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Books on the topic 'MT0820 Singing and vocal technique'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Mark, Jordan James, ed. Group vocal technique. Hinshaw Music, 1991.

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2

Mark, Jordan James, ed. Group vocal technique: The vocalise cards. Hinshaw Music, 1992.

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3

The structure of singing: System and artin vocal technique. Schirmer Books, 1986.

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4

The contemporary singer: Elements of vocal technique. Berklee Press, 2000.

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5

LaTour, Stephen A. (Stephen Alexis), ed. Vocal technique: A guide for conductors, teachers, and singers. Waveland Press, 2012.

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6

Rosenberg, Marci Daniels. The vocal athlete: Application and technique for the hybrid singer. Plural Publishing, Inc., 2014.

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7

Manahan, Ruth. Unraveling the mysteries of vocal technique: Conceptions & misconceptions about singing. Xlibris, 2011.

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8

Trimble, Michael. Fundamentals of great vocal technique: The teachings of Michael Trimble. Inside View Press, 2013.

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9

Richard, Miller. The structure of singing: System and art in vocal technique. Schirmer Books, 1996.

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10

Miller, Richard. The structure of singing: System and art in vocal technique. Schirmer Books, 1986.

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11

Murray, Dena. Advanced vocal technique: Middle voice, placement & style. Hal Leonard, 2008.

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12

Bickel, Jan E. Vocal technique: A physiologic approach for voice class and studio. Plural Pub., 2008.

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13

Bickel, Jan E. Vocal technique: A physiologic approach for voice class and studio. Plural Pub., 2007.

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14

Foundations in singing: A guidebook to vocal technique and song interpretation. 8th ed. McGraw-Hill, 2006.

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15

Murray, Dena. Vocal technique: A guide to finding your real voice. Hal Leonard Corp., 2002.

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16

Glenn, Paton John, ed. Foundations in singing: A basic textbook in vocal technique and song interpretation. 2nd ed. WCB, 1990.

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17

Glenn, Paton John, ed. Foundations in singing: A basic textbook in vocal technique and song interpretation. 5th ed. WCB, 1990.

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18

Paton, John Glenn. Foundations in singing: A basic textbook in vocal technique and song interpretation. 7th ed. McGraw-Hill, 2002.

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19

Christy, Van Ambrose. Foundations in singing: A basic textbook in vocal technique and song interpretation. 6th ed. Brown & Benchmark, 1997.

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20

Richard, Miller. The structure of singing: The technique and the art. Schirmer, 1986.

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21

Zabriskie, Alan. Foundations of choral tone: A proactive and healthy approach to vocal technique and choral tone. Edited by Fenton Kevin. USingersPublishers, 2009.

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22

1922-, Noble Weston, ed. Building beautiful voices: A concise, yet comprehensive study of vocal technique for the choral rehearsal or private instruction. R. Dean, 1995.

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23

Giles, Peter. The history and technique of the counter-tenor: A study of the male high voice family. Scolar Press, 1994.

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24

Brinegar, Terri. Vocal and stage essentials for the aspiring female R&B singer: A guide to technique, performance, and musicianship. Hal Leonard Books, 2012.

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25

hui, Zhang chong. Sheng yue ji chu tong yong jiao cheng. Zhe jiang ta xue chu ban she, 2003.

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26

Singing! Basic Vocal Technique. Homespun, 2000.

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27

Haasman, Frauke, James Jordon, and Frauke Haasemann. Group Vocal Technique - Vocalist Cards. Hinshaw Music, 1991.

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28

Vocal Strength Power Boost Your Singing With Proper Technique Breathing. Hal Leonard Publishing Corporation, 2009.

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29

Vocal Technique: A Physiological Approach for Voice Class and Studio. Plural Publishing Inc, 2007.

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30

Advanced Vocal Technique: Middle Voice, Placement and Styles. Musicians Institute Press, 2006.

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31

Foundations in Singing A Basic Textbook in Vocal Technique and Song Interpretation. 2nd ed. William C. Brown, 1998.

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32

Chsisty, Van A. Foundations in Singing: A Basic Textbook in Vocal Technique and Song Interpretation. 6th ed. William C Brown Communications, 1997.

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33

The Contemporary Singer: Elements of Vocal Technique (Berklee Guide). Berklee Press, 2010.

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34

Structure of singing. Schirmer/Thomson Learning, 1996.

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35

The Worship Vocal Book The Modern Worship Singers Complete Guide To Developing Technique Style And Expression. Hal Leonard Publishing Corporation, 2013.

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36

Foundations In Singing:A Basic Textbook In Vocal Technique and Song Interpretation. 6th ed. Brown & Benchmark, 1996.

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37

Giles, Peter. The History and Technique of the Counter-Tenor: A Study of the Male High Voice Family. Scolar Press, 1996.

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38

Cottrell, Duane. Vocal Pedagogy in the Choral Rehearsal. Edited by Frank Abrahams and Paul D. Head. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199373369.013.27.

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One of the primary endeavors of choral conductors is the facilitation of good choral tone, which is largely dependent upon the vocal technique of the individual singers. This chapter examines principles of historical vocal pedagogy, discussing their correlation with modern scientific research, and present suggestions for practical implementation of specific techniques in choral rehearsals. The chapter discusses four primary areas of vocal pedagogy in choral rehearsals: first, the significance of laryngeal position in choral singing; second, principles of resonance in singing and their impact o

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39

Vander Wel, Stephanie. The Singing Voice in Country Music. Edited by Travis D. Stimeling. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190248178.013.25.

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This chapter offers new insights about the musical and cultural significance of singing styles in country music by contextualizing the details of predominant female vocal approaches within the rich and complex history of southern vernacular singing and by considering, the role of the performing body in relation to the singing voice. Specifically, it takes into account the vocal techniques of Loretta Lynn in relation to the musical conventions of honky tonk singing, the physiological and bodily components of vocal production, and the role of microphone and recording technology. With a chest-dom

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40

Denison, Craig. Teaching and Conducting Diverse Populations. Edited by Frank Abrahams and Paul D. Head. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199373369.013.23.

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This chapter examines how social delineations of boys’ singing inform the boychoir conductor’s choices for vocal technique, programming, and rehearsal procedure. The introduction identifies structural elements that delineate a boychoir from other types of choirs, especially in the United States, with its traditions of multistage maturity level singers across different vocal registers. Once established, the chapter examines signature programming, rehearsal, and performance norms, with attention to the intersection of traditional and contemporary practices. Following a consideration of the boych

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41

Rardin, Paul. Building Sound and Skills in the Men’s Chorus at Colleges and Universities in the United States. Edited by Frank Abrahams and Paul D. Head. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199373369.013.26.

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Conductors of collegiate men’s choruses face unique challenges in building excellent choirs. They are likely to lead ensembles with disproportionately wide gaps between their most- and least-experienced singers, with a plurality or even majority of non-music majors—and may need to teach voice as much as they conduct. This chapter offers rehearsal techniques for these conductors which involve learning and utilizing vocal pedagogy, imparting basic phonation, and utilizing vocal tone exercises to build foundation and sound in a choir or glee club. They must then create a sense of community within

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