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Relevant bibliographies by topics / Mphephu P.R. – History and criticism

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Academic literature on the topic 'Mphephu P.R. – History and criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2022

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Journal articles on the topic "Mphephu P.R. – History and criticism"

1

Kirchner, Joann Marie, Arvid J. Bloom, and Paula Skutnick-Henley. "The Relationship Between Performance Anxiety and Flow." Medical Problems of Performing Artists 23, no. 2 (2008): 59–65. http://dx.doi.org/10.21091/mppa.2008.2012.

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This study examined the relationship between performance anxiety and flow proneness. Ninety undergraduate music majors (52 females, 38 males) recruited from a major research university volunteered to participate. The data collection instrument consisted of two previously established inventories: the Performance Anxiety Inventory and the Music in Flow Inventory. As predicted, the data showed flow proneness to be significantly and negatively correlated with performance anxiety (r = −0.20, p = 0.034, one-tailed test). The data also supported a prediction that the ability to play/sing without dest

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2

Feshchenko, V. V. "From the History of Cognitive Linguistic Approaches in Russian and Western- European Poetics." Critique and Semiotics 37, no. 2 (2019): 128–35. http://dx.doi.org/10.25205/2307-1737-2019-2-128-135.

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The article provides an overview of some recent works on cognitive poetics. Of particular interest are studies close to linguistic problematic of cognition in literary texts. A separate analysis tackles the case from the history of Russian thought about language and poetry – the theory of artistic (poetic) concepts by the Russian philosopher S. А. Askoldov. The paper also considers conceptions of Western-European linguists that emerged at the peak of the “cognitive turn” in the 1970s: theories of T. van Dijk and J. Lakoff – M. Turner, as well as criticism of these works by the Israeli literary

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Wegner, Diana L., and Stephanie Lawless. "Missing and Murdered Indigenous Women and Girls National Inquiry:." Discourse and Writing/Rédactologie 31 (February 18, 2021): 1–37. http://dx.doi.org/10.31468/dw/r.835.

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In this paper we present a rhetorical genre analysis of the Missing and Murdered Indigenous Women and Girls (MMIWG) National Inquiry. We focus on the concepts of meta-genre and genre hybridity in the context of social change to explore the dynamics of the MMIWG Inquiry as an instantiation of the “truth commission” (TC). Following Giltrow (2002), we treat meta-genre as advice and criticism from genre participants about how a genre should be performed. We apply Gready’s analysis (2011) of the TC as a hybrid genre that has emerged in the context of transitional justice and post-modern governance:

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Krutov, Vasyl. "Psycholinvistic Potential Neurogenesis (justification of the application of psycholinguistic techniques for the self-improvement of the mechanisms of the Human consciousness using the idea of neurogenesis)." PSYCHOLINGUISTICS 25, no. 1 (2019): 165–93. http://dx.doi.org/10.31470/2309-1797-2019-25-1-165-193.

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The purpose of the study is to justify the use of psycholinguistic techniques for self-improvement mechanisms of human consciousness using the idea of neurogenesis. The research method consisted in the following procedures: 1) a detailed study of the history of the problem of the formation of the targeted use of psycholinguistic techniques that can become a tool for expanding the human Consciousness; 2) the expression of constructive criticism of the materialistic theoretical postulates; 3) the formulation (on the basis of criticism, which was discussed in paragraph 2)) of the tasks and prospe

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Madhavan, Anugraha, and Sharmila Narayana. "Violation of Land as Violation of Feminine Space: An Ecofeminist Reading of Mother Forest and Mayilamma." Tattva Journal of Philosophy 12, no. 2 (2021): 13–32. http://dx.doi.org/10.12726/tjp.24.2.

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Agarwal, B. (1992). The gender and environment debate: Lessons from India. Feminist Studies, 18(1), 119-158. https:// doi.org/ 10.2307/ 3178217. Althuser, L. (1971). Ideology and ideological state apparatuses (Notes toward an investigation). Lenin and philosophy, and other essays (B.Brewster, Trans.). Monthly Review Press, 1971. Basha, C. (2017). Tribal land alienation: A sociological analysis. International Journal of Advanced Educational Research, 2(3), 78–81. http:// www.educationjournal.org/archives/2017/vol2/issue3. Berman, T. (1993). Towards an integrative ecofemi

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Zlotnikova, Tatyana. "Power in Russia: Modus Vivendi and Artis Imago." Russian Man and Power in the Context of Dramatic Changes in Today’s World: Collection of academic papers from the 21st Russian scientific-practical conference (with international participation) (Yekaterinburg, April 12–13, 2019), December 3, 2019, 38–48. http://dx.doi.org/10.35853/ufh-rmp-2019-pc02.

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Contemporary Russian socio-cultural, cultural and philosophical, sociopsychological, artistic and aesthetic practices actualize the Russian tradition of rejection, criticism, undisguised hatred and fear of power. Today, however, power has ceased to be a subject of one-dimensional denial or condemnation, becoming the subject of an interdisciplinary scientific discourse that integrates cultural studies, philosophy, social psychology, semiotics, art criticism and history (history of culture). The article provides theoretical substantiation and empirical support for the two facets of notions of po

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Ralph, Barnaby. "Eye of the Beholden." M/C Journal 8, no. 5 (2005). http://dx.doi.org/10.5204/mcj.2432.

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   There is a scene near the beginning of the Mel Brooks movie The History of the World, Part I, in which the ‘first artist’ makes his appearance, completing a cave painting of a hunting scene or some such. Immediately following this, a bearskin-clad man steps forward and urinates on the wall. This individual, we are told (by the disembodied voice of Orson Welles, no less), is the ‘first critic’.     Fair or unfair, this is, in many cases, the popular image of the reviewer. Fans of The Simpsons will doubtless remember ‘Guess Who’s Coming to Criticize D

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Fordham, Helen. "Curating a Nation’s Past: The Role of the Public Intellectual in Australia’s History Wars." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.1007.

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IntroductionThe role, function, and future of the Western public intellectual have been highly contested over the last three decades. The dominant discourse, which predicts the decline of the public intellectual, asserts the institutionalisation of their labour has eroded their authority to speak publicly to power on behalf of others; and that the commodification of intellectual performance has transformed them from sages, philosophers, and men of letters into trivial media entertainers, pundits, and ideologues. Overwhelmingly the crisis debates link the demise of the public intellectual to sh

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Jaakkola, Maarit. "Forms of culture (Culture Coverage)." DOCA - Database of Variables for Content Analysis, March 26, 2021. http://dx.doi.org/10.34778/2x.

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This variable describes what kind of concept of culture underlies the cultural coverage at a certain point of time or across time. The variable dissects the concept of culture into cultural forms that are being journalistically covered. It presupposes that each article predominantly focuses on one cultural genre or discipline, such as literature, music, or film, which is the case in most articles in the cultural beat that are written according to cultural journalists’ areas of specialization. By identifying the cultural forms covered, the variable delivers an answer to the question of what kin

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Kennedy, Ümit. "Exploring YouTube as a Transformative Tool in the “The Power of MAKEUP!” Movement." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1127.

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IntroductionSince its launch in 2005, YouTube has fast become one of the most popular video sharing sites, one of the largest sources of user generated content, and one of the most frequently visited sites globally (Burgess and Green). As YouTube’s popularity has increased, more and more people have taken up the site’s invitation to “Broadcast Yourself.” Vlogging (video blogging) on YouTube has increased in popularity, creating new genres and communities. Vlogging not only allows individuals to create their own mediated content for mass consumption—making it a site for participatory culture (B

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