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1

McCredie, Athol. "Pictures on a Page: Towards a History of the Photobook in New Zealand." Back Story Journal of New Zealand Art, Media & Design History, no. 5 (December 1, 2018): 5–21. http://dx.doi.org/10.24135/backstory.vi5.35.

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The term ‘photobook’ is very recent, yet numerous studies now survey histories of its development right back to the invention of photography. This article examines photographic books in New Zealand up to 1970 and concurrently explores definitions of the ‘photobook’ and whether, or to what extent, they can be applied to any of these publications. It considers nineteenth century albums, early scientific publications, and in particular, the books of scenery that have become such a stock item of New Zealand photographic book production. It also looks at a handful of books in the 1950s and 1960s th
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ELLIS, PATRICK. "A cinema for the unborn: moving pictures, mental pictures and Electra Sparks's New Thought film theory." British Journal for the History of Science 50, no. 3 (2017): 411–28. http://dx.doi.org/10.1017/s0007087417000644.

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AbstractIn the 1910s, New York suffragette Electra Sparks wrote a series of essays in theMoving Picture Newsthat advocated for cine-therapy treatments for pregnant women. Film was, in her view, the great democratizer of beautiful images, providing high-cultural access to the city's poor. These positive ‘mental pictures’ were important for her because, she claimed, in order to produce an attractive, healthy child, the mother must be exposed to quality cultural material. Sparks's championing of cinema during its ‘second birth’ was founded upon the premise of New Thought. This metaphysical Christ
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Bell, David, and Mark Stocker. "Rising sun at Te Papa: the Heriot collection of Japanese art." Tuhinga 29 (June 1, 2018): 50–76. https://doi.org/10.3897/tuhinga.29.e34240.

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In 2016, the Museum of New Zealand Te Papa Tongarewa (Te Papa) acquired more than 60 Japanese artworks from the private collection of Ian and Mary Heriot. The works make a significant addition to the graphic art collections of the national museum. Their variety and quality offer a representative overview of the art of the Japanese woodblock print, and potentially illustrate the impact of Japanese arts on those of New Zealand in appropriately conceived curatorial projects. Additionally, they inform fresh perspectives on New Zealand collecting interests during the last 40 years. After a discussi
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Joyce, Simon, and Jennifer Putzi. "“Greatest Combination in Motion Pictures”: Film History and the Division of Labor in the New York Motion Picture Company." Film History: An International Journal 21, no. 3 (2009): 189–207. http://dx.doi.org/10.2979/fil.2009.21.3.189.

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5

Knight, Arthur. "Spotlight on Film: All the World's a Stage." Media Information Australia 43, no. 1 (1987): 9–11. http://dx.doi.org/10.1177/1329878x8704300103.

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One phenomenon dominates the history of motion pictures: at one time or another, a single country has emerged as the most creative and vital source of film making on the international scene. It is almost as if a spotlight moved across the stages of the world, pausing now here, now there, to illuminate the work of an entire group of artists. This was perhaps understandable in the Soviet Union during the mid-Nineteen-Twenties, when a new government actively encouraged experimentation in all the arts, and particularly the art of the motion picture.
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Dhakal, Rajesh P., Sandip Singh, and John B. Mander. "Effectiveness of earthquake selection and scaling method in New Zealand." Bulletin of the New Zealand Society for Earthquake Engineering 40, no. 3 (2007): 160–71. http://dx.doi.org/10.5459/bnzsee.40.3.160-171.

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In New Zealand, time history analysis is either the required or preferred method of assessing seismic demands for torsionally sensitive and other important structures, but the criteria adopted for the selection of ground motion records and their scaling to generate the seismic demand remains a contentious and debatable issue. In this paper, the scaling method based on the least squares fit of response spectra between 0.4-1.3 times the structure’s first mode period as stipulated in the New Zealand Standard for Structural Design Actions: Earthquake Actions (NZS1170.5) [1] is compared with the sc
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Morris, Gareth J., Andrew J. Thompson, James N. Dismuke, and Brendon A. Bradley. "Ground motion input for nonlinear response history analysis." Bulletin of the New Zealand Society for Earthquake Engineering 52, no. 3 (2019): 119–33. http://dx.doi.org/10.5459/bnzsee.52.3.119-133.

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Nonlinear response history analysis (NLRHA), or so-called “nonlinear time history analysis”, is adopted by practicing structural engineers who implement performance-based seismic design and/or assessment procedures. One important aspect in obtaining reliable output from the NLRHA procedure is the input ground motion records. The underlying intention of ground motion selection and amplitude-scaling procedures is to ensure the input for NLRHA is representative of the ground shaking hazard level, for a given site and structure.
 The purpose of this paper is to highlight the salient limitatio
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Oyarzo-Vera, Claudio A., Graeme H. McVerry, and Jason M. Ingham. "Seismic Zonation and Default Suite of Ground-Motion Records for Time-History Analysis in the North Island of New Zealand." Earthquake Spectra 28, no. 2 (2012): 667–88. http://dx.doi.org/10.1193/1.4000016.

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A seismic zonation to be used in the selection of ground-motion records for time-history analysis of buildings in the North Island of New Zealand is presented. Both deaggregations of the probabilistic seismic hazard model and the seismological characteristics of the expected ground motions at different locations were considered in order to define the zonation. A profile of the records expected to apply within each zone according to the identified hazard scenarios is presented and suites of records are proposed for each zone, based on region-wide criteria, to be used in time-history analysis in
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Burlotos, Christianos, Kevin Walsh, Tatiana Goded, Graeme McVerry, Nicholas Brooke, and Jason Ingham. "Seismic zonation and default suites of ground-motion records for time-history analysis in the South Island of New Zealand." Bulletin of the New Zealand Society for Earthquake Engineering 55, no. 1 (2022): 25–42. http://dx.doi.org/10.5459/bnzsee.55.1.25-42.

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The rise of performance-based earthquake engineering, in combination with the complexity associated with selecting records for time-history analysis, demonstrates an expressed need for localized default suites of ground motion records for structural designers to use in the absence of site-specific studies. In the current research investigation, deaggregations of probabilistic seismic hazard models (National Seismic Hazard Model, Canterbury Seismic Hazard Model, and Kaikōura Seismic Hazard Model) and the location-specific seismological characteristics of expected ground motions were used to def
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10

Caulton, Thomas. "Motion Pictures and Moral Panic: The Reception of 'White Slavery' Films in New York in 1913." Film & History: An Interdisciplinary Journal 53, no. 1 (2023): 61–78. http://dx.doi.org/10.1353/flm.2023.a903048.

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Rosen, Philip. "Nation and Anti-Nation: Concepts of National Cinema in the "New" Media Era." Diaspora: A Journal of Transnational Studies 5, no. 3 (1996): 375–402. http://dx.doi.org/10.3138/diaspora.5.3.375.

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[M]y knowledge of movies, pictures, or the idea of movie-making, was strongly linked to the identity of a nation. That’s why there is no French television, or Italian, or British, or American television. There can be only one television because it’s not related to nation. It’s related to finance or commerce. Movie-making at the beginning was related to the identity of the nation and there have been very few ―national‖ cinemas. In my opinion there is no Swedish cinema but there are Swedish movie-makers—some very good ones, such as Stiller and Bergman. There have been only a handful of cinemas:
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de la Torre, Christopher A., Brendon A. Bradley, and Robin L. Lee. "Modeling nonlinear site effects in physics-based ground motion simulations of the 2010–2011 Canterbury earthquake sequence." Earthquake Spectra 36, no. 2 (2020): 856–79. http://dx.doi.org/10.1177/8755293019891729.

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This study examines the performance of nonlinear total stress one-dimensional (1D) wave propagation site response analysis for modeling site effects in physics-based ground motion simulations of the 2010–2011 Canterbury, New Zealand earthquake sequence. This approach explicitly models three-dimensional (3D) ground motion phenomena at the regional scale, and detailed site effects at the local scale. The approach is compared with a more commonly used empirical VS30-based method of computing site amplification for simulated ground motions, as well as prediction via an empirical ground motion mode
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Barron, Hal S. "Rural America on the Silent Screen." Agricultural History 80, no. 4 (2006): 383–410. http://dx.doi.org/10.1215/00021482-80.4.383.

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Abstract This article analyzes American silent film depictions of rural life in order to understand their role in the creation of new conceptions of the countryside during the first third of the twentieth century. The rise of motion pictures during the 1910s and 1920s was a critical component of an emerging consumer culture in the United States that coincided with its broader transformation from a rural to an urban society. Because of this conjuncture, silent movies depicting agrarian life were instrumental in establishing new understandings of rural society for a modern, urban nation. They re
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Musser, Charles. "Reading Local Histories of Early Film Exhibition: Sylvester Quinn Breard's ‘A History of the Motion Pictures in New Orleans, 1896–1908’." Historical Journal of Film, Radio and Television 15, no. 4 (1995): 581–85. http://dx.doi.org/10.1080/01439689500260451.

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Chávez-García, Francisco J., William R. Stephenson, and Miguel Rodríguez. "Lateral propagation effects observed at Parkway, New Zealand. A case history to compare 1D versus 2D site effects." Bulletin of the Seismological Society of America 89, no. 3 (1999): 718–32. http://dx.doi.org/10.1785/bssa0890030718.

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Abstract The importance of 2D or 3D site effects has been shown by theoretical studies. However, there is a lack of observational evidence of site effects due to lateral heterogeneities. We have evaluated 1D and 2D site effects in the data obtained by a dense seismograph array that operated for more than 2 months in the alluvial basin of Parkway, New Zealand. 1D site effects were evaluated using three independent techniques: spectral ratios relative to a reference station, spectral ratios of horizontal relative to vertical ground motion, and a generalized inversion scheme. Site effects due to
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Mückler, Hermann. "Wilhelm Knappe’s photo album as an early testimony of German colonization of the Marshall Islands1." Journal of New Zealand & Pacific Studies 8, no. 2 (2020): 193–208. http://dx.doi.org/10.1386/nzps_00037_1.

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Wilhelm Knappe (1855–1910), the first German administrator (imperial commissioner) assigned to the newly acquired Marshall Islands in 1886, created a photo album with pictures, presumably taken by New Zealand photographer Thomas Andrew in the same year. There are at least three existing copies of these albums and a bundle of loose photographs identical to those in the album in question. At the time of Knappe’s arrival in the Marshall Islands, Germany was still in the process of consolidating its newest colonial acquisition. The photographs show both Marshall Islanders untouched by Christian mi
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Łazarz, Radosław. "Z czerwonym Kielichem. Przedmiot wiary husytów w Trylogii husyckiej Otokara Vavry." Slavia Occidentalis, no. 73/2 (June 14, 2018): 45–56. http://dx.doi.org/10.14746/so.2016.73.29.

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The study is dedicated to Otokar Vavra’s cinematographic “Hussites Revolutionary Trilogy”. The films were shot in the 1950s as colour motion pictures. The main idea is based on Alois Jirasek’s trilogy and Frantisek Palacky’s philosophy of history combined with some ideological concepts revolving around the communist interpretation of Hussites. The three films: Jan Hus (1954), Jan Žižka (1955) and Proti všem (Against All Odds, 1957) pose some sort of a challenge by showing a religious movement from an atheist’s perspective. Vavra indeed created a work of propaganda, a heroic story of the Czech
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FRONC, JENNIFER. "Local Public Opinion: The National Board of Review of Motion Pictures and the Fight against Film Censorship in Virginia, 1916–1922." Journal of American Studies 47, no. 3 (2012): 719–42. http://dx.doi.org/10.1017/s0021875812001375.

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This article examines the conflict that ensued when the National Board of Review of Motion Pictures (a New York City-based organization that opposed any form of legal film censorship) entered the debate over Virginia's state film censor board. Virginia's engagement with film censorship emerged out of its history and politics, particularly in regard to race relations. Elite white Virginians lived in fear both of federal intervention (with the specter of Reconstruction not far behind them) and of a local usurpation of political power by black Virginians. The National Board of Review (NBR) was la
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19

RING, UWE, and MATTHIAS BERNET. "Fission-track analysis unravels the denudation history of the Bonar Range in the footwall of the Alpine Fault, South Island, New Zealand." Geological Magazine 147, no. 6 (2010): 801–13. http://dx.doi.org/10.1017/s0016756810000208.

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AbstractWe apply fission-track thermochronology to shed new light on the tectonic history of Zealandia during Late Cretaceous continental extension and the onset of Late Tertiary mountain building in the Southern Alps of New Zealand. The Southern Alps are one of the fastest erosionally exhuming mountain belts on Earth. Exhumation of the Bonar Range in Westland just to the northwest of the Alpine Fault is orders of magnitude slower. We report apatite and zircon fission-track ages from samples that were collected along an ENE–WSW profile across the central Bonar Range, parallel to the tectonic t
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20

Widegren, Kajsa. "Sexualiserade bilder av flickor. Pippi Examples och den manliga blicken." Tidskrift för genusvetenskap 25, no. 4 (2022): 9–27. http://dx.doi.org/10.55870/tgv.v25i4.4048.

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The aim of this article is to examine shifts of meaning of the visual material in a piece of art called Pippi Examples (2001). The Swedish artist Palle Torsson uses parts of the Pippi Långstrump motion picture for this video work, which has been accused of "making porn of Pippi". It is when the visual material is moved from its original context of children'scultureand placed in a context ofart, that the perception of the viewers' position changes. Four pictures from Pippi Examples are examined through a semiotic method. These pictures are related in different ways to signs of sexualisation use
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Vittala, Govinda, I Putu Prananda Dinata, Putu Devinda Ardaswari, Tabita Febyola Wijaya, Lanang Imam Herlambang, and I Dewa Gede Alit Kamayoga. "Physical therapy management for muscle tightness in a surfing athlete: a case report study." Physical Therapy Journal of Indonesia 5, no. 1 (2024): 18–24. http://dx.doi.org/10.51559/ptji.v5i1.171.

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Background: Muscle tightness refers to the sensation of tension or stiffness in the muscles, often resulting from factors such as excessive physical activity, inadequate warm-up before exercise, muscle injury, or underlying medical conditions. This article describes a case of a surfer patient with muscle tightness who has had ACL reconstruction meniscectomy and physical therapy management.
 Case description: The patient was a 51-year-old male surfing athlete from New Zealand diagnosed with muscle tightness. The patient had a history of ACL and meniscus injuries, followed by ACL reconstruc
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22

Chatterjee, Bikram, Carolyn J. Cordery, Ivo De Loo, and Hugo Letiche. "The spectacle of research assessment systems: insights from New Zealand and the United Kingdom." Accounting, Auditing & Accountability Journal 33, no. 6 (2020): 1219–46. http://dx.doi.org/10.1108/aaaj-01-2019-3865.

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PurposeIn this paper, we concentrate on the use of research assessment (RA) systems in universities in New Zealand (NZ) and the United Kingdom (UK). Primarily we focus on PBRF and REF, and explore differences between these systems on individual and systemic levels. We ask, these days, in what way(s) the systemic differences between PBRF and REF actually make a difference on how the two RA systems are experienced by academic staff.Design/methodology/approachThis research is exploratory and draws on 19 interviews in which accounting researchers from both countries offer reflections on their care
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Parker, R. N., G. T. Hancox, D. N. Petley, C. I. Massey, A. L. Densmore, and N. J. Rosser. "Spatial distributions of earthquake-induced landslides and hillslope preconditioning in northwest South Island, New Zealand." Earth Surface Dynamics Discussions 3, no. 1 (2015): 1–52. http://dx.doi.org/10.5194/esurfd-3-1-2015.

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Abstract. Current models to explain regional-scale landslide events are not able to account for the possible effects of the legacy of previous earthquakes, which have triggered landslides in the past and are known to drive damage accumulation in brittle hillslope materials. This paper tests the hypothesis that spatial distributions of earthquake-induced landslides are determined by both the conditions at the time of the triggering earthquake (time-independent factors), and also the legacy of past events (time-dependent factors). To explore this, we undertake an analysis of failures triggered b
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Peng, Alicia Inge. "Social Changes in America: The Silent Cinema Frontier and Women Pioneers." Humanities 13, no. 1 (2023): 3. http://dx.doi.org/10.3390/h13010003.

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Silent cinema acted as a bridge between early motion pictures and today’s film industry, playing a transformative role in shaping feminist film history and American society. This article explores pioneering American women in the silent film industry who ventured into technology, film culture, marginalized communities, and social movements. Despite the prevalence of racist and sexist propaganda, American silent films were a frontier for innovation, filmmaking, and exploring the New Women concept. This study examines 23 American silent films that have often been overlooked and rarely studied, wh
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Parker, R. N., G. T. Hancox, D. N. Petley, C. I. Massey, A. L. Densmore, and N. J. Rosser. "Spatial distributions of earthquake-induced landslides and hillslope preconditioning in the northwest South Island, New Zealand." Earth Surface Dynamics 3, no. 4 (2015): 501–25. http://dx.doi.org/10.5194/esurf-3-501-2015.

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Abstract. Current models to explain regional-scale landslide events are not able to account for the possible effects of the legacy of previous earthquakes, which have triggered landslides in the past and are known to drive damage accumulation in brittle hillslope materials. This paper tests the hypothesis that spatial distributions of earthquake-induced landslides are determined by both the conditions at the time of the triggering earthquake (time-independent factors) and the legacy of past events (time-dependent factors). To explore this, we under\\-take an analysis of failures triggered by t
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26

Witkowski, Terrence H. "Visualizing Winchester: a brand history through iconic Western images." Journal of Historical Research in Marketing 10, no. 4 (2018): 383–419. http://dx.doi.org/10.1108/jhrm-09-2017-0053.

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Purpose This paper aims to present a visually documented brand history of Winchester Repeating Arms through a cultural analysis of iconic Western images featuring its lever action rifles. Design/methodology/approach The study applies visual culture perspectives and methods to the research and writing of brand history. Iconic Western images featuring Winchester rifles have been selected, examined, and used as points of departure for gathering and interpreting additional data about the brand. The primary sources consist chiefly of photographs from the nineteenth century and films and television
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27

Christopherson, Susan. "Project Work in Context: Regulatory Change and the New Geography of Media." Environment and Planning A: Economy and Space 34, no. 11 (2002): 2003–15. http://dx.doi.org/10.1068/a34182.

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Like all forms of work, project work is constructed within the rules that govern labor and capital markets. In this paper, I examine how project work and the project workforce in ‘old’ media (motion pictures and television) and ‘new’ media (multimedia or Internet-based information, entertainment, and infotainment) have been affected by changes in the regulatory regime governing entertainment and information-intensive industries in the United States. Of particular significance is the role that collective bargaining institutions play in industry governance. In the case of old media, the regulato
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Acker, C. J. "The Black Stork: Eugenics and the Death of "Defective" Babies in American Medicine and Motion Pictures Since 1915. By Martin S. Pernick (New York: Oxford University Press, 1996. xv plus 295pp.)." Journal of Social History 31, no. 3 (1998): 718–21. http://dx.doi.org/10.1353/jsh/31.3.718.

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Gortat, Jakub. "Powrót do ruin. O atrakcyjności niemieckiego powojnia." Załącznik Kulturoznawczy, no. 10 (December 31, 2023): 333–62. http://dx.doi.org/10.21697/zk.2023.10.16.

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Return to the Ruins: The Appeal of Post-War Germany One of the most important dates in Germany’s postwar history was May 6, 1955, when the Federal Republic joined the North Atlantic Alliance, an event which perfectly reflected the dynamics of geopolitical changes that had taken place in the ten years since the end of World War II. The article focuses on the depictions of the German civilian population in selected motion pictures which, at least in theory, do not hold ordinary Germans responsible for war crimes. A look at the German war-torn landscape and its functionality will play an importan
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Fritsch, Bernhard, Steven Götz, Wolfgang Filser, Michaela Reinfeld, Christoph Klose, and Paolo Vitti. "Mixing Methods." Studies in Digital Heritage 6, no. 2 (2023): 25–50. http://dx.doi.org/10.14434/sdh.v6i2.34835.

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Accompanying excavation activities in the area of the Roman luxury villa of Capo di Sorrento, 3D models of the landscape and relevant features have been created using mostly Structure-from-Motion (SfM) since 2015. With this method, it was possible to create a digital surface model of the excavation site combining terrestrial, aerial, and underwater photography. From this 3D model and other, more detailed sub-models of specific objects or areas, various new data were created that greatly enhance excavation documentation and the assessment of features. While some of these data, such as orthophot
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Paksiutov, Georgii D. "Transformation of the Global Film Industry: Prospects for Asian Countries." Russia in Global Affairs 19, no. 2 (2021): 111–32. http://dx.doi.org/10.31278/1810-6374-2021-19-2-111-132.

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The current rapid development of some Asian economies and the projected economic dominance of Asia in the 21st century are reasons enough to call it “the Asian century.” But will Asia’s economic growth entail an increase in political power and cultural influence? In this article the author looks at the topic through the lens of the film industry, a field of activity with a plethora of intertwined economic, political, and cultural factors. Cinema is studied here as an industry that produces “meanings” and is coupled with the concept of “strategic narratives.” According to some statistics, Asian
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Fox, Aaron, Jason Bonacci, Stephen D. Gill, and Richard S. Page. "Evaluating the effects of arthroscopic Bankart repair and open Latarjet shoulder stabilisation procedures on shoulder joint neuromechanics and function: a single-centre, parallel-arm trial protocol." BMJ Open Sport & Exercise Medicine 7, no. 1 (2021): e000956. http://dx.doi.org/10.1136/bmjsem-2020-000956.

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IntroductionShoulder instability injuries are common in sports involving collisions and overhead movements. Arthroscopic Bankart repair and the open Latarjet are two commonly used surgical stabilisation procedures. There is a lack of knowledge surrounding movement strategies, joint loading and muscle strength after each of these procedures. This study will compare: (1) shoulder joint neuromechanics during activities of daily living and an overhead sporting task; (2) shoulder range of motion; (3) shoulder strength; and (4) self-reported shoulder function and health status, between individuals w
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R, VASANTHA RANJANI, and Vidya V. "Artifying Art: Aesthetic Gamified Tasks to Enhance Creative Writing Skills and Reading Comprehension." New Writing : The International Journal for the Practice and Theory of Creative Writing 22, no. 1 (2025): 763–78. https://doi.org/10.5281/zenodo.15337321.

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<em>New Writing: The International Journal for the Practice and Theory of Creative Writing</em>&nbsp;is a leading international journal in the field of Creative Writing Studies and publishes both critical and creative work. Work accepted for&nbsp;<em>New Writing</em>&nbsp;is published both in paper and electronically. Through the global professional and creative services of the publisher, Routledge/Taylor and Francis, the journal sees widespread recognition and regular citation of its authors. Articles submitted for publication can focus on any area of Creative Writing Studies including (but n
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Kaplan, Kayhan. "Real-Time Rendering Engines Help Visualize, Model, and Animate Ancient Cities: An Example in Antioch." Applied Sciences 12, no. 23 (2022): 12316. http://dx.doi.org/10.3390/app122312316.

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This study aimed to revitalize ancient cities’ history, culture, and social life, along with their physical environments, through computer-aided, three-dimensional (3D) images. This study will become an instrument for visualization in 3D ancient cities whose historical remains are not intact and are perhaps known only through books, maps, pictures, and inscriptions. Following historical investigations and comparative analyses of similar examples, objects or structures subject to change over centuries, partially damaged, or lost were visualized through the production of models that reflect thei
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KURDASHVILI, Lasha. "The Tendencies of Technological Political Culture of the Depression Era in the Movie “The Wizard of Oz”." Journal in Humanities 3, no. 2 (2015): 19–22. http://dx.doi.org/10.31578/hum.v3i2.287.

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The attitude towards the technological progress in the United States throughout history varied from the euphoria to the paranoia. In the 1930s, when the Depression put the majority of the American industries into the financial hole, with the percentage of unemployment close to 1/3 of the nation`s population, technological progress seemed to be the recovery option, and at the same time the dangerous reason of surrogating the personal with “soulless” machinery. In the meanwhile the great industry of film making was gaining more and more cultural weight throughout the nation. Never before had the
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Jo, Sunja. "Formation and development of Korean film music: A Historical Analysis of the Evolution of Joseon Film Music (1897-1945)." Korean Society of Human and Nature 5, no. 2 (2024): 59–92. https://doi.org/10.54913/hn.2024.5.2.59.

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The purpose of this study is to examine the emergence and development of Joseon film music in Korea from 1897 to 1945, and to reveal the characteristics and significance of film music history. The researcher divided the emergence and development of Korean cinema into four stages and summarized the characteristics of each period as follows: First, in the era of motion pictures, music based on Western scores allowed Joseon audiences to experience Western culture, but it lacked creativity and identity. In the era of serial dramas, there were attempts to reflect Joseon sentiments by coexisting wit
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Imam, Yemina, Imran Khan Niazi, Kelly Holt, Katie Martin, and Claudio Aguayo. "Immersive XR Simulation with AI Virtual Patient for Chiropractic Learning." Pacific Journal of Technology Enhanced Learning 7, no. 2 (2025): 12–13. https://doi.org/10.24135/pjtel.v7i2.216.

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Clinical education relies on history-taking, clinical reasoning, and building communication between patient and doctor (Hecimovich and Volet, 2009). Conventional methods mostly face challenges such as a limited number of available patients, lack of case varieties and various ethical concerns (Pohlman et al., 2020). To overcome these, we introduce an Immersive Learning (XR) project featuring an AI-based non-playable character with Natural Language Processing, designed to create a simulated clinical environment for chiropractic interns. This combination of immersive and experiential learning tec
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Zubko, Olha. "Movie in the life of ukrainian emigration in the interwar CHSR (1921–1939)." Bulletin of Mariupol State University. Series: Philosophy, culture studies, sociology 9, no. 18 (2019): 37–43. http://dx.doi.org/10.34079/2226-2849-2019-9-18-37-43.

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In the 1920 s, the politically heterogeneous Ukrainian emigration community in inter-war Czechoslovakia, with its back in World War I and losing national liberation competitions, desperately needed both physical and spiritual rest. However, the status of «emigrants» transformed the imagination of the natives about leisure and leisure. The recreational regulator was, on the one hand, the scientific and technical implications of the 'stormy twenties' and, on the other, the urgent need to keep 'one's band', that is, a collective form of rest and leisure. Ukrainian exiles visited various theatrica
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Buchok, Lianna. "V. Telychko’s “Children’s Album” as an example of the modern tonal image of the world: peculiarities of the musical vocabulary and melodic ideas." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (2018): 70–84. http://dx.doi.org/10.34064/khnum2-49.05.

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Background. The beginning of the development of musical art in Transcarpathia dates back to the end of the nineteenth century and lasts during the first third of the twentieth century. First of all, it was an interest in the genre of choral music (a synthetic genre based on the merging of the Word and Music), which fully corresponded to the enlightened spirit of life of the Transcarpathians under the political conditions of that time. And only in the second half of the twentieth century intensive blossoming of the varieties of instrumental (kind of «pure») music with its conceptually most comp
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Buchok, Lianna. "V. Telychko’s “Children’s Album” as an example of the modern tonal image of the world: peculiarities of the musical vocabulary and melodic ideas." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (2018): 70–84. http://dx.doi.org/10.34064/khnum1-49.05.

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Background. The beginning of the development of musical art in Transcarpathia dates back to the end of the nineteenth century and lasts during the first third of the twentieth century. First of all, it was an interest in the genre of choral music (a synthetic genre based on the merging of the Word and Music), which fully corresponded to the enlightened spirit of life of the Transcarpathians under the political conditions of that time. And only in the second half of the twentieth century intensive blossoming of the varieties of instrumental (kind of «pure») music with its conceptually most comp
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Saunders, John. "Editorial." International Sports Studies 42, no. 3 (2020): 1–3. http://dx.doi.org/10.30819/iss.42-e.01.

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A mere two years ago International Sports Studies was celebrating its fortieth anniversary. At that time, at the beginning of 2018, your editor was able to reflect on the journey of our professional association – the International Society for Comparative Physical Education and Sport (ISCPES). It started with a small, cohesive, and optimistic group of physical education scholars from Europe and North America interested in working across boundaries and exploring new international horizons. The group that met in Borovets in 2017 on the eve of the society’s fortieth anniversary, represented a wide
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Deb Roy, Suddhabrata. "Kalimpong Kids: The New Zealand story, in pictures." Journal of New Zealand Studies, NS32 (June 30, 2021). http://dx.doi.org/10.26686/jnzs.ins32.6875.

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Kalimpong Kids is a rare book. Written by historian, Jane McCabe, this book recounts the history of a scheme which managed the emigration of mixed-race children from Kalimpong and North-Eastern India to New Zealand. The scheme, which began in 1908 at the insistence of Dr John Anderson Graham, went on till 1939, the view across this time being that ‘mixed-race people ... were “undesirable”’. The plan, however, did not go on continuously and was halted from 1929-1938 due to numerous governmental and geo-political reasons. The Anglo-Indian children were shifted from St. Andrews Colonial Homes whi
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Vavasour, Kris. "Pop Songs and Solastalgia in a Broken City." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1292.

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IntroductionMusically-inclined people often speak about the soundtrack of their life, with certain songs indelibly linked to a specific moment. When hearing a particular song, it can “easily evoke a whole time and place, distant feelings and emotions, and memories of where we were, and with whom” (Lewis 135). Music has the ability to provide maps to real and imagined spaces, positioning people within a larger social environment where songs “are never just a song, but a connection, a ticket, a pass, an invitation, a node in a complex network” (Kun 3). When someone is lost in the music, they can
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von Stackelberg, Emmet. "“The Fatal Blemish”: Purity, Consistency, and Chemical Engineers at the Origin of a New Visual Order, 1890–1930." Enterprise & Society, December 12, 2024, 1–26. https://doi.org/10.1017/eso.2024.39.

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This article follows the early history of the Eastman Kodak Company, examining how the photographic company came to be led by experts in chemistry, who created manufacturing processes that were crucial to the mass manufacture of motion pictures. It argues that celluloid film, the substance necessary for motion pictures, was central to the evolution of Kodak into an industrial chemical company. Kodak’s work to manage the specific technological problems and risks created by this material was itself constitutive of the new industrial shape the firm took. In embracing an intraplant goal of purity
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Cookson, John. "Local Government History and Localism." Policy Quarterly 15, no. 2 (2019). http://dx.doi.org/10.26686/pq.v15i2.5365.

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The received view of state development in New Zealand is that the abolition of the ‘provincial system’ in 1876 set in motion the inexorable rise of centralised authority. The counter thesis presented in this article argues that until about 1940 central politicians, irrespective of party, were consistently engaged in empowering rather than diminishing local government. There was ultimate respect for the idea of local self-government; therefore, in colonial society, of local control of local development. This independence weakened only as technological change rendered ‘small’ local government in
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Bodoni-Dombi, Tünde. "The Origins of Recycled Films." Papers in Arts and Humanities 1, no. 1 (2021). http://dx.doi.org/10.52885/pah.v1i1.21.

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At the beginning of cinema, in his early twentieth-century research the Soviet director and film theorist Sergei Eisenstein developed his theory of associative montage “1+1=3.” Nowadays, new methods have been added to this theory. These variables include the creative re-use of allusions to film history. In contemporary cinema, when a new archive film uses sequences from cinema heritage, it quotes from the past and can activate visually and content-wise complex cultural memories. In these films, the successive placement of two sequences, beyond their association, creates new associative meaning
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Pereira, Maria João, Telmo Eleutério, Maria Gabriela Meirelles, and Helena Cristina Vasconcelos. "Hedychium gardnerianum Sheph. ex Ker Gawl. from its discovery to its invasive status: a review." Botanical Studies 62, no. 1 (2021). http://dx.doi.org/10.1186/s40529-021-00318-5.

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AbstractHedychium gardnerianum Sheph. ex Ker Gawl. is one of the 100 world's worst invasive alien species and the research target in areas as diverse as biological control, natural fibres uses, taxonomy or the biological activity of its compounds. This review aimed to clarify the taxonomic status and the native range of H. gardnerianum and bring accuracy to the history of its introduction and escape from cultivation through the analysis of the increasing number of accessible digitalized dry specimens and grey literature. The analysis of the available information allowed to conclude that: (a) H
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Kaur, Preeti, Matthew R. Carroll, and Sarah Stewart. "The assessment and management of sesamoiditis: a focus group study of podiatrists in Aotearoa New Zealand." Journal of Foot and Ankle Research 16, no. 1 (2023). http://dx.doi.org/10.1186/s13047-023-00628-w.

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Abstract Background Sesamoiditis is a common inflammatory condition affecting the sesamoid bones at the plantar aspect of the first metatarsophalangeal joint (1MTPJ). However, there are currently no recommendations or clinical guidelines to support podiatrists in their assessment or management of sesamoiditis. The aim of this study was to explore the views of podiatrists in Aotearoa New Zealand on their approaches to the assessment and management of patients with sesamoiditis. Methods This qualitative study included focus group discussions with registered podiatrists. Focus groups took place o
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Stevens, D. E., Y. L. C. McNeill, T. J. Henstock, et al. "Structural Variation Along the Southern Hikurangi Subduction Zone, Aotearoa New Zealand, From Seismic Reflection and Retro‐Deformation Analysis." Tectonics 43, no. 7 (2024). http://dx.doi.org/10.1029/2023tc008212.

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AbstractThe southern Hikurangi subduction zone exhibits significant along‐strike variation in convergence rate and obliquity, sediment thickness and, uniquely, the increasing proximity of southern Hikurangi to, and impingement on, the incoming continental Chatham Rise, an ancient Gondwana accretionary complex. There are corresponding changes in the morphology and structure of the Hikurangi accretionary prism. We combine widely spaced multichannel seismic reflection profiles with high resolution bathymetry and previous interpretations to characterize the structure and the history of the accreti
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Duckworth, Angela. "Curiosity Counts." Character Lab Tips, April 2018. http://dx.doi.org/10.53776/tips-curiosity-counts.

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Exactly 140 years ago today, The New York Graphic ran a story about Thomas Edison with this headline: “Edison Invents a Machine That Will Feed the Human Race.” Did he? Did Thomas Edison invent such a device? You might pause to consider the possibility. After all, Thomas Edison is arguably the most prolific inventor in history. He invented the phonograph, the first reliable electric light bulb, the first practical storage battery, and the first operable electrical plant. Without Edison, we wouldn't have motion pictures: It was Edison who figured out how to present photographs in quick successio
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