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Books on the topic 'Movie Her'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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1

Dunna, J. Mick. Horse-scents, or, A tale of Chip and Patty's perfume emporium, rooming house, and manure museum: The dashing western romance of a cowgal and her cowguy (sort-of) and his mammal : a play-within-a-movie-within-a-play. Dramatic Pub., 1995.

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2

Davies, Sally. Why did we have to move here? Carolrhoda Books, 1997.

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3

Asoshiētsu, Nichigai, ed. Eigashō jushō sakuhin jiten: Hōga hen = : Movie award-winning Japanese films. Nichigai Asoshiētsu, 2011.

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4

Dopson, Sue. The move towards agency status: The experience of HMSO, December 1988 to September 1991. Templeton College, Management Research Department, 1992.

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5

Dopson, Sue. The move towards agency status: The experience of HMSO, December 1988 to September 1991. Oxford Centre for Management Studies, 1992.

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6

Simon, Wells, ed. Your face here: British cult movies since the sixties. Fourth Estate, 2001.

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7

The singing quilt: Can another woman's courage move her to try the impossible? New Hope Publishers, 2014.

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8

Samantha, Sade, ed. Clit-ology: Master every move from A to G-spot to give her ultimate pleasure. Quiver, 2011.

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9

FAO Interdepartmental Working Group on Biological Diversity for Food and Agriculture., ed. Know to move, move to know: Ecological knowledge and herd movement strategies among the Wodaabe of Southeastern Niger. FAO Inter-Departmental Working Group on Biological Diversity for Food and Agriculture, 2003.

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10

Newman, Steve. Last Action Hero: The Official Movie Book: From the story by Zak Penn & Adam Leff and the screenplay by Shane Black & David Arnott. Newmarket Press, 1993.

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11

Morgan, Toby. Can God move here?: A quest for revival in the local church. Pathway Press, 2001.

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12

Barrows, Howard S. PS patient simulation: Norma Jean Coleman, 22-year-old woman awakened this morning unable to move her legs. Southern Illinois University School of Medicine, 1986.

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13

ill, Preiss-Glasser Robin, ed. Alexander, who's not (Do you hear me? I mean it!) Going to move. Atheneum Books for Young Readers, 1995.

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14

Viorst, Judith. Alexander, who's not (Do you hear me? I mean it!) going to move. Scholastic Inc., 1996.

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15

Viorst, Judith. Alexander, who's not (do you hear me? I mean it!) going to move. Scholastic, 1996.

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16

United States. Congress. House. Committee on the Judiciary. Family movie act of 2004: Report together with dissenting views (to accompany H.R. 4586) (including cost estimate of the Congressional Budget Office). U.S. G.P.O., 2004.

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17

McPadden, Mike. If you like Metallica: Here are over 200 bands, CDs, movies, and other oddities that you will love. Backbeat Books, 2012.

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18

Weiner, Jennifer. In Her Shoes (Movie Tie-In). Simon & Schuster Audio, 2005.

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19

When Alice Met Her Favorite Movie Star in an Elevator. iUniverse, 2004.

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20

Mordden, Ethan. The Second Movie. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190651794.003.0007.

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This chapter discusses the history of the second Chicago movie, Roxie Hart (1942). This film is a notable deviation from how the various Chicagos look at Roxie’s character, because here, for the first and only time, she is not a sociopath. True, she is still brusque and insolent, and especially contemptuous of Amos. But she is not a walking con job. Previously, Roxies wanted to get off even though they were guilty. This Roxie wants to get off because she is innocent; she has agreed to let the press and the law paint her as a murderess only to become notorious and thus break into show business.

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21

Wilson, Valerie Plame. Fair Game Movie: How a Top CIA Agent was Betrayed by Her Own Government. Simon & Schuster Audio, 2010.

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22

Valeriani, Audrey. Simple Ways to a Woman's Heart: Movie Star Maneuvers That Will Take Her Breath Away! Vantage Pr, 1999.

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23

Vampira and Her Daughters: Women Horror Movie Hosts from the 1950s into the Internet Era. McFarland & Company, Incorporated Publishers, 2016.

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24

Werfel, Andreas. Composition Notebook: They Call Her One Eye - Bacon, the Boston Terrier Fan Film Movie Notebook Journal Notebook Blank Lined Ruled 6x9 100 Pages. Independently Published, 2020.

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25

Marrs, John. Her Last Move. Thomas & Mercer, 2018.

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26

Her Every Move. Nelson Incorporated, Thomas, 2021.

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27

Irvin, Kelly. Her Every Move. Nelson Incorporated, Thomas, 2021.

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28

Marrs, John. Her Last Move. Brilliance Audio, 2018.

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29

Ellie Makes Her Move. Holiday House, 2021.

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30

Schary, Dore. Case History Of A Movie. Schary Press, 2007.

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31

Start Here: Movie-Making with iMovie 2 (Movie-Making With Imovie). OnWord Press (Acquired Titles), 2001.

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32

Kapow Pictures Pty Ltd (Illustrator), ed. Here Comes Peter Cottontail - The Movie. Golden Books, 2006.

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33

Mordden, Ethan. The First Movie. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190651794.003.0005.

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This chapter explores the background and production history behind Cecil B. DeMille’s adaptation of Watkins’ play. Chicago was a story that Hollywood had wanted to film, and it particularly attracted Cecil B. DeMille, because he liked to amuse his public by mating wicked doings with farce: exactly as Chicago did. However, DeMille did not share Watkins’ didactic fervor. Rather she used Chicago as a Breughelesque hellscape where, just outside the courtroom windows, the population raged with lawbreaking fever. What DeMille saw in the play was something so latent Watkins herself had not used it: t

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34

Caps, John. Here Was Something Fresh. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036736.003.0001.

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This introductory chapter traces the path of Henry Mancini's career, highlighting the reasons why he became the first publicly successful and personally recognizable film composer in history. It suggests that Mancini was perfectly placed, by time and temperament, to be a bridge between the traditions of the big band period of World War II and the eclectic impatience of the baby boomer generation that followed, between the big formal orchestral film scores of Hollywood's so-called Golden Years and a modern American minimalist approach. On the one hand, his respect for pre-wartime pop and movie

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35

Clayton, Wickham. SEE! HEAR! CUT! KILL! University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496830319.001.0001.

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SEE! HEAR! CUT! KILL!: Experiencing Friday the 13<sup>th</sup>, is the first book entirely devoted to the analysis of the Friday the 13 <sup>th</sup> franchise. The story a film tells is usually filtered through a particular perspective, or point of view. This book argues that slasher films, and the Friday the 13<sup>th</sup> movies particularly, use all the stylistic tools at their disposal to create a complex and emotionally intense approach to perspective, which develops and shifts across the decades. Chapter one discusses the history of perspective in horror, and the different critical con

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36

Smith, Frances. Rethinking the Hollywood Teen Movie. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474413091.001.0001.

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Rethinking the Teen Movie is the first academic monograph to theorise the construction of identity in the Hollywood Teen Movie, one of the most popular, yet academically overlooked film genres. As such, the book constitutes a significant intervention in Film Studies, providing a reconsideration of such key tropes as the male juvenile delinquent figure, the makeover and the teen vampire. Providing detailed case studies of key films from the genre, the book provides an innovative overview of the genre, and its relationship to performativity, intersectionality, post-feminism, and the post-human.

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37

The Girl Who Could Move Sh*t with Her Mind. Orbit Books, 2019.

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38

Mckernan, Luke. Searching for Mary Murillo. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039683.003.0007.

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In this chapter, the author highlights the value of online newspaper archives and digitized census, family history, and other sources that he consulted in his research about little-known scriptwriter from the silent era, Mary Murillo. He begins with a background on Murillo, a screenwriter in American cinema for ten years, then worked in British films for six or more years, and moved to work in French films at the start of the talkies. The fact that she had almost disappeared from dominant film history narratives says much about how women filmmakers have been allowed to slip out of the history

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39

I Loved Her in the Movies: Memories of Hollywood's Legendary Actresses. Penguin Books, 2017.

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40

Wagner, Robert. I loved her in the movies: Memories of Hollywood's legendary actresses. 2016.

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41

Wagner, Robert. I Loved Her in the Movies: Memories of Hollywood's Legendary Actresses. Penguin Audio, 2016.

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42

Hollywood: Her Story, an Illustrated History of Women and the Movies. Globe Pequot Press, The, 2019.

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43

Wagner, Robert. I loved her in the movies: Memories of Hollywood's legendary actresses. 2016.

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44

Train Stops Here (On the Move Cubs). Collins, 1987.

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45

Stringer, John. Making It Move (Science Starts Here S.). Nelson Thornes Ltd, 1988.

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46

Mordden, Ethan. All That Jazz. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190651794.001.0001.

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In 1975, the Broadway musical Chicago brought together a host of memes and myths, the gleefully subversive character of American musical comedy, the reckless glamor of the big-city newspaper, the mad decade of the 1920s, the work of Bob Fosse and Gwen Verdon—two of the greatest talents in the musical’s history—and the Wild West gangsterville that was the city of Chicago itself. The tale of a young woman who murders her departing lover and then tricks the jury into letting her off, Chicago seemed too blunt and cynical at first. Everyone agreed it was show biz at its brilliant best, yet the publ

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47

Evans, Richard Kent. MOVE. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190058777.001.0001.

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This book is a religious history of MOVE, a small, mostly African American religious group devoted to the religious teachings of John Africa that emerged in Philadelphia in the early 1970s. MOVE is perhaps best known for the MOVE Bombing. In 1985, the Philadelphia Police Department—working in concert with federal and state law enforcement—attacked a home that MOVE people shared in West Philadelphia, involving hundreds of police officers and firefighters and using tear gas, 10,000 rounds of ammunition, and improvised explosives. Most infamously, a police officer dropped a bomb containing C-4 ex

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48

Your Face Here: British Cult Movies Since the Sixties. HarperCollins UK, 2002.

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49

Wells, Simon, and Ali Catterall. Your Face Here: British Cult Movies Since the Sixties. HarperCollins UK, 2002.

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50

Caps, John. Allegheny River Launch. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036736.003.0002.

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This chapter details the early life of Henry Mancini. Born in Cleveland, Ohio, in 1924 as Enrico Nicola Mancini, the young Henry would grow up just over the Pennsylvania border in the steel town of West Aliquippa, where two great rivers, the Allegheny and the Monongahela, come together to become the Ohio River. The first time Mancini became aware of the music score behind a movie was during a trip to the local movie theater with his father in 1935. Something in the grandiose score to a picture called The Crusaders, composed by Rudolf Kopp, made him pay attention to the role that music was play

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