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Books on the topic 'Mourning. eng'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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1

Ganeri, Anita. Journey's end: Death and mourning. New York: Peter Bedrick Books, 1998.

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2

Ganeri, Anita. Journey's end: Death and mourning. London: Evans Bros., 1998.

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3

World Book, Inc. End-of-life rituals. Chicago, IL: World Book, Inc., 2009.

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4

Inc, World Book, ed. End-of-life rituals. Chicago: World Book, 2003.

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5

Auyoung, Elaine. When Novels End. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190845476.003.0006.

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This chapter examines why readers, writers, and literary critics sometimes use the vocabulary of loss and mourning to describe the experience of coming to the end of a novel. It relies on the elegies of Thomas Hardy to understand the phenomenology of returning to one’s immediate surroundings after being immersed in a fictional world and of having to detach from fictional persons who continue to dwell in one’s mind. Hardy’s imaginative fascination with one-sided, parasocial relationships that are never reciprocated also reveals that attending to literary characters permits readers to experience forms of negative and positive liberty that are unavailable in real life.
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6

Homans, Peter. Symbolic Loss : The Ambiguity of Mourning and Memory at Century's End. University of Virginia Press, 2000.

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7

Symbolic Loss : The Ambiguity of Mourning and Memory at Century's End. University of Virginia Press, 2000.

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8

Mourning Modernism: Literature, Catastrophe, and the Politics of Consolation. Fordham University Press, 2011.

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9

Chapman, Brenda. Stonechild and Rouleau Mysteries 4-Book Bundle: Shallow End / Tumbled Graves / Butterfly Kills / Cold Mourning. Dundurn, 2017.

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10

Tweedie, James. The Hauntology of the Cinematic Image. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190873875.003.0002.

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Beginning with the belated rediscovery and canonization of the work of Walter Benjamin, this chapter considers the close relationship between his writing from the 1920s and 1930s, when he was most active as a critic, and the late twentieth century. It suggests that Benjamin’s standard position in film theory—as one of the most forceful advocates for a radical modernism closely allied with cinema—corresponds to just one of many positions he adopted throughout his career and contradicts the argument that the ruins of modernity remain a source of utopian potential even after their apparent obsolescence, a position advanced in his book on the Baroque mourning play, his fragmentary Arcades Project, and elsewhere. This chapter suggests that Benjamin’s work on the mourning play and allegory constitute the basis for his continued relevance to media studies in the late twentieth century, especially as a belated but prophetic contributor to debates about the end of history or cinema.
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11

Olivelle, Patrick. Food and Dietary Rules. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198702603.003.0015.

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This chapter examines the detailed rules with regard to food and eating spelled out in the Dharmaśāstras. These rules are based on an intricate classification of land animals, birds, and fish according to three criteria: foot and teeth structures, diet (carnivore or herbivore), and habitation (wild, domestic, or village). The animals, milk, and vegetables that are forbidden are called abhakṣya. Even legal foods can become unfit for consumption (abhojya) under certain supervening circumstances: for example, it has been touched or served by an impure person (menstruating woman, someone in mourning, an outcaste) or object (e.g., feces or dog). There is also a discussion about meat eating and vegetarianism.
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12

B, De Vries, ed. End of life issues: Interdisciplinary and multidimensional perspectives. New York: Springer, 1999.

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13

A, Rando Therese, ed. Clinical dimensions of anticipatory mourning: Theory and practice in working with the dying, their loved ones, and their caregivers. Champaign, Ill: Research Press, 2000.

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14

Rando, Theresa A. Clinical Dimensions of Anticipatory Mourning: Theory and Practice in Working With the Dying, Their Loved Ones, and Their Caregivers. Research Press (IL), 2000.

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15

Singleton, Jermaine. A Clearing beyond the Melancholic Haze. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039621.003.0006.

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Through an analysis of Suzan-Lori Parks's Venus and Tony Kushner's Caroline, or Change, this chapter contemplates how cultural practice might be used to cut through and deactivate the unresolved grief that consolidates the racial divide in interracial community. It builds on a short theoretical account of the sexual and cultural underpinnings of the discourse of racial difference to consider the unique role contemporary theater might play in exhuming and mourning the social loss it has consolidated. To that end, the analysis draws on the racial scene and unseen to situate the plays as art of profound cultural change. Parks' and Kushner's plays enact racial conflict to unearth disavowed social losses and assign them ideological origins. The plays uniquely allow spectators to explore what Kobena Mercer calls “those messy spaces in-between” black and white and acknowledge the culturally embedded web of gender, sexual, economic, and religious anxieties and prohibitions that discreetly underpin the discourse of racial difference and contemporary racial grievances. In doing so, the plays summon and neutralize the disavowed social loss and hidden affect that structure our racial identifications to engender a coalition of racial grieving.
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