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1

International Film Festival of India (24th 1993 New Delhi, India). International Film Festival of India, 1993, New Delhi, 10-20 January 1993 =: Bhārata kā Antarrāshṭrīya Filma Samāroha. Edited by Banerjee Shampa and India. Directorate of Film Festivals. Directorate of Film Festivals, Ministry of Information and Broadcasting, 1993.

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2

Gopalan, Lalitha. Cinema of interruptions: Action genres in contemporary Indian cinema. British Film Institute, 2002.

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3

International Film Festival of India (25th 1994 Calcutta, India). 25th International Film Festival of India, 1994, Calcutta, January 10-20, 1994 =: Bhārata kā 25 vāṃ Antarrāshṭrīya Filma Samāroha, Kalakattā, Janavarī 10-20, 1994. Directorate of Film Festivals, Ministry of Information and Broadcasting, 1994.

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4

International Film Festival of India (26th 1995 Bombay, India). 26th International Film Festival of India '95, Bombay, January 10-20, 1995 =: Bhārata kā 26 vāṃ Antarrāshṭrīya Filma Samāroha '95, Bambaī, Janavarī 10-20, 1995. Directorate of Film Festivals, Ministry of Information and Broadcasting, 1995.

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5

Mitra, Ananda. India through the western lens: Creating national images in film. SAGE, 1998.

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6

Mitra, Ananda. India through the Western lens: Creating national images in film. Sage Publications, 1999.

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7

Chris, Holmlund, ed. American cinema of the 1990s: Themes and variations. Rutgers University Press, 2008.

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8

Lucy, Fischer, ed. American cinema of the 1920s: Themes and variations. Rutgers University Press, 2009.

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9

John, Wilson. The official Razzie movie guide: Enjoying the best of Hollywood's worst. Warner Books, 2005.

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10

Monush, Barry. Everybody's talkin': The top films of 1965-1969. Applause Theatre, 2009.

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11

Pflaum, H. G. Germany on film: Theme and content in the cinema of the Federal Republic of Germany. Wayne State University Press, 1990.

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12

Ravi, Vasudevan, ed. Making meaning in Indian cinema. Oxford University Press, 2000.

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13

Thompson, Frank T. Alamo movies. 2nd ed. Wordware Pub., 1994.

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14

International Film Festival of India (23rd 1992 Bangalore, India). International Film Festival of India '92, Bangalore, January 10-20, 1992 =: Bhārata kā Antarrāshṭrīya Filma Samāroha '92. Directorate of Film Festivals, Ministry of Information and Broadcasting, 1992.

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15

Cowgill, Linda J. The art of plotting: How to add emotion, excitement, and depth to your writing. Back Stage Books, 2008.

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16

Cowgill, Linda J. The art of plotting: How to add emotion, excitement, and depth to your writing. Back Stage Books, 2008.

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17

Cowgill, Linda J. The art of plotting: How to add emotion, excitement, and depth to your writing. Back Stage Books, 2008.

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18

Howard, Tom. Suspense in the cinema. John Howard Reid, 1995.

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19

Weiss, Andrea. Vampires & violets: Lesbians in the cinema. J. Cape, 1992.

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20

M, Nichols Peter, ed. The best DVDs you've never seen, just missed or almost forgotten: A guide for the curious film lover. St. Martin's Griffin, 2005.

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21

Gernalzick, Nadja. Temporality in American filmic autobiography: Cinema, automediality and grammatology with Film portrait and Joyce at 34. Universitätsverlag Winter, 2018.

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22

Cinema of Interruptions. 2002.

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23

Cinema of interruptions: Action genres in contemporary Indian cinema. British Film Institute, 2002.

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24

Gopalan, Lalitha. Cinema of Interruptions: Action Genres in Contemporary Indian Cinema. British Film Institute, 2002.

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25

Gopalan, Lalitha. Cinema of Interruptions: Action Genres in Contemporary Indian Cinema. Oxford University Press, 2003.

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26

Gopalan, Lalitha. Cinema of Interruptions: Action Genres in Contemporary Indian Cinema. British Film Institute, 2002.

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27

Raghavendra, M. K. Seduced by the Familiar: Narration and Meaning in Indian Popular Cinema. Oxford University Press, 2014.

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28

Ray, Satyajit. The Apu Trilogy. 5th ed. Seagull Books, 2006.

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29

Ray, Satyajit. " Apu" Trilogy. Seagull Books,India, 1985.

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30

Ray, Satyajit. The APU Trilogy. Faber and Faber, 1989.

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31

Ray, Satyajit. Apu Trilogy. Seagull, 2003.

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32

Ray, Satyajit. The Apu Trilogy. 5th ed. Seagull Books, 2006.

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33

Corrigan, Timothy, Sharon Willis, Anna Everett, and Thomas Schatz. American Cinema of The 2000s: Themes and Variations. Rutgers University Press, 2012.

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34

Keil, Charlie, and Ben Singer. American Cinema of The 1910s: Themes and Variations. Rutgers University Press, 2009.

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35

Keil, Charlie, and Ben Singer. American Cinema of The 1910s: Themes and Variations. Rutgers University Press, 2009.

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36

Fischer, Lucy, Jennifer Bean, Sumiko Higashi, and Angela Dalle Vacche. American Cinema of The 1920s: Themes and Variations. Rutgers University Press, 2009.

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37

Fischer, Lucy, Sumiko Higashi, Angela Dalle Vacche, and Jennifer M. Bean. American Cinema of The 1920s: Themes and Variations. Rutgers University Press, 2009.

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38

Prince, Stephen. American Cinema of The 1980s: Themes and Variations. Bloomsbury Publishing Plc, 2007.

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39

Movies of the 70s. Taschen, 2003.

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40

Blake, Snyder. Save the Cat Goes to the Movies: The Screenwriter's Guide to Every Story Ever Told. Michael Wiese Productions, 2013.

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41

Blake, Snyder. Save the Cat! Goes to the Movies: The Screenwriter's Guide to Every Story Ever Told. Michael Wiese Productions, 2007.

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42

Monush, Barry. Everybody's Talkin': The Top Films Of 1965-1969. Leonard Corporation, Hal, 2009.

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43

Der phantastische Film: Instabile Narrationen und die Narration der Instabilität. De Gruyter, 2010.

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44

Gaudreault, Andre. American Cinema 1890-1909: Themes and Variations. Rutgers University Press, 2009.

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45

Gaudreault, Andre. American Cinema, 1890-1909: Themes and Variations. Rutgers University Press, 2009.

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46

Corrigan, Timothy. American Cinema of The 2000s. Rutgers University Press, 2012.

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47

Fiasco: A history of Hollywood's iconic flops. Wiley, 2006.

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48

Fiasco: A History of Hollywood's Iconic Flops. Wiley, 2007.

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49

American Cinema of the 1950s: Themes and Variations. Bloomsbury Publishing Plc, 2005.

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50

Figgis, Mike. 36 Dramatic Situations for Film. Faber & Faber, Limited, 2017.

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