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Relevant bibliographies by topics / Mozart Project

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Academic literature on the topic 'Mozart Project'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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Journal articles on the topic "Mozart Project"

1

Kirkeby, Ole Fogh. "A metaphor called "Mozart"." HERMES - Journal of Language and Communication in Business 13, no. 24 (2017): 109. http://dx.doi.org/10.7146/hjlcb.v13i24.25571.

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In the following essay I shall venture on the ocean of metaphor, reducing the rashness of this project by the use of the well-worn boat of philosophy. I shall ask four questions: 1. Is it possible to realise metaphor through thought, action or emotion? 2. What is the opposite of metaphor? 3. Does an alternative to metaphorical thinking exist? 4. Does an alternative metaphorical thinking exist? However, should my project fail, perhaps the raft of metaphor itself might carry me safe to the island ruled by Ariel and Prospero, and where other shipwrecked once were met with soft music.

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BREDA, Xénia Melánia, Dana Marieta FODOR, Robert VERDEŞ ¹,, et al. "The Mozart effect combined with specific kinetic treatment in patients with Parkinson’s disease." Balneo Research Journal 10, Vol.10, No.3 (2019): 294–99. http://dx.doi.org/10.12680/balneo.2019.271.

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Introduction & objectives: Although controversial, the Mozart effect, consisting of an improvement in cognitive abilities in healthy persons, has started to be studied in the case of patients with various neurological, even neurodegenerative diseases (dementia, treatment-refractory epilepsy). There are few data on the Mozart effect in Parkinson’s disease, but the positive results reported for other neurological pathologies have led us to study this subject. The aim of this study is to compare the results of the Mozart effect associated with specific kinetic treatment in the rehabilitation

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Wignall, Harry James. "Mozart, Marionettes, and the Magic Flute." British Journal of Music Education 4, no. 3 (1987): 243–50. http://dx.doi.org/10.1017/s0265051700006070.

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A project is described which involved making and working with marionettes in a Tokyo school. Through this and other related activities, children were introduced to the world of opera, in particular, The Magic Flute, by Mozart.

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LORENZ, MICHAEL. "NEW AND OLD DOCUMENTS CONCERNING MOZART’S PUPILS BARBARA PLOYER AND JOSEPHA AUERNHAMMER." Eighteenth Century Music 3, no. 2 (2006): 311–22. http://dx.doi.org/10.1017/s1478570606000625.

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Biographical research on Mozart’s pupils that is based on archival primary sources has been sadly neglected by scholars. Except for a short and highly entertaining article by Gustav Gugitz and two publications in the 1960s, Mozart scholarship still lacks a comprehensive study on a topic that is likely to provide us with a fascinating insight into Mozart’s social background, his pedagogical methods and performance practice in eighteenth-century Vienna. I think there are two reasons for this lacuna: first, the fashionable (and comfortable) assumption that all possible research has already been d

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Edge, Susan. "From Stallone to Mozart: A Middle School Statistics Project." Gifted Child Today 20, no. 3 (1997): 44–48. http://dx.doi.org/10.1177/107621759702000314.

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Flemming, J., V. Huijnen, J. Arteta, et al. "Tropospheric chemistry in the Integrated Forecasting System of ECMWF." Geoscientific Model Development 8, no. 4 (2015): 975–1003. http://dx.doi.org/10.5194/gmd-8-975-2015.

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Abstract. A representation of atmospheric chemistry has been included in the Integrated Forecasting System (IFS) of the European Centre for Medium-Range Weather Forecasts (ECMWF). The new chemistry modules complement the aerosol modules of the IFS for atmospheric composition, which is named C-IFS. C-IFS for chemistry supersedes a coupled system in which chemical transport model (CTM) Model for OZone and Related chemical Tracers 3 was two-way coupled to the IFS (IFS-MOZART). This paper contains a description of the new on-line implementation, an evaluation with observations and a comparison of

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Flemming, J., V. Huijnen, J. Arteta, et al. "Tropospheric chemistry in the integrated forecasting system of ECMWF." Geoscientific Model Development Discussions 7, no. 6 (2014): 7733–803. http://dx.doi.org/10.5194/gmdd-7-7733-2014.

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Abstract. A representation of atmospheric chemistry has been included in the Integrated Forecasting System (IFS) of the European Centre for Medium-range Weather Forecasts (ECMWF). The new chemistry modules complement the aerosol modules of the IFS for atmospheric composition, which is named C-IFS. C-IFS for chemistry supersedes a coupled system, in which the Chemical Transport Model (CTM) Model for OZone and Related chemical Tracers 3 was two-way coupled to the IFS (IFS-MOZART). This paper contains a description of the new on-line implementation, an evaluation with observations and a compariso

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Pal, Leslie A. "Political Economy as a Hegemonic Project." Canadian Journal of Political Science 22, no. 4 (1989): 827–40. http://dx.doi.org/10.1017/s0008423900020278.

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No book, least of all an edited one, speaks with a single voice. A text is disguised counterpoint, punk plus Mozart, a riff that cuts across discordant harmonies. Considered this way, a book can no more be judged as simply good or bad than a symphony can be adequately described by its key signature. Nevertheless, The New Canadian Political Economy is a good book in every conventional sense. It meets, for example, all of the challenges of an edited collection: the essays are thematically coherent, uniformly well-written, rigorous and integrated around roughly similar questions. Together, they a

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Till, Nicholas. "‘First-Class Evening Entertainments’: Spectacle and Social Control in a Mid-Victorian Music Hall." New Theatre Quarterly 20, no. 1 (2004): 3–18. http://dx.doi.org/10.1017/s0266464x03000289.

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First-Class Evening Entertainments was the title given to a variety programme presented at Hoxton Hall in East London when it first opened in 1863. In 2000 Nicholas Till and Kandis Cook were commissioned by Hoxton Hall and the English National Opera Studio to make a new music theatre piece for the Hall, which led to an investigation of the content and context of the original programme. In the following article Nicholas Till offers a reading of the 1863 programme as an example of the mid-Victorian project to exercise social control over the urban working classes. Nicholas Till is Senior Lecture

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Irving, John. "Performer rights and responsibilities in historical performance." Muzikologija, no. 16 (2014): 31–46. http://dx.doi.org/10.2298/muz1416031i.

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In April 2014, fortepianist and Mozart specialist John Irving recorded a CD of solo keyboard sonatas by Joseph Haydn, using a modern copy of a Viennese fortepiano of Haydn?s era. This is an account of the project written from the performer?s perspective, examining some relevant issues of historical performance practice, organology, and detailed reflections upon the performer?s preparations (of various musical and technical kinds) for the recording.

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Dissertations / Theses on the topic "Mozart Project"

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Georgiades, Rebecca. "Mozart, Beethoven, and Tschaikovsky: Their rich heritage of music." CSUSB ScholarWorks, 1992. https://scholarworks.lib.csusb.edu/etd-project/617.

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Balzani, Domenico <1968&gt. "Il Project Management di un'Opera Lirica-il "Don Giovanni" di Mozart/Da Ponte." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3542.

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La tesi analizza il Project Management per la realizzazione dell'Opera Lirica "Don Giovanni" di W.A.Mozart. Nella prima parte vengono esaminati i caratteri del P.M e le problematiche dello Spettacolo dal vivo. La seconda parte è il resoconto del Progetto che ha portato alla messa in scena del Don Giovanni al Teatro di Udine nel Settembre 2012. Vengono descritti i vari steps ed esaminati il Piano di Produzione, il Piano economico e finanziario,i Report di valutazione finali e i metodi di soluzione per gli imprevisti occorsi in fase realizzativa. La Tesi, cogliendo la valenza interdisciplinare d

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Pretorius, Leon G. "The political economy of South African foreign direct investment in Mozambique: a case study of Mozal and its implications for development in Mozambique and Southern Africa." Thesis, University of the Western Cape, 2005. http://hdl.handle.net/11394/222.

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Philosophiae Doctor - PhD<br>The MOZAL aluminium smelter in Maputo is the largest-ever foreign direct investment in Mozambique. South Africa's state-owned Industrial Development Corporation (IDC) owns 24% shares in MOZAL and the Development Bank of South Africa (DBSA) and Eskom provided road and power supply infrastructure to ensure the success of the smelter. BHP Billiton is the majority shareholder, the other being Mitsubishi. MOZAL is the flagship of South Africa's foreign policy for regional integration in southern Africa and economic reconstruction in Mozambique: a practical manifestation

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Dubowy, Norbert. "Vom Kritischen Bericht zur Kritischen Dokumentation am Beispiel der Digital-interaktiven Mozart-Edition." 2020. https://slub.qucosa.de/id/qucosa%3A72567.

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A digital music edition that follows the principles implemented in the fully-digital, MEI-coded Digital Interactive Mozart Edition, pursued by the Mozarteum Foundation and the Packard Humanities Institute, has many advantages over conventional analog editions. One advantage is greater transparency, which is achieved not only at the level of the material, e. g. the inclusion of digital images of the sources, but above all by making editorial processes and decisions visible in the edition itself. In the digital edition, the Critical Report, a defining component of any critical edition and often

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Pretorius, Leon Gilbert. "The political economy of South African foreign direct investment in Mozambique: a case study of MOZAL and its implications for development in Mozambique and Southern Africa." Thesis, 2005. http://etd.uwc.ac.za/index.php?module=etd&amp.

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The MOZAL aluminium smelter in Maputo is the largest-ever foreign direct investment in Mozambique. South Africa&rsquo<br>s state-owned Industrial Development Corporation (IDC) owns 24% shares in MOZAL and the Development Bank of South Africa (DBSA) and Eskom provided road and power supply infrastructure to ensure the success of the smelter. BHP Billiton is the majority shareholder, the other being Mitsubishi. MOZAL is the flagship of South Africa&rsquo<br>s foreign policy for regional integration in southern Africa and economic reconstruction in Mozambique: a practical manifestation of the Afr

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Books on the topic "Mozart Project"

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Kilfeather, John. Creating choices: Report on the Solvent Abusers' Group at the Mozart Project. City of Westminster Social Services Dept., 1990.

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Kilfeather, John. Creating choices: Report on the Solvent Abusers' Group at The Mozart Project. City of Westminster, Social Services Department, 1990.

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Holtmann, Lucie. Das Projekt Wunderkind: Wolfgang Amadeus Mozart. GRIN Verlag GmbH, 2009.

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Wegener, Maximilian, and Frederik Schreus. Financing the Mozal Project in Mozambique. GRIN Verlag GmbH, 2014.

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Mozart Almanach: Lesebuch und offizielles Programm ; Salzburger Festspiele 2006 ; [das Projekt Mozart 22 ; eine Annäherung in zehn Schriften]. Residenz, 2006.

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Regional integration and development in Southern Africa: A case study of the MOZAL Project and its implications for workers. International Labour Resource and Information Group, 2000.

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Book chapters on the topic "Mozart Project"

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Spiessens, Fred, and Peter Van Roy. "The Oz-E Project: Design Guidelines for a Secure Multiparadigm Programming Language." In Multiparadigm Programming in Mozart/Oz. Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/978-3-540-31845-3_3.

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Louis De La Grange, Henry. "Mahler in Vienna (XXII)-Salome in Graz-Premiere of the Sixth Composition of the Eighth-Salzburg Festival-Mahler in his maturity (May-August 1906)." In Gustav Mahler. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780193151604.003.0006.

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Abstract Although his main preoccupation for several months had been the restaging of the Mozart operas, Mahler had not forgotten Salome, the first modern theatrical masterpiece to have come his way since he had arrived in Vienna. But time was passing, and the Habsburg censorship had still not given way. The premiere had taken place in Dresden on 9 December 1905, and had been followed by performances in Prague and Breslau, and Strauss now wrote to Mahler to ask him if he had any objections to the Breslau production being brought to Vienna. Mahler replied in mid-March: Dear friend! I have neith

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Faucett, Bill F. "Dwight at Brook Farm." In John Sullivan Dwight. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197684184.003.0006.

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Abstract With few professional prospects, Dwight settled at the socialist-utopian community of Brook Farm, located near Boston. The community attracted all sorts of personalities, and part of its lure was the arts, which were an important component of Brook Farm’s educational project. The arts were considered essential to the Farm’s success—for enjoyment, for moral uplift, and for simply keeping boredom at bay. Dwight was appointed as lead organizer of the Farm’s entertainments and designated “Chief of the Festal Series.” Given his own enthusiasms, many of the activities inevitably involved mu

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"Mozart’s Sonata in A Minor, K. 310." In Der Tonwille, edited by Heinrich Schenker and William Drabkin. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195122374.003.0010.

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Abstract Bars 1-8A sixteenth-note appoggiatura d 2: and not only is the first tone of the Urlinie, e2, conceived but, in a true creatio ex nihilo, the entire first movement! Already the first creative breath projects the special features of this new musical organism, determining the shape and content of the whole as well as the parts. In the antecedent, the Urlinie (see the graph, p. 56) aims to project the fourth e2 –b1 and, with the support of the fundamental harmonies, lead to a half cadence; the generative principle of the appoggiatura then becomes operative, propelling the inner voice in

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Amtsbüchler, R., and H. Van Heerden. "MOZAL I AND II PROJECT – ACHIEVING DURABILITY UNDER DIFFERENT CIRCUMSTANCES." In Challenges of Concrete Construction: Volume 6, Concrete for Extreme Conditions. Thomas Telford Publishing, 2002. http://dx.doi.org/10.1680/cfec.31784.0016.

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Kelly-Buccellati, Marilyn. "Preface by the Director of the Urkesh/Mozan Archaeological Project." In Comparative Studies on the Pottery of Sector AK of the Royal Building in Tell Mozan/Urkeš (Syria). Harrassowitz, O, 2014. http://dx.doi.org/10.2307/j.ctvc16ft9.4.

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Buccellati, Giorgio. "From Urkesh to Mozan. The itinerary of a project in wartime." In Stories told around the fountain. Papers offered to Piotr Bieliński on the occasion of his 70th birthday. Warsaw University Press, 2019. http://dx.doi.org/10.31338/uw.9788323541714.pp.187-204.

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Podder, Sukanya. "Peacebuilding through Pre-school Education and Media Programmes in Macedonia." In Peacebuilding Legacy. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192863980.003.0004.

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Abstract This chapter presents the findings from Macedonia. It sketches the contextual background around interethnic relations and educational segregation to explore the role of early years’ educational interventions in managing intergroup conflict. The chapter then analyses the tensions between the donor emphasis on integrated education, as reflected in national policies, and the reality of monolingual instruction following the Ohrid framework agreement (2001). The implementation of the Mozaik bilingual immersion groups and the various regional and national media projects by the Macedonia cou

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Eckerdal, Patricia, and Bjorn Merker. "‘Music’ and the ‘action song’ in infant development: An interpretation." In Communicative Musicality. Oxford University PressOxford, 2008. http://dx.doi.org/10.1093/oso/9780198566281.003.0011.

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Abstract After more than a century of study, the newborn’s developmental path to maturity is still imperfectly understood. For example, the use of song and musical play in adult–infant interaction is cross-culturally ubiquitous (Trehub and Trainor 1998; Unyk et al. 1992; Falk 2004), yet the question of what functional role this common form of interaction with infants has in their emotional, social and cognitive development is only in the process of being formulated (Papousek et al. 1991; Papaeliou and Trevarthen 1994; Trevarthen 1999; Malloch 1999; Mozgot 2003). Motivated by an interest in gat

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Buccellati, Giorgio, and Marilyn Kelly-Buccellati. "Preface by the Directors of The International Institute for Mesopotamian Area Studies – Mozan/Urkeš Archaeological Project." In Die Architektur und Stratigraphie der Zentralen Oberstadt von Tall Mozan/Urkeš. Harrassowitz, O, 2014. http://dx.doi.org/10.2307/j.ctvc2rjx3.4.

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Conference papers on the topic "Mozart Project"

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Cividini, Iacopo. "Zwischen klassischer Musikphilologie und angewandter Informatik: Die Digitale Mozart-Edition (DME) der Stiftung Mozarteum Salzburg." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.51.

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With the Digital Mozart-Edition (DME), the Salzburg Mozarteum Foundation and the Packard Humanities Institute, Los Altos (California), intend to build a bridge between music philology and informatics using the example of Wolfgang Amadé Mozart’s oeuvre. The aim of the project is to edit Mozart’s complete works as well as letters, documents and text sources according to scholarly criteria and in a fully digital format available free of charge on the internet. The core project of the DME, the Digital Interactive Mozart Edition (DIME), is conceived as a further development of the Neue Mozart-Ausga

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Neuwirth, Markus, Johannes Hentschel, and Martin Rohrmeier. "Perspectives of Musical Corpus Studies: The Annotated Mozart Sonatas." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.96.

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This paper discusses the potential of musical corpus studies, taking research on common-practice tonal harmony as a case in point. Based on a brief depiction of a project carried out at the École polytechnique fédérale de Lausanne (EPFL) and two novel datasets of harmonic analyses of music in the classical style, we elaborate on research questions, applications, and the need of extending the annotation standard used.

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Mordvin, E. Yu, A. A. Lagutin, and N. V. Volkov. "Total methane content in the atmosphere of Western Siberia in 2000–2020 according to the data of chemical transport model MOZART-4." In Spatial Data Processing for Monitoring of Natural and Anthropogenic Processes 2021. Crossref, 2021. http://dx.doi.org/10.25743/sdm.2021.13.98.038.

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The paper considers the behavior of total methane content in the atmosphere of Western Siberia obtained using the global chemical transport model MOZART-4 (Model for OZone And Related chemical Tracers, version 4). We discuss details of the model configuration for simulation of methane content until the end of the XXI century within the Representative Concentration Pathways (RCP4.5 and RCP8.5). Boundary conditions at the lower levels of the model (methane content in the surface air layer) was obtained using data from the Earth System Research Laboratories (ESRL) project and the results of the A

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Iborra Pallarés, Vicente, and Francisco Zaragoza Saura. "Altea Urban Project: An academic approach to the transformation of a coastal Spanish touristic city based on the improvement of the public space." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5990.

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Vicente Iborra Pallarés¹, Francisco Zaragoza Saura2 ¹Building Sciences and Urbanism Department. University of Alicante. Alicante. Politécnica IV, módulo III, 1ª planta. Carretera de San Vicente del Raspeig s/n. 03690 San Vicente del Raspeig ²Concejalía de Urbanismo, Ayuntamiento de Altea. Plaza José María Planelles, 1. 03590 Altea E-mail: vicente.iborra@ua.es, zaragozasaura@gmail.com Keywords (3-5): Public space, historical urban evolution, tourism phenomena, urbanistic project, educational experience Conference topics and scale: City transformations The town of Altea (Alicante, Spain) has an

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Reports on the topic "Mozart Project"

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Pedersen, Gjertrud. Symphonies Reframed. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481294.

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Symphonies Reframed recreates symphonies as chamber music. The project aims to capture the features that are unique for chamber music, at the juncture between the “soloistic small” and the “orchestral large”. A new ensemble model, the “triharmonic ensemble” with 7-9 musicians, has been created to serve this purpose. By choosing this size range, we are looking to facilitate group interplay without the need of a conductor. We also want to facilitate a richness of sound colours by involving piano, strings and winds. The exact combination of instruments is chosen in accordance with the features of

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