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Journal articles on the topic 'Movie lens'
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Vyshka, Gentian. "Albanian Doctors Through the Movie Lens." Studies in Art and Architecture 2, no. 1 (March 2023): 1–9. http://dx.doi.org/10.56397/saa.2023.03.01.
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The medical profession has been surrounded from mixed feelings of admiration, mysticism, as well as of fear and refusal. Authors and enthusiastic directors have dedicated serials and movies to the physicians’ everyday work, in their ebbs and tides. Albanian cinema produced a score of titles dedicated to the medical profession, with some movies focusing on the physician as the principal role, and some others more peripherally. The physician as a movie character underwent serious changes in the way the directors and scripts defined it, and maybe even in the way the general audience perceived the same. Changes in this modeling of physician’s character were part of the maturation process of the Albanian cinematography that has otherwise been strongly politicized from scholars; this trend could as well, or mainly, be related to the intrinsic alterations of the Albanian society from the immediate post WWII, until the fall of the totalitarian regime.
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Mbura, Issa. "Crux of the Bongo Movie from a Digital Disruption Lens." Umma: The Journal of Contemporary Literature and Creative Arts 9, no. 2 (January 31, 2022): 68–92. http://dx.doi.org/10.56279/ummaj.v9i2.4.
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This paper reports the findings of a study that had explored digital disruption as an analytical lens developed based on the constructs of two theories: the digital disruption theory and the disruptive innovation theory. The study had employed unstructured in-depth interviews, direct observation and virtual ethnographic to consult media experts, pioneer filmmakers, Bongo Movie’ producers, movies library’s keepers, movie retailers, movie translators (deejays) and social network sites (SNS) to collect data. Based on the study findings, the paper argues that the shift in technological paradigm, specifically from the use of expensive and inaccessible technologies used in filmmaking engendered the development and sustainability of the Bongo Movie genre in Tanzania. This technological paradigm shifts were twofold. To begin with, there was a transition from the use of celluloid film and analogue video cameras to digital video cameras in film production. Second, there was a shift from the use of optical prints and Vertical Helican Scan (VHS) tapes to optical discs such as Digital Versatile Discs (DVD) in the distribution of films. These changes in the technologies used in production and distribution of films provided entrants into the local film industry with necessary tools to produce low-budget films and service the low-end market of the country, which augured well with the country’s resource-poor context. Moreover, these Bongo Movies “disrupted” the erstwhile traditional, established, and stringent patterns of consumption of both locally-produced and foreign-imported films in local film markets. Overall, the Bongo Movie genre evolution appears to be a model of how digitally-motivated disruptions can occur in a local film market in a developing nation’s video-film industries and become a staple particularly among the low-end clientele.
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Thi Ha, Dr Phan, and Trinh Thi Van Anh. "Development of Online Movie Recommendation System based on Neighborhood-based Collaborative Filtering." International Journal of Innovative Technology and Exploring Engineering 11, no. 8 (July 30, 2022): 14–16. http://dx.doi.org/10.35940/ijitee.h9126.0711822.
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The recommendation system integrated in movie streaming provides relevant information to viewers predicted by viewers’ past behaviors. There are basically two methods, Content-Based Filtering and Collaborative Filtering. In this article, our focus is on the second method which is based on memory, namely Neighborhood-based Collaborative Filtering (NBCF), to make movie recommendations to users given users’ information. Simultaneously, we have built an online movie website and integrated the movie recommendation system based on NBCF to assist users in movie selection. In the process of building the website, apart from building diagram of movie recommendation system’s functions, class diagram of movie recommendation function, sequence diagram of movie recommendation function, we also build a user-recommended movie model based on the Movies Lens[9] dataset for a fairly high accuracy, which is 99%.
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Lavanya, R., Ebani Gogia, and Nihal Rai. "Comparison Study on Improved Movie Recommender Systems." Webology 18, Special Issue 04 (December 8, 2021): 1470–78. http://dx.doi.org/10.14704/web/v18si04/web18285.
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Recommendation system is a crucial part of offering items especially in services that offer streaming. For streaming movie services on OTT, RS are a helping hand for users in finding new movies for leisure. In this paper, we propose a machine learning an approach based on auto encoders to produce a CF system which outputs movie rating for a user based on a huge DB of ratings from other users. Utilising Movie Lens dataset, we explore the use of deep learning neural network based Stacked Auto encoders to predict user s ratings on new movies, thereby enabling movie recommendations. We consequently implement Singular Value Decomposition (SVD) to recommend movies to users. The experimental result showcase that our R S out performs a user-based neighbourhood baseline in terms of MSE on predicted ratings and in a survey in which user judge between recommendation s from both systems.
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LI Wei-shan, 李维善, 陈琛 CHEN Chen, 张禹 ZHANG Yu, and 刘宵婵 LIU Xiao-chan. "Optical Design of Digital Movie Zoom Projection Lens." ACTA PHOTONICA SINICA 41, no. 10 (2012): 1186–92. http://dx.doi.org/10.3788/gzxb20124110.1186.
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Manjeet Singh and Namita Goyal. "Collaborative Filtering Movie Recommendation System." International Journal for Modern Trends in Science and Technology 6, no. 12 (January 1, 2021): 471–73. http://dx.doi.org/10.46501/ijmtst061291.
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Recommendation System plays an important role in today’s era of e-commerce. From OTT platforms to the shopping application and music application everywhere we see that after watching a movie or buying an item, listening a song we are recommended with some other movie or item or song. Most of the time we select our next movie, item or song from the recommended one. In this paper I will give you a brief description of collaborative and user-based filtering. The data used in this research is taken from Movie Lens. The result obtained contains some movie recommendations.
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Khadilkar, Kunal, and Ashiqur R. KhudaBukhsh. "An Unfair Affinity Toward Fairness: Characterizing 70 Years of Social Biases in BHollywood (Student Abstract)." Proceedings of the AAAI Conference on Artificial Intelligence 35, no. 18 (May 18, 2021): 15813–14. http://dx.doi.org/10.1609/aaai.v35i18.17903.
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Bollywood, aka the Mumbai film industry, is one of the biggest movie industries in the world with a current movie market share of worth 2.1 billion dollars and a target audience base of 1.2 billion people. While the entertainment impact in terms of lives that Bollywood can potentially touch is mammoth, no NLP study on social biases in Bollywood content exists. We thus seek to understand social biases in a developing country through the lens of popular movies. Our argument is simple -- popular movie content reflects social norms and beliefs in some form or shape. We present our preliminary findings on a longitudinal corpus of English subtitles of popular Bollywood movies focusing on (1) social bias toward a fair skin color (2) gender biases, and (3) gender representation. We contrast our findings with a similar corpus of Hollywood movies. Surprisingly, we observe that much of the biases we report in our preliminary experiments on the Bollywood corpus, also gets reflected in the Hollywood corpus.
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Kowalski, Christopher, and Ruchi Bhalla. "Viewing the Disney Movie Frozen through a Psychodynamic Lens." Journal of Medical Humanities 39, no. 2 (October 14, 2015): 145–50. http://dx.doi.org/10.1007/s10912-015-9363-3.
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Khan, Mehwish Ali, and Fouzia Rehman Khan. "Intertextual Elements Highlighting the Postmodernist Features of Tangled (2010)." Global Language Review IV, no. II (December 30, 2019): 50–58. http://dx.doi.org/10.31703/glr.2019(iv-ii).08.
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The present study focuses on one of the contemporary American fairy tale movies to analyze the postmodernist aspects present in these movies. The researcher has selected the movie Tangled released in 2010 for this purpose, it is a remake of the famous fairy tale Rapunzel recorded by famous fairy tale writers, Jacob and Wilhelm Grimm. One of the most prominent patterns of analyzing the movies through the lens of postmodernism is the framework by Kevin Paul Smith, in his book The Postmodern Fairytale, Folkloric Intertexts in Contemporary Fiction. He has presented eight elements of intertextuality to examine the intertextual elements of the older fairy tales present in contemporary literature (2007). Analysis reveals these eight elements in Tangled (2010) that are evident in traces of postmodernity in the movie.
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Kumar, M. Sandeep, and Prabhu J. "Hybrid Model for Movie Recommendation System Using Fireflies and Fuzzy C-Means." International Journal of Web Portals 11, no. 2 (July 2019): 1–13. http://dx.doi.org/10.4018/ijwp.2019070101.
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In the era of Big Data, extremely complicated data is delivered from the system, of which it is impossible to collect the correct information with an online platform. In this research work, it provides a hybrid model for a movie-based recommender system; based on meta-heuristic firefly algorithm and fuzzy c-means (FCM) clustering technique to evaluate rating of a movie for a specific user based on the similarity of users and historical data. The firefly algorithm was employed in the movie lens dataset to get the initial cluster and also to initialize the position of clusters. FCM is used to classify the similarity of the user ratings. The proposed collaborative recommender system performed well regarding accuracy and precision. Various metrics are used in a movie lens dataset like mean absolute error (MAE), precision, and recall. The experimental result delivered by the system provides more efficient performance compared to the existing system in term of mean absolute error (MAE).
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Ghosh, Sumana, Navjot Kaur Walia, Parul Kalra, and Deepti Mehrotra. "A fuzzy association rule mining approach using movie lens dataset." CSI Transactions on ICT 4, no. 2-4 (December 2016): 249–54. http://dx.doi.org/10.1007/s40012-016-0119-7.
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Scholz, Juliane. "Re-Configuring the New Women - Female Screenwriters and Street Films in Weimar Republic." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 10, no. 2 (June 14, 2017): 32–44. http://dx.doi.org/10.31165/nk.2017.102.507.
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This article traces the history of early female screenwriters in Germany and highlights the influence of professional female screenwriter Ruth Goetz and her movie Die Dirnentragödie (also: Women without Men, 1927). It shows how the movie represented certain political, cultural and legal debates on the New Woman and reconfigured the myth by implementing ambivalent gender roles in the plot. Furthermore, the representation of the role of female sex workers in Weimar society in Weimar street films is described and the way of transforming cultural and political discourses about gender equality into silent movies is discussed. Ruth Goetz and her professional screenwriting work is revisited through the lens of New Film History and the importance of the early professional female screenwriters’ contribution in Weimar cinema is underlined.
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Bai, Yilin. "Motherhood and Feminism: Relationship Through the Lens of the Movie Suffragette." BCP Education & Psychology 7 (November 7, 2022): 428–31. http://dx.doi.org/10.54691/bcpep.v7i.2699.
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While there has been an increasing amount of discussion around feminism, the relationship and controversies between motherhood and feminism has been relatively overlooked. Taking on a new perspective of films, this paper explores the relationship between motherhood and feminism through the content analysis of empirical research and the movie Suffragette (2015). Examining theories from feminists such as Adrienne Rich, Shulamith Firestone, and Betty Friedan, this paper includes a supportive relationship, which is motherhood acting as a cause for feminism, a neutral relationship, which is the two being balanced and rather loosely connected, as well as a negative relationship, which is motherhood hindering and oppressing women. This paper concludes that while it is arguable that motherhood can be a hinder towards feminism, there is more evidence both in real-life and in the movie showing a supportive and neutral relationship. Thus, this encourages future researchers and feminists to more actively include motherhood in its activities considering their positive relationship.
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Qiao, Zixin. "Interpretation of Two Female Cyborg Body Forms based on the Films Her and Titanium." BCP Social Sciences & Humanities 22 (August 2, 2023): 53–58. http://dx.doi.org/10.54691/bcpssh.v22i.5242.
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With the assistance of psychoanalytic theory (the Oedipal complex developed by Freud), Neo-Freudian theory regarding abnormal behavior, female mirror theory given by Luce Irigaray, female movie theory by De Lauretis, and female sexuality theory, this paper combines them with the lens language of these two movies to explore the potential implication of two types of cyborg female images in the body aspect of Titanium and Her, which is based on the two paths of reading cyborg female simages brought by Anne Balsamo.
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Harad, Tanuja. "A Critical Lens to Understand Gender and Caste Politics of Rural Maharashtra, India." CASTE / A Global Journal on Social Exclusion 4, no. 1 (May 15, 2023): 46–53. http://dx.doi.org/10.26812/caste.v4i1.333.
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'Sairat’, is a highly acclaimed movie and is the highest grossing Marathi film till date. It was one of the biggest hits of the Marathi films industry and screened for many months in theaters after the release. ‘Sairat’, a Marathi romantic drama film portrays the construction of hegemonic masculinity and its relation to the controlling of women’s sexuality. The movie centers around controlling women’s sexuality, portraying dominant masculinity and brutal killing due to transgression of caste (in the form of inter-caste marriage) in rural Maharashtra.
In July 2016, an upper caste girl was raped and murdered by lower castes at Kopardi village soon after the release of the movie. The rape and murder of the girl led to protests all over Maharashtra. The protesters and leaders of the upper caste community alleged that the rape and murder of a girl was provoked by the movie, ‘Sairat’. This article takes the protests as a provocation to take a closer look at Sairat’s gender and caste politics.
This article explores the way hegemonic masculine identity has been manifested through control over women’s sexuality and their mobility, and violence against women. The hegemonic masculinity has been constructed based on unequal gender and power relations between men and women, dominant and lower caste men.
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Gomathy, Dr C. K. "A Comparing Collaborative Filtering and Hybrid Recommender System for E-Commerce." International Journal for Research in Applied Science and Engineering Technology 9, no. 11 (November 30, 2021): 635–38. http://dx.doi.org/10.22214/ijraset.2021.38844.
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Abstract: Here we are building an collaborative filtering matrix factorization based hybrid recommender system to recommend movies to users based on the sentiment generated from twitter tweets and other vectors generated by the user in their previous activities. To calculate sentiment data has been collected from twitter using developer APIs and scrapping techniques later these are cleaned, stemming, lemetized and generated sentiment values. These values are merged with the movie data taken and create the main data frame.The traditional approaches like collaborative filtering and content-based filtering have limitations like it requires previous user activities for performing recommendations. To reduce this dependency hybrid is used which combines both collaborative and content based filtering techniques with the sentiment generated above. Keywords: machine learning, natural language processing, movie lens data, root mean square equation, matrix factorization, recommenders system, sentiment analysis
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Danev, Radostin, Hirofumi Iijima, Mizuki Matsuzaki, and Sohei Motoki. "Fast and accurate defocus modulation for improved tunability of cryo-EM experiments." IUCrJ 7, no. 3 (April 25, 2020): 566–74. http://dx.doi.org/10.1107/s205225252000408x.
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Current data collection strategies in electron cryo-microscopy (cryo-EM) record multiframe movies with static optical settings. This limits the number of adjustable parameters that can be used to optimize the experiment. Here, a method for fast and accurate defocus (FADE) modulation during movie acquisition is proposed. It uses the objective lens aperture as an electrostatic pole that locally modifies the electron beam potential. The beam potential variation is converted to defocus change by the typically undesired chromatic aberration of the objective lens. The simplicity, electrostatic principle and low electrical impedance of the device allow fast switching speeds that will enable per-frame defocus modulation of cryo-EM movies. Researchers will be able to define custom defocus `recipes' and tailor the experiment for optimal information extraction from the sample. The FADE method could help to convert the microscope into a more dynamic and flexible optical platform that delivers better performance in cryo-EM single-particle analysis and electron cryo-tomography.
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Koohshahee, Roohollah Roozbeh, and Alireza Anushirvani. "Thousand and One Nights and Ali Baba and Forty Thieves." International Letters of Social and Humanistic Sciences 60 (September 2015): 112–20. http://dx.doi.org/10.18052/www.scipress.com/ilshs.60.112.
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This article is going to study the adaptation of Thousand and One Nights in the movie Ali Baba and Forty Thieves directed by Arthur Lubin in 1944 through the lens of adaptation theory. The movie departs heavily from the text of Thousand and one Nights to the point that it is a whole different story and owes a great deal to the imagination of Universal Pictures. Since the movie represents the Orient it is a fertile ground for the study of the Orient in the movie. First we study the relationship of the text with the image and second we will study the images of the Orient. Of course the image the movie presents of the Orient is innocent and mild. The movie turns the text on its head in that the movie is the reverse of the text. The plot of the movie is the opposite of the text, whereas in the text it is the forty thieves who are the villains in the movie it is the other way round, the forty thieves befriend Ali Baba and grow him up and they form a resistance against the Mongols.
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Heftberger, Adelheid, Yuri Tsivian, and Matteo Lepore. "Man with a Movie Camera (SU 1929) under the Lens of Cinemetrics." Maske und Kothurn 55, no. 3 (September 2009): 61–80. http://dx.doi.org/10.7767/muk.2009.55.3.61.
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Martinez, Victor R., Krishna Somandepalli, and Shrikanth Narayanan. "Boys don’t cry (or kiss or dance): A computational linguistic lens into gendered actions in film." PLOS ONE 17, no. 12 (December 21, 2022): e0278604. http://dx.doi.org/10.1371/journal.pone.0278604.
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Contemporary media is full of images that reflect traditional gender notions and stereotypes, some of which may perpetuate harmful gender representations. In an effort to highlight the occurrence of these adverse portrayals, researchers have proposed machine-learning methods to identify stereotypes in the language patterns found in character dialogues. However, not all of the harmful stereotypes are communicated just through dialogue. As a complementary approach, we present a large-scale machine-learning framework that automatically identifies character’s actions from scene descriptions found in movie scripts. For this work, we collected 1.2+ million scene descriptions from 912 movie scripts, with more than 50 thousand actions and 20 thousand movie characters. Our framework allow us to study systematic gender differences in movie portrayals at a scale. We show this through a series of statistical analyses that highlight differences in gender portrayals. Our findings provide further evidence to claims from prior media studies including: (i) male characters display higher agency than female characters; (ii) female actors are more frequently the subject of gaze, and (iii) male characters are less likely to display affection. We hope that these data resources and findings help raise awareness on portrayals of character actions that reflect harmful gender stereotypes, and demonstrate novel possibilities for computational approaches in media analysis.
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Rubenstein, Anne. "A Sentimental and Sexual Education." Mexican Studies/Estudios Mexicanos 36, no. 1-2 (2020): 216–42. http://dx.doi.org/10.1525/msem.2020.36.1-2.216.
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Alongside all the other functions of movie theaters over the past century, in Mexico City men have used them as sexual spaces. A few cinemas like the Cine Teresa became notorious as sites in which men could find male sex partners. Yet even there, behaviors of and narratives by men who had sex with men mirrored those by men who had sex with women. This article focuses on the history of masculine sexuality in Mexico City movie houses from 1920 to 2010. The presence of women in these houses, either as workers, on the screen, or in men’s memories, along with the presence of men who went there to watch heterosexual sex on the movie screen, suggests that moviegoing in Mexico City can be analyzed through the lens of gender history as much as through that of the history of sexuality. Despite major social, cultural and technological changes over the twentieth century, examining movie audiences in terms of the histories of sexuality and gender reveals a startling amount of continuity in movie theaters as spaces of male sexuality.
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Liu, Fangyan. "Montage Theory in the Movie the Devil Wears Prada." BCP Social Sciences & Humanities 21 (February 15, 2023): 190–96. http://dx.doi.org/10.54691/bcpssh.v21i.3476.
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Feminism has always been a topic of discussion, and movies about feminism are also emerging in an endless stream. Gender equality in society and women's realization of self-worth and pursuit of dreams have always been advocated today. Therefore, it is meaningful to study feminism. The research theme of this paper is the application and role of montage theory in the film. This paper will mainly analyze the different montage shots in the Devil Wears Prada to analyze how to present the main theme of feminism. Through the analysis of the film lens, it is found that the montage technique clips several separate shots together to present a better effect, showing the confidence and persistence of the protagonist Andy in the workplace, and successfully shaping a female image who bravely pursues her dream.
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Varma, Swati. "Disability through the Lens of the Movie I am Sam, Hollywood Production, 2001." Psychology and Developing Societies 23, no. 2 (September 2011): 297–305. http://dx.doi.org/10.1177/097133361102300208.
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Siddiquee, Mahfuzur Rahman, Naimul Haider, and Rashedur M. Rahman. "Movie Recommendation System Based on Fuzzy Inference System and Adaptive Neuro Fuzzy Inference System." International Journal of Fuzzy System Applications 4, no. 4 (October 2015): 31–69. http://dx.doi.org/10.4018/ijfsa.2015100103.
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One of most prominent features that social networks or e-commerce sites now provide is recommendation of items. However, the recommendation task is challenging as high degree of accuracy is required. This paper analyzes the improvement in recommendation of movies using Fuzzy Inference System (FIS) and Adaptive Neuro Fuzzy Inference System (ANFIS). Two similarity measures have been used: one by taking account similar users' choice and the other by matching genres of similar movies rated by the user. For similarity calculation, four different techniques, namely Euclidean Distance, Manhattan Distance, Pearson Coefficient and Cosine Similarity are used. FIS and ANFIS system are used in decision making. The experiments have been carried out on Movie Lens dataset and a comparative performance analysis has been reported. Experimental results demonstrate that ANFIS outperforms FIS in most of the cases when Pearson Correlation metric is used for similarity calculation.
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Khalil Sharif, Halo, and Kamaran Hama Ali. A. Faraj. "Semantic Web Recommender System over Different Operating Platforms." UHD Journal of Science and Technology 6, no. 2 (August 10, 2022): 19–23. http://dx.doi.org/10.21928/uhdjst.v6n2y2022.pp19-23.
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Semantic-Web Recommender System (SWRS) evaluation over different operating systems (OSs) used to facilitate and improve human electronic recommendation management (HERM). The HERM is address the needs of user and dataset of movie in our proposed system through internetworking means which increase the speed of automated recommendation and enhance the goodness of SWRS and services also electronically to select right movies-title to user demand. Furthermore, it will be a benefit for selection a right favor by user for right selection from (i.e., 3000 records in dataset of movie-Lens) in the backend. There are a direct relation between time-consume of selection movie-title, also the time-consume, and accuracy. The two-mentioned parameters, namely, time-consume and accuracy over two different operation system (OSs) which designed by web technology Python. In our research, SWR system is proposed; it is provide with some recommendation methods. The system designed and improved using content-based algorithm (CBA). Investigational results indicate that the developed algorithm technique confident a reasonable performance such as accuracy and time consuming compared to other existing works with a testing average accuracy of 85.63 for windows and 88.35 for Linux operating system. In conclusion, SWRS investigated on two different operating platforms and could be seen that the Linux is faster than windows in accuracy and time consuming.
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Priscilla, S., and C. Naveena. "Social Balance Theory Based Hybrid Movie Recommendation System." Journal of Computational and Theoretical Nanoscience 17, no. 9 (July 1, 2020): 4022–25. http://dx.doi.org/10.1166/jctn.2020.9012.
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Suggesting people exactly according to their likeness is most challenging in today’s generation. Present websites fail to provide the recommendation that is appropriate for people. There are several reasons such as there is either inadequate information about people or absence of feedback from the movies that they have watched. In this Situation considering those few/Sparse scores that are given that are collected from the people a socially balanced concept came into picture. Socially balanced theory Concept (hybrid) uses a integrated recommendation by combining both substance—oriented and community organized approach i.e., recommends based on both on viewers as well as movie. Socially balance theory helps to get better suggestion even when there is less information or inappropriate content by finding the opponent for the end users later discover the end users companion i.e., “opponents opponent is a companion” rule in social balance theory. So that suggestions can be based on both customer as well as goods based. For this, initially grouping the community is required to find the similarity between them. Finally the workability of integrated—recommendation is evaluated by considering film lens dataset – 10 M.
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Cui, Tingting. "The Construction of Female Identity in Chinese Biographical Film Anita Through the Lens of Male Gaze." Asian Journal of Social Science Studies 7, no. 8 (August 28, 2022): 54. http://dx.doi.org/10.20849/ajsss.v7i8.1269.
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Anita 《梅艳芳》 is a biopic newly released in 2021, chronicling her journey from a child performer to one of most recognized music idols in China and Southeast Asia. Mui began her singing career as a little girl, giving shows at an amusement park. Known as “Asian Madonna”, she kicked off her career by winning a singing contest in Hong Kong in 1982. Meanwhile, Mui also gained fame as an actress. She starred in more than 40 movies over 20 years, winning Taiwan’s Golden Horse award for best actress in 1987 for her role as a tormented ghost in the movie “Rouge.” She was also known for her charity work, setting up the Anita Mui Charity Foundation in 1990s.
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LUCA, IOANA. "“The Americans Are Coming!?” Postcommunist Reconfigurations of the US in California Dreamin’ (Endless)." Journal of American Studies 48, no. 3 (January 27, 2014): 819–37. http://dx.doi.org/10.1017/s0021875813002521.
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My article focuses on the film California Dreamin’ (Endless) in order to examine the way the movie problematizes and brings in dialogue contemporary overlapping and contradictory Romanian ideologies in relation to the US. By taking the movie as a lens for the Romanian context, my paper analyzes how the US is signified and decoded in the aftermath of communism in Romania. I discuss how the movie envisions a continuous questioning and interrogation of the precommunist past and the postcommunist present upon which images, perceptions, fictions, and appropriations of “America” are predicated in the post-1989 Romanian context. My argument is that by mapping the overlapping terrain of the foreign and the domestic past and present, the film critically reconfigures the space between the US and one of its main supporters in the “New Europe.” It explores axes of local, national, and international interests, pointing to the contradictory, ambiguous sociocultural representations that accrue to “America” as it is caught up in itineraries and mis/translations across a “Second World” site. I contend that the dialogic examination Romania–US that the movie successfully achieves can become an ideal model for approaching the US in the Eastern European space.
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Onifade, Oluwafemi Sunday. "Beyond the Lens: Kemi Adetiba’s King of Boys as A Metaphor for Power and Order in Democratic Nigeria." Journal of Society and Media 4, no. 1 (April 20, 2020): 31. http://dx.doi.org/10.26740/jsm.v4n1.p31-48.
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This study examines the symbolic representations of Nigerian social reality in the movie “King of Boys”. Social reality in this instance is examined from the perspective of official and unofficial political and economic power, influence, and coercion. Based on the framework of Ferdinand de Saussure and Charles Sanders Peirce’s semiotics and semiology theory, the study aims to examines the symbolic relationship between characters, scenes, and institutions in the Kemi Adetiba’s “King of Boys” and the realities in the Nigerian political and security sectors. Using the methodological approach of Critical Discourse Analysis, the study found that the movie is a bold attempt at representing the intricate power relations that exists within Nigerian political circles as well as that which exists between the Nigerian political class and organized crime
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Ann Rose Davis. "Marxist Feminism: An Analysis on Class Structure and Position of Women in Malayalam movie -“Chemmeen”." Creative Launcher 6, no. 1 (April 30, 2021): 78–83. http://dx.doi.org/10.53032/tcl.2021.6.1.10.
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The Malayalam film industry, prominently known as “Mollywood,” is one of the fast-changing faces in Indian cinema. This paper tries to examine one of the Malayalam movies, Chemeen, through the lens of Marxist Feminism. The primary text chosen for the study is the movie, Chemeen, an adaptation of Thakazhi Sivasankara Pillai’s novel with the same name. The story revolves around the lives of Karuthamma and Pareekutt, lovers whose life cannot be led together because of the strong influence of caste and class in their society. This is one of the liberal texts in Malayalam Literature narrating the Kerala fishing community’s lives, customs, traditions, and beliefs. The research paper’s primary focus will be on society’s hierarchy through the reflection of Mollywood cinema, the stereotyping of certain characters based on their class and caste, the aftermath of marriage, and the domineering male-centric society female fellowships through deities.
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Harrington, Laura. "The Greatest Movie Never Made: The Life of the Buddha as Cold War Politics." Religion and American Culture 30, no. 3 (2020): 397–425. http://dx.doi.org/10.1017/rac.2020.14.
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ABSTRACTThis article explores the backstory of a 1953 screenplay on the life of the Buddha conceived by the CIA as a psychological warfare strategy to draw Asian Buddhists away from the Communist orbit and into the Free World. Developed in collaboration with Ceylonese Buddhist scholar G. P. Malalasekera, Tathagata: The Wayfarer (hereafter, Wayfarer) is best read through the lens of the U.S. Campaign of Truth propaganda effort launched by Truman in 1950. I draw on declassified government documents and archives to highlight the screenplay's trajectory as a covert attempt by the U.S. government to work with Asian Buddhists to further U.S. foreign policy needs in Asia and to demonstrate a truth rarely recognized by scholars of religion and American culture: For the early Cold War American state, Buddhism was an object of foreign policy.
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Bhatt, Shivani. "The Color of Class: The Color Purple through a Marxist Feminist Lens." SMART MOVES JOURNAL IJELLH 8, no. 1 (January 10, 2020): 10. http://dx.doi.org/10.24113/ijellh.v8i1.10325.
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The paper revolves around the interplay of gender, race and sexuality under the canopy of Capitalism in Alice Walker’s The Color Purple. By evoking Walker’s subtle exploration of the nexus between patriarchy, race and capitalism, the paper aims to dwell on these complementary forces that operate elliptically, furthering and constructing the concentric circles of Marxism and Feminism. In addition, the analysis extends the Marxist (feminist) notion of simply instituting a relationship between women’s uncompensated labor with GDP computation to a more nuanced study of hetero-patriarchal structures of hegemony. Furthermore, the paper looks at the visual dimensions, the color of the exquisite purple flowers that Shug describes to Celie, blossom all through in Spielberg’s 1985 adaptation of the movie, justifying the title not only for the characters but for the onlookers alike.
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Deleyto, Celestino. "The way of the dog: Truman through the cosmopolitan lens." Studies in Spanish & Latin-American Cinemas 17, no. 1 (March 1, 2020): 51–72. http://dx.doi.org/10.1386/slac_00011_1.
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This article examines Truman (Gay, 2015) as an example of a transnational co-production between Argentina and Spain within the wider context of contemporary co-productions in Latin American cinema. The article uses cultural-industrial analysis and cosmopolitan theory ‐ in particular, the notion of cosmopolitan performance and cosmopolitan spaces ‐ as a framework for the exploration of the symbolic-ideological space that the film creates out of the real places in which the action is set and out of the various journeys inscribed in the cinematic identities of its main authorial voices. The Madrid neighbourhood in which most of the narrative develops, Las Salesas, is transformed in the movie through the presence in its midst of transnational star Ricardo Darín and the urban sensibility contributed by Barcelona-based director Cesc Gay. As a consequence, Truman’s construction of space becomes part of a Hispanic American imaginary which, originating in industrial practices, financial motivations and a vaguely defined common cultural space, attempts to supersede colonial history within the logics of globalization, transnationalism and cosmopolitan sensibilities.
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Agarwal, Prateek, Samuel Edward Navon, Praveen Subudhi, and Neha Mithal. "Persistently poor vision in dim illumination after implantation of XtraFocus small-aperture IOL (Morcher)." BMJ Case Reports 12, no. 11 (November 2019): e232473. http://dx.doi.org/10.1136/bcr-2019-232473.
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A 21-year-old patient presents to us with complaints of blurred vision and photophobia in the left eye, with an uncorrected visual acuity of 20/100 improving to 20/30 with pinhole and diagnostic rigid gas permeable lens trial. He had a history of trauma with subsequent cataract extraction, with residual irregular astigmatism and traumatic mydriasis. XtraFocus Pinhole intraocular lens (Morcher) was implanted in the left eye. One week postoperatively, the left eye uncorrected visual acuity improved to 20/30, uncorrected intermediate visual acuity improved to 20/40, and uncorrected near visual acuity improved to J4. The glare and photophobia resolved completely. Surprisingly, the patient complained of severely poor vision in dim illumination. His vision was limited to bare perception of objects and hand movements close to the face. He started facing difficulties in major activities such as driving at night and in dark ambient surroundings such as movie theatres, which persisted to the extent of necessitating explantation of the implant.
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Mayne, Laura. "A World on His Shoulders: Nat Cohen, Anglo-EMI and the British Film Industry." Journal of British Cinema and Television 18, no. 1 (January 2021): 34–49. http://dx.doi.org/10.3366/jbctv.2021.0554.
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Despite being one of the most significant players in the British film industry of the 1960s and 1970s, Nat Cohen remains a curiously neglected figure in histories of that era. At Anglo-Amalgamated he oversaw a varied slate of productions, from B-movies and cheap programmers to box-office successes like Ken Loach’s Poor Cow. He greenlit some of the greatest commercial hits of the 1960, including New Wave dramas ( Billy Liar, A Kind of Loving), pop musicals ( Catch Us If You Can) and horror films now widely considered to be classics of British cinema ( Peeping Tom). After Anglo-Amalgamated was acquired as part of EMI’s takeover of the Associated British Pictures Corporation (ABPC), Cohen headed Anglo-EMI, where his business acumen and shrewd commercial instincts led to him being dubbed ‘King Cohen’ by the press and widely recognised as one of the most powerful men in the British film industry. Drawing on recent scholarly work on the role of the producer, this article will explore links between Anglo-ABPC and EMI through the lens of Cohen’s career and distinctive ‘movie mogul’ persona.
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Bulut, Ergin. "Can the Intern Resist? Precarity of Blue-Collar Labor and the Fragmented Resistance of the White-Collar Intern in Laurent Cantet’s Human Resources." Journal of Communication Inquiry 41, no. 1 (July 24, 2016): 42–59. http://dx.doi.org/10.1177/0196859916658028.
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Drawing on the literature regarding internships and cinema of precarity, this article addresses how one “learns” to intern and negotiate his or her class identity between a blue-collar past and white-collar future through an analysis of Laurent Cantet’s Human Resources. In contrast to Lauren Berlant’s astute though pessimist reading of the movie, I propose that internships may highlight the creative and organizing potential of labor power. A critique of Human Resources serves as an analytical lens through which the constitutive role of internship, its political desire to lead to crisis at work and its ability to resist precarity, albeit in a fragmented manner, may be revealed.
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Russo, James, Toby Russo, and Anne Roche. "Using Rich Narratives to Engage Students in Worthwhile Mathematics: Children’s Literature, Movies and Short Films." Education Sciences 11, no. 10 (September 27, 2021): 588. http://dx.doi.org/10.3390/educsci11100588.
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Using children’s literature to support mathematics instruction has been connected to positive academic outcomes and learning dispositions; however, less is known about the use of audiovisual based narrative mediums to support student mathematical learning experiences. The current exploratory, qualitative study involved teaching three lessons based on challenging, problem solving tasks to two classes of Australian Year (Grade) 5 students (10 and 11 year olds). These tasks were developed from various narratives, each portrayed through a different medium (movie clip, short film, picture story book). Post lesson interviews were undertaken with 24 students inviting them to compare and contrast this lesson sequence with their usual mathematics instruction. Drawing on a self-determination theory lens, our analysis revealed that these lessons were experienced by students as both highly enjoyable and mathematically challenging. More specifically, it was found that presenting mathematics tasks based on rich and familiar contexts and providing meaningful choices about how to approach their mathematical work supported student autonomy. In addition, there was evidence that the narrative presentation supported student understanding of the mathematics through making the tasks clearer and more accessible, whilst the audiovisual mediums (movie clip, short film) in particular provided a dynamic representation of key mathematical ideas (e.g., transformation and scale). Students indicated an eclectic range of preferences in terms of their preferred narrative mediums for exploring mathematical ideas. Our findings support the conclusion that educators and researchers focused on the benefits of teaching mathematics through picture story books consider extending their definition of narrative to encompass other mediums, such as movie clips and short films.
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Luo, Zhengtian. "Graph Convolution Network Recommender Rystem with Feature Embedding." Frontiers in Computing and Intelligent Systems 1, no. 1 (September 4, 2022): 82–85. http://dx.doi.org/10.54097/fcis.v1i1.1497.
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Recommender system has become one of the most important parts of information services on the Internet today the model based on graph neural network has been proved to be a very effective method in collaborative filtering recommender system [1,15]. However, the recommender system based on graph network usually only uses the interactive relationship between users and items, and their feature information is often not used effectively. In this work, we combine the use of feature information with graph convolutional network to design a new recommendation algorithm, Graph Convolution Network recommender system with Feature Embedding, GCNFE. Tests on the Movie lens and Last-FM datasets show that the new model performs better than previous models in most cases.
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Liu, Zhaoxi (Josie). "Censorship, Pandemic, and the Field of Power: The Death and Revival of a Chinese War Epic." Journalism and Media 3, no. 4 (December 1, 2022): 771–83. http://dx.doi.org/10.3390/journalmedia3040051.
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This case study examines the dramatic change of fortune of the Chinese war epic “The Eight Hundred”. The movie was censored in 2019 during China’s celebration of the country’s 70th anniversary but became the market-saving hero in the wake of the COVID-19 pandemic in 2020. Through the lens of Bourdieu’s theory of the field of cultural production, this study argues that the movie’s changing fate is essentially the change of its political, symbolic and economic capitals, under different field conditions. The subfield of commercial films in China is subject to the control of political and economic forces in the field of power, but is also becoming an economic power itself.
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Gong, Jibing, Xinghao Zhang, Qing Li, Cheng Wang, Yaxi Song, Zhiyong Zhao, and Shuli Wang. "A Top-N Movie Recommendation Framework Based on Deep Neural Network with Heterogeneous Modeling." Applied Sciences 11, no. 16 (August 12, 2021): 7418. http://dx.doi.org/10.3390/app11167418.
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To provide more accurate and stable recommendations, it is necessary to combine display information with implicit information and to dig out potential information. Existing methods only consider explicit feedback information or implicit feedback information unilaterally and ignore the potential information of explicit feedback information and implicit feedback information, which is also crucial to the accuracy of the recommendation system. However, the traditional Heterogeneous Information Networks (HIN) recommendation ignores the attribute information in the meta-path and the interaction between the user and the item and, instead, only considers the linear characteristics of the user-object often ignoring its non-linear characteristics. Aiming at the potential information acquisition problem from assorted feedback, we propose a new top-N recommendation method MFDNN for Heterogeneous Information Networks (HINs). First, we consider explicit and implicit feedback information to determine the potential preferences of users and the potential features of the product. Then, matrix factorization (MF) and a deep neural network (DNN) are fused to learn independent feature embeddings through MF and DNN, and fully considering the linear and non-linear characteristics of the user-object. MFDNN was tested on several real data sets, such as Movie-Lens, and compared with benchmark experiments. MFDNN significantly improved the hit ratio (HR) and normalized discounted cumulative gain (NDCG). Further research showed that the meta-path bias had an excellent effect on the gain of potential information mining and the fusion of explicit and implicit information in the accuracy and stability of user interest classification.
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Wambsganss, Joachim, and Tomislav Kundić. "Gravitational Microlensing By Random Motion Of Stars: Movie and Analysis of Light Curves." Symposium - International Astronomical Union 173 (1996): 287–88. http://dx.doi.org/10.1017/s0074180900231586.
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We present a quantitative analysis of the effect of microlensing caused by random motion of individual stars in a galaxy lensing a background quasar. We calculate a large number of magnification patterns for positions of the stars slightly offset from one frame to the next, and thus obtain light curves for fixed quasar and galaxy positions, only due to the change in the relative star positions. These light curves are analyzed to identify microlensing events, which are then classified with respect to height, duration, and slope. These random motion microlensing events are compared with the corresponding ones caused by the bulk motion of the galaxy.We find that microlensing events produced by random motion of stars are shorter, steeper, and more frequent than bulk motion events, assuming the velocity dispersion of the stars equals the bulk velocity of the galaxy. The reason for this difference is that in the case of random motion, caustics can move with an arbitrarily high velocity, producing very short events, whereas in the comparison case for bulk motion a microlensing event can never be shorter than it takes a fold caustic, which moves with the velocity of the lensing galaxy projected onto the quasar plane, to cross the quasar. An accompanying video illustrates these results. For three different values of the surface mass density κ, it shows time sequences of 1000 magnification patterns for slowly changing lens positions, together with the positions and velocity vectors of the microlensing stars. The full paper including the video can be found in Wambsganss & Kundić (1995). A short version of the video is available as an MPEG movie under anonymous ftp at astro.princeton.edu, in the directory jkw/microlensing/moving_stars.
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TR, Mahesh, and V Vinoth Kumar. "Clustering Techniques for Recommendation of Movies." International Journal of Data Informatics and Intelligent Computing 1, no. 2 (December 21, 2022): 16–22. http://dx.doi.org/10.59461/ijdiic.v1i2.17.
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A recommendation system employs a variety of algorithms to provide users with recommendations of any kind. The most well-known technique, collaborative filtering, involves users with similar preferences although it is not always as effective when dealing with large amounts of data. Improvements to this approach are required as the dataset size increases. Here, in our suggested method, we combine a hierarchical clustering methodology with a collaborative filtering algorithm for making recommendations. Additionally, the Principle Component Analysis (PCA) method is used to condense the dimensions of the data to improve the accuracy of the outcomes. The dataset will receive additional benefits from the clustering technique when using hierarchical clustering, and the PCA will help redefine the dataset by reducing its dimensionality as needed. The primary elements utilized for recommendations can be enhanced by applying the key elements of these two strategies to the conventional collaborative filtering recommendation algorithm. The suggested method will unquestionably improve the precision of the findings received from the conventional CFRA and significantly increase the effectiveness of the recommendation system. The total findings will be applied to the combined dataset of TMDB and Movie Lens, which is utilized to suggest movies to the user in accordance with the rating patterns that each individual user has generated.
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Boyd, David P. "Cinematic Perspectives On Organizational Mentoring." Contemporary Issues in Education Research (CIER) 2, no. 2 (January 10, 2011): 9. http://dx.doi.org/10.19030/cier.v2i2.1091.
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Properly conceived and conducted, organizational mentoring can bestow benefits on the suppliant, the mentor and the firm. If prospective protégés assess the context of a mentoring relationship before they enter into one, they can enjoy a bonding experience that facilitates psychological satisfaction and furthers professional advancement. The movie medium is an educative means of appreciating and attaining these positive outcomes. The instructive lens of drama can complement traditional curricular materials in courses on behavioral dynamics. Over the past seven years, the author has assigned a film project in his Leadership classes at the undergraduate and MBA level. Of the 120 films chosen for students projects, five compellingly capture functional and dysfunctional aspects of protégé-protector linkages. After analyzing these films, the paper proposes ten precepts that will enhance the mentoring experience for workplace aspirants.
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Limano, Ferric. "The Principle of Asymmetry Aesthetic in Cinematography." Humaniora 9, no. 1 (March 19, 2018): 75. http://dx.doi.org/10.21512/humaniora.v9i1.4267.
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The research showed the principle of asymmetry having a grasp of aesthetic in cinematography. It was needed the understanding of conceptual tools in filming, not only the physical tools. With this principle, the research presented the recommendations in practice that could be applied better in visual for the audience.Methods used in this research was qualitative descriptive. There was a connection of the principle asymmetry with object research (conceptual tools in cinematography) included; frame, light and color, lens, movement, texture, establishing, and point of view with comparison with symmetry principle, then simulate with 3D (three dimensional) editor. The result of this research is people can apply this principle to experience the constant that added the aesthetic in the film with hope to give advantages to the Indonesian movie industry.
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Shalini, Lourdes Antoinette, and Alamelu C. "The Great Indian Kitchen: Serving of an Unpalatable Tale of Male Chauvinism in Home." Theory and Practice in Language Studies 12, no. 4 (April 2, 2022): 702–6. http://dx.doi.org/10.17507/tpls.1204.10.
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The feminist movements played a vibrant role in enriching women for gaining self-sufficiency, which significantly influenced society. “With the advent of new feminist theories which reflects the varicoloured making of women’s cinema as the globalised society have adverse effects on women particularly in the developing countries” (Shalini & Alamelu, 2017). The opinions and visions of the movement are expressed through several works. They are also reflected in films as feminist films. The objective of feminist films is to portray the traditional and patriarchal society in which gender inequality, women’s subjectivity, toil and subjugation are expressed in varied forms. Mozhgan Sadat Marandi expounds that, “Filmmakers have opportunities to question, however subtly, the roles and relations of women in society” (Marandi, 2011). The selected film for the present research, The Great Indian Kitchen (2021), deals with traditional and patriarchal family notions and the never-ending tasks of women’s lives in the kitchen. The role played by the protagonist is confined to the kitchen doing her homely traditional duties as her family insisted on foregoing her desire for her career. The Great Indian Kitchen (2021) is a revolutionary movie made subtly to ensure that the audience empathises with the women’s experience in their families. The objective of the present research is to analyse the movie The Great Indian Kitchen (2021) through the lens of liberal feminism.
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Javanian, Mohammadreza Hassanzadeh, and Farzan Rahmani. "Killing Joke: A Study of the Carnivalesque Discourse in Todd Phillips’ Joker." Bakhtiniana: Revista de Estudos do Discurso 16, no. 3 (September 2021): 39–56. http://dx.doi.org/10.1590/2176-457349985.
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ABSTRACT Todd Phillips’ Joker (2019) is the latest cinematic portrayal of the notorious clown prince of Gotham City. Although the previous film adaptations would usually picture him as a villain to Batman’s hero, this version depicts him as a lonely man who has to cope with depression and struggles to be accepted by and fit in the society. Therefore, this version of the character carries a marked aura of socio-political consciousness. The present paper aims to analyze Todd Phillips’ Joker through the lens of the carnival ritual as put forward by Mikhail Bakhtin. The paper will discuss different carnivalesque elements present in Joker, and illustrate how the movie takes full advantage of them to mount an attack against the prevalent, official culture of Gotham. Moreover, it will argue how Joker forms a utopian condition where the constant anarchy results in freedom.
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Paz-Agras, Luz. "Las exposiciones de El Lissitzky a través del Cine-ojo." VLC arquitectura. Research Journal 4, no. 1 (April 26, 2017): 151. http://dx.doi.org/10.4995/vlc.2017.6987.
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The Avant-Garde movements of the twentieth century explored the creative possibilities of new types of media in architecture, such as the photographic camera or cinema. In a series of experimental projects, authors such as El Lissitzky based their work on assimilating the human eye with a mechanical lens, making it possible to create new concepts of space. A simultaneous consideration of the resources of Vertov’s Cine-Eye in relation to the exhibition projects of El Lissitzky reveals some of his proposals as paradigmatic examples of the perceptive experimentation of the viewer in relation to art, and in a wider sense, to architecture. By analysing the cinematic resources of the film <em>Man with a Movie Camera</em> (1929), architectural aspects are analysed in the exhibition spaces of the Abstract Cabinet and PRESSA, identifying connections that break down the boundaries between the different disciplines.
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Rascaroli, Laura. "On film and territory: Treading ground with Sacro GRA." Journal of Italian Cinema & Media Studies 10, no. 3 (June 1, 2022): 475–91. http://dx.doi.org/10.1386/jicms_00140_1.
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In this article, I change the lens through which we normally look at space in film, transcending at once the national/transnational cinema dichotomy and hierarchical geographical scalings and generic categories that are sometimes unfit to account for a film’s production of space. I propose that the geopolitical notion of ‘territory’ can focus our attention on the critical situatedness of a certain type of cinema while also facilitating formal and industrial types of film analysis. The notion of territory, intended as a geographical space shaped by humans and a geographical expression of power, can be mobilized to analyse films that reveal and critique the social actualization of the material potentialities of specific places. Gianfranco Rosi’s cinema is a case in point. Set along Rome’s ring road, Rosi’s Sacro GRA (‘Holy GRA’) (2013) sits uncomfortably in both the city symphony or road movie genres and calls for different categories of analysis.
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Et al., AL-Bakri. "A Study on the Accuracy of Prediction in Recommendation System Based on Similarity Measures." Baghdad Science Journal 16, no. 1 (March 17, 2019): 0263. http://dx.doi.org/10.21123/bsj.16.1.(suppl.).0263.
Full textAbstract:
Recommender Systems are tools to understand the huge amount of data available in the internet world. Collaborative filtering (CF) is one of the most knowledge discovery methods used positively in recommendation system. Memory collaborative filtering emphasizes on using facts about present users to predict new things for the target user. Similarity measures are the core operations in collaborative filtering and the prediction accuracy is mostly dependent on similarity calculations. In this study, a combination of weighted parameters and traditional similarity measures are conducted to calculate relationship among users over Movie Lens data set rating matrix. The advantages and disadvantages of each measure are spotted. From the study, a new measure is proposed from the combination of measures to cope with the global meaning of data set ratings. After conducting the experimental results, it is shown that the proposed measure achieves major objectives that maximize the accuracy Predictions.
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Et al., AL-Bakri. "A Study on the Accuracy of Prediction in Recommendation System Based on Similarity Measures." Baghdad Science Journal 16, no. 1(Suppl.) (March 17, 2019): 0263. http://dx.doi.org/10.21123/bsj.2019.16.1(suppl.).0263.
Full textAbstract:
Recommender Systems are tools to understand the huge amount of data available in the internet world. Collaborative filtering (CF) is one of the most knowledge discovery methods used positively in recommendation system. Memory collaborative filtering emphasizes on using facts about present users to predict new things for the target user. Similarity measures are the core operations in collaborative filtering and the prediction accuracy is mostly dependent on similarity calculations. In this study, a combination of weighted parameters and traditional similarity measures are conducted to calculate relationship among users over Movie Lens data set rating matrix. The advantages and disadvantages of each measure are spotted. From the study, a new measure is proposed from the combination of measures to cope with the global meaning of data set ratings. After conducting the experimental results, it is shown that the proposed measure achieves major objectives that maximize the accuracy Predictions.