40Z (GMT). No. of bitstreams: 1 Maria_JoaoPauloMiranda_M.pdf: 42490477 bytes, checksum: da5eeddc5e6cbb844d4939a310c2be54 (MD5) Previous issue date: 2010<br>Resumo: O trabalho investiga a transformação estética no cinema de Jean-Luc Godard, analisando antes, durante e pós o grupo Dziga Vertov, encabeçado por Jean-Luc Godard e estudantes maoístas. A mudança estética de Godard é notada por muitos, contudo há escassez de estudos det
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Barbuto, Adriano Soriano. "As câmeras cinematográficas nos anos 1950/1960 e o cinema brasileiro." Universidade Federal de São Carlos, 2010. https://repositorio.ufscar.br/handle/ufscar/5588.

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Made available in DSpace on 2016-06-02T20:23:11Z (GMT). No. of bitstreams: 1 3236.pdf: 10667295 bytes, checksum: 4577e702fe0c4a20dd47793beb779bec (MD5) Previous issue date: 2010-08-02<br>The motion picture cameras have changed through the years. However, they have kept their main design which has not changed during this period. One of the goals of this text is to understand how that design was created, and also the changes it has suffered without losing its essence. Besides that, this text aims to understand how different cameras connected with the Brazilian cinema production in the fifties
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Viñolo, Locubiche José Samuel. "El modelo de producción industrial de animación 3D estadounidense." Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/405853.

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La irrupción de la animación 3D a mediados de la década de 1990 supuso una de las transformaciones tecnológicas mas rápidas y profundas del audiovisual contemporáneo, con repercusiones que afectaron de manera muy especial los procesos industriales, económicos y artísticos de la animación en los Estados Unidos de América. La presente tesis doctoral se centra en la producción de largometrajes y series estadounidenses realizados con esta técnica de animación entre 1995 y 2015. La investigación intenta determinar hasta qué punto las características económicas, productivas y formales que definen la
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Tahor, Eran. "Cinematography and visual style: understanding the collaborative roles of the cinematographer in the development and production of South African fictional feature films." Thesis, 2016. http://hdl.handle.net/10539/21859.

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A dissertation submitted to the Faculty of Humanities in fulfilment of the degree of Master of Arts by creative research in Film and Television, University of the Witwatersrand, 2016<br>In this dissertation I examine the roles of the cinematographer in fiction feature film production. I begin the discussion with a historical review of the emergence of cinematography as a specialised field in early cinema. This corresponds with developments in camera technology that enabled accurate framing, lighting and the possibility of movement. In order to provide a framework for further discussion, th
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Macklin, Scott. "Independent Filmmaking: Projecting a Screen of Particularity With Integration." Thesis, 1995. http://hdl.handle.net/10756/291144.

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Edwards, Christie-Lee Helen. "An assessment of motion capture in animated film through an analysis of aesthetics." Thesis, 2016. http://hdl.handle.net/10539/22228.

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Thesis (M.A. (Digital Animation))--University of the Witwatersrand, Faculty of Humanities, 2016<br>This study aims to determine whether motion-captured animation is better suited for hyper-realistic or caricatured film aesthetics and whether it creates or breaks the aesthetics engagement for the viewer. This will be done by analysing how each aesthetic maintains or breaks 'suspension of disbelief' in viewers towards character engagement and identification. This paper specifically aims to report on a study of body motion capture, via attaching trackers only on the body and not on the face and
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Higgins, Scott P. "Harnessing the rainbow : technicolor aesthetics in the 1930s /." 2000. http://www.library.wisc.edu/databases/connect/dissertations.html.

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Goncalves, Raymond Carlos McClure. "Pausing dramatic tension within contemporary action cinema: the relationship between time slicing/slow motion and suspenseful situations in action feature films through praxis lead research." Thesis, 2016. http://hdl.handle.net/10539/22226.

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Thesis (M.A. (Digital Animation))--University of the Witwatersrand, Faculty of Humanities, 2016<br>Time slicing is a film-based visual effect that refers to an enhanced simulation of time at variable speeds by creating the illusion of frozen or slowly progressing motion in time; it is most commonly digitally manipulated. This report will research and analyse how it can be utilized to amplify dramatic tension, or suspenseful situations in contemporary action films through theories, technology and various filming techniques. The theoretical methodology in this report is a historical account of
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McCann, Mark. "Penser l'écran sonore : les théories du film parlant." 2006. http://hdl.handle.net/2440/37999.

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The thesis, entitled Penser l'écran sonore : les théories du film parlant ( Thinking the sound screen : theories of the talking film ) aims to provide at once a survey and critique of such theories as have explicitly addressed themselves to film conceived of in its essence as a carrier of acoustically produced meaning. This position would seem to be the merest commonplace, however, review of the literature will show that the study of the cinematic sound object as such was hardly carried out in any systematic manner before the 1980s and the groundbreaking work of Rick Altman, Michel Chion, and
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Diaconescu, Ramona. "Film production terminology : an English, French and Romanian dictionary /." 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR45933.

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Thesis (M.A.)--York University, 2008. Graduate Programme in Translation.<br>Typescript. Includes bibliographical references. Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR45933
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"The impact of digitalization on cinematic aesthetics and the "spectrum of cultural representation": the case of Hong Kong." Thesis, 2011. http://library.cuhk.edu.hk/record=b6075224.

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Cinema, as a complex social and cultural phenomenon, has been recently challenged by digital media cultures and aesthetics since the 1990s. In this study, Hong Kong cinematic productions, blending the West and the East, and flexibly manoeuvring production and post-production with limited resources, are used to demonstrate the advent of new digital cinematic aesthetics and productions in the era of globalization and digitalization. The production culture and aesthetics of local cinema has been, to a great extent, internally modified by the impacts of digital media cultures and technologies, esp
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Lintelman, Ryan. "Mining the movie museum : the mutoscope collection at the National Museum of American History /." 2009. http://hdl.handle.net/10288/1187.

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Mabitsela, Diale Daniel. "Foley music: an exploration of the relationships between sound design and 'music' in film." Thesis, 2016. http://hdl.handle.net/10539/22001.

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A thesis submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the Degree of Master of Music Johannesburg 2016<br>Recently, scholarly work in the field of film sound design has emphasised the crucial significance of sound in film. Writers such as Mark Underwood (2008), Larry Sider (2003) and Danijela Kulezic-Wilson (2008) have expressed the view that film sound design ought to be approached from a musical perspective substantiating this position through analytical discussions on the relatively musical use of sound de
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Turner, Ben. "Acoustic ambience in cinematography : an exploration of the descriptive and emotive impact of the descriptive and emotive impact of the aural environment." Thesis, 2005. http://hdl.handle.net/10413/5184.

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Ambience is deftned by the American Heritage Dictionary as "the special atmosphere or mood created by a particular environment" This definition reveals the ubiquitous and ambiguous identity of acoustic ambience, as "environment" is a broad collective term. Unlike music or dialogue, ambience in film is akin to peripheral vision: once focused upon it loses a collective identity. Yet, there is a means to unravelling the aural atmosphere of a particular environment The solution in defining ambient sound lies primarily in the logical process of eliminating the tangible sound components within the s
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45

Uys, Carli. "Mascelli's functional analysis of camera angles versus viewers' interpretations of unconventional camera angles in Avatar and The English Patient / Carli Uys." Thesis, 2014. http://hdl.handle.net/10394/12053.

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The primary research strategy of this study was to elicit meaningful answers from viewers by means of a focus-group procedure; this is a method associated with qualitative research (see Creswell, 1998; Berg & Lune, 2011) The group consisted of ten adults, whose visual literacy in terms of narrative films, was described as high (they frequently watch films at home, or in the theatre). The researcher acted as the moderator; and a set of semi-structured questions, based on meanings attached to camera-angle codes as defined by Mascelli, were answered by the participants. The codification scheme of
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46

Grobler, Diek 1964. "Narrative strategies in the creation of animated poetry-films." Thesis, 2021. http://hdl.handle.net/10500/27666.

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Text in English, with abstracts and keywords in English and Sesotho<br>This doctoral study investigates the practice of narrative strategies in the creation of animated poetry-film. The status of the animator as auteur of the poetry-film is established on the grounds of the multiple instances of additional authoring that the animated poetry-film requires. The study hypothesises that diverse narrative strategies are operative in the production of animated poetry-film. Two diametrically opposed strategies are identified as ideal for the treatment of lyrical narrative. The first narrative strat
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