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Relevant bibliographies by topics / Mozambique in poetry

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Academic literature on the topic 'Mozambique in poetry'

Author: Grafiati

Published: 22 February 2023

Last updated: 31 July 2025

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Journal articles on the topic "Mozambique in poetry"

1

Forjaz de Lacerda, Inês. "“A lança que o vento lascivo trilhou”." Journal of Lusophone Studies 8, no. 1 (2023): 51–67. https://doi.org/10.21471/jls.v8i1.530.

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Luís Carlos Patraquim’s poetry often explores how bodily sensations blend with those of the natural world as they move throughout Mozambique, particularly the urban city of Maputo and the separate, rural Island of Mozambique. Rough winds breeze through both urban and rural spaces of the eastern coast of Africa, offering a fruitful area for atmospheric considerations of the poet’s work. Wind is an irregular and transformative part of the natural, urban, and poetic worlds. In Tonino Griffero’s conception, it is a “quasi-thing”: an affect challenging to apprehend that has often been a peripheral

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2

Pereira, Patrícia Resende. "The island of Muipíti memory in the poetry of Mozambican poets Rui Knopfli and Luís Carlos Patraquim." Revista Letras Raras 10, no. 3 (2023): 204–18. https://doi.org/10.5281/zenodo.10059982.

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Poets Rui Knopfli and Luís Carlos Patraquim, both from Mozambique, are known for the way in which memory is configured in their poems. The poem "Muipíti", published by Knopfli in A ilha de Próspero (1972), is based on his memories about the island of Mozambique, called Muipíti by the Macuas Africans, before the arrival of the Portuguese. Indeed, it is noted that the poem in question aims to mix individual experiences with those of Mozambique, the country where the island was the former capital. Subsequently, in the section "Os barcos elementares", published in Vinte e tal novas formulações e u

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3

Tindó Secco, Carmen Lúcia. "Postcolonial Poetry in Cape Verde, Angola, and Mozambique: Some Contemporary Considerations." Research in African Literatures 38, no. 1 (2007): 119–33. http://dx.doi.org/10.2979/ral.2007.38.1.119.

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Secco, Carmen LÃºcia TindÃ³, and Russell G. Hamilton. "Postcolonial Poetry in Cape Verde, Angola, and Mozambique: Some Contemporary Considerations." Research in African Literatures 38, no. 1 (2007): 119–33. http://dx.doi.org/10.1353/ral.2007.0018.

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5

Batista Bortolotti, João Antônio. "Revista Charrua – relativizações das retóricas de intelectual revolucionário e literatura de combate (1977-1986)." Revista Discente Ofícios de Clio 5, no. 9 (2021): 39. http://dx.doi.org/10.15210/clio.v5i9.19766.

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Este artigo objetiva contextualizar e analisar os significados da Revista Charrua (1984-1986), periódico idealizado e publicado por um grupo de jovens escritores imbuídos de ideias e intenções de demarcar um novo momento da literatura moçambicana, distanciando-se das retóricas de intelectual revolucionário e poesia de combate, caras ao projeto nacional do Estado-Frelimo. Para tal, contextualizo brevemente o momento da formação da Frente de Libertação de Moçambique, e mais amplamente o período após a independência, marcado pelo início de uma guerra civil, bem como por um projeto nacionalista au

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6

Assubuji, Rui, and Patricia Hayes. "The bridge and the photograph in Mozambique." Journal of Romance Studies 24, no. 2 (2024): 183–222. http://dx.doi.org/10.3828/jrs.2024.11.

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This article is an experiment in constructing a new form of narrative through the history of Mozambique. It assembles photographic images of a specific physical structure, the bridge, dating from the colonial period to the contemporary. Thus it follows instances of the making (and unmaking) of bridges as lines of infrastructure, or form, photographed, as these cross the riverine features in the land in order to facilitate connection, traffic, and progress. Great rivers such as the Zambezi flow in one direction, which has also served as a metaphor for the gradual passing of time. In such a case

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7

Moskvitina (Siim), Anna. "National language as an object of modern Kiswahili poetry in the Roman and Arabic scripts in East Africa." Language in Africa 4, no. 2 (2023): 89–112. http://dx.doi.org/10.37892/2686-8946-2023-4-2-89-112.

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The article presents a survey of Kiarabu, a tradition of writing in Swahili using the Arabic script, as an integral component of the so-called East African Swahili civilization which since the Medieval Times had been constituted as a network of coastal and island sultanates extending from the South of Somali to the North of Mozambique along the coast of the Indian Ocean. In the colonial times this kind of indigenous literacy gradually came out of use being replaced with the Roman script-based literacy within the project of standardization and making the standard form of Kiswahili an official l

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8

Freitas, Marcus Vinicius De. "Sobre o estatuto da sátira na obra de Jorge de Sena." Revista do Centro de Estudos Portugueses 31, no. 45 (2011): 189. http://dx.doi.org/10.17851/2359-0076.31.45.189-208.

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<p>Este artigo visa a uma análise do papel desempenhado pela sátira no conjunto da obra de Jorge de Sena, em especial no livro póstumo <em>Dedicácias</em>, organizado e publicado por Mécia de Sena. A hipótese principal é as de que, através da sátira, Sena cria um elo entre a fatura poética e a atividade crítica. Ao longo do trabalho, são analisados, sob a mesma perspectiva, alguns outros poemas centrais da obra de Sena, tais como “Camões na Ilha de Moçambique” e “Em Creta com o Minotauro”.</p><p>This paper aims at analysing the role of the genre satyre inside Jorg

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9

Patrícia, Resende Pereira. ""A história que há de ler-se é por mim escrita": a memória na poesia dos moçambicanos Rui Knopfli e Luís Carlos Patraquim." Via Litterae [ISSN 2176-6800]: Revista de Linguística e Teoria Literária 13, no. 1 (2021): 68–83. https://doi.org/10.5281/zenodo.5592282.

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<strong>Resumo</strong>: A poesia dos autores moçambicanos Luís Carlos Patraquim e Rui Knopfli é conhecida por ter a memória como um de seus pontos centrais. Assim sendo, é possível notar que, seja em poemas centrados na própria vivência, em Moçambique, ou em textos concentrados na discussão acerca de uma África colonizada ou testemunha de uma guerra colonial, pode-se perceber que a temática da memória se encontra fortemente presente. Assim sendo, o propósito da discussão é investigar

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10

Dalcastagnè, Regina. "O rumor da vida: sobre escrita, afetos e revolução." O Eixo e a Roda: Revista de Literatura Brasileira 27, no. 1 (2018): 59–72. http://dx.doi.org/10.17851/2358-9787.27.1.59-72.

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Resumo: O artigo se debruça sobre um conjunto de 27 cartas do intelectual português Augusto dos Santos Abranches enviadas ao escritor Salim Miguel entre 1952 e 1961. O que começa como uma troca de publicações e originais vai se tornando um diálogo sobre literatura, política e vida, que não eram, absolutamente, coisas separadas para esses homens. Abranches foi um ferrenho crítico do salazarismo, mudou-se de Portugal para Moçambique e depois para o Brasil, sempre com a PIDE em seus calcanhares. Generoso, ajudou a divulgar muitos outros escritores, especialmente os poetas da África lusófona, já e

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Dissertations / Theses on the topic "Mozambique in poetry"

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Fernandes, Gabriel Madeira. "A poética da sinceridade de Rui Knopfli." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-14032013-102456/.

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Enfatizando a relação que a obra de Rui Knopfli mantém com o espaço africano como portador de experiências vivenciadas pelo poeta, e pelo qual ele nutre um sentimento de pertença bastante intenso, empreendemos a pesquisa. A resistência a uma poesia a serviço de uma ideologia levanta a questão da limitação ideológica da arte em favor de sua causa. Explorando as muitas tentativas do poeta de escrever uma arte poética, nos deparamos com uma honestidade e fidelidade consigo mesmo que guia o poeta do início ao fim de sua produção poética mesmo lhe custando o afastamento de sua terra natal e espaço

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Nassr, Paula Terra. "Rui Knopfli um poeta à margem : entre o Tejo e o Zambeze." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/172901.

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Esta pesquisa tem como objeto de estudo o sujeito híbrido pós-colonial e o discurso que são analisados na obra poética do escritor moçambicano Rui Knopfli, sob as perspectivas dos Estudos Culturais trazidas por Homi K. Bhabha, Stuart Hall e Edward Said. Também serviu de base para o estudo do discurso do conjunto poético knopfliano a Análise do Discurso Francesa representada, principalmente, pelos estudos de Michel Pêcheux e, para as análises poéticas, a Fenomenologia de Bachelard e os escritos de Octavio Paz sobre a linguagem poética. Foram analisadas as condições de produção e o contexto hist

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Books on the topic "Mozambique in poetry"

1

Poets of Mozambique: A bilingual selection. Luso-Brazilian Books, 2006.

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2

Stained Glass: Poetry from the Land of Mozambique. ROMAN Books, 2012.

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3

Para alem de charrua: Poemas de Mocambique = Charrua and beyond : poems from Mozambique. The Heaventree Press, 2007.

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4

Moçambicana: Memória contra a guerra colonial, 1964-1968. Húmus, 2012.

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Book chapters on the topic "Mozambique in poetry"

1

Stennett, Tom. "I, the People." In Dissident Authorship in Mozambique. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198885900.003.0006.

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Abstract Chapter 5 examines the phenomenon of collective poetry published by Frelimo through the case of Eu, o Povo: a collection of poems written by a Portuguese, António Quadros, but attributed to the author construct Mutimati Barnabé João, a ficitonal guerrila soldier of Mozambique's ruling party, Frelimo. It analyses Quadros’s attempt in Eu, o Povo to reconcile the anti-colonial and post-independence functions of poetry in Mozambique: resistance to authoritarian rule and the celebration of Frelimo’s nationalist project, respectively. Mutimati’s text is concerned with challenging Frelimo’s

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Stennett, Tom. "Introduction." In Dissident Authorship in Mozambique. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198885900.003.0001.

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Abstract This chapter introduces the pennames of Portuguese painter and poet António Quadros, who published poetry and prose in Mozambique under the names João Pedro Grabato Dias, Frey Ioannes Garabatus, and Mutimati Barnabé João. The author frames his analysis of Quadros’s engagement with the question of Mozambican authorship with an interrogation of the theories of Roland Barthes and Michel Foucault. He makes the case for studying authorship and readership, in the Mozambican context, as indissociable questions. The author sets out the key features of Quadros’s literary production and situate

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Stennett, Tom. "António Quadros and the Future." In Dissident Authorship in Mozambique. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198885900.003.0008.

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Abstract This chapter discusses the knotty relationship between António Quadros and posterity as he frames it in the literary works that he published under three pennames. Quadros’s anxieties over how posterity will respond to his works reflect the reality that many authors writing in Mozambique rely on international or, in Quadros’s case, speculative future audiences for recognition. The author situates Quadros’s framing of the uncertain place of his literary works in the Mozambican canon within the broader context of Mozambican letters. He relates Quadros’s relationship to posterity to his a

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Vierke, Clarissa, and Chapane Mutiua. "The Kaiser, Angoche and the world at large: Swahili poetry from Mozambique as world (war) literature." In African Literatures as World Literature. Bloomsbury Academic, 2022. http://dx.doi.org/10.5040/9781501379987.ch-006.

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