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Journal articles on the topic 'Movie Her'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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1

Yun, Seokjin. "The Allegory of AI and Empathy in the Movie Her." Journal of Image and Cultural Contents 19 (February 29, 2020): 213–36. http://dx.doi.org/10.24174/jicc.2020.02.19.213.

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SIVACI, SADIK YUKSEL. "Movie in Teacher Education: Pre-Service Teachers' Evaluation of The Movie of 'Taare Zameen Par." KIRŞEHİR EĞİTİM FAKÜLTESİ DERGİSİ 1, no. 19 (2018): 507–18. http://dx.doi.org/10.29299/kefad.2018.19.014.

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Aditira, Evia Nurdiarti, and Vita Vendityaningtyas. "Psychopathic behavior in Gone Girl movie." English Teaching Journal : A Journal of English Literature, Language and Education 6, no. 2 (2019): 58. http://dx.doi.org/10.25273/etj.v6i2.4460.

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This research deals with analyzing psychopathic behavior in <em>Gone Girl</em> movie. It is reflected through the main female character, Amy Elliott Dunne. The research problems are to find the characteristics of Amy’s psychopathic behavior and to find the causes of her psychopathic behavior. In this research, the researchers use qualitative research method. The main data is <em>Gone Girl </em>movie. It is supported by secondary data such as books, articles appropriate with this research. In collecting the data, the researchers use documentation technique. Content analy

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Tatulescu, Petruta. "Gender and Identity at Boarding Schools: Outcast Teachers in Maedchen in Uniform (1958) vs Loving Annabelle (2006)." CINEJ Cinema Journal 1 (August 4, 2011): 140–47. http://dx.doi.org/10.5195/cinej.2011.16.

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“Loving Annabelle”, a US film released in 2006, tells the story of a boarding school student who falls in love with her teacher. The movie is based on “Maedchen in Uniform”, a German movie released in 1958. This paper aims at analyzing the perception of love, and in particular lesbian love, over the course of a century by dealing with the comparison between the two movies. What has changed and what keeps a similar position in terms of severe rules in the context of the boarding school environment, religion, physical and platonic love? What roles do the family and the teachers play? The teacher

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Sutrisno, Bejo, and Ernissa Yuliana. "POST-TRAUMATIC STRESS DISORDER OF THE MAIN CHARACTER IN “WILD” MOVIE DIRECTED BY JEAN-MARC VALLEE." Journal of English Language and Literature (JELL) 4, no. 02 (2019): 74–81. http://dx.doi.org/10.37110/jell.v4i02.83.

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The objectives of this research are to describe Post-Traumatic Stress Disorder be shown of the main character and to mention the types of Post-Traumatic Stress Disorder that the main character suffers. In this movie, it shows about Post-Traumatic Stress Disorder Of The Main Character. The movie cuts out a few important people in Cheryl’s real life. In the movie, Cheryl has only one sibling, her younger brother Leif. Cheryl and her father grew particularly close during her mother’s sickness, but after she passed, Eddie remarried and grew distant. Much of Cheryl’s internal monologue during her t

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Robitzsch, Jan Maximilian. "Real and Simulated Relationships in Spike Jonze’s Her." Film and Philosophy 24 (2020): 120–33. http://dx.doi.org/10.5840/filmphil2020248.

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This paper is dedicated to Spike Jonze’s 2013 movie Her and reads the film as an exploration of whether traditional human-human relationships could be replaced by relationships between a human being, on the one hand, and an intelligent machine or robot or – more precisely – operating system (OS), on the other hand. It argues that the movie offers three different possible criteria for dismissing a relationship with an OS: (1) that an OS does not have a body, (2) that an OS is of superior intelligence, and (3) that a relationship with an OS is, in an important sense, not ‘real’ or ‘genuine.’ How

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Belfort Cerqueira, Sebastião. "Stanley's Taste." Conversations: The Journal of Cavellian Studies, no. 1 (December 2, 2013): 59–62. http://dx.doi.org/10.18192/cjcs.v0i1.952.

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Stanley Cavell closes Contesting Tears with a chapter titled “Stella’s Taste: Reading Stella Dallas”, devoted to the 1937 movie, directed by King Vidor, which Cavell compares to the other movies he has studied in the book and finds “to be the most harrowing of the four melodramas to view again and again.” Cavell’s reading of this movie is organized against what he calls the generally “accepted view” of the film where there are two key interpretive moments: in one, Stella, the protagonist, on vacation with her teenage daughter, Laurel, at a fancy hotel, tries to impress Laurel’s new friends by

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Margulies, Ivone. "Elemental Akerman: Inside and Outside No Home Movie." Film Quarterly 70, no. 1 (2016): 61–69. http://dx.doi.org/10.1525/fq.2016.70.1.61.

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Margulies considers how Chantal Akerman embraces the directness of the home movie to redesign, through lighting, perspective, and framing, analogues for the intricate relationship of symbiosis and distance between herself and her mother. The essay attempts to understand the film's emotional immediacy alongside and in tension with the filmmaker's characteristic indirection. It looks therefore to the kitchen talks (a sort of primal script between mother and daughter) as well as to the mysterious desert shots that crisscross the film's main focus on the apartment's interiors as two key tropes in

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Imm, Sangik, and Tae Uk Kang. "Intimacy and Love with Artificial Intelligence in the Movie “Her”." Psychoanalysis 31, no. 4 (2020): 91–97. http://dx.doi.org/10.18529/psychoanal.2020.31.4.91.

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Dwirasanti, Evita. "Identity Construction of Skeeter in the movie The Help (2011)." Paradigma, Jurnal Kajian Budaya 3, no. 2 (2016): 132. http://dx.doi.org/10.17510/paradigma.v3i2.39.

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<p>In life, every person has an identity. To reach certain identities, a person needs to undergo several stages of identity construction. Throughout one’s life, whether or not the person realizes, the processes still keep on going. Starting from the moment a person is born, the person actually has already acquired certain identities. As the person grows up, many factors create several changes on his or her identity. This complex process keeps going simultaneously as the person gets older. This paper attempts to identify the identity construction of the main female character in the movie

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Garwan, Hellaisna Nur'Aini. "Analysis of Nathaniel Character in the Film Entitled ‘Enchanted’ by Kevin Lima." English Education and Literature Journal (E-jou) 1, no. 01 (2021): 44–53. http://dx.doi.org/10.53863/ejou.v1i01.125.

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Abstract Nathaniel is one of peripheral characters in the movie entitled ‘Enchanted’. In the beginning of the movie, he was the antagonist one. He is the accomplish of Queen Narissa. Nathaniel experienced a moment that open his eyes so that he against Queen Narissa. The change of Nathaniel’s character drew researcher’s attention so that she was interested in discussing his character. The purpose of this research is to identify and to find out inner conflict which influences Nathaniel’s actions and thoughts later in the movie ‘Enchanted’. Researcher used library research to analyze

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Scholz, Juliane. "Re-Configuring the New Women - Female Screenwriters and Street Films in Weimar Republic." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 10, no. 2 (2017): 32–44. http://dx.doi.org/10.31165/nk.2017.102.507.

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This article traces the history of early female screenwriters in Germany and highlights the influence of professional female screenwriter Ruth Goetz and her movie Die Dirnentragödie (also: Women without Men, 1927). It shows how the movie represented certain political, cultural and legal debates on the New Woman and reconfigured the myth by implementing ambivalent gender roles in the plot. Furthermore, the representation of the role of female sex workers in Weimar society in Weimar street films is described and the way of transforming cultural and political discourses about gender equality into

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Wulan, Sri Wulan. "Development of the Trust Issue in the Movie Raya and the Last Dragon." International Journal of English and Applied Linguistics (IJEAL) 1, no. 2 (2021): 69–80. http://dx.doi.org/10.47709/ijeal.v1i2.1042.

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The study discusses the development of Raya’s trust issue in the movie. The qualitative method is applied to analyze the data in this study. The result shows that the protagonist in the film suffers from trust issues. There are two reasons to trigger her trust issue. T. Her friend betrays her. Her friend and her people try to steal her village’s gem. This hurt the protagonist. This protagonist makes her start hard to trust anyone else. Next is trauma. Losing her village, Kumandra leaves her traumatic. She begins to show signs of trust issues. Some signs of her trust issue are overprotective to

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Zielińska, Dominika. "Uświęcać środki. Filmowe oblicza kanibalizmu." Kultura Popularna 2, no. 56 (2018): 122–32. http://dx.doi.org/10.5604/01.3001.0012.1142.

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The aim of this article is to present the motive of cannibalism which appears in chosen film contexts. I am interested in how cannibalism can be used as a cultural communication code and how it exist as functional movie thread. Based on the theories of Mary Douglas, Sigmund Freud, Louis-Vincent Thomas, and Claude Leví-Strauss. I present several movie examples and I propose subjective interpretation of the cannibalism motive in the films in several aspects: cannibalism as the symbolic tool of revenge (The cook, the thief, the wife and her lover), as an allegory of consumerism (Jan Švankmajer’s

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Ruomei, Fu. "An Analysis of Ju Xian in Movie Farewell My Concubine." Humaniora 5, no. 2 (2014): 1187. http://dx.doi.org/10.21512/humaniora.v5i2.3261.

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As the main female character in movie "Farewell My Concubine", Ju Xian was a brave, smart, worldly-wise but kindhearted woman. Even though she was a prostitute, she was longing for an ordinary life. She loved Xiao Lou, moreover, in order to engross Xiao Lou, she even tried to drive a wedge between Die Yi and Xiao Lou. She used her wisdom to save and protect Xiao Lou, but on the other hand, she was also the one who destroyed Xiao Lou and her own life. Article tried to through close reading analyze the character of Ju Xian and her relationships with Die Yi and Xiao Lou. Article revealed the ines

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Davis, Natalie Zemon. "Movie or Monograph? A Historian/Filmmaker's Perspective." Public Historian 25, no. 3 (2003): 45–48. http://dx.doi.org/10.1525/tph.2003.25.3.45.

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Using her experience as historical consultant for Le Retour de Martin Guerre, the author weighs the advantages and disadvantages of describing the past in the language of film and the language of professional prose. She concludes that both forms of communication should be used: historians should amplify their role as consultants or filmmakers through discussion and written debate.

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Khoimah, Khusnul. "A STUDY OF LANGUAGE STYLES USED IN THE QUEEN MOVIE." Jurnal ELink 6, no. 2 (2019): 206. http://dx.doi.org/10.30736/el.v6i2.173.

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This study is conducted to analyze language styles used in The Queen movie. Specifically, the study is focused on the analysis of the classification of language styles which concerns to Martin Joos theory (1962). What makes this study is crucial to be analyzed is because the language styles used by the speaker have a unique set of items related to formal community. Linguistically, the language styles used by the speakers do exist due to the different circumstances and level, but formality is involved. This study is categorized as descriptive qualitative study since it is analyzed the data in t

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Lailawati, Rahmadani, Qori Islami, and Mutia Sari Nursafira. "The Camouflage of “Tough Woman”: The Resistance of Female Character Against Patriarchal Ideology in Mulan." Elsya : Journal of English Language Studies 2, no. 3 (2020): 35–39. http://dx.doi.org/10.31849/elsya.v2i3.4926.

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This present study exposes how the patriarchal ideology still survives in the international English movie depicting Chinese women, Mulan (1998) and Mulan (2020). This present study uses critical discourse analysis to analyse the movies, focusing on the the dialogue, characteristics and events in the movies. This study contributes by critically comparing how English movies which are directed and scripted by English native speakers depict the role of women in the patriarchal China. The results showed that despite the 22-year gap between movies, the portrayal of women becomes worse, presented dif

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Rachmijati, Cynantia. "An analysis of teaching character education technique and values found in �Confession� directed by Tetsuya Nakashima." Journal of Advanced Multidisciplinary Research 1, no. 1 (2020): 10. http://dx.doi.org/10.30659/jamr.1.1.10-21.

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�Confession� is a Japanese thriller drama movie about a teacher named Yuko Moriguchi who lost her daughter where she believed that some of her students involved in her daughter�s death. The objectives of this research are (1) to explain character education teaching technique (2) to explain the character education values found in the �Confession movie�.� This research is descriptive qualitative by content analysis. The data source was taken from scene in the �Confession� movie. The object of this research is movie �Confession� directed by Tetsuya Nakashima with 106 minutes running time. The res

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Lubianti, Elsa, Mia Fitria Agustina, and Shofi Mahmudah Budi Utami. "Ellen’s Anorexia in To the Bone Movie (2017)." J-Lalite: Journal of English Studies 1, no. 1 (2020): 1. http://dx.doi.org/10.20884/1.jes.2020.1.1.2559.

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The research aims to figure out factors causing Ellen, the main character of Noxon’s movie entitled To the Bone, experiences anorexia. The qualitative method is used to collect, interpret, and analyze data. Reading, rereading, collecting, sorting, grouping, interpreting, and analyzing are steps conducted to get the primary data taken from the movie. In addition, the researcher applied Psychology of Literature Theory, Anorexia Nervosa Theory, and Cinematography Theory to answer the research question. The result of this research shows that Ellen’s anorexia is caused by two factors. The first is

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Wilkins, Heidi. "Surfing a political soundscape: Kathryn Bigelow's Point Break." Soundtrack 3, no. 2 (2010): 97–107. http://dx.doi.org/10.1386/st.3.2.97_1.

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In view of Bigelow's Oscar achievements in 2010 with her Iraq war film The Hurt Locker (which included awards for Best Sound and Best Sound Editing as well as Best Director), this article explores the subversive ways that Bigelow uses sound-track and sound effects within her movies through focusing on her 1991 film, Point Break. Through close examination of the use of sound in this surfer/buddy movie and building on previous scholarly comment that identifies the two political ideologies embodied by the two central characters, I analyse the ways in which sound is used to represent both the domi

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Veenis, Milena. "Cola in the German Democratic Republic. East German Fantasies on Western Consumption." Enterprise & Society 12, no. 3 (2011): 489–524. http://dx.doi.org/10.1017/s146722270001020x.

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Coca Cola is frequently used to signal the large-scale transformation from socialism to capitalism in eastern and middle Europe, which began in East Germany in the autumn of 1989. In the famous German Wende-movie Goodbye Lenin, the caffeinated drink figures prominently. The main character in this movie is a middle-aged woman who has fallen into coma during one of the mass demonstrations in Berlin, in November 1989. When she finally wakes up, about one year later, her country no longer exists. Her children successfully hide this fact from her, surrounding her with the material remnants of the p

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Ertem, Elif. "A Feminist Critique of “I’m Thinking of Ending Things”: A Trapped Young Woman in the Dream of a Man." Kadın/Woman 2000, Journal for Women's Studies 22, no. 1 (2021): 167–72. http://dx.doi.org/10.33831/jws.v22i1.220.

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Written and directed by Charlie Kaufman, I’m Thinking of Ending Things recently metwith viewers of Netflix and brought the controversy. The film is in the focus of criticism as wellas the likes, praise, and applause. The film is an adaptation from the Canadian writer Iain Reid’sbestselling namesake novel. Neither the book nor the film is not intended to be a feminist study,although it argues to show the existential crisis and the inner-voices of a young woman character.Instead, this piece reflects the subjective interpretations of dreams, memories, and a man’s life,Jake. What makes this piece

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Bhaumik, Mahuya. "Changing Role of Indian Woman: A Glimpse into Two Bollywood Movies English – Vinglish and Queen." CLEaR 3, no. 1 (2016): 52–60. http://dx.doi.org/10.1515/clear-2016-0006.

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Abstract Bollywood, being one of the biggest film industries of India, is an interesting area of research to understand the socio-cultural perspectives of today’s India. My paper will focus on the changing role of Indian woman. It will argue if the change is merely superficial or the Indian woman has been successful to negotiate with and challenge the patriarchal social structure. These multiple issues will be discussed with special reference to two of the latest Bollywood movies, namely, English-Vinglish and Queen. The focus on these two movies is because both concentrate on emancipation of w

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Cahyo, Pujo Sakti Nur, and Riyan Evrilia Suryaningtyas. "WOMAN AND TECHNOLOGY: A STUDY ON GENDER PORTRAYAL OF A FEMALE CYBORG IN GHOST IN THE SHELL (2017) MOVIE." Lire Journal (Journal of Linguistics and Literature) 4, no. 1 (2020): 26–39. http://dx.doi.org/10.33019/lire.v4i1.65.

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This study aims to analyze gender portrayal in Ghost in the Shell (2017) movie by applying Donna Haraway’s concept of cyborgs as in her Cyborg Manifesto. Focusing on the analysis of narrative and non-narrative elements, this research seeks to reveal how the main character is portrayed as a female cyborg. As a result, the writers found that her shifting existence as a female cyborg in the movie is the representation of how women can be the subject by affiliating with technology. The assumption of women as the "object" of technology is no longer exist, and they are competent to have a career in

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Sell, Mike. "What Is a Videogame Movie?" Arts 10, no. 2 (2021): 24. http://dx.doi.org/10.3390/arts10020024.

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Cinematic adaptations of videogames are an increasingly common feature of film culture, and the adaptive relationship between these mediums is an increasingly common subject of film and videogame studies. However, our ability to historicize and theorize that relationship is hampered by a failure to fully define the generic character of our object of study. This essay asks, what is a videogame movie? It argues that film scholars (1) have not considered the full range of ways videogames have been represented in film; (2) have not attended fully to the historical, technological, figurative, and s

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Pradanri, Wening Jiwandaru. "Movie as A Medium to Create an Equal Society." E3S Web of Conferences 73 (2018): 14009. http://dx.doi.org/10.1051/e3sconf/20187314009.

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Kartini movie may not succeed commercially, but it had 34 nominations and won 3 awards from 3 different film festivals. These different perspectives allowing variety tendencies of active audience reception. In prior researches, shows that Indonesia still facing a gender inequality in the fields of education. This study aims provides overview of the four active audiences reception on Kartini movie, in order to be a medium that creating an equal society using qualitative approach and constructivism paradigm. This study concluded that there are tendencies of dominant meanings acceptance in Kartin

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Wendranirsa, Thalia Shelyndra. "MAGIC AS A FORM OF OPPRESSION TOWARDS WOMEN: GENDER IDEOLOGY IN MALEFICENT (2014)." Paradigma, Jurnal Kajian Budaya 5, no. 1 (2017): 68. http://dx.doi.org/10.17510/paradigma.v5i1.165.

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Previous studies propose that female protagonists in Disney movies are represented based on gender construction that causes oppression towards women, but in 2014, Disney produces Maleficent which offers different characterization and theme opposing the aforementioned gender construction. By focusing on its different female main character and theme, this paper aims to see what kind of oppression occurs and how Disney presents their gender ideology in the movie. The findings reveal that even though Maleficent is portrayed as a powerful woman, she is also oppressed. Her magical power becomes a tr

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Nguyen, Sang Thi Thanh, and Bao Duy Tran. "Long Short-Term Memory Based Movie Recommendation." Science & Technology Development Journal - Engineering and Technology 3, SI1 (2020): SI1—SI9. http://dx.doi.org/10.32508/stdjet.v3isi1.540.

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Recommender systems (RS) have become a fundamental tool for helping users make decisions around millions of different choices nowadays – the era of Big Data. It brings a huge benefit for many business models around the world due to their effectiveness on the target customers. A lot of recommendation models and techniques have been proposed and many accomplished incredible outcomes. Collaborative filtering and content-based filtering methods are common, but these both have some disadvantages. A critical one is that they only focus on a user's long-term static preference while ignoring his or he

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Hastie, Amelie. "The Vulnerable Spectator." Film Quarterly 69, no. 1 (2015): 52–59. http://dx.doi.org/10.1525/fq.2015.69.1.52.

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Regular FQ columnist Amelie Hastie reflects on her years of movie-going, waxing philosophical on her experiences as a naïve teenager in Portland, Oregon newly enchanted with cinema and relating those experiences to her sense of a doubled-self after a viewing of Clouds of Sils Maria (Olivier Assayas, 2014).

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Rich, B. Ruby. "Academy Categories, Movie Theater Revivals & Always and Forever, Coutinho." Film Quarterly 69, no. 3 (2016): 5–8. http://dx.doi.org/10.1525/fq.2016.69.3.5.

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Brajannoto, Destoprani, Yumna Rasyid, and Ninuk Lustyantie. "An Intuitive Logical Woman: Personality of Main Female Character in “Arrival” Movie by Eric Heisserer." Humaniora 9, no. 2 (2018): 173. http://dx.doi.org/10.21512/humaniora.v9i2.4567.

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This research examined the main female character in the movie "Arrival" by Eric Heisserer. The focus of this research was to know the form of personality, desire, the fulfillment of desires, and to find out psychic conflict that is experienced by her by using the theory of Freud and Lacan. The research applied qualitative method by doing steps of using data collection, data analysis, and data presentation. The results show that Dr. Louise Bank has a different woman personality from other women in general, where Id dominates some of the behaviors shown her. Her desire is always followed by an e

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Lebow, Alisa. "Identity Slips: The Autobiographical Register in the Work of Chantal Akerman." Film Quarterly 70, no. 1 (2016): 54–60. http://dx.doi.org/10.1525/fq.2016.70.1.54.

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Chantal Akerman's last film, No Home Movie (2015), deftly distills the filmmaker's key tropes—borders, exile, duration, waiting, transience, Jewishness, home—but none more so than the trope of the mother. Akerman often said that all of her work was autobiographical, even down to where to put the camera and how to frame the scene. This article explores some of her most explicitly autobiographical works (including Letters from Home [1976], Bordering on Fiction: D'Est [1995], Chantal Akerman par Chantal Akerman [1997], Selfportrait / Autobiography: a work in progress [1998], Là-bas [2006], and No

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Sinarsih, Andriani, Yuvina Handani, and Cendrawaty Tjong. "Dampak Psikologis Tokoh Pria dan Wanita dalam Film Tangshan Da Dizhen." Lingua Cultura 9, no. 2 (2015): 119. http://dx.doi.org/10.21512/lc.v9i2.830.

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"Tangshan Earthquake" by Feng Xiaogang began shooting at the 2010 Aftershock of a background to the film. Movie tells the story of a mother for her daughter because of the expense of her choice between life and death caused deep trauma, the purpose of this study was to indicate the difference between sex behavior may cause deep psychological trauma. This article uses the collected literature research method, to "Aftershock" movie LiYuanni Stool and post-disaster psychological research scope and use of gender inequality theory, post-disaster trauma psychology to analyze the process of gender in

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Priyoto, Priyoto, and Lia Aulia. "EVE’S DISSOCIATIVE IDENTITY DISORDER AS THE REFLECTION OF HER UNPLEASANT CHILDHOOD IN NUNALLY JOHNSON MOVIE, THE THREE FACES OF EVE." Journal of English Language and Literature (JELL) 4, no. 02 (2019): 28–38. http://dx.doi.org/10.37110/jell.v4i02.77.

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The objectives of this study are: (1) to explain the causes of Eve’s dissociative identity disorder. Eve has three identities in her body; Eve White, Eve Black and Jane; (2) to compare the personalities of each identity; and (3) to discuss more deeply the effect of Eve’s dissociative identity disorder to her psychological condition and her ways in facing dissociative identity disorder. This movie tells about dissociative identity disorder as the effect of unpleasant childhood. The personalities of each identity: Eve White, Eve Black and Jane are very different. They battle to be the master of

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Sherard, Hamp. "The Thinking of Students: Free Movie Passes." Mathematics Teaching in the Middle School 6, no. 9 (2001): 534–35. http://dx.doi.org/10.5951/mtms.6.9.0534.

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Ann Sullivan, who teaches at St. Norbert School, Paoli, PA 19301, gave the problem to her sixth-grade Advanced Math class. The students solved the problem immediately, finding how many tickets of each color were under the seats of the theater. She then asked them to find different ways to solve the problem. Their various strategies showed evidence of algebraic thinking, whether they used arithmetic or algebra. In each situation the students reasoned that the tickets had to be distributed in sets of 48 tickets, (3 + 19 + 15 + 11), resulting in 432 ÷ 48, or 9, complete sets of tickets hidden und

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Byrne, Peter. "Paging Dr Love." British Journal of Psychiatry 195, no. 2 (2009): 117. http://dx.doi.org/10.1192/bjp.195.2.117.

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When women's roles in the war effort brought their empowerment, from The Flame Within (1936) to Lady in the Dark (1944), the institution of movie psychiatry reminded women of their place - as passive recipients of male wisdom and treatments. The female movie psychiatrist (The Flame Within) is frequently no different from the successful but unhappy career woman (Lady in the Dark) - their career will never bring the same fulfilment as a solid marriage. The female movie psychiatrist must be ‘cured’ by her love for her male patient. Dr Constance Peterson (Ingrid Bergman) has no difficulties helpin

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Syafitri, Dewi, and Maharani Robiatul Islam. "A Sociolinguistic Study on Joke In Ghostbusters 2016." Linguistic, English Education and Art (LEEA) Journal 1, no. 2 (2018): 115–28. http://dx.doi.org/10.31539/leea.v1i2.185.

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The objectives of the research were to describe the forms and the functions of joke in Ghostbusters 2016 movie. The researcher used descriptive qualitative method in classifying and analyzing the forms and functions of joke. Ghostbusters 2016 movie was chosen as object of the research. The researcher used documentation in collecting the data. Technique for analyzing the data was identification, classification, reduction, description and conclusion. The result of the research: 1) form; 5 words (proper noun, determiner, uncountable noun), 7 phrases (prepositional phrase, noun phrase, verb phrase

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Gouws, Anjo-marí. "“I’m Washing My Dishes and Making a Movie”." Camera Obscura: Feminism, Culture, and Media Studies 35, no. 3 (2020): 60–87. http://dx.doi.org/10.1215/02705346-8631559.

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Anne Charlotte Robertson’s Five Year Diary (UK, 1982) is a multimodal project that comprises cinematic, written, audio, and food diaries that span almost forty years of the artist’s life. This article focuses on how gendered labor gets taken up in the diary project and contrasts it to the elision of gendered labor found in Stan Brakhage’s lyrical film Star Garden (US, 1974). The article charts two types of gendered labor Robertson engages in over the course of the project. First, as a document that tracks Robertson’s weight loss, a form of labor that she presents in a register of repetitious d

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Setiawan, Elma Ariella, and Esther H. Kuntjara. "THE SPEECH STYLES USED BY ERIN GRUWELL IN FREEDOM WRITERS MOVIE." K@ta Kita 5, no. 1 (2017): 28–33. http://dx.doi.org/10.9744/katakita.5.1.28-33.

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This study focused on the gendered speech styles namely; male speech styles and female speech styles used by Erin Gruwell in the Freedom Writers movie and the changes that can be perceived from her use of gendered speech styles. Based on the writer’s descriptive qualitative approach analysis on the data, she found out that the teacher uses both male speech styles and female speech styles along 15 class scenes. She used Co-operative feature of female speech styles and Aggressive feature of male speech styles as her dominant feature which were used in each class scene. However, the writer could

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Wahyuningtyas, Bhernadetta Pravita. "Representasi Kekuatan, Kecerdasan, dan Cita Rasa Perempuan: Analisis Wacana pada Film “The Iron Lady”." Humaniora 5, no. 1 (2014): 28. http://dx.doi.org/10.21512/humaniora.v5i1.2978.

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People’s perception about women describes how women tend to be labelized with various drawbacks. Futhermore, many films put women as appendages to satisfy the desire of seeing the physical polish only, without portraying positive side of a woman which actually represents her personal integrity. Nevertheless, the struggle of women to prove their existence is unstoppable, such as in “The Iron Lady” movie. The movie intends to persuade women that they need to pump out the power within them to boldly express their thoughts, come out from the mutedness and show their superiority, in smart ways, wom

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Dwipayani, Ni Made, I. Ketut Subagia, and Anak Agung Gede Suarjaya. "DEIXIS FOUND IN MOVIE SCRIPT SING." KULTURISTIK: Jurnal Bahasa dan Budaya 4, no. 1 (2020): 44. http://dx.doi.org/10.22225/kulturistik.4.1.1574.

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The title of this paper is Deixis found in Movie Script Sing. In this paper, the writers try to analyze and discuss about the type, class words, and the use of deixis found in the movie script Sing. Data were collected from the movie script of Sing. The data were classified based on the types to Levinson’s Theory (1983). The specific aim of this paper is to describe and analyze the types of deixis in the movie script, analyze sentence by sentence. By doing this research it will be able to know more details about the types of deixis. Then analyzed, it was the types, class words and the use of d

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Sunarsih, Sunarsih, Aulia Putri, and Suswanto Ismadi Megah. "The Esteem Need of Margaret Tate’s on The Proposal Movie." ANGLO-SAXON: Jurnal Ilmiah Program Studi Pendidikan Bahasa Inggris 8, no. 1 (2017): 34. http://dx.doi.org/10.33373/anglo.v8i1.982.

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This objective of the study was to describe The Esteem Need . How does healthy self esteem manifest in Margaret Tate’s life viewed from term the psychology self esteem theory. The data analyzed by using the kind of qualitative research. This study tells about Margaret Tate is the professionally well-respected but personally loathed senior editor at a prestigious New York publishing house. Margaret learns that she is being deported back to Canada on expiration of her work visa. To avoid that deportation she and Andrew are engaged and about to get married. In private with Margaret, Andrew agrees

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Weda, Sukardi, and Andi Elsa Fadhilah Sakti. "The Kind of Speech Styles in Allan Plenderleith’s “The Bunker (2017)” Movie." ELS Journal on Interdisciplinary Studies in Humanities 3, no. 3 (2020): 376–92. http://dx.doi.org/10.34050/elsjish.v3i3.9858.

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This research aimed to find out the kind of speech styles in “The Bunker (2017)” directed by Allan Plenderleith. This research used descriptive method according to Martin Joos’ theory. The data were taken from The Bunker (2017) movie. The data were analyzed by watching the movie as much as possible and trying to understand all of the conversations occur in the movie. All the subtitles in the movie will be transcribed, so that they become movie scripts. Then, the writers categorized several dialogues in the movie that showed the kind of speech styles in The Bunker (2017) and the kind of speech

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Serttaş, Aybike. "Transformation of Love in the Digital Age: The film Her and Reaching God through the love in the Perspective of Sufism." CINEJ Cinema Journal 8, no. 2 (2020): 275–306. http://dx.doi.org/10.5195/cinej.2020.264.

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In this research, two forms of love; digital love and the love for God are the chosen themes to analyse the movie Her with the method of semiotic analysis. Mentioning the differences between love simulacrums created in social media and love in real life, the semiotic analysis of the movie Her is carried out with the indicators that match the criteria to find God through love in Sufism. As a result, it is observed that these characteristics in Sufism correspond to the traits that form digital love. In other words, digital love is an emotional state in which someone or something is idealized wit

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Fauzi, Nur Amir. "CAPTAIN MARVEL: Kesetaraan Gender dalam Perspektif Tokoh Superhero." spectā: Journal of Photography, Arts, and Media 3, no. 2 (2019): 73–79. http://dx.doi.org/10.24821/specta.v3i2.2957.

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Captain Marvel: Gender Equality in the Perspective of Superhero. Gender equality is something that can be a concern lately so it can be used as an issue in the creation of a work of art, because the ‘value’ of women is considered lower than men in various activities or daily activities. A big American movie studio, Marvel Studios, released a film with a female superhero named Captain Marvel. The emergence of the film made the writer want to examine about this superhero much deeper. The method employed for this paper was deconstruction approach by linking it to the phenomenon occurring in the s

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Indriyani, Furi, Tati Mardewi, and Sharaswati Wardani. "THE STRUGGLE OF ROCKY TO SURVIVE IN DON'T BREATHE MOVIE DIRECTED BY FEDE ALVAREZ." English Education : Journal of English Teaching and Research 5, no. 2 (2020): 111–23. http://dx.doi.org/10.29407/jetar.v5i2.14920.

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The purpose of this study was to determine the struggle of the main character namely Rocky in Don't Breathe Movie. The writer uses the descriptive qualitative method in analyzing the struggles of the main characters in Don't Breathe Movie written by Fede Álvarez to make paper arrangements correctly. The procedures that the writer takes to get the best results are observing and understanding the movie, collecting data consisting of struggles, choosing theories to analyze data, analyzing data using theories, making conclusions from the analysis, and finally compiling the final project. The resul

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Horner, John R. "Steak Knives, Beady Eyes, and Tiny Little Arms (A Portrait of T. rex as a Scavenger)." Paleontological Society Special Publications 7 (1994): 157–64. http://dx.doi.org/10.1017/s2475262200009497.

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I'll begin with the obvious question, how many people saw the movie “Jurassic Park”? How many people believed it? In the movie, “Jurassic Park”, there were basically two stars. Tyrannosaurus rex was one of them and the Velociraptors (or Deinonychus, or whatever they happened to be) were the others. What you might also know is that I was an advisor on the movie. All I was able to do was basically tell them when the dinosaurs were walking right and tell Laura Dern how to pronounce her words.Any time the dinosaurs were going to do something, any time Steven Spielberg wanted to have the dinosaurs

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Bożek, Małgorzata. "Disease as a movie theme. Media and genological analysis." Annales Universitatis Paedagogicae Cracoviensis | Studia de Cultura 12, no. 4 (2020): 15–25. http://dx.doi.org/10.24917/20837275.12.4.2.

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The paper concentrates on a comparative interpretation of two films which are classified by their authors as melodramas. The first one is Michael Haneke’s Love and the second one is The Notebook by Nick Cassavetes. The films selected for this analysis represent two different attitudes to disease. Haneke creates a moving image of dying, which is associated not only with physical death, but also the death of human dignity. Cassavetes focuses on a story before the disease of the main heroine, while her affliction is treated as a complement to the happy life, rather than a leading motif. The purpo

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Hunter, Siân. "Coppola's postfeminism: Emma Watson and The Bling Ring." Film, Fashion & Consumption 9, no. 1 (2020): 81–98. http://dx.doi.org/10.1386/ffc_00013_1.

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Abstract Sofia Coppola's The Bling Ring explores the contemporary obsession with commodities and celebrity culture which leads a group of Californian teenagers to break into the homes of celebrities, in order to steal their clothes and accessories. This article examines Coppola's critique of celebrity culture and consumerism through the movie itself, and through her casting of British actor Emma Watson and the ways in which she mobilizes the celebrity persona of Watson in order to further her critique. The Bling Ring will be compared to Coppola's work to understand how it contributes to her po

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