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Relevant bibliographies by topics / Motion pictures – Editing

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Dissertations / Theses
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Academic literature on the topic 'Motion pictures – Editing'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "Motion pictures – Editing"

1

ADAMS, BRETT, CHITRA DORAI, and SVETHA VENKATESH. "FINDING THE BEAT: AN ANALYSIS OF THE RHYTHMIC ELEMENTS OF MOTION PICTURES." International Journal of Image and Graphics 02, no. 02 (2002): 215–45. http://dx.doi.org/10.1142/s0219467802000573.

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This paper presents a new study on the application of the framework of Computational Media Aesthetics to the problem of automated understanding of film. Leveraging Film Grammar as the means to closing the "semantic gap" in media analysis, we examine film rhythm, a powerful narrative concept used to endow structure and form to the film compositionally and enhance its lyrical quality experientially. The novelty of this paper lies in the specification and investigation of the rhythmic elements that are present in two cinematic devices; namely motion and editing patterns, and their potential usefu

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Betancourt, Michael. "Meditation on realism." Short Film Studies 10, no. 1 (2020): 117–20. http://dx.doi.org/10.1386/sfs.10.1.117_1.

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Abstract Blow-Up entails rhetorical doublings of action and medium that attend to the material processes of cinema: sampled images, re/photography, editing, the re/animation of 'life' on-screen by using found footage separated from its original function in a meditative demonstration of the realist assumption that lies at the foundation of motion pictures.

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Al Mousawi, Aqeel Al Mousawi. "Employing (Artificial Intelligence) Techniques in the Aesthetic Construction of Cinematic Tricks in the Cinematic Film." Journal Port Science Research 7, issue (2024): 57–66. http://dx.doi.org/10.36371/port.2024.special.8.

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Cinema is a unique art based on innovation and scientific inventions in addition to the talent and genius of directors, and directors such as Edison, the inventor of the motion picture, the Le Maire brothers, the pioneers of the cinema projector, the Frenchman of genius imagination and visual creativity, Georges Mila and Gervath, the creator of magazines. Editing, photography, directing and innovations such as motion pictures, sound entry to the cinema, color film tape, wide lenses, 3D imaging, films that used scientific techniques, such as the Star Wars series of director Lucas, the Jurassic

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Pasqualette, Laura, Sara Klinger, and Louisa Kulke. "Development and validation of a natural dynamic facial expression stimulus set." PLOS ONE 18, no. 6 (2023): e0287049. http://dx.doi.org/10.1371/journal.pone.0287049.

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Emotion research commonly uses either controlled and standardised pictures or natural video stimuli to measure participants’ reactions to emotional content. Natural stimulus materials can be beneficial; however, certain measures such as neuroscientific methods, require temporally and visually controlled stimulus material. The current study aimed to create and validate video stimuli in which a model displays positive, neutral and negative expressions. These stimuli were kept as natural as possible while editing timing and visual features to make them suitable for neuroscientific research (e.g.

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Yulandina, Aldilla, Condra Antoni, and Ardiman Firmanda. "OPTIMALISASI UNSUR LIVE SHOOT DAN MOTION GRAPHIC UNTUK PROMOSI DIGITAL LEMBAGA PAUD." JOURNAL OF DIGITAL EDUCATION, COMMUNICATION, AND ARTS (DECA) 1, no. 1 (2018): 1–19. http://dx.doi.org/10.30871/deca.v1i1.588.

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Presentation of information for educational institutions is one of the most important means to introduce the institutions to the public. Raudhatul Athfal (RA) Ar-Rasyid Tanjungpinang needs media that can promote and provide information about the institution, because the number of registrants is decreasing during current years. This research was conducted with the creation of the institution’s profile video that applies elements of live shoot and motion graphics to easily convey information in short duration videos, and to make the profile video look interesting. The stage of making a profile v

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Hamasaeed, Nazakat Hussain, AbdulSamad Qadir Hussain, and Mohammed Rasw Ahmed. "Using Post-Production Stage Actions to Enhance the Quality of Television Programs: A Descriptive-Analytics Study of the “Ba Wrdi” Program of the NRT Channel." Journal of University of Raparin 10, no. 1 (2023): 102–25. http://dx.doi.org/10.26750/vol(10).no(1).paper5.

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Post-Production Stage is considered as one of the most important elements of production. Through this stage, the process of editing, organization and the consistency among video shots, sounds and colors is done by color-artists, designers, video editors, sound editors and animators. Post-Production Stage appeared with the development of television production technology. As such, how the Kurdish TV Channels use Post-Production Stage is becoming an increasingly critical subject of analysis and research. The need for researching, understanding and uncovering the use of post-production stage is ve

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Irvani, A. I., and R. Warliani. "Development of Physics Demonstration Videos on Youtube (PDVY) as Physics Learning Media." Jurnal Pendidikan Fisika Indonesia 18, no. 1 (2022): 1–12. http://dx.doi.org/10.15294/jpfi.v18i1.26723.

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The availability of physics demonstration videos relevant to curriculum needs is still limited. The aims of this study were (1) to develop physics learning media in the form of demonstration videos; (2) testing the feasibility of using demonstration videos as a medium for learning physics; and (3) knowing student responses to demonstration videos. The name of this demonstration video is Physics Demonstration Videos on YouTube (PDVY). This video is available on the PDVY Indonesia YouTube channel with open access. This research uses research and development methods. The steps for making this dem

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Ikonomi, Joan. "TV COMERCIAL PRODUCTION STRUCTURE FOR LIMITED BUDGET." Interdisciplinary Journal of Research and Development 6, no. 1 (2019): 99. http://dx.doi.org/10.56345/ijrdv6n107.

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Making a great television commercial is an art in itself. Twenty years ago, there was no official available information about the steps to follow to prepare a TV commercial throughout all phases. The main reason for that knowledge gap is that the old method used was based on multiple agencies and vendors working on the same campaign, so the single groups do not have to know everything; they just needed to understand their own role and responsibility. In the last years, video production and post-production industries are changing very fast. Digital retooling is taking place, causing dramatic in

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Kumada, Junji, Masaru Kanazawa, and Hitomi Murakami. "Special Edition Application for Subjective Assessment and Objective Measurement of Picture Quality. 2. Test Pictures for Performance Evaluation; Hi-Vision Charts and Motion Pictures for Standard Television." Journal of the Institute of Television Engineers of Japan 46, no. 2 (1992): 134–38. http://dx.doi.org/10.3169/itej1978.46.134.

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Wise, John A., and Anthony Debons. "Principles of Film Editing and Display System Design." Proceedings of the Human Factors Society Annual Meeting 31, no. 1 (1987): 121–24. http://dx.doi.org/10.1177/154193128703100127.

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Contemporary display systems are notorious for their lack of flow across display pages. The capabilities to dynamically change the makeup and layout of a display that are resident in windowing and sensor fusion systems are beginning to present the display system designer with even more complex display transition problems. The motion picture industry, on the other hand, has for years successfully presented a series of dynamic visual displays, where changes from one scene (or display) to the next has been accomplished with no notice, or where the change has actually enhanced the information flow

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Dissertations / Theses on the topic "Motion pictures – Editing"

1

Nozaic, Claire. "An introduction to audio post-production for film." Thesis, Stellenbosch : Stellenbosch University, 2006. http://hdl.handle.net/10019.1/17405.

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Thesis (M.Mus.)--University of Stellenbosch, 2006.<br>ENGLISH ABSTRACT: In South Africa there has been an increase over the last few years in audio engineering courses which include modules of study in audio post-production or even offer audio post-production as a major focus of study. From an academic standpoint however, and despite the growth in the local film industry, very little study of this field has been undertaken in South Africa until recently. In 2005, a MMus thesis was submitted at the University of KwaZulu-Natal entitled Acoustic Ambience in Cinematography: An Exploration of the

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Manganello, Vincent M. "DVD featuring visual commentary, which melds the director's commentary with the production documentary using the multi-angle capabilty of the DVD." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1313638.

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This creative project consists of a short fiction film which is finished on DVD and features a full length video commentary. The video commentary is an invention of my own which utilizes an often overlooked element of DVD technology, the multi-angle ability, to effectively merge two of the most popular features of modern motion picture DVD releases: the director's commentary and the production documentary. The disk actually contains two tracks of video, each of identical length. One is the film; the other is a documentary on the making of the film, with certain sections that correspond in real

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Hayman, Graham Peter. "An analysis of some variables of in-camera editing of anthropological video: a case study." Thesis, Rhodes University, 1993. http://hdl.handle.net/10962/d1002887.

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Anthropological film and videomakers use their media for both research and education. In both cases, a formal technique of observational camerawork is required. In this thesis, appropriate continuity methods and a model of decision-making in camerawork are proposed, which are designed to deal with the certainties and uncertainties encountered in the observational type of ethnographic film. The ethnographic context of the research is the community in the Shixini area of the Transkei, where the author made video-recordings of a number of ritual and everyday events between 1981 and 1984. The mode

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Mohapatra, Deepankar. "Automatic Removal of Complex Shadows From Indoor Videos." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc804942/.

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Shadows in indoor scenarios are usually characterized with multiple light sources that produce complex shadow patterns of a single object. Without removing shadow, the foreground object tends to be erroneously segmented. The inconsistent hue and intensity of shadows make automatic removal a challenging task. In this thesis, a dynamic thresholding and transfer learning-based method for removing shadows is proposed. The method suppresses light shadows with a dynamically computed threshold and removes dark shadows using an online learning strategy that is built upon a base classifier trained with

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Nguyen, Cuong. "Designing In-Headset Authoring Tools for Virtual Reality Video." PDXScholar, 2017. https://pdxscholar.library.pdx.edu/open_access_etds/4037.

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Virtual Reality (VR) video is emerging as a new art form. Viewing VR video requires wearing the VR headset to fully experience the immersive surrounding of the content. However, the novel viewing experience of VR video creates new challenges and requirements for conventional video authoring tools, which were designed mainly for working with normal video on a desktop display. Designing effective authoring tools for VR video requires intuitive video interfaces specific to VR. This dissertation develops new workflows and systems that enable filmmakers to create and improve VR video while fully im

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Sanz, Javier 1983. "Aproximación neurocinemática al corte como articulador fílmico." Doctoral thesis, Universitat de Barcelona, 2020. http://hdl.handle.net/10803/669227.

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El objetivo de esta tesis es caracterizar el cambio de plano por corte en la edición cinematográfica como articulador del discurso fílmico. Para conseguir nuestro objetivo nos basamos en analizar los mecanismos cognitivos del espectador que observa el film, a través del análisis de sus respuestas neuronales registradas por medio del electroencefalograma. Caracterizar el cambio de plano por corte como articulador cinematográfico desde las reacciones neuronales del espectador requiere comprobar que, al mismo tiempo que se producen patrones de reacción neuronal debidas a la percepción del input d

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Daneau, Daniel. "THE ATTIC DOOR: A FEATURE LENGTH MOTION PICTURE." Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2224.

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THE ATTIC DOOR is the feature-length film co-written and directed by Danny Daneau while pursuing a Master of Fine Arts at the University of Central Florida. Many challenges had to be met to produce a feature-length motion picture utilizing digital technology on an ultra-low budget as part of a graduate education. Beyond gaining a profound understanding of the physical, financial, and emotional strength it takes to complete a feature-length motion picture, Daneau experienced the creative challenges that all filmmakers must meet when applying the principles of filmmaking theory to an actual work

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Nascimento, Fernanda Gomes do. "A voz em estúdio: o uso audiovisual da dublagem e do diálogo pós-sincronizado no Brasil." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-01062015-153755/.

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Esta dissertação propõe investigar o uso da Dublagem e do Diálogo Pós-Sincronizado no mercado brasileiro, além de traçar comparações de seu uso em outros países. O estudo se apoia em três aspectos: definição e ideologias de utilização, técnicas empregadas e panorama histórico de aplicação em produtos audiovisuais.<br>This thesis proposes to analyses the application of Dubbing and ADR techniques in Brazilian Cinema and Television Market, as well as stablishing comparisons in between applications of the same technique in other countries. The research has three points of view: word definition and

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Wagenheim, Christopher Paul Ph D. "Male Bodies On-Screen: Spectacle, Affect, and the Most Popular Action Adventure Films in the 1980s." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1479480931551239.

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Liu, Ying 1984. "You and me are stitched." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-3631.

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My thesis film for the Master of Fine Arts is a twelve-minute experimental film entitled You and me are stitched. It follows three friends, Rosine, Sandy and Travis. It is a film that thinks around their curious triangle. This report is an account of the evolution of its filmmaking concept and process, from the initial idea through the finished film. The finished film bears little similarity to the original intent, so I pay particular attention to discussing conceptual breakthrough and post-production discoveries in this report.<br>text

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Books on the topic "Motion pictures – Editing"

1

LoBrutto, Vincent. The art of motion picture editing. Allworth Press, 2012.

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Balmuth, Bernard. Introduction to film editing. Focal Press, 1989.

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Maitland, Ian. Maitland's film editing glossary. Kendall/Hunt Pub. Co., 1990.

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Oldham, Gabriella. First cut: Conversations with film editors. University of California Press, 2012.

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Ohanian, Thomas A. Digital nonlinear editing: New approaches to editing film and video. Focal Press, 1993.

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Dancyger, Ken. The technique of film and video editing: History, theory, and practice. 3rd ed. Focal Press, 2002.

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Dancyger, Ken. The technique of film and video editing: Theory and practice. 2nd ed. Focal Press, 1997.

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Lohmeier, Anke-Marie. Hermeneutische Theorie des Films. Niemeyer, 1996.

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Burder, John. The technique of editing 16mm films. 5th ed. Focal, 1988.

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Stern, Judith L. QuickTime 6 for Macintosh and Windows. Peachpit Press, 2003.

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Book chapters on the topic "Motion pictures – Editing"

1

Pearlman, Karen. "On Rhythm in Film Editing." In The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19601-1_7.

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Hoggan, Michael. "Narratives Editing." In The Art and Craft of Motion Picture Editing, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9781003099765-7.

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Hoggan, Michael. "Overview of the Editing Process." In The Art and Craft of Motion Picture Editing, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9781003099765-6.

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Hoggan, Michael. "The Motion Picture Editor and Cinematographer." In The Art and Craft of Motion Picture Editing, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9781003099765-5.

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Hoggan, Michael. "The Motion Picture Editor/Director Partnership." In The Art and Craft of Motion Picture Editing, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9781003099765-3.

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Hoggan, Michael. "The Motion Picture Editor and Sound Design." In The Art and Craft of Motion Picture Editing, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9781003099765-9.

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Hoggan, Michael. "The Motion Picture Editor and the Audience." In The Art and Craft of Motion Picture Editing, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9781003099765-10.

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Hoggan, Michael. "Snapshot of the Invisible Artist." In The Art and Craft of Motion Picture Editing, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9781003099765-1.

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Hoggan, Michael. "The Motion Picture Editor and the Actor's Performance." In The Art and Craft of Motion Picture Editing, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9781003099765-4.

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Hoggan, Michael. "Motion Picture Editor and the Story (the Script)." In The Art and Craft of Motion Picture Editing, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9781003099765-2.

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Conference papers on the topic "Motion pictures – Editing"

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Ferman, Ahmet M., and A. Murat Tekalp. "Editing cues for content-based analysis and summarization of motion pictures." In Photonics West '98 Electronic Imaging, edited by Ishwar K. Sethi and Ramesh C. Jain. SPIE, 1997. http://dx.doi.org/10.1117/12.298471.

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Starks, Michael R. "Portable low-cost devices for videotaping, editing, and displaying field-sequential stereoscopic motion pictures and video." In SC - DL tentative, edited by John O. Merritt and Scott S. Fisher. SPIE, 1990. http://dx.doi.org/10.1117/12.19918.

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Pleß, Raphael, Sebastian Will, Nora Leona Merkel, and Alexandra Neukum. "Evaluation of Lane Change Maneuvers on a Dynamic Motorcycle Riding Simulator Utilizing a Rider Leaning Input." In The Evolving Scholar - BMD 2023, 5th Edition. The Evolving Scholar - BMD 2023, 5th Edition, 2023. http://dx.doi.org/10.59490/650466629a07ab522cdd4016.

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Up until today, high fidelity dynamic motorcycle riding simulators (DMRS) lack behind the rideability and accessibility of real motorcycles. This is a limiting factor, when it comes to the applicability of such simulators in the development processes of motorcycle manufacturers, suppliers and research institutes. Extensive training of the study participants enables valid studies, but decreases the test efficiency and weakens the trust of managers and decision makers into the results gained on the simulator. One approach to increase the rideability of DMRS is to introduce technology, that allow

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Pleß, Raphael, Sebastian Will, Nora Leona Merkel, and Alexandra Neukum. "Evaluation of Lane Change Maneuvers on a Dynamic Motorcycle Riding Simulator Utilizing a Rider Leaning Input." In The Evolving Scholar - BMD 2023, 5th Edition. The Evolving Scholar - BMD 2023, 5th Edition, 2023. http://dx.doi.org/10.59490/65ba4abfd6388d6fe70f4cb4.

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Up until today, high fidelity dynamic motorcycle riding simulators (DMRS) lack behind the rideability and accessibility of real motorcycles. This is a limiting factor when it comes to the applicability of such simulators in the development processes of motorcycle manufacturers, suppliers and research institutes. Extensive training of the study participants can help to overcome issues with a simulator’s rideability and accessibility and therefore enables valid studies. However, it decreases the test efficiency due to the timely effort and weakens the trust of managers and decision makers into t

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