Relevant bibliographies by topics / Mourning. eng

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Academic literature on the topic 'Mourning. eng'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Mourning. eng"

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Mandel, N., R. J. Golsan, and R. Larson. "Eng, David L. and David Kazanjian, eds. Loss: The Politics of Mourning. Berkeley: University of California Press, 2003. Pp. 448." SubStance 32, no. 3 (January 1, 2003): 175–79. http://dx.doi.org/10.1353/sub.2003.0061.

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Braaten, Laurie. "Earth Community in Joel 1-2: A Call to Identify with the Rest of Creation." Horizons in Biblical Theology 28, no. 2 (2006): 113–29. http://dx.doi.org/10.1163/019590806x156082.

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AbstractEarth is the major participant in the events depicted in Joel 1-2 [Eng. 1:1-2:27], calling for a geocentric interpretation of this material. A locust plague (and drought) is wreaking havoc on the Earth. God and Earth are mourning the affliction of the soil, animals, and plants brought on by human sin and a concomitant divine judgment. As members of the Earth Community, humans are expected to join with, comfort, and mourn with the rest of Creation. While the nonhuman members of Earth Community are quick to mourn the crisis, the human members are the last to respond. This is troublesome, since human sin and God's judgment have brought about the demise of creation, and human repentance is expected to effect a restoration. Once humans begin to respond to the calls to mourn with creation, however, God repents of the divine judgment and intervenes to restore Earth Community.
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Skerrett, K. Roberts. "Loss: The Politics of Mourning. Edited by David L. Eng and David Kazanjian. University of California Press, 2003. 488 pages. $24.95." Journal of the American Academy of Religion 74, no. 1 (January 12, 2006): 241–43. http://dx.doi.org/10.1093/jaarel/lfj042.

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Kapołka, Karolina. "Les tourments de l’absence dans Gazole de Bertrand Gervais." Quêtes littéraires, no. 2 (December 30, 2012): 152–61. http://dx.doi.org/10.31743/ql.4636.

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In his novel entitled Gazole (2001), Bertrand Gervais, a Quebec writer, takes up the issue of suicide and its psychological and social impact. The main character, Lancelot Tremblay, whose job is to write lyrics for a rock band Le Livre des Morts (Eng. The Book of the Dead), hangs himself in his apartment. His naked body with an erect penis is discovered by the other members of the band Gazole and Pyramide. Their reactions to this deadly act are, however, different. Submerging himself in mourning, Pyramide withdraws emotionally from his relationship with his girlfriend Gazole, who, deeply touched by her partner’s newly developed indifference to her, delves into an investigation into the causes of Lancelot’s suicide. Being increasingly fascinated by the figure of Lancelot, Gazole reconstructs a new picture of him. Pieces of memories conjured up by those who knew Lancelot, like incomplete pieces of a puzzle, make Gazole form a romantic image of his absence. The mysterious and tragic figure of the young poet who chose to extinguish himself fires the woman’s imagination, who fantasizes about a sentimental and erotic relationship with him. An emptiness created by the suicide forces the woman to ponder over the nature of death, an eternal absence. Obsessed with this imaginary presence of Lanelot, Gazole has to set herself free from its influence, which causes her to flirt with a razorblade in a bathtub. The foray into Lancelot’s suicide gives Gazole an insight into her own true identity. Gazole discovers her internal feminine strength and frees herself from the shackles of Lancelot’s mental and sexual hold.
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Sa-in, Kim. "End Of Mourning." Iowa Review 43, no. 3 (December 2013): 41. http://dx.doi.org/10.17077/0021-065x.7277.

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de Boer, Marjolein Lotte, Hilde Bondevik, and Kari Nyheim Solbraekke. "Beyond pathology: women’s lived experiences of melancholy and mourning in infertility treatment." Medical Humanities 46, no. 3 (June 6, 2019): 214–25. http://dx.doi.org/10.1136/medhum-2018-011586.

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Throughout history, melancholy and mourning are predominantly understood within the tradition of psychopathology. Herein, melancholy is perceived as an ailing response to significant loss, and mourning as a healing experience. By taking the philosophies of Freud, Ricoeur and Kristeva together with relevant social scientific research as a theoretical framework and by drawing on women’s accounts of melancholy and mourning in infertility treatment, we offer an exploration of melancholy and mourning beyond this pathological ailing/healing logic. We do so by asking what it means for women to actually live with melancholy and mourning in infertility treatment. In answering this question, we show that women in infertility treatment may have different kinds of melancholic longings: they desire their lost time as a pregnant woman, lost love life and lost future. Within these longings, women derive their sense of self predominantly from their lost past: they understand themselves as the mothers or lovers they once were or could have been. We further reveal that some of these women attempt to escape this dwelling of identity and mourn their losses by (re)narrating their pasts or through performing rituals. While these results show how melancholy and mourning are coshaped in relation to these women’s embodied, temporal, sociocultural and material lived context, they also give insight into how melancholy and mourning may be understood beyond infertility treatment. We reveal how the binary dynamic between melancholy and mourning is inherently ambiguous: melancholy instigates a joyous painfulness, something that is or is not overcome through the agonising exertion of mourning. We show, moreover, that underlying this melancholy/mourning dynamic is a pressing and uncontrollable reality of not being able to make (sufficient) sense of oneself. At the end of this work, then, we argue that it follows out of these conclusions’ urgency to have context-sensitive compassionate patience with those who live with melancholy and mourning.
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Antal, Eva. "Jacques Derrida’s (Art)Work of Mourning." Perichoresis 15, no. 2 (July 1, 2017): 25–39. http://dx.doi.org/10.1515/perc-2017-0008.

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Abstract Derrida’s highly personal mourning texts are collected and published in a unique book under the title The Work of Mourning edited by Pascale-Anne Brault and Michael Naas, two outstanding translators of Derrida’s works. The English collection is published in 2001, while the French edition came out later in 2003 titled Chaque fois unique, la fin du monde (Each Time Unique, the End of the World). In his deconstructed eulogies, Derrida, being in accordance with ‘the mission impossible’ of deconstruction, namely, ‘to allow the coming of the entirely other’ in its otherness, seems to find his own voice. In my paper, I will focus on this special segment of Derrida’s death-work (cf. life-work); namely, on his mourning texts written for his dead friends, paying special attention to the rhetoric ‘circling around’ fidelity, friendship, and the other in his textual mourning.
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Edmunds, Suzanne R., and C. Davison Ankney. "Sex ratios of hatchling Mourning Doves." Canadian Journal of Zoology 65, no. 4 (April 1, 1987): 871–74. http://dx.doi.org/10.1139/z87-138.

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The sex of 306 Mourning Dove (Zenaida macroura) chicks from 153 two-egg clutches laid during March–August 1984 was determined by gonadal inspection. Sex of offspring was unrelated to egg sequence over the entire breeding season. There was, however, a seasonal effect on the sex versus egg sequence pattern, particularly in broods with both sexes: during the middle of the breeding season males predominated in first eggs and females in second eggs but this pattern was reversed late in the season. All other comparisons, i.e., overall sex ratio, seasonal changes in sex ratio, binomial distribution of family types, and the relation between egg size and offspring sex, were nonsignificant.
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SKITOLSKY, LISSA. "The Politics of Mourning in the Neoliberal State." Dialogue 57, no. 2 (April 20, 2018): 367–82. http://dx.doi.org/10.1017/s0012217317000531.

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Recently American scholars have examined the politics of mourning in relation to anti-black racism in the United States. Drawing on the work of queer theorist Maggie Nelson, I will illustrate that a political sense of mourning is also relevant to queer theory and life as a way to bear witness to the violence of the sex-gender system even as we find ways of navigating through it. Lastly, I will defend the claim that a sense of mourning-without-end is political for any marginalized population that suffers from social death and from the disavowal of its suffering through the normalization of violence against them.
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Arditi, Benjamin. "Talkin' 'bout a Revolution: The End of Mourning." Parallax 9, no. 2 (January 2003): 81–95. http://dx.doi.org/10.1080/1353464032000065026.

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Dissertations / Theses on the topic "Mourning. eng"

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Barbosa, Caroline Garpelli. "A família e a morte : estudo fenomenológico com adolescentes, genitores e avós /." Bauru : [s.n.], 2010. http://hdl.handle.net/11449/97471.

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Resumo: Apesar do aumento na quantidade de trabalhos que visam abordar o morrer como tema de investigação, observa-se que, no interior da sociedade contemporânea, prevalece a reprodução da cultura de interdição da morte, dificultando que a temática seja abordada e discutida nos mais variados contextos. Tendo em vista que a relação com a morte está longe de ser unívoca, acredita-se que o sentido dado a ela pode estar vinculado às experiências pessoais e familiares a respeito, à religião, à cultura, à idade, entre inúmeros outros fatores. Nesse sentido, o objetivo fundamental deste trabalho foi compreender como, no interior de uma mesma família, se dá a relação com a morte em três momentos da existência, a saber, na adolescência, vida adulta intermediária e velhice. Para isso, mediante o método fenomenológico, foi estabelecido contato com seis famílias, sendo que em cada uma delas, entrevistou-se individualmente, um adolescente, seus genitores e, pelo menos um dos avós. Após a compreensão das vivências dos participantes foi possível a apreensão de cinco categorias de análise, a saber, a) Os sentidos da morte na existência, que aborda como os colaboradores compreendem o fenômeno da morte, bem como suas crenças e incertezas a respeito do tema; b) Saber-se mortal: existindo na finitude, categoria que diz respeito ao modo como os colaboradores vivenciam a possibilidade da morte de si mesmos; c) Ser-na-ausência do outro: a morte desvelando-se como perda, em que os colaboradores rememoram as perdas mais significativas que tiveram ao longo de suas vidas e pensam na morte daqueles com quem convivem diariamente; d) Ser-com-a-família: a coexistência diante da morte, a qual revela com as famílias abordam a temática morte na vida cotidiana; e) Ser-no-mundo ante a inevitabilidade da morte: as possibilidades da existência, em que as reflexões sobre a morte e o morrer dão ... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: Despiste the increase in the quantity of works that aim to study death as a research topic is observed on the contemporary society it still prevails the repeating of the probition's of the subject death, what can make difficult how the issue is addressed and discussed in severa contexts. Given that the relationship with death is not single, believe that the meaning credited to it can be linked to personal and family experiences about it, religion, culture, age, among numerous other issues. Therefore, the main goal of this study was to understand how the relationship is with death in three different stages of the life, namely, adolescence, adulthood and on elderly age, within the same family. For this goal, through phenomenological methodology, was established contact with six families, and in each one was individually interviewed: a teenager, his parents and at least one grandparent. After to understand the participant's experiences, five thematic categories were created: a) The meanings of death in existence, which discusses how the participants understand the phenomenon of death, as well as their beliefs and doubts about the topic; b) Knowing myself as a mortal person: living on finitude, this category relates how the participants experience the possibility of death for themselves; c) Being-in-absence-of-the-other: the death revealing itself as a loss, in which the participants remind the most significant losses experienced by them in their lives and think about the possibility of lose dear people who live daily with them; d) Being-with-the-family: the coexistence in the face of death, which reveals families deal with death themes in everyday life; e) Being-in-the-world in front of the inevitability of death: the possibilities of existence, which shows that the reflections on death and dying can open space to the life have a new meaning. From these categories, the data were arranged by ... (Complete abstract click electronic access below)
Orientador: Ligia Ebner Melchiori
Coorientador: Carmen Maria Bueno Neme
Banca: Yolanda Cintrão Forghieri
Banca: Alessandra de Andrade Lopes
Mestre
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Ayling-Smith, Beverly. "The space between mourning and melancholia : the use of cloth in contemporary art practice to materialise the work of mourning." Thesis, University of Brighton, 2016. https://research.brighton.ac.uk/en/studentTheses/5952ed65-1680-4182-9e67-4a7e1bd6fcae.

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This research project examines the language of grief in textile art practice. It takes as its starting point the idea that, as individuals with experience of bereavement, we may carry with us an element of unresolved mourning. This is not the pathological condition of melancholia or complicated mourning, nor the fully resolved, completed state where mourning is over, but is a space between; a set of emotions which continue to be felt and may be brought to the surface by an event, situation, set of circumstances or encounter with, for example, artwork which may bring back feelings of grief and loss long after the death of someone close. This project investigates how cloth can be used in textile artwork to make a connection with this unresolved mourning and thereby contribute to the progression of the viewer’s work of mourning. The aims of the research are to explore how textile art can be used as a metaphor for grief and mourning and to consider how the staining and mending of cloth in contemporary art practice has been used in my studio practice as a way of understanding and expressing mourning. This is a practice based research project, the outcomes of which consist of a written thesis and a body of artworks created through studio practice. The dialogic relationship between the practice and the written research is integral to the outcomes of both the written work and in the studio practice. The written thesis builds on existing research into the psychoanalytical interpretation of mourning and melancholia; the development of the understanding of the process of mourning, trauma theory and the material culture of mourning to establish a rationale for the use of cloth in textile art practice to materialise the work of mourning. The thesis and body of studio practice make an original contribution to knowledge by bringing together the sociological and cultural use of cloth with psychoanalytical theory and the consideration of the affectivity of artwork. The overarching approach of the thesis is a two-part focus on the use of cloth and how it can be used in textile artwork. The first chapter sets out the context of the research both in terms of previously published written work and the studio practice of other artists. Chapter 2 examines the methodology of the research and how the work has been shown to viewers and the means by which any responses have been obtained. Both written and verbal responses to the work by viewers have been used to substantiate the proposal that textile artwork can connect with the viewer in such a way as to allow a progression of their work of mourning. Chapter 3 considers the materiality of cloth; its manipulation and transformation using processes such as staining and mending, and the utilisation of metaphor and metonymy in the creation of artworks in cloth. The final chapter ‘Connecting with the Viewer’ explores the affectivity of artwork and how it is able to facilitate an emotional connection with the audience.
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Loucaides, Andrea M. "Anticipatory Mourning: Investigating Children and Youth's Self-Reported Experiences with Life-Limiting Illness." University of Akron / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=akron1280087410.

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Dean-Haidet, Catherine Anne. "Thanatopoiesis: The Relational Matrix of Spiritual End-of-Life Care." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1342453467.

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Hale, David. "Death and commemoration in late medieval Wales." Thesis, University of South Wales, 2018. https://pure.southwales.ac.uk/en/studentthesis/death-and-commemoration-in-late-medieval-wales(7d14b42e-a69b-4968-9398-aad3b96748e0).html.

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This study examines the attitudes to, and commemoration of, death in Wales in the period between the end of the thirteenth century and the middle of the sixteenth century by analysis of the poetical work produced during this period. In so doing, this is placed in the wider context of death and commemoration in Europe. Although there are a number of memorial tombs and some evidence of religious visual art in Wales which has survived from the late medieval period, in comparison with that to be found in many other European countries, this is often neither so commonplace nor so imposing. However, the poetry produced during this period very much reflects the visual material that was produced in other parts of Europe. The poetry shows that the Welsh gentry at that time were familiar with many of the themes surrounding death and commemoration so obvious in European visual art such as the macabre and the fate of both the body and the soul after death. With war, famine and disease being so commonplace during the Middle Ages, and the late medieval period witnessing the effects of the Black Death, it is, perhaps, little wonder that macabre imagery and concerns about the fate of the soul were so often produced in European visual art of the time. These concerns are reflected in the Welsh poetry of the period with several poets composing quite vivid poetry describing the fate of the body as a decomposing corpse after death or allusions to the personification of Death appearing to claim its victims. The tension that many felt between the role of God on Judgement Day and God as Redeemer is also apparent in a number of the poems composed at this time. This study shows how important the role of the poet was amongst the gentry in Wales during the late medieval period, a role which ensured that the patrons of the poets were immortalised in words rather than by physical memorials. It also highlights the importance of poetical works of the period as an important primary source for historical research. Many of the poems give a contemporaneous account of important events of the period such as symptoms of plague victims which confirm that the Black Death was indeed the bubonic form of the plague.
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丁時馨. "The End of the Veterans from Mainland China: Death and Mourning." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/66950552190742930592.

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碩士
國立交通大學
社會與文化研究所
99
The soldiers who came to Taiwan around 1949 with the KMT government are all very old now (2011). These veterans who were once hired by the Republic of China (the ROC) experienced many political and cultural changes of Taiwan society. The changes and turbulence include the passing away of Chiang Kai-shek in 1975, the lifting of Martial Law in 1987, the violent ethnic politics of 1990s, the first time of KMT’s falling from power in Taiwan in 2000, and KMT’s coming back in power in 2008, etc. In this long period, how did the ROC use these veterans? How did it arrange their position in the Taiwan society? What is the vicissitude of these veterans’ images? Considering the contexts of the changes mentioned above, this essay tries to explore the meaning of the death of the veterans from Mainland China to the ROC and the society and how the ROC deals with their death.
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URBÁNEK, Lukáš. "Úloha sociální práce a sociálního pracovníka při doprovázení na poslední cestě člověka." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-172721.

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The objective of this Thesis is to outline the role of social work and social worker when accompanying a man in dying. The Thesis focuses on defining the social work and, at the same time, it points to the enormous diversity of the social work. The Thesis thus deals with the unclear definition of the field of social work as a particular helping profession, with the competency of social workers and with the current discussion about the need for a law on social workers. The Thesis also treats the phenomena of death and dying and how these issues are viewed from the perspective of social work. In the Thesis, these questions are highlighted in the context of the impact of the postmodern society. A large part of the Thesis is dedicated to finding the role of social work and social worker in hospice environment. Interest in dying clients and their loved ones represents an integral part of the Thesis, which also points out their needs, wishes and troubles. The Thesis outlines the issue of advisory for bereaved persons as well. Furthermore, it analyzes the ethical dimension of death and dying, especially with regard to human dignity. Critique of professional literature is confronted with author's own practical experience and with the output from an interview with a social worker.
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Books on the topic "Mourning. eng"

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Ganeri, Anita. Journey's end: Death and mourning. New York: Peter Bedrick Books, 1998.

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Ganeri, Anita. Journey's end: Death and mourning. London: Evans Bros., 1998.

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World Book, Inc. End-of-life rituals. Chicago, IL: World Book, Inc., 2009.

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Inc, World Book, ed. End-of-life rituals. Chicago: World Book, 2003.

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Auyoung, Elaine. When Novels End. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190845476.003.0006.

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This chapter examines why readers, writers, and literary critics sometimes use the vocabulary of loss and mourning to describe the experience of coming to the end of a novel. It relies on the elegies of Thomas Hardy to understand the phenomenology of returning to one’s immediate surroundings after being immersed in a fictional world and of having to detach from fictional persons who continue to dwell in one’s mind. Hardy’s imaginative fascination with one-sided, parasocial relationships that are never reciprocated also reveals that attending to literary characters permits readers to experience forms of negative and positive liberty that are unavailable in real life.
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Homans, Peter. Symbolic Loss : The Ambiguity of Mourning and Memory at Century's End. University of Virginia Press, 2000.

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Symbolic Loss : The Ambiguity of Mourning and Memory at Century's End. University of Virginia Press, 2000.

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Mourning Modernism: Literature, Catastrophe, and the Politics of Consolation. Fordham University Press, 2011.

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Chapman, Brenda. Stonechild and Rouleau Mysteries 4-Book Bundle: Shallow End / Tumbled Graves / Butterfly Kills / Cold Mourning. Dundurn, 2017.

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Tweedie, James. The Hauntology of the Cinematic Image. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190873875.003.0002.

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Beginning with the belated rediscovery and canonization of the work of Walter Benjamin, this chapter considers the close relationship between his writing from the 1920s and 1930s, when he was most active as a critic, and the late twentieth century. It suggests that Benjamin’s standard position in film theory—as one of the most forceful advocates for a radical modernism closely allied with cinema—corresponds to just one of many positions he adopted throughout his career and contradicts the argument that the ruins of modernity remain a source of utopian potential even after their apparent obsolescence, a position advanced in his book on the Baroque mourning play, his fragmentary Arcades Project, and elsewhere. This chapter suggests that Benjamin’s work on the mourning play and allegory constitute the basis for his continued relevance to media studies in the late twentieth century, especially as a belated but prophetic contributor to debates about the end of history or cinema.
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Book chapters on the topic "Mourning. eng"

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Jones, Darryl. "‘Gone Into Mourning … for the Death of the Sun’: Victorians at the End of Time." In Victorian Time, 178–95. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137007988_10.

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Zeiher, Cindy. "The Transmission of an End: “Mourning the Loss of the Analyst” Commentary on Session XXVII." In Reading Lacan’s Seminar VIII, 279–94. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-32742-2_23.

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"2. The End of Representation." In Mourning Glory, 32–58. University of Pennsylvania Press, 1997. http://dx.doi.org/10.9783/9781512802719-005.

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Viorst, Judith. "Experiences of Loss at the End of Analysis." In The Therapist in Mourning, 32–48. Columbia University Press, 2013. http://dx.doi.org/10.7312/columbia/9780231156998.003.0003.

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Corrigan, Lisa M. "Mourning King." In Black Feelings, 101–24. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496827944.003.0005.

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This chapter examines the ways in which Black Power activists used memories of King’s assassination as an instrumental as well as an affective rhetorical resource to help shape the memory and direction of the Black Power movement after 1968. It argues that King’s murder provided context and clarity for the Black Power movement, justifying a more militant and assertive identity for black activists working in opposition to an increasingly hostile federal government even as these intellectuals expressed their closeness with King. King’s death was an instance of cruel optimism that calcified an affective and rhetorical shift from black optimism to black pessimism because his assassination was a chronopolitical moment that not only ended integration politics but that fundamentally stopped time and also spurred more riots. For Black Power activists, King’s assassination confirmed both the impotence and duplicitousness of the federal government, particularly in the Johnson Administration and King's own class politics and militancy on Vietnam near the end of his life, shaped in part by the Black Power movement, allowed Black Power leaders to mobilize King's memory in the service of Black Power philosophy and tactics.
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"Serving Pi(e) at the Wake of Postmodernism: Mathematics and Mysticism at the End of the 20th Century." In The Mourning After, 223–47. Brill | Rodopi, 2007. http://dx.doi.org/10.1163/9789401204064_011.

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Viorst, Judith. "2. Experiences of Loss at the End of Analysis: The Analyst’s Response to Termination." In The Therapist in Mourning, edited by Kerry L. Malawista and Anne J. Adelman. New York Chichester, West Sussex: Columbia University Press, 2013. http://dx.doi.org/10.7312/adel15698-006.

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Ronda, Margaret. "Mourning and Melancholia at the End of Nature." In Remainders. Stanford University Press, 2018. http://dx.doi.org/10.11126/stanford/9781503603141.003.0005.

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This chapter begins with a consideration of the development of the discourse of the “end of nature” and its implications for understanding ecological relations. Pointing to the elegiac dimensions of this discourse, the chapter turns to Juliana Spahr’s long poem “Gentle Now, Don’t Add to Heartache” as an example of a literary exploration of the consequences of this conceptual absence. The chapter draws on the Romantic philosophy of Schiller as well as more recent psychoanalytic accounts of elegy and mourning to argue that the operations of elegy become the subject of investigation in Spahr’s work. “Gentle Now” serves as a representative eco-elegy that dwells in melancholia rather than moving toward the completion of the mourning process. The chapter closes with a consideration of a more recent poem by Spahr, co-written with Joshua Clover, that investigates the affective and political limits of melancholy as a response to present conditions.
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Arditi, Benjamin. "Talkin’ ’bout a Revolution: the End of Mourning." In Politics on the Edges of LiberalismDifference, Populism, Revolution, Agitation, 107–47. Edinburgh University Press, 2007. http://dx.doi.org/10.3366/edinburgh/9780748625116.003.0005.

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"Mourning and Melancholia at the End of Nature." In Remainders, 91–112. Stanford University Press, 2018. http://dx.doi.org/10.2307/j.ctvqsdsw1.8.

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You might also be interested in the extended bibliographies on the topic 'Mourning. eng' for particular source types:
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