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1

Cadenhead, Rogers. Movable Type 3 Bible. John Wiley & Sons, Ltd., 2004.

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2

Porter, Glendinning, ed. Sams teach yourself Movable Type in 24 hours. Sams, 2004.

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3

Holzschlag, Molly E. Sams Teach Yourself Movable Type in 24 Hours. Pearson Education, 2005.

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4

Schoff, Rebecca L. Reformations: Three medieval authors in manuscript and movable type. Brepols, 2007.

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5

Schoff, Rebecca L. Reformations: Three medieval authors in manuscript and movable type. Brepols, 2007.

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6

From movable type printing to the World Wide Web: Essays on civilizations, cultures and education. City University of Hong Kong Press, 2007.

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7

Pollard, Michael. Johann Gutenberg: The story of the invention of movable type and how printing led to a knowledge explosion. Exley Pubns., 1992.

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8

Kuch, Michael. A sphinx's field guide to questionable answers. Double Elephant Press, Michael Kuch, 2004.

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9

Planting a rainbow. HarcourtBrace, 1988.

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10

Ehlert, Lois. Planting a rainbow. Weston Woods, 2005.

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11

Ehlert, Lois. Planting a rainbow. Harcourt, 2003.

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12

Planting a rainbow. Gollancz, 1988.

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13

Ehlert, Lois. Planting a rainbow. Harcourt Brace Jovanovich, 1988.

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14

Grahame, Kenneth. The wind in the willows. Contemporary Books, 1988.

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15

Barrie, J. M. Peter Pan: The story of the boy who never grew up : for 5 to 8 year-olds : [programme]. Polka Theatre for Children, 1996.

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16

Barrie, J. M. Peter Pan. Hachette, 1990.

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17

Grahame, Kenneth. The wind in thewillows. Scholastic, 1985.

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18

Driscoll, Laura. The wind in the willows. Sterling, 2010.

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19

Grahame, Kenneth. The wild wood: And, Mole's Christmas. Methuen Children's Books, 1991.

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20

Grahame, Kenneth. The river bank: And other stories from the Wind in the willows. Walker, 1996.

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21

Barrie, J. M. Peter Pan. H. Holt, 1987.

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22

Grahame, Kenneth. The wind in the willows. Stoneway Books, 1988.

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23

Grahame, Kenneth. The Wind in the Willows. Fictionwise, Inc., 2004.

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24

Barrie, J. M. Peter Pan. Dean, 1991.

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25

Barrie, J. M. Peter Pan. David Campbell, 1992.

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26

Barrie, J. M. Peter Pan in Kensington Gardens ; Peter and Wendy. Oxford University Press, 1991.

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27

Grahame, Kenneth. The wind in the willows. Wanderer Books, 1987.

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28

Grahame, Kenneth. The wind in the willows. Sterling Pub., 2005.

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29

Grahame, Kenneth. The wind in the willows. Dover Publications, 1995.

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30

Barrie, J. M. Peter Pan: The complete book. Tundra Books, 1988.

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31

Driscoll, Laura. The wind in the willows. Sterling Pub. Co., 2007.

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32

Barrie, J. M. Peter Pan: A pop-up adaptation of J.M. Barrie's original tale. Little Simon, 2008.

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33

Barrie, J. M. Peter Pan: Or the boy who would not grow up. Folio Society, 1992.

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34

Grahame, Kenneth. The Wind in the Willows. Penguin USA, Inc., 2009.

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35

Barrie, J. M. Peter Pan. Diamond Books, 1993.

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36

Grahame, Kenneth. The wind in the willows. Books of Wonder/W. Morrow and Co., 2000.

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37

Grahame, Kenneth. The wind in the willows. Stoneway Books, 1988.

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38

The wind in the willows: The wild wood. Nantier, Beall, Minoustchine, 1997.

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39

Grahame, Kenneth. The river bank: And The open road. Methuen Children's Books, 1991.

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40

Barrie, J. M. Peter Pan. Random House Publishing Group, 2004.

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41

Barrie, J. M. Peter Pan. Unicorn Pub. House, 1988.

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42

Grahame, Kenneth. The wind in the willows. Wanderer Books, 1987.

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43

Barrie, J. M. Peter Pan. Dover Publications, 1999.

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44

Movable Type. D C Comics, 2019.

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45

Hacking Movable Type. John Wiley & Sons, Ltd., 2005.

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46

Allen, Jay, Brad Choate, Ben Hammersley, et al. Hacking Movable Type (ExtremeTech). Wiley, 2005.

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47

Movable Type 3.0 Bible Desktop Edition. Wiley, 2004.

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48

Reformations: Three Medieval Authors in Manuscript and Movable Type (Texts and Transitions). Brepols Publishers, 2008.

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49

Movable Tyype. Nightboat Books, 2011.

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50

Finkelstein, David. Movable Types. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198826026.001.0001.

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Abstract:
This is an interdisciplinary study of the typographical web that underpinned and enabled skilled print trade networks across the anglophone world in the nineteenth and early twentieth centuries. It is a cultural history, the first study of its kind on international Victorian print networks. Morality, mobility, mobilization, and solidarity were central to how compositors and print trade workers defined themselves during this period. These themes are addressed in case studies on roving printers, striking printers, and creative printers, drawing on a range of unique primary and secondary sources
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