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Books on the topic 'Mozart analysis'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Sadie, Stanley. Mozart symphonies. London: Ariel Music, 1986.

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2

Mozart piano concertos. London: BBC Publications, 1986.

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3

Varga, Ovidiu. Wolfgang Amadeus Mozart. București: Editura Muzicală, 1988.

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4

Hocquard, Jean Victor. Les opéras de Mozart. Paris: Les Belles Lettres, 1995.

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5

Maasalo, Kai. Mozart ja hänen pianokonserttonsa. Helsinki: WSOY, 1985.

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6

Noske, Frits. Mozart: Opera no kaidoku. Tōkyō: Tōjusha, 1985.

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7

Girdlestone, Cuthbert Morton. Mozart & his piano concertos. Mineola, N.Y: Dover Publications, 2011.

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8

Mozart Theater: Vom "Idomeneo" bis zur "Zauberflöte". Stuttgart: J.B. Metzler, 1996.

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9

Messiaen, Olivier. Les 22 concertos pour piano de Mozart. Paris: Libr. Séguier, 1987.

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10

Mozart wind and string concertos. [London]: Ariel Music, BBC Publications, 1986.

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11

Opus ultimum: The story of the Mozart Requiem. New York: Algora Pub., 2004.

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12

Rich, Alan. Wolfgang Amadeus Mozart: Play by play. San Francisco: HarperCollins, 1995.

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13

I concerti per pianoforte e orchestra di Mozart. Pordenone: Studio tesi, 1990.

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14

Mozart chamber music. [London]: Ariel Music, BBC Publications, 1986.

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15

Harmony in Haydn and Mozart. New York: Cambridge University Press, 2012.

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16

Reijen, Paul Willem van. Vergleichende Studien zur Klaviervariationstechnik von Mozart und seinen Zeitgenossen. Buren: F. Knuf, 1988.

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17

Horin, Benny. Stylistic contrast between Beethoven and Mozart: Based upon the Beethoven Quartet no. 11 in F minor, op. 95, and the Mozart Quartet in C major, K. 465. Silver Spring, Md: Shazco, 1990.

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18

Kelterborn, Rudolf. Analyse und Interpretation: Eine Einführung anhand von Klavierkompositionen : Bach, Haydn, Mozart, Beethoven, Schumann, Brahms, Schönberg, Bartók. Winterthur/Schweiz: Amadeus, 1993.

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19

Noske, Frits. The signifier and the signified: Studies in the operas of Mozart and Verdi. Oxford [England]: Oxford University Press, 1990.

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20

Brown, A. Peter. The first golden age of the Viennese symphony: Haydn, Mozart, Beethoven, and Schubert. Bloomington, Ind: Indiana University Press, 2002.

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21

Getting the most out of Mozart: The vocal works. Pompton Plains, NJ: Amadeus Press, 2005.

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22

Getting the most out of Mozart: The instrumental works. Pompton Plains, NJ: Amadeus Press, 2005.

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23

Le arie da concerto di Wolfgang Amadeus Mozart per voce di soprano. Lucca: Libreria musicale italiana, 2006.

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24

Recognition in Mozart's operas. New York: Oxford University Press, 2006.

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25

Ströbel, Dietmar. Am Klavier zu lesen: Beschreibungen für Ungeübte zu vier Klavierstücken von Telemann, Mozart, Schumann und Webern. Darmstadt: THIASOS Musikverlag, 1999.

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26

Arthur, Hutchings. A companion to Mozart's piano concertos. 2nd ed. Oxford: Oxford University Press, 1998.

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27

Foil, David. Mozart : the piano concerti: No. 20 in D minor, K. 466 ; No. 21 in C, K. 467. New York: Black Dog & Leventhal Publishers, 1995.

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28

The creative process in music from Mozart to Kurtág. Urbana: University of Illinois Press, 2012.

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29

Mozart's operas. Berkeley,CA: Univ.California Press, 1990.

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30

Heartz, Daniel. Mozart's operas. Berkeley: University of California Press, 1990.

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31

De fis van Euler: Een nieuwe visie op de muziek van Schubert, Beethoven, Mozart en Bach. Bloemendaal: Aramith, 1989.

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32

Mirka, Danuta. Metric manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791. New York: Oxford University Press, 2009.

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33

Classical form: A theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven. Oxford: Oxford University Press, 2001.

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34

Caplin, William Earl. Classical form: A theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven. New York: Oxford University Press, 1998.

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35

Zaslaw, Neal. Mozart's symphonies: Context, performance practice, reception. Oxford: Clarendon, 1991.

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36

Zaslaw, Neal. Mozart's symphonies: Context, performance, practice, reception. Oxford: Clarendon, 1989.

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37

Mozart's symphonies: Context, performance practice, reception. Oxford [Oxfordshire]: Clarendon Press, 1989.

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38

ek, Slavoj Z. iz. Der zweite Tod der Oper. Berlin: Kultureverlag Kadmos, 2003.

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39

ek, Slavoj Z. iz. Opera's second death. New York: Routledge, 2002.

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40

Stüber, Jutta. Mozarts Haydn-Quartette: Intonationsanalyse. Bonn: Verlag für Systematische Musikwissenschaft, 1990.

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41

Flothuis, Marius. Mozarts Klavierkonzerte: Ein musikalischer Werkfèuhrer. München: C.H. Beck, 1998.

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42

Haydn and the classical variation. Cambridge, Mass: Harvard University Press, 1993.

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43

Adlung, Philipp. Mozarts Opera seria "Mitridate, re die Ponto". Eisenach: Karl Dieter Wagner, 1996.

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44

Heinzel, Mark Alexander. Die Violinsonaten Wolfgang Amadeus Mozarts. Karlsruhe: M.A. Heinzel, 1996.

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45

Gersthofer, Wolfgang. Mozarts frühe Sinfonien: (bis 1772) : Aspekte frühklassischer Sinfonik. [Salzburg]: Internationale Stiftung Mozarteum Salzburg, 1993.

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46

Küster, Konrad. Formale Aspekte des ersten Allegros in Mozarts Konzerten. Kassel: Bärenreiter, 1991.

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47

Playing with meter: Metric manipulations in Haydn and Mozart's chamber music for strings. New York: Oxford University Press, 2009.

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48

A listener's guide to Mozart's music. New York: Vantage Press, 1997.

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49

Forster, Robert. Die Kopfsätze der Klavierkonzerte Mozarts und Beethovens: Gesamtaufbau, Solokadenz und Schlussbildung. München: W. Fink, 1992.

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50

Potter, Peter. An analysis of Mozart's Così fan tutte. Silver Spring, MD: Shazco, 1999.

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