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1

Classical form: A theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven. Oxford: Oxford University Press, 2001.

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2

Caplin, William Earl. Classical form: A theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven. New York: Oxford University Press, 1998.

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3

Varga, Ovidiu. Wolfgang Amadeus Mozart. București: Editura Muzicală, 1988.

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4

Korff, Malte. Wolfgang Amadeus Mozart. Frankfurt am Main: Suhrkamp, 2005.

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5

Ziegler, Frank. Wolfgang Amadeus Mozart: Autographenverzeichnis. Berlin: Deutsche Staatsbibliothek, 1990.

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6

ill, Stevens Daniel, ed. Operantics with Wolfgang Amadeus Mozart. Santa Fe, NM: Sunstone Press, 1987.

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7

Berke, Dietrich, Wolfgang Rehm, and Miriam Pfadt. Wolfgang Amadeus Mozart, neue Ausgabe sämtlicher Werke. Kassel: Bärenreiter, 2007.

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8

Rich, Alan. Wolfgang Amadeus Mozart: Play by play. San Francisco: HarperCollins, 1995.

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9

ill, Gabbey Terry, and Bunting Janet, eds. Play Mozart: The music and travels of Wolfgang Amadeus Mozart. Hauppauge, N.Y: Barron's, 1988.

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10

Terry, Gabbey, and Bunting Janet, eds. Play Mozart: The music and travels of Wolfgang Amadeus Mozart. London: Octopus, 1988.

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11

Mozart: His life & music. Naperville, Ill: Sourcebooks MediaFusion, 2006.

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12

Amadeus, Mozart Wolfgang. Wolfgang Amadeus Mozart: Perspectives from his correspondence. Riverside, CA: Ariadne Press, 2007.

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13

Marianische Antiphonen von Wolfgang Amadeus Mozart, Johann Michael Haydn und ihren Salzburger Zeitgenossen. Tutzing: Schneider, 2002.

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14

Keefe, Simon P., and Cliff Eisen. The Cambridge Mozart encyclopedia. Cambridge: Cambridge University Press, 2007.

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15

Mozart: Studies of the autograph scores. Cambridge, Mass: Harvard University Press, 1987.

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16

Wie hast Du's mit der Religion?: Wolfgang Amadeus Mozart und die Theologie. Würzburg: Echter, 2009.

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17

1751-1812, Schikaneder Emanuel, and Alier Aixalà Roger 1941-, eds. La flauta mágica de Wolfgang Amadeus Mozart. Barcelona: Ma non troppo, 2000.

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18

Mozart's chamber music with keyboard. New York: Cambridge University Press, 2012.

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19

Ornamentation and improvisation in Mozart. Princeton, N.J: Princeton University Press, 1986.

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20

Marty, Jean-Pierre. The tempo indications of Mozart. New Haven: Yale University Press, 1988.

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21

Interpreting Mozart on the keyboard. New York: Da Capo Press, 1986.

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22

Mozart: A documentary biography. London: Simon & Schuster, 1990.

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23

Getting the most out of Mozart: The vocal works. Pompton Plains, NJ: Amadeus Press, 2005.

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24

Getting the most out of Mozart: The instrumental works. Pompton Plains, NJ: Amadeus Press, 2005.

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25

Mozart und die geistliche Musik in Süddeutschland: Die Kirchenwerke von Leopold und Wolfgang Amadeus Mozart im Spannungsfeld zwischen klösterlicher Musiktradition und aufklärerischem Staatskirchentum. Sinzig: Studiopunkt Verlag, 2010.

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26

Arthur, Hutchings. A companion to Mozart's piano concertos. 2nd ed. Oxford: Oxford University Press, 1998.

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27

Humor as a concept in music: A theoretical study of expression in music, the concept of humor, and humor in music, with an analytical example, W.A. Mozart, Ein musikalischer Spass, KV 522. Frankfurt am Main: P. Lang, 1994.

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28

Amadeus, Mozart Wolfgang. Mozart speaks: Views on music, musicians, and the world : drawn from the letters of Wolfgang Amadeus Mozart and other early accounts. New York: Schirmer Books, 1991.

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29

Haydn, Mozart and the Viennese school, 1740-80. New York: Norton, 1995.

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30

Mozart and enlightenment semiotics. Berkeley: University of California Press, 2011.

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31

Küng, Hans. Mozart: Traces of transcendence. Grand Rapids, Mich: W.B. Eerdmans Pub. Co., 1993.

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32

Haydn, Mozart, and the Viennese School, 1740-1780. New York: W.W. Norton, 1995.

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33

Heartz, Daniel. Haydn, Mozart, and the Viennese School 1740-1780. New York: W.W. Norton, 1995.

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34

Silence and selfhood: The desire of order in Mozart's Magic Flute. New York: P. Lang, 1999.

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35

Zaslaw, Neal. Mozart's symphonies: Context, performance practice, reception. Oxford: Clarendon, 1991.

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36

Zaslaw, Neal. Mozart's symphonies: Context, performance, practice, reception. Oxford: Clarendon, 1989.

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37

Mozart's symphonies: Context, performance practice, reception. Oxford [Oxfordshire]: Clarendon Press, 1989.

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38

Paul, Badura-Skoda, ed. Interpreting Mozart: The performance of his piano pieces and other compositions. 2nd ed. New York: Routledge, 2008.

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39

The Century Of Bach And Mozart Perspectives On Historiography Composition Theory And Performance. Harvard University Department of Music, 2009.

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40

1965-, Gallagher Sean, Kelly Thomas Forrest, and Wolff Christoph, eds. The century of Bach and Mozart: Perspectives on historiography, composition, theory, and performance. Cambridge, Mass: Harvard University Department of Music, 2008.

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41

(Editor), Charlotte Voake, and Penelope Stanley-Baker (Editor), eds. Wolfgang Amadeus Mozart (First Discovery: Music). Moonlight Publishing Ltd, 2005.

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42

Hussey, Dyneley. Wolfgang Amadeus Mozart (Masters of Music). Library Reprints, 2001.

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43

Katarain, Velez José Vicente, ed. Wolfgang Amadeus Mozart. Bogotá: Editorial la Oveja Negra, 2003.

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44

Heartland. Life and Music of Wolfgang Amadeus Mozart. Not Avail, 1991.

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45

(Compiler), Jerry Ray, and Wolfgang Amadeus Mozart (Composer), eds. Simply Mozart- The Music Of Wolfgang Amadeus Mozart- (Simply). Alfred Publishing, 2006.

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46

Corporation, Music Sales, and Mozart Wolfgang Amadeus. Wolfgang Amadeus Mozart (Masterpieces of Piano Music Series). Amsco Music, 1986.

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47

Mozart. Taylor & Francis Group, 2015.

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48

Publishing, Friedman-Fairfax. Wolfgang Amadeus Mozart: 1756-1791 (The Life, Times, & Music Series). Friedman/Fairfax Publishing, 1992.

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49

Bankston, John. Wolfgang Amadeus Mozart (Musicmakers: World's Greatest Composers) (Masters of Music). Mitchell Lane Publishers, 2003.

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50

Amadeus, Mozart Wolfgang. The Letters Of Wolfgang Amadeus Mozart. Kessinger Publishing, 2004.

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