Academic literature on the topic 'Mqhayi S'

Dreaming of Freedom in South Africa examines for the first time the many different texts imagining the future after the end of apartheid. Focused on well-known and obscure literary texts from the 1880s to the 1970s, as well as the many manifestos and programmes setting out visions of the future, this book charts the dreams of freedom of five major traditions of anti-colonial and anti-apartheid resistance: the African National Congress (ANC), the Industrial and Commercial Workers Union (ICU), the Communist Party of South Africa (CPSA), the Non-European Unity Movement (NEUM) and the Pan-Africani

Literary and political expressions of the liberal dream of freedom from the 1880s to the 1970s are analysed in the opening chapter. The liberal dream’s lineage in political discourse is analysed in Cecil John Rhodes’s dreams of unifying South Africa in the 1890s; Olive Schreiner’s political journalism from the 1880s to the 1910s; the ANC’s Bill of Rights of 1923; H. Selby Msimang’s pamphlet The Crisis (1936); R. F. A. Hoernlé’s lectures South African Native Policy and the Liberal Spirit (1939); the ANC’s African Claims in South Africa (1943); the ANC’s Freedom Charter (1955); and the Liberal Party’s Blueprint for South Africa (1958). In juxtaposition with these political texts, the following literary texts articulating the liberal dream of freedom are analysed: Olive Schreiner’s Dreams (1890); J. A. D. Smith’s The Great Southern Revolution (1893); Archibald Lamont’s South Africa in Mars (1923); George Heaton Nicholls’s Bayete! (1923); S. E. K. Mqhayi’s U-Don Jadu (1929); Arthur Keppel-Jones’s When Smuts Goes (1947); Alan Paton’s Cry, the Beloved Country (1948); Lewis Sowden’s Tomorrow’s Comet (1951); Garry Allighan’s Verwoerd —The End (1961); Anthony Delius’s The Day Natal Took Off (1963); Karel Schoeman’s The Promised Land (1972); and Jordan Ngubane’s Ushaba: The Hurtle to Blood River (1974).