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Books on the topic 'Motion pictures – Nigeria – History and criticism'

Author: Grafiati

Published: 27 July 2024

Last updated: 30 July 2024

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1

Bhadmus, Muhammed O. The Nigerian cinema: Reading Nigerian motion pictures. Ibadan: Spectrum Books Limited, 2016.

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2

Pierre, Barrot, Abdoulaye Ibbo Daddy, and Taylor Lynn, eds. Nollywood: The video phenomenon in Nigeria. Oxford: James Currey, 2008.

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3

Mgbejume, Onyero. Film in Nigeria: Development, problems, and promise. [Nairobi, Kenya]: African Council on Communication Education, 1989.

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4

Rosebury, Lighthill Celia, ed. Cinema century: A reader in film history, theory, and criticism. Dubuque, Iowa: Kendall/Hunt Pub., 1994.

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5

Vanisian, Gary. The magic of Nigeria: On the cinema of Ola Balogun. Frankfurt am Main: Filmkollektiv Frankfurt, 2016.

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6

Small, Edward S. Direct theory: Experimental motion pictures as major genre. Carbondale: Southern Illinois University Press, 2013.

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7

Abel, Richard. French film theory and criticism: A history/anthology, 1907-1939. Princeton, N.J: Princeton University Press, 1988.

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8

Ui, Hisayuki. Shashin de miru gaikoku eiga no 100-nen: Pictorial history of the movies. Tōkyō: Kindai Eigasha, 1997.

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9

David, Platt, ed. Celluloid power: Social film criticism from "The Birth of a Nation" to "Judgement at Nuremberg". London: Scarecrow, 1992.

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10

Fetherling, Doug. The crowded darkness: Essays in film criticism. Kingston, Ont: Quarry Press, 1988.

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11

Deleuze, Gilles. Cinema 2: The time-image. London: Continuum, 2005.

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12

Rosenstone, Robert A. History on film/film on history. Harlow, England: Longman/Pearson, 2006.

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13

Ramos, María Marcos. Joyas escogidas: Pequeñas (pero grandes) películas en español y en portugués. Madrid: Editorial Dykinson, 2021.

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14

Hughes-Warrington, Marnie. History goes to the movies: Studying history on film. London: Routledge, 2007.

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15

Graham, Seth. Necrorealism: Contexts, history, interpretations. Pittsburgh: Russian Film Symposium, 2001.

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16

editor, Winston Brian, ed. Zhi jie dian ying: Fan si yu pi pan = Direct cinema : rethinking and criticism. Beijing: Zhongguo guo ji guang bo chu ban she, 2017.

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17

Lea, Bandy Mary, Biesenbach Klaus, and Kunst-Werke Berlin, eds. Andy Warhol: Motion pictures. Berlin: KW Institute for Contemporary Art, 2004.

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18

1955-, Lewis Jon, and Smoodin Eric Loren, eds. Looking past the screen: Case studies in American film history and method. Durham: Duke University Press, 2007.

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19

Chua, Jonathan, Rosario Cruz Lucero, and Roland B. Tolentino. A reader in Philippine film: History and criticism. Diliman, Quezon City: University of the Philippines Press, 2014.

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20

"Shanghai dian ying yu Zhongguo dian ying xue pai" li lun yu pi ping da xing xue shu hui yi (2018 Shanghai xi ju xue yuan). Shanghai dian ying yu Zhongguo dian ying xue pai: Li lun yu pi ping wen ji = Shanghai film and China school of film studies : collection of theory and criticism. Beijing: Zhongguo dian ying chu ban she, 2020.

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21

Nollywood: The Making of a Film Empire. Columbia Global Reports, 2016.

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22

Nollywood: The making of a film empire. Columbia Global Reports, 2017.

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23

Tsika, Noah A. Nollywood Stars: Media and Migration in West Africa and the Diaspora. Indiana University Press, 2015.

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24

Nollywood on the move: Nigeria on display. Trier: WVT Wissenschaftlicher Verlag Trier, 2013.

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25

Cinematic Independence: Constructing the Big Screen in Nigeria. University of California Press, 2022.

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26

Tsika, Noah. Cinematic Independence: Constructing the Big Screen in Nigeria. University of California Press, 2022.

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27

Verevis, Constantine, and Deane Williams. AUSTRALIAN FILM THEORY AND CRITICISM. Intellect, Limited, 2018.

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28

Corliss, Richard. Talking Pictures. Overlook TP, 1985.

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29

Remes, Justin. Motion Pictures: The Cinema of Stasis. Columbia University Press, 2015.

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30

Remes, Justin. Motion Pictures: The Cinema of Stasis. Columbia University Press, 2015.

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31

Agee on film: Criticism and comment on the movies. New York: Modern Library, 2000.

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32

Teaching History with Message Movies. R & L, 2018.

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33

A social history of Iranian cinema. Durham, NC: Duke University Press, 2011.

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34

Pye, Douglas, and Wilson George M. V. F. Perkins on Movies: Collected Shorter Film Criticism. Wayne State University Press, 2020.

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35

Pye, Douglas, and Wilson George M. V. F. Perkins on Movies: Collected Shorter Film Criticism. Wayne State University Press, 2020.

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36

V. F. Perkins on Movies: Collected Shorter Film Criticism. Wayne State University Press, 2020.

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37

Stromgren, Richard, and Thomas Bohn. Light and Shadows: A History of Motion Pictures. 3rd ed. McGraw-Hill Humanities/Social Sciences/Languages, 1986.

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38

Amaya, Hector. Screening Cuba: Film Criticism As Political Performance During the Cold War. University of Illinois Press, 2010.

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39

Screening Cuba: Film criticism as political performance during the Cold War. Urbana: University of Illinois Press, 2010.

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40

Mazierska, E., and Lars Kristensen. Marx at the Movies: Revisiting History, Theory and Practice. Palgrave Macmillan, 2014.

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41

Mazierska, E., and Lars Kristensen. Marx at the Movies: Revisiting History, Theory and Practice. Palgrave Macmillan Limited, 2014.

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42

Mazierska, Ewa, and Lars Kristensen. Marx at the Movies: Revisiting History, Theory and Practice. Palgrave Macmillan, 2014.

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43

Talking Pictures. Random House, Incorporated, 2000.

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44

Baer, Nicholas, Michael J. Cowan, and Anton Kaes. The promise of cinema: German film theory, 1907--1933. 2016.

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45

Lindqvist, Ursula, and Mette Hjort. Companion to Nordic Cinema. Wiley & Sons, Limited, John, 2016.

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46

Lindqvist, Ursula, and Mette Hjort. Companion to Nordic Cinema. Wiley & Sons, Incorporated, John, 2016.

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47

Lindqvist, Ursula, and Mette Hjort. Companion to Nordic Cinema. Wiley & Sons, Incorporated, John, 2016.

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48

Cowan, Michael, Nicholas Baer, and Anton Kaes. Promise of Cinema: German Film Theory, 1907-1933. University of California Press, 2016.

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49

Companion to Nordic Cinema. Wiley & Sons, Incorporated, John, 2016.

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50

Parciack, Ronie. Popular Hindi Cinema: Aesthetic Formations of the Seen and Unseen. Taylor & Francis Group, 2016.

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