Relevant bibliographies by topics / Motion pictures – production and direction – italy

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Motion pictures – production and direction – italy'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Motion pictures – production and direction – italy"

1

Giuliani, Luca, and Sabrina Negri. "Missing Links: Digital Cinema, Analogical Archives, Film Historiography." Intermédialités, no. 18 (May 7, 2012): 71–84. http://dx.doi.org/10.7202/1009074ar.

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The sudden and permeating rise of digital technologies has been widely investigated by film critics and scholars. However, most studies tend to focus on the impact of digital technologies on contemporary film production, distribution, exhibition and the finished products it brings forth, reserving too little attention to the massive digitization of born-analog films. The production of digital motion pictures marks an unprecedented breaking point in history, putting the very nature of “film” and “cinema” at stake, while the digitization of film prints risks having an irreversible feedback effec
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Champion, Katherine M. "A Risky Business? The Role of Incentives and Runaway Production in Securing a Screen Industries Production Base in Scotland." M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1101.

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IntroductionDespite claims that the importance of distance has been reduced due to technological and communications improvements (Cairncross; Friedman; O’Brien), the ‘power of place’ still resonates, often intensifying the role of geography (Christopherson et al.; Morgan; Pratt; Scott and Storper). Within the film industry, there has been a decentralisation of production from Hollywood, but there remains a spatial logic which has preferenced particular centres, such as Toronto, Vancouver, Sydney and Prague often led by a combination of incentives (Christopherson and Storper; Goldsmith and O’Re
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Michele Guerra. "Cinema as a form of composition." TECHNE - Journal of Technology for Architecture and Environment, May 25, 2021, 51–57. http://dx.doi.org/10.36253/techne-10979.

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Technique and creativity
 Having been called upon to provide a contribution to a publication dedicated to “Techne”, I feel it is fitting to start from the theme of technique, given that for too many years now, we have fruitlessly attempted to understand the inner workings of cinema whilst disregarding the element of technique. And this has posed a significant problem in our field of study, as it would be impossible to gain a true understanding of what cinema is without immersing ourselves in the technical and industrial culture of the 19th century. It was within this culture that a desire
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Michele, Guerra NA. "Cinema as a form of composition." November 17, 2021. https://doi.org/10.36253/techne-10979.

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Technique and creativity
 Having been called upon to provide a contribution to a publication dedicated to "Techne", I feel it is fitting to start from the theme of technique, given that for too many years now, we have fruitlessly attempted to understand the inner workings of cinema whilst disregarding the element of technique. And this has posed a significant problem in our field of study, as it would be impossible to gain a true understanding of what cinema is without immersing ourselves in the technical and industrial culture of the 19th century. It was within this culture that a desire
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5

Semi, Giovanni. "Zones of Authentic Pleasure: Gentrification, Middle Class Taste and Place Making in Milan." M/C Journal 14, no. 5 (2011). http://dx.doi.org/10.5204/mcj.427.

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Introduction: At the Crossroad Well, I’ve been an important pawn [in regeneration], for instance, changing doors and windows, enlarging them, eliminating shutters and thus having big open windows, light […] Then came the florist, through a common friend, who was the second huge pawn who trusted in this […] then came the pastry shop. (Alberto, 54, shop owner). Alberto is the owner of Pleasure Factory, one of two upmarket restaurants in a gentrifying crossroads area in northern Milan. He started buying apartments and empty stores in the 1980s, later becoming property manager of the building wher
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Dissertations / Theses on the topic "Motion pictures – production and direction – italy"

1

Hilliard, James Patrick. "The elements of filmmaking." CSUSB ScholarWorks, 2006. https://scholarworks.lib.csusb.edu/etd-project/3014.

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Presents an educational multimedia development project created to teach novice learners about the various elements of the film making process. The multimedia web site designed for this project was created using Macromedia Flash 8. The process involved surveying people to determine learner needs and alpha and beta testing the final project to gather data regarding functionality and learner satisfaction.
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Lacaze, Gerowyn. "Negotiating meaning : a handbook for performance direction for the screen." Thesis, Queensland University of Technology, 1999. https://eprints.qut.edu.au/35846/1/35846_Lacaze_1999.pdf.

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The purpose of this study is to investigate directing, especially from the perspective of a director's relationship with actors. It is intended as a resource for beginning film makers, including an investigation of current beliefs and practices of both experienced and beginning directors, a workbook of exercises, a documentary illustrating these techniques and a short film that exemplifies performance gained through adherence to a selection of these techniques. The key focus of this study is to produce a resource that aims to give directors an understanding of possible approaches to facilita
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3

Lau, Tsz-wan Christal, and 劉芷韻. "Ethics in the production of Hong Kong movies." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B39559105.

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Ho, Chui-fun Selina, and 何翠芬. "Ann Hui as a female filmmaker: in search of Hong Kong culture." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31951636.

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Hatton, William 1972. "Disturbing the Peace." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc279223/.

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Disturbing the Peace is a short, 16mm sync-sound fiction film. Alone one stormy night, a woman must contend with an intruder breaking into her home. The intruder turns out to be a teenage boy. He claims to have broken in only to retrieve a family heirloom he hid there when he and his parents lived in the same house years ago. When the boy finds the heirloom, the woman begins to believe his story, and soon realizes he doesn't have a good home life. The boy asks permission to stay until the storm breaks. She agrees. Should the boy be trusted, or is he telling one lie after another? The police ar
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Wells, Diane. "Modelling problems of independent sector media : an analysis of market-production relationships with reference to independent film and video in Canada." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63882.

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7

Craft, Michael. "The depiction of a character's mental state through visual design in dramatic film (The Machine)." Thesis, Queensland University of Technology, 2002.

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There are many films that deal with the subject of altered mental states and psychotic experiences. Some films present these experiences objectively, recording and presenting events as they unfold. Other films present these experiences from a subjective perspective, attempting to directly portray a character's experience. The use of different cinematic devices to directly represent the mental state of a character is my area of research. In this paper I explore the direct representation of mental states in dramatic film. During my research I studied films that have done this, with ref
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8

Vanmalderghem, Olivier. "L'unité du film: une systémique du récit cinématographique." Doctoral thesis, Universite Libre de Bruxelles, 1995. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212516.

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9

Watkins, Fred P. "Independent Feature Filmmaking: the Historical Development of Current Methods." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc500788/.

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The historical development of independent filmmaking has led to a situation in which an independent filmmaker must do two important things to achieve distribution and success. The filmmaker should continue study and mastery of the skills and methodologies needed in development, pre-production, production, post-production, and distribution. These skills and methods help the filmmaker to produce a quality film. The most important thing the filmmaker can do is to see that the film conforms to the Hollywood narrative standard. This standard is ingrained in a majority of the audience and deviation
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Ramos, Luciano 1946. "Oswaldo Massaini : um produtor na história do cinema brasileiro." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285261.

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Orientador: Fernão Vitor Pessoa de Almeida Ramos<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-25T20:03:14Z (GMT). No. of bitstreams: 1 Ramos_Luciano_D.pdf: 19973950 bytes, checksum: 99e0ecf0f122e3ef9cf74f5702ced618 (MD5) Previous issue date: 2014<br>Resumo: Esta tese consiste num levantamento acerca da história da produção e da comercialização de filmes de entretenimento em São Paulo, tomada como vertente específica da história do cinema brasileiro e elegendo como protagonista, ou eixo central da narrativa a trajetória de
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Books on the topic "Motion pictures – production and direction – italy"

1

1967-, Bertellini Giorgio, ed. The cinema of Italy. Wallflower, 2004.

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2

Goretti, Barbara. Cinecittà: Un patrimonio aperto : dieci anni di Cinecittà si mostra (2011-2021). Skira, 2021.

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David, Mellor, ed. Antonioni's Blow-up. Steidl, 2010.

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4

Bernstein, Steven, and Steven Bernstein. Film production. 2nd ed. Focal Press, 1994.

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Clevé, Bastian. Film production management. Focal Press, 1994.

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Sinclair, Jorge. Direction montage. Séguier, 1998.

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7

Clevé, Bastian. Film production management. 3rd ed. Focal Press, 2006.

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Clevé, Bastian. Film production management. 3rd ed. Elsevier/Focal Press, 2005.

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9

1963-, Patz Deborah S., ed. Production management 101: The ultimate guide to film and television production management and coordination. M. Wiese Productions, 2002.

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John, Randall. Feature films on a low budget. Focal Press, 1991.

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You might also be interested in the extended bibliographies on the topic 'Motion pictures – production and direction – italy' for particular source types:
Dissertations / Theses Books
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