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Journal articles on the topic 'Moviegoers'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

D., Anthony Miles, Garcia Josh, Gerald Rossano, et al. "Ethnic Consumer Markets and Movie Marketing: An Empirical Study on Marvel's 'Black Panther' and Predictive Analytics of Ethnic Consumer Behavior of Moviegoers." Journal of Economics and Business 2, no. 4 (2019): 1084–105. https://doi.org/10.31014/aior.1992.02.04.153.

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The purpose of this study was to examine the movie, Marvel’s Black Panther and the predictive analytics of ethnic consumer behavior of moviegoers We examined box office receipts and trends on movies and box office successful films. The problem identified as a basis for this study is to examining marketing strategy and tactics of movie marketing in terms of traditional and non-traditional media strategy to moviegoers. This study is a continuation of the researchers' prior research on movie marketing and strategy and regression model predicting box office revenue. The overall objective

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Erris RF Wijaya, Andre N Rahmanto, and Albert Naini. "Resilience Theory: Adaptation and Transformation of the Film Community due to the Pandemic." Formosa Journal of Social Sciences (FJSS) 1, no. 4 (2022): 467–84. http://dx.doi.org/10.55927/fjss.v1i4.2218.

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The Covid-19 pandemic had forced cinemas to close and the film industry to dim. Cinema closures are a serious issue for moviegoers and the film community. This research tries to find out how the film community is surviving amidst a pandemic. Qualitative methods are used to develop the research. Data collection is done through interviews. The analysis was carried out by adopting resilience communication theory to find out how the film community deals with pandemic situations. The results of the study show that 1) moviegoers adopt subscription video services (over-the-top) as an alternative to c

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3

Ajhari, Abdul Azzam. "The Comparison of Sentiment Analysis of Moon Knight Movie Reviews between Multinomial Naive Bayes and Support Vector Machine." Applied Information System and Management (AISM) 6, no. 1 (2023): 13–20. http://dx.doi.org/10.15408/aism.v6i1.26045.

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Online movie streaming platforms have changed the current pattern of watching movies. Besides providing convenience in watching anywhere and anytime, this service is provided at a lower cost to moviegoers. The increase in moviegoers on online streaming platforms has resulted in easy-to-find reviews. This review can determine whether they decide to watch the film or not. The moviegoers' reviews can be easily and quickly found for analysis using sentiment analysis to find a film's worthiness. This study used sentiment analysis in classifying Twitter data predictions using the Multinomial Naive B

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Sobieraj, Sabrina, and Nicole C. Krämer. "Do 3D Moviegoers Enjoy Screenings More than 2D Moviegoers?—On the Impact of 3D Fantasy Movie Perception on Enjoyment." Presence: Teleoperators and Virtual Environments 23, no. 4 (2014): 430–48. http://dx.doi.org/10.1162/pres_a_00210.

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As 3D movie screenings have recently seen an increase in popularity, it would appear that 3D is finally ready to stand the test of time. To examine the effect of 3D on the experience of enjoyment, we refer to the model of entertainment by Vorderer, Klimmt, and Ritterfeld (2004), according to which both technological and personal prerequisites can induce enjoyment. The model was further adapted for the cinema context by including the appeal of special effects, fanship, age, and gender. To ascertain the impact of the suggested prerequisites, we conducted a field study comparing the enjoyment exp

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Zhaowei, Chen. "A new branch of fake review detection research -- A review of fake review detection in the Chinese film industry in the post-epidemic era." Applied and Computational Engineering 48, no. 1 (2024): 1–6. http://dx.doi.org/10.54254/2755-2721/48/20241057.

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In the post-pandemic era, Chinese moviegoers increasingly rely on online movie reviews, but fake reviews by spreaders can mislead moviegoers to make wrong decisions. Fake review detection has been developed to a certain extent in China. However, there is a lack of application research in the film industry. This paper summarizes some of the more advanced fake review detection methods in China in the post-epidemic era from the perspectives of review text detection and reviewer detection, introduces their indicators, feature selection methods, and training methods, and further discusses the speci

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García Chávez, María. "Name the Strangers. Moviegoers in Zacatecas city, 1904-1931." Fuentes Humanísticas 33, no. 62 (2021): 49–62. http://dx.doi.org/10.24275/uam/azc/dcsh/fh/2021v33n62/garciac.

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Delorme, Denise E., and Leonard N. Reid. "Moviegoers' Experiences and Interpretations of Brands in Films Revisited." Journal of Advertising 28, no. 2 (1999): 71–95. http://dx.doi.org/10.1080/00913367.1999.10673584.

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8

Namkhung, Young, and Hee Rak Jeon. ""A Study on Moviegoers’ Typology of : Q-Methodological Approach"." Journal of Korean Society for the Scientific Study of Subjectivity: Q Methodology and Theory 50 (March 30, 2020): 91–111. http://dx.doi.org/10.18346/kssss.50.5.

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9

Gil Martín, Montserrat, and Francis Blasco López. "Typology and decision-making process of cinema audiences in theaters: Actors and Directors." Harvard Deusto Business Research 8, no. 1 (2019): 81. http://dx.doi.org/10.3926/hdbr.181.

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This article provides additional information about moviegoers. It aims to define, through a correctly applied methodology, the motivational factors (internal, external or experiential) that determine the choice of one film over another. The analysis of these factors has been able to establish those that have a greater or lesser effect on the consumer’s decision-making process. This can be of great significance in terms of the economic impact that this decision has on the final box office revenue of a movie. Likewise, the applied methodology has allowed us to establish, with a discriminant and

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Tong, Zhaosheng. "Traditional Culture in Chinese Movies: The Case of Movies Shot in Huizhou." African and Asian Studies 20, no. 4 (2021): 401–19. http://dx.doi.org/10.1163/15692108-12341511.

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Abstract Movies are often viewed as important tools to promote cultural communication. Many international moviegoers and researchers endorse Chinese movies as authentic representation of traditional Chinese history and culture. However, in this era of commercialism, movies are often produced as commercial products to win the maximum profits at global market; thus, the history and culture in Chinese movies are often reshaped and reconfigured to meet the taste of foreign moviegoers. This paper uses Judou (1990), Inkstone Bed (1995) and Crouching Tiger, Hidden Dragon (2000), three movies shot in

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Pautz, Michelle C., and Megan K. Warnement. "Government on the Silver Screen: Contemporary American Cinema's Depiction of Bureaucrats, Police Officers, and Soldiers." PS: Political Science & Politics 46, no. 03 (2013): 569–79. http://dx.doi.org/10.1017/s1049096513000516.

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AbstractMovies continue to be the most accessible art form to Americans and that reach allows films to have a tremendous effect on moviegoers. With more than a billion movie tickets sold annually in the United States, the ability of movies to influence the perceptions of moviegoers is pronounced. Frequently, the government is part of those depictions. Although film is routinely studied in a host of disciplines, a focus on the portrayal of government generally and government officials more specifically, remains elusive. Instead of using a case-study approach, we examine recent, popular films to

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Li, Shanshan. "Promotion and Influence of Big Data and Artificial Intelligence in Field of Drama and Film." Mobile Information Systems 2022 (July 19, 2022): 1–10. http://dx.doi.org/10.1155/2022/5986283.

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As a member of the oldest art family of human beings, drama is also a very important part of human civilization. With the development of technology, more and more types of drama film and television appear. In today’s society, bad films and commercial films are emerging one after another. The intervention of capital has brought a very poor experience to moviegoers and is not conducive to the development of the entire field of drama and film. The further development and scientific promotion of the field of drama film and television has become a relatively important issue. In this context, this p

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Izzaturrahmi, Nabila Khansa, and Azizatuz Zahro. "AUDIENCE RECEPTION OF MESSAGES IN NANTI KITA CERITA TENTANG HARI INI." ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture 7, no. 1 (2023): 146. http://dx.doi.org/10.17977/um006v7i12023p146-158.

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When one enjoys a literary work, one gains a new comprehension and impression of the work. Generally, the impression is shaped by the audience’s background, moral beliefs, knowledge, and life experiences. This study aimed to examine audience reception of the message in the film Nanti Kita Cerita Tentang Hari Ini. The analysis stated that the messages found by the moviegoers related to openness of communication in families.

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Lahusen, T. "Dr. Fu Manchu in Harbin: Cinema and Moviegoers of the 1930s." South Atlantic Quarterly 99, no. 1 (2000): 143–61. http://dx.doi.org/10.1215/00382876-99-1-143.

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Segal, Alan. "Being Dispassionate about the Passion of the Christ: A Response to Rikkwatts’s Review." Journal for the Study of the Historical Jesus 2, no. 2 (2004): 219–23. http://dx.doi.org/10.1177/147686900400200207.

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AbstractRikk Watts can catalogue his enjoyment of the film, The Passion, which has had mass appeal. But Mel Gibson’s unhistorical additions reveal a disturbing willingness to use repugnant anti-Semitic subtexts as well as violence to elicit moviegoers’ emotions. While Gibson may claim that it expresses his faith, the film seems less about art and personal faith than about what Hollywood does best— making money by sacrificing artistic integrity.

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Giyahi, Yasaman. "An empirical study to detect effective factors to increase number of moviegoers." Management Science Letters 2, no. 4 (2012): 1349–58. http://dx.doi.org/10.5267/j.msl.2012.02.004.

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17

Ivashchenko, Tatyana Sergeevna. "Prospects of film education in Russia." Development of education, no. 2 (2) (December 11, 2018): 50–52. http://dx.doi.org/10.31483/r-21853.

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Information visualization is becoming the most common method of popularizing educational areas. Serious attention should be paid to the problem of the correlation between the «book word» and «visual image», which can be regarded as a ratio of screen arts, first of all cinema, and literature in the system of secondary and higher education. Movie perception is a complex cognitive process. Accordin to the author`s opinion the development of film education in Russia will contribute to the education of a generation of active moviegoers.

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18

Mardianto, Dedi, Syahrial, and Deby Handayani. "PENGARUH KUALITAS FILM DAN KUALITAS LAYANAN TERHADAP MINAT MENONTON (STUDI PADA PENONTON BIOSKOP CINEMA XXI DI TRANSMART PADANG)." MANABIS: Jurnal Manajemen dan Bisnis 1, no. 2 (2022): 116–23. http://dx.doi.org/10.54259/manabis.v1i2.929.

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The study aims to test simultaneously and partially the influence of film quality, community effects and service quality on interest in watching the Cinema XXI on the Transmart Padang. The use of this variable is expected to find out the factors that influence interest in watching the product (film). This study uses a sample of 100 respondents, namely moviegoers in the Transmart Padang through distributing questionnaires using the non random sampling method. The results of the study showed that film quality, community effects and service quality had a positive effect on interest in watching.

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19

Pynn, Tom. "Topin, Ed., Oliver Stone'S U.S.A - Film, History, And Controversy." Teaching History: A Journal of Methods 26, no. 1 (2001): 45–47. http://dx.doi.org/10.33043/th.26.1.45-47.

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Oliver Stone, more consistently than any other director, has presented moviegoers, film critics, and historians-amateur and professional-with radical and challenging perspectives on pivotal events and themes in post-World War II American history. Avowedly not a "cinematic historian," a point Stone makes several times in this edited volume of essays about his work, he is intent on setting the record straight about the role of history in his films. As an historical dramatist, the films, he writes, are "fiction . . . based on a combination of research, intuition, and my private conscience."

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20

Nata, Christopher, Ferdi Antonio, and Monika Monika. "How viewing experience drives moviegoers on over the top platform: Investigating the patronized intention." Innovative Marketing 18, no. 1 (2022): 168–80. http://dx.doi.org/10.21511/im.18(1).2022.14.

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The emerging market of over the top (OTT) streaming platform has evolved the movie industry to a new challenge. Providing moviegoers with a good viewing experience is critical for success in the highly competitive OTT market. This study aimed to examine the antecedent of the viewing experience in the context of the OTT platform and the mediating role of viewing experience toward behavioral intentions in Indonesia. In conjunction with the viewing experience, this study also includes social media exposure and fear of missing out (FOMO) to predict behavioral intentions. PLS-SEM method was used to

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García Chávez, María. "In the Antechamber of Expectation: Subgroups of Moviegoers in Zacatecas City, 1950-1970." Fuentes Humanísticas 35, no. 67 (2023): 219–48. http://dx.doi.org/10.24275/zfte7876.

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22

Ma, Jean. "Sleeping in the Cinema." October, no. 176 (2021): 31–52. http://dx.doi.org/10.1162/octo_a_00425.

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Abstract In the 1940s and 50s, Weegee shot a considerable number of photographs in New York City's movie theaters. These photos contribute important insights on the history of cinema spectatorship in the form of visual arguments about the movie audience. This article places the images in dialogue with theories and histories of the disembodied spectator. It discusses the photographer's particular fascination with sleeping moviegoers. The sleepy filmgoer embodies simultaneously the model and counter-model of spectatorial attention. This figure focalizes a strand of theory that associates filmic

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Yoon, Yeujun, Charin Polpanumas, and Young Joon Park. "The Impact of Word of Mouth via Twitter On Moviegoers' Decisions and Film Revenues." Journal of Advertising Research 57, no. 2 (2017): 144–58. http://dx.doi.org/10.2501/jar-2017-022.

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Silva, PatrÃcia Nunes da, Monica Almeida Gama, and André Luiz Cordeiro dos Santos. "Star Wars - an episodes battle." International Journal for Innovation Education and Research 8, no. 6 (2020): 367–80. http://dx.doi.org/10.31686/ijier.vol8.iss6.2428.

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Mlodinow (2008) proposed a crazy market experiment: to release the same film under two titles: Star Wars: Episode A and Star Wars: Episode B. Their marketing campaigns and distribution schedule are identical except by their titles on trailers and ads. He looks at the first 20,000 moviegoers and record the film they choose to see. He claims it is most probable the lead never changes, and it is 88 times more likely that one of the two films will be int the lead through all 20,000 customers than it is that the lead continuously seesaw. We present a detailed mathematical explanation for Mlodinow c

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Brown, Alexander L., Colin F. Camerer, and Dan Lovallo. "To Review or Not to Review? Limited Strategic Thinking at the Movie Box Office." American Economic Journal: Microeconomics 4, no. 2 (2012): 1–26. http://dx.doi.org/10.1257/mic.4.2.1.

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Film studios occasionally withhold movies from critics before their release. These cold openings provide a natural setting to apply laboratory-developed models of limited strategic thinking to the field. In a set of 1,303 widely released movies, cold opening is correlated with a 10–30 percent increase in domestic box-office revenue, and a pattern of fan disappointment, consistent with the hypothesis that some moviegoers do not infer low quality from cold opening. While selection and endogeneity may play a role in these regressions, the full pattern of results is consistent with level-k and cog

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Larceneux, Fabrice. "Buzz and Recommendations on the Internet. What Impacts on Box-Office Success?" Recherche et Applications en Marketing (English Edition) 22, no. 3 (2007): 43–62. http://dx.doi.org/10.1177/205157070702200304.

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Potential moviegoers may find information on the Internet on movie critics' recommendations and web users' comments on movies they have seen. The more a recommendation is shared by a large number of individuals, the greater is the buzz. This research explores to what extent this online buzz can be a predictor and/or modifier of box-office results, particularly the week following the launch. A field experiment on 534 movies shows that the buzz, and more specifically critics' recommendations appearing on the allocine.com website, is significantly correlated with box-office results after the firs

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Yang, Yong, Ying Xin Liu, Yu Xi Zhang, and Na Zhang. "Python-based film review data acquisition and visualization design." Journal of Physics: Conference Series 2294, no. 1 (2022): 012014. http://dx.doi.org/10.1088/1742-6596/2294/1/012014.

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Abstract With the rapid development of the Internet and artificial intelligence era, how to obtain effective information is particularly important in the complex network world. In order to obtain a real movie viewing experience and provide some reference for other users, this article is based on the Python language, taking the popular movie “Shuimen bridge of Changjin Lake” as an example on Douban website, and using web crawler technology to comment and rate users, etc. Relevant data is crawled, the crawled data is the object of analysis, and data visualization processing is carried out to mor

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Zhang, Jiaying. "Blockbuster Branding--Exploring the Impact of Product Placement on Consumer Behavior in American Cinema." Advances in Economics, Management and Political Sciences 92, no. 1 (2024): 104–13. http://dx.doi.org/10.54254/2754-1169/92/20231116.

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This paper explores the multifaceted relationship between product placement in American blockbuster movies and its influence on consumer behavior. With the backdrop of an evolving advertising landscape, the study delves into practices of brand integration in films, investigated through seen, mentioned, and used product placement. The paper delves into factors affecting consumer attitudes and purchase intentions, underscoring the importance of authenticity in brand integration and emphasizing the need for marketers and filmmakers to align their strategies with consumer preferences, build famili

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Agustino, Rano. "Komparasi Algoritma Klasifikasi Dengan Menggunakan Anaconda untuk Memprediksi Ramai Penonton Film di Bioskop." Jurnal Teknologi Informatika dan Komputer 5, no. 1 (2019): 24–28. http://dx.doi.org/10.37012/jtik.v5i1.220.

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In the interest of Moviegoers with trendy films,cinemas also play a major role in attracting audiences towatch films they like. But changes that are quite dynamicfrom audience interest take turns, sometimes it issometimes not crowded. Thus sometimes the cinemamanager experiences an error in placing the film to beaired, so the number of viewers in the cinema is not asexpected. From this problem, researchers are interested inanalyzing data relating to film audiences in the cinema.By using CART classification, NBC (Naive BayesClassifier) algorithm, SVM (Support Vector Machine), LR(Logis Text Regr

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Viren, Denis. "Non-accidental presence. The reception of Krzysztof Kieślowski in Russia." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 24, no. 33 (2019): 109–15. http://dx.doi.org/10.14746/i.2018.33.09.

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Krzysztof Kieślowski is a cult figure among Russian moviegoers, but “proving” this is not as easy as in the case of the popularity of other Polish classic names in Russia, such as Andrzej Wajda and Krzysztof Zanussi. Placing Kieślowski on the list of Polish filmmakers who have influenced Russian culture in this or some other way is a not obvious move. The article is an attempt at exposing the reader to the presence of the director’s films in Russia through the history of the distribution of his films, an analysis of reviews by Russian authors and texts in which Kieślowski’s name appears. It al

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Pautz, Michelle C. "Argo and Zero Dark Thirty: Film, Government, and Audiences." PS: Political Science & Politics 48, no. 01 (2014): 120–28. http://dx.doi.org/10.1017/s1049096514001656.

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ABSTRACTWith the prevalence and accessibility of film today, we must wonder how film affects its audience. In particular, how does film influence an audience’s perceptions of the government? Regardless of the content, research demonstrates that film has the power to shape perceptions of its moviegoers on a range of subjects. In this study, two recent films,ArgoandZero Dark Thirty, were chosen as case studies to explore how Hollywood portrays the intelligence community in film and shapes opinions about the government more broadly. This research found that about 25% of viewers of the two films c

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Li, Chunyu, Ling Peng, and Geng Cui. "Picking Winners: New Product Concept Testing with Item Response Theory." International Journal of Market Research 59, no. 3 (2017): 335–53. http://dx.doi.org/10.2501/ijmr-2017-027.

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This paper describes how, based upon item response theory (IRT) and its differential item functioning (DIF), two studies were designed to address two important issues – adopting effective items or inviting proper respondents – involved in the identification of successful new concepts, to test new concepts with different levels of newness. Study One shows that some items in a multi-item scale better discriminate among concepts with low or high viability, and that tailored selections of items are necessary when testing major innovation or minor improvement concepts. Study Two pinpoints that choo

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Arun A, Mr. "Cinematic Popcorn Park: Revolutionizing Movie Time with Integrated Ticketing and Smart Parking." International Scientific Journal of Engineering and Management 04, no. 05 (2025): 1–7. https://doi.org/10.55041/isjem03505.

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Abstract - The Theater Parking concept, titled Cinematic Popcorn Park, is an innovative and integrated solution aimed at enhancing the overall experience of moviegoers through seamless ticket booking and intelligent parking systems. Recognizing the common challenges faced by cinema patrons—especially in urban areas—such as last-minute parking stress and time delays, this platform offers a user-friendly interface combining real-time parking availability, advanced booking options, and smart navigation. With features like valet service, digital signage, and electric vehicle compatibility, the sys

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Tsao, Wen-Chin. "Which type of online review is more persuasive? The influence of consumer reviews and critic ratings on moviegoers." Electronic Commerce Research 14, no. 4 (2014): 559–83. http://dx.doi.org/10.1007/s10660-014-9160-5.

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Barron, Hal S. "Rural America on the Silent Screen." Agricultural History 80, no. 4 (2006): 383–410. http://dx.doi.org/10.1215/00021482-80.4.383.

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Abstract This article analyzes American silent film depictions of rural life in order to understand their role in the creation of new conceptions of the countryside during the first third of the twentieth century. The rise of motion pictures during the 1910s and 1920s was a critical component of an emerging consumer culture in the United States that coincided with its broader transformation from a rural to an urban society. Because of this conjuncture, silent movies depicting agrarian life were instrumental in establishing new understandings of rural society for a modern, urban nation. They re

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Vidojković, Dario. "Early Representations of Wartime Violence in Films, 1914–1930." Cultural History 6, no. 1 (2017): 37–56. http://dx.doi.org/10.3366/cult.2017.0134.

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This article deals with the cinematic representations of warfare violence and with its aestheticization in early films. It argues, in particular, that the patterns and narrative structures of (anti-)war movies were laid out during the First World War. Among the first films establishing those patterns and rules were D.W. Griffith's The Birth of a Nation, a film on the American Civil War, and Hearts of the World, showing the war on the western front, produced in 1918. Films such as these offered the main elements that would mark, henceforth, how anti-war movies would portray violence. With the u

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Sheu, Roger, Christof Stönner, Jenna C. Ditto, Thomas Klüpfel, Jonathan Williams, and Drew R. Gentner. "Human transport of thirdhand tobacco smoke: A prominent source of hazardous air pollutants into indoor nonsmoking environments." Science Advances 6, no. 10 (2020): eaay4109. http://dx.doi.org/10.1126/sciadv.aay4109.

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The contamination of indoor nonsmoking environments with thirdhand smoke (THS) is an important, poorly understood public health concern. Real-time THS off-gassing from smokers into a nonsmoking movie theater was observed with online and offline high-resolution mass spectrometry. Prominent emission events of THS tracers (e.g., 2,5-dimethylfuran, 2-methylfuran, and acetonitrile) and other tobacco-related volatile organic compounds (VOCs) coincided with the arrival of certain moviegoers and left residual contamination. These VOC emission events exposed occupants to the equivalent of 1 to 10 cigar

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Darson, Mohamad Daim, Fadhlur Rahim Azmi, Zamzuri Ahmad Nazari, et al. "Cinematic Influence: The Role of Film in Shaping Malaysians' Travel Intentions and Destination Choices." Information Management and Business Review 16, no. 3(I) (2024): 189–200. http://dx.doi.org/10.22610/imbr.v16i3(i).3968.

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Film tourism has emerged as a significant factor in enhancing tourist numbers by drawing visitors to locations depicted in movies and dramas. This study explores films' influence on Malaysians' perceptions and intentions to travel to these destinations. Utilizing the push and pull theory, the research examines how movies affect Malaysians' travel motivations and destination choices. Data were gathered through an online survey involving 267 Malaysian moviegoers, selected via convenience sampling. The findings indicate that several factors, including the reflection of personal values and interes

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Szczygłowska, Tatiana. "The lexico-phraseological profile of professional film reviews published by the British media: A corpus-linguistic study." Crossroads. A Journal of English Studies, no. 38(3) (2022): 18–40. http://dx.doi.org/10.15290/cr.2022.38.3.02.

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Using corpus linguistic techniques, this exploratory study is intended to provide a descriptive in-sight into frequent lexical bundles, keywords and key terms as well as selected lexical markers of style used in a corpus of professional film reviews. The research material includes 210 domain-specific texts from the years 2020-2021, extracted from the websites of six British newspapers, magazines and institutions offering guides for moviegoers. The results show that the analyzed reviews make frequent use of general cinematic terms and more specific lexis denoting the different types and (sub)ge

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Paul, Chiranjib, and P. K. Das. "A Machine Learning-Driven Movie Performance Prediction System to Improve Decision-Making Capability of Movie Investors." Journal of Management and Humanity Research 08 (2022): 57–75. http://dx.doi.org/10.22457/jmhr.v08a062254.

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Moviegoers refer to online audience movie ratings before deciding to watch a movie. They are more inclined to watch a movie with a high average rating. We develop a system to predict average audience movie ratings based on the lead cast and crew at an early stage of movie production. After valuing multiple scenarios, investors can use our study to select the lead cast and crew objectively. Judicious selection of the key cast and crew is extremely important as investors commit to large sums of money as professional fees while signing contracts with them. Our study uses a relatively large sample

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Xiong, Xuyi, and Ziyu Su. "The Analysis of Consumer Behavior Based on SIPS Model: Taking the Avengers Series as Examples." Highlights in Business, Economics and Management 22 (December 27, 2023): 159–63. http://dx.doi.org/10.54097/mz944h33.

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Nowadays, the behavior of moviegoers is gradually changing, relying more on online platforms like social media and short video apps, which partly conducing to a greater and greater numbers of movie corporations choosing to cooperate with the Internet companies and changing their marketing strategies. And It’s a common phenomenon that the movies are publicized and distributed through the online ways, while Marvel has capitalized well on the consumer craze, adapted to the new situation and stood out from the fierce competition In the context of the Internet era and Marvel's movie sales boom, thi

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Mr., Raviraj Uttamrao Patil, and Shashikant Chandrakant Suryawanshi Mr. "Indian Cinema's Reflections On Society's Virtues And Flaws: An Exploration." International Journal of Advance and Applied Research 10, no. 3 (2023): 568 to 571. https://doi.org/10.5281/zenodo.7757315.

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<em>The recent years have seen a significant transformation in cinema. Its efforts to exhibit socially conscious and responsible films have broadened its role beyond that of merely providing moving pictures and have had a significant impact on millions of people. The movie business is gradually turning its attention to social concerns and hopes that the trial will increase public awareness of them. However, many image creators continue to employ the same picture-making method, which may negatively impact viewers. The purpose of the study is to examine the significant influence that Indian film

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Petty, Miriam J., and Tope Fadiran. "“A Gathering of Champions”." Feminist Media Histories 11, no. 1 (2025): 144–71. https://doi.org/10.1525/fmh.2025.11.1.144.

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This conversation with the Billops-Hatch Advisory Board for Emory University’s Rose Library was convened by board member Miriam J. Petty. It provides insight into the far-ranging community that James Hatch and Camille Billops cultivated in their forty+ years of making, preserving, brokering, chronicling, and promoting Black visual, literary, dramatic, and intermedial arts from their loft-home-studio-archive in New York’s SoHo neighborhood. Scholars and moviegoers who have encountered Billops and Hatch solely in terms of their films may find the conversation surprising for its interdisciplinary

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Chen, Huan, En-Ying Lin, Fang Liu, and Tingting Dai. "“See Me or Not, I Am There”: Chinese White-Collar Moviegoers’ Interpretation of Product Placements in Chinese Commercial Movies." Journal of Promotion Management 19, no. 5 (2013): 507–33. http://dx.doi.org/10.1080/10496491.2013.829154.

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Rahmawati, Aulia. "Romance and Femininities in Indonesian Teenage Dramas: A Transnational Post-Feminist Analysis." Jurnal Perempuan 23, no. 1 (2018): 23. http://dx.doi.org/10.34309/jp.v23i1.216.

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<p>Even after the rise of Indonesian feminist film directors by the likes of Nia Dinata, Mira Lesmana, Mouly Surya, Nan T Achnas and Lola Amaria, the Indonesian moviegoers still flocked into badly written teenage romance dramas. This paper interrogates the way romance and femininities have been shaped within the cinematic representation in London Love Story 2, Promise and Dear Nathan. It is concluded that the Indonesian romance teenage dramas are entrenched with masculine power and dominance spectacles in which the feminine heroines have been treated as passive objects of desire whose ag

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Escher, Anton, Marie Karner, and Helena Rapp. "Cinematic cruising: Reel imagination and real experience for pleasure on the high seas." Tourism and Hospitality Research 21, no. 3 (2021): 374–85. http://dx.doi.org/10.1177/14673584211011711.

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The experiences of cruise ship passengers are influenced by cinematic representations and intensified and (re)produced by cruise operators. This paper conceptualises cinematic cruising as a phenomenon of reel and real spaces between imagination and experience for pleasure on the high seas. To date, the influence of cinematic representations on the experience of cruise passengers has not yet been studied in detail. To address this, our argument builds on the comparability of cinemas and cruise ships. They share similar characteristics as modern and postmodern places, as heterotopias, and as pla

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Vidhiasi, Dhion Meitreya. "An Analysis of Appraisal System of Paw Patrol Lyric." Al-Lisan 6, no. 2 (2021): 167–78. http://dx.doi.org/10.30603/al.v7i2.2197.

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Hero-themed children’s films are always fun for children. The PAW Patrol film series is a spectacle aimed at pre-school-age children. The film’s main characters are one 10-year-old child and six puppies. This study aimed to look at the Appraisal System contained in the lyrics of the opening song of the PAW Patrol series, which aired on the NickJr channel. The researcher wanted to find the dominant Appraisal System in the lyrics. The researcher also wanted to know how the lyricist positioned the listeners and viewers of the film through the song’s lyrics. The data analyzed were the lyric of the

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Ulum, Mohammad Bahrul, Faizzatul Jannah, and Fikriyatun Nadhiyah. "Film Industry as Part of Global Creative Industry: Learning from Indonesia." TRILOGI: Jurnal Ilmu Teknologi, Kesehatan, dan Humaniora 2, no. 3 (2021): 220–27. http://dx.doi.org/10.33650/trilogi.v2i3.3075.

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This paper describes the post-reform Indonesian film industry as one of the creative industry sub-sector. The creative industry has contributed to developing a city and a country to increase the market and the global economy. Creative industries have great potential to boost the economy and the quality of life of the Indonesian people. The international film industry can obtain revenue up to $10,162,657,657 (approximately IDR 980 trillion), with ticket sales reaching 1,276,715,780 pieces and the number of moviegoers went more than a 700million people. Meanwhile, in Indonesia, according to rese

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Sonia and Banita. "Performance optimization of manet." World Journal of Advanced Engineering Technology and Sciences 13, no. 2 (2024): 555–59. https://doi.org/10.30574/wjaets.2024.13.2.0618.

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Mobile networking refers to the technology utilized to transmit speech and data between specific mobile network nodes across wireless channels. In general, ”mobile” refers to the purposeful, lightweight, and portable technologies that moviegoers may carry. A Mobile Ad Hoc Network (MANET) protocol requires proper settings to perform data transmission optimally. To overcome this problem, it is necessary to select the correct routing protocol and use the routing protocol’s default parameter values.. The performance metrics used for measuring performance were Packet Delivery Ratio (PDR), throughpu

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He, Qiliang, and Lily Xiangxiang Jiang. "The Aural/Visual Synchrony: Opera Film, Close-up, and Cinematic Literacy in Mao-era China (1949–1966)." CHINOPERL: Journal of Chinese Oral and Performing Literature 43, no. 1 (2024): 1–22. http://dx.doi.org/10.1353/cop.2024.a932318.

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Abstract: In the first two decades of the People’s Republic of China (PRC; 1949–present), the filmmakers were caught in a dilemma between a fast-growing film industry and Chinese moviegoers’ pervasive lack of cinematic literacy, that is, a proper understanding of cinematic techniques, such as the use of shots in films. To make motion pictures a mass culture by enhancing cinematic literacy among Chinese viewers, filmmakers produced over one hundred opera films—a filmic genre that resorts to cinematic techniques to represent Chinese theater on the silver screen. Considering Chinese audiences’ fa

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