Academic literature on the topic 'Mozart Piano Sonata No 4 in E-flat major'

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Journal articles on the topic "Mozart Piano Sonata No 4 in E-flat major"

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Granot, Roni Y., and Nori Jacoby. "Musically puzzling II: Sensitivity to overall structure in a Haydn E-minor sonata." Musicae Scientiae 16, no. 1 (2011): 67–80. http://dx.doi.org/10.1177/1029864911423146.

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Previous studies have suggested that listeners are insensitive to the overall tonal structure of musical pieces. In Part I of this report ( Granot & Jacoby, 2011 ) we reexamined this question by means of a puzzle task using 10 segments of Mozart’s B flat major piano sonata K. 570/I. As expected, subjects had difficulty in recreating the original piece. However, their answers revealed some interesting patterns, including (1) Some sensitivity to the overall structure of A–B–A’ around the non-stable B section; (2) Non-trivial sensitivity to overall “directionality” as shown by a new type of a
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Granot, Roni Y., and Nori Jacoby. "Musically puzzling I: Sensitivity to overall structure in the sonata form?" Musicae Scientiae 15, no. 3 (2011): 365–86. http://dx.doi.org/10.1177/1029864911409508.

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Previous studies have suggested that listeners are not sensitive to the overall tonal structure of musical pieces. This assumption is reexamined in the current study in an active musical puzzle task, with no time constraints, focusing on the presumably most directional musical form – the sonata form. In our first study (reported here, and referred to as “the Mozart study”), participants with varying levels of musical training were presented with disordered sections of Mozart’s piano sonata K. 570/I in B flat major and asked to rearrange the ten sections into a musically logical coherent whole.
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Harrison, B. "Eighteenth-century music for two keyboard instruments, Bernard Brauchli (harpsichord, clavichord), Esteban Elizondo (organ, clavichord), Titanic Records T1-185 (rec 1989); Joseph Haydn, Harpsichord Sonatas In C Minor (XVI 20), F Major (XVI:23), A Major (XVI 26), E Flat Major (XVI 28), B Minor (XVI 32), Shirley Mathews (harpsichord), Gasparo GSCD-284 (issued 1991); Wolfgang Amadeus Mozart, Concertos KV107 (After J. C. Bach's Keyboard Sonatas Op.5 Nos 2, 3 & 4); Leopold Mozart, Sonata Da Camera A Tre No.4; Johann Christian Bach, Sonata In D Major, Op.20 No 2, Keyboard Concerto In E Flat Major, Op.7 No 5, London Baroque, Harmonia Mundi HMC 901395 (rec 1990); Wolfgang Amadeus Mozart, Piano Sonatas K545 & K57O, Fantasie K475, Rondos K486 & K511, Andras Schiff (fortepiano), L'Oiseau-Lyre 433 328-2 (rec 1991)." Early Music XXI, no. 1 (1993): 161–63. http://dx.doi.org/10.1093/em/xxi.1.161.

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"Beethoven's last piano sonatas: an edition with elucidation: v.1: Piano sonata in E major, op. 109; v.2: Piano sonata in A-flat major, op. 110; v.3: Piano sonata in C minor, op. 111; v.4: Piano sonata in A major, op. 101." Choice Reviews Online 53, no. 12 (2016): 53–5198. http://dx.doi.org/10.5860/choice.197453.

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Dissertations / Theses on the topic "Mozart Piano Sonata No 4 in E-flat major"

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Alonso, Orlay. "Illuminated Scores and the Architectural Design of Musical Form." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429802524.

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Books on the topic "Mozart Piano Sonata No 4 in E-flat major"

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Beethoven, Ludwig van, and L. van Beethoven. Beethoven - "Grand Sonata" Piano Sonata No. 4 In E-flat major. CreateSpace Independent Publishing Platform, 2014.

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