Relevant bibliographies by topics / Mudra

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Mudra'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 May 2024

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Journal articles on the topic "Mudra"

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Lisch, Damon, Lisa Girard, Maureen Donlin, and Michael Freeling. "Functional Analysis of Deletion Derivatives of the Maize Transposon MuDR Delineates Roles for the MURA and MURB Proteins." Genetics 151, no. 1 (January 1, 1999): 331–41. http://dx.doi.org/10.1093/genetics/151.1.331.

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Abstract The regulatory transposon of the Mutator system of transposable elements in maize is MuDR. MuDR elements produce two transcripts, from genes mudrA and mudrB, encoding proteins MURA and MURB, respectively. Like many other transposons, MuDR elements often undergo deletions, usually of internal sequences. Analysis of a deletion that is restricted to the region encoding MURB demonstrates that this gene is not required to cause excisions of a reporter element, although it may be required for transposition or suppression of suppressible alleles. Conversely, a derivative that lacks the region encoding MURA but that produces MURB is nonfunctional for all aspects of Mutator activity. Northern analysis of these derivatives reveals that each of the two transcripts can be independently transcribed, and analysis using an antibody specific for MURB reveals that mudrB transcript can also be successfully translated and its product appropriately localized in the absence of mudrA. A third deletion derivative provides evidence for a source of previously reported antisense transcript.
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de la Luz Gutiérrez-Nava, María, Christine A. Warren, Patricia León, and Virginia Walbot. "Transcriptionally Active MuDR, the Regulatory Element of the Mutator Transposable Element Family of Zea mays, Is Present in Some Accessions of the Mexican land race Zapalote chico." Genetics 149, no. 1 (May 1, 1998): 329–46. http://dx.doi.org/10.1093/genetics/149.1.329.

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Abstract To date, mobile Mu transposons and their autonomous regulator MuDR have been found only in the two known Mutator lines of maize and their immediate descendants. To gain insight into the origin, organization, and regulation of Mutator elements, we surveyed exotic maize and related species for cross-hybridization to MuDR. Some accessions of the mexican land race Zapalote chico contain one to several copies of full-length, unmethylated, and transcriptionally active MuDR-like elements plus non-autonomous Mu elements. The sequenced 5.0-kb MuDR-Zc element is 94.6% identical to MuDR, with only 20 amino acid changes in the 93-kD predicted protein encoded by mudrA and ten amino acid changes in the 23-kD predicted protein of mudrB. The terminal inverted repeat (TIR) A of MuDR-Zc is identical to standard MuDR; TIRB is 11.2% divergent from TIRA. In Zapalote chico, mudrA transcripts are very rare, while mudrB transcripts are as abundant as in Mutator lines with a few copies of MuDR. Zapalote chico lines with MuDR-like elements can trans-activate reporter alleles in inactive Mutator backgrounds; they match the characteristic increased forward mutation frequency of standard Mutator lines, but only after outcrossing to another line. Zapalote chico accessions that lack MuDR-like elements and the single copy MuDR a1-mum2 line produce few mutations. New mutants recovered from Zapalote chico are somatically stable.
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Slotkin, R. Keith, Michael Freeling, and Damon Lisch. "Mu killer Causes the Heritable Inactivation of the Mutator Family of Transposable Elements in Zea mays." Genetics 165, no. 2 (October 1, 2003): 781–97. http://dx.doi.org/10.1093/genetics/165.2.781.

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Abstract Mutations in a number of genes responsible for the maintenance of transposon silencing have been reported. However, the initiation of epigenetic silencing of transposable elements is poorly characterized. Here, we report the identification of a single dominant locus, Mu killer (Muk), that acts to silence MuDR, the autonomous regulatory transposon of the Mutator family of transposable elements in maize. Muk results in the methylation of MuDR TIRs and is competent to silence one or several active MuDR elements. Silencing by Muk is not dependent on the position of the MuDR element and occurs gradually during plant development. Transcript levels of the MuDR transposase, mudrA, decrease substantially when Muk is present. The other transcript encoded by MuDR, mudrB, also fails to accumulate in the poly(A) RNA fraction when MuDR and Muk are combined. Additionally, plants undergoing MuDR silencing produce small, mudrA-homologous ∼26-nt RNAs, suggesting a role for RNA-directed DNA methylation in MuDR silencing. MuDR elements silenced by Muk remain silenced even in plants that do not inherit Muk, suggesting that Muk is required for the initiation of MuDR silencing but not for its maintenance.
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Hsia, An-Ping, and Patrick S. Schnable. "DNA Sequence Analyses Support the Role of Interrupted Gap Repair in the Origin of Internal Deletions of the Maize Transposon, MuDR." Genetics 142, no. 2 (February 1, 1996): 603–18. http://dx.doi.org/10.1093/genetics/142.2.603.

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Abstract Previous research has demonstrated that the autonomous Cy transposon can activate the excision of Mu transposons. To determine the relationship between Cy and the more recently described autonomous Mu transposon, MuDR, a Cy transposon inserted at the mutable a1 allele, a1-m5216, was isolated and cloned. DNA sequence analyses established that this Cy insertion is identical to MuDR (Mu9, GenBank accession No.: m76978.gb_pl). Therefore, Cy will henceforth be termed MuDR:Cy. Defective derivatives of MuDR:Cy were isolated that had lost their capacity to activate their own excision or the excision of a Mu7 transposon. Most of these derivatives are nonautonomous transposons because they can excise, but only in the presence of unlinked MuDR:Cy transposons. Physical mapping and DNA sequence analyses have established that six of these defective derivatives carry internal deletions. It has been proposed previously that such deletions arise via interrupted gap repair. The DNA sequences of the break points associated with all four sequenced deletions are consistent with this model. The finding that three of the excision-defective derivatives carry deletions that disrupt the coding region of the mudrA (but not the mudrB) transcript supports the view that mudrA plays a role in the excision of Mu transposons.
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Kumar, K. V. V., and P. V. V. Kishore. "Indian Classical Dance Mudra Classification Using HOG Features and SVM Classifier." International Journal of Electrical and Computer Engineering (IJECE) 7, no. 5 (October 1, 2017): 2537. http://dx.doi.org/10.11591/ijece.v7i5.pp2537-2546.

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Digital understanding of Indian classical dance is least studied work, though it has been a part of Indian Culture from around 200BC. This work explores the possibilities of recognizing classical dance mudras in various dance forms in India. The images of hand mudras of various classical dances are collected form the internet and a database is created for this job. Histogram of oriented (HOG) features of hand mudras input the classifier. Support vector machine (SVM) classifies the HOG features into mudras as text messages. The mudra recognition frequency (MRF) is calculated for each mudra using graphical user interface (GUI) developed from the model. Popular feature vectors such as SIFT, SURF, LBP and HAAR are tested against HOG for precision and swiftness. This work helps new learners and dance enthusiastic people to learn and understand dance forms and related information on their mobile devices.
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WATANABE, Hiroki. "Mudra of Pañcatattva." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 43, no. 2 (1995): 1046–44. http://dx.doi.org/10.4259/ibk.43.1046.

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K., Murygeswara. "Benefits of Mudra." Journal of Indian Studies 10 (May 10, 2013): 108–11. http://dx.doi.org/10.22452/jis.sp2013no1.18.

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Widiatmika, Ida Bagus Catur Aba, I. Made Girinata, and I. Gede Suwantana. "GERAK MUDRA SULINGGIH SIWA DALAM UPACARA DEWA YADNYA." Pangkaja: Jurnal Agama Hindu 25, no. 2 (November 23, 2022): 146–58. http://dx.doi.org/10.25078/pjah.v25i2.2024.

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Sulinggih in carrying out the Mudra sometimes has the same meaning but the form is different. The uniqueness of the mudra movement is strongly influenced by the aguron - guron line. This work descriptively describes Shiva's sulinggih mudra which is practiced during the implementation of Dewa Yadnya. The rhythmic movement of the mudra can carry Sulinggih's soul to Shiva at the time of the Dewa Yadnya ceremony. The stages and forms of mudra have a deep meaning and function, starting from the Akasa Mudra Movement to the Tangkep Hand Movement and the Hredaya Mudra. The energy of the mudra at the time of the dewa yadnya ceremony is able to synergize or synchronize the energies between planets. Spiritually the form and movement of each type of mudra will be related to the form and energy of one of the dewatas as a manifestation of God. Therefore, this mudra energy came to be known as manik secap asta gina, meaning that through the hands everything will be realized. The mudra of Sulinggih Shivat is closely related to Yantra (in the form of offerings), Mantra (puja), and Mudra in the process of purification of the Bhuana Agung.
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Bagchi, Tista. "The Signing System of Mudra in Traditional Indian Dance." Paragrana 19, no. 1 (November 2010): 259–66. http://dx.doi.org/10.1524/para.2010.0017.

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AbstractBody language involving manual gestures of a highly stylized nature is used in traditional Indian dance forms. Termed “Mudras”, such gestures are related to but distinct from “Mudras” in Buddhist and/or Tantric iconography and in Carnatic music of Southern India. The Mudra signs in dance occur in families or classes, which often cut across the basic dichotomy between “combined-hand” and “separate-hand” gestures, and which reflect linguistic and sociolinguistic classes of words and signs, such as question expressions and hierarchically differentiated pronouns, used in the domain of language. However, the Mudra signing system is also combined with facial mime or acting illustrative of different feelings such as romantic love, mirth, anger, disgust, fear, and sadness, to yield a richly communicative and dynamic aesthetic in Indian dance forms.
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Setiyawan, Dwi Dharma, I. Ketut Gunarta, and Anggy Paramitha Sari. "Prosesi Tari Nata Mudra Karana dalam Upacara Melasti di Pantai Balekambang Kabupaten Malang (Perspektif Teologi Hindu)." Sphatika: Jurnal Teologi 13, no. 2 (September 30, 2022): 195–204. http://dx.doi.org/10.25078/sphatika.v13i2.2213.

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Nata Mudra Karana dance is a sacred art in Malang RegencyThis happens because this dance has adopted many sacred pandita mudra movements and is believed to have holy spirit energy. Therefore, this research becomes very important in order to reveal the Nata Mudra Karana Dance Procession in the Melasti Di Ceremony Balekambang Beach, Malang Regency and its influence on Hindus in Malang Regency. This research reveals the form of function and meaning contained in the Nata Mudra Karana Dance. The theory used in this research is Religious Theory to examine the formulation of the first problem. Functional Structural Theory ( Talcott Parsons ) to examine the formulation of the second problem. Symbol Theory and Aesthetic Theory to examine the formulation of the third problem. This type of research is qualitative with Hindu theological approach. The result of this research is the procession of Nata Mudra Karana Dance starting from the form of staging, preparation of infrastructure, place and time of implementation and procession of Nata Mudra Karana Dance. The Nata Mudra Karana dance has the following functions : (1) Religious function (2) Social function (3) Cultural preservation function (4) Entertainment function. The meanings contained in the Nata Mudra Karana Dance procession are (1) Theological meaning of the color element of the Nata Mudra Karana Dance (2) Theological meaning of the elements of the Nata Mudra Karana Dance movement form and (3) Socio-cultural meaning of Nata Mudra Karana Dance.
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Dissertations / Theses on the topic "Mudra"

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Shuebrook, Paul. "Mudra." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23979.

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"Mudra" is the transliteration of a Sanskrit word meaning "symbol" or "gesture". This piece is inspired by the interaction of thoughts, breathing patterns, spontaneous bodily movements and sensations which can occur during the yogic practice of 'pranayam'. The work is written for flute/piccolo, oboe, clarinet, bass clarinet, bassoon, horn, trumpet, trombone, percussion, piano, four violins, two violas, two cellos, and two double basses.
The piece is divided into twelve sections, clearly delineated by changes in harmony, texture, meter, and registration. As the music unfolds, seven rhythmic cells and four fixed-pitch collections provide the basis for rhythmic and harmonic development, or variation. Elements such as solo melodic lines, melodies dynamically doubled at varying intervals, polyrhythm, isorhythm, heterophony, timbral modulation, and metric modulation are used in an attempt to generate a satisfyingly rich musical experience.
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Vaneau, Celia Regina Gouvêa. "Mudra e Galpão: experiências cênicas interlinguagens." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-10072018-115930/.

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A pesquisa tem o objetivo de registrar e analisar períodos importantes e inovadores das artes cênicas - com ênfase em dança - em que foram desenvolvidas propostas interlinguagens, concentrando-se em duas experiências vivenciadas por mim na década de 1970: o Mudra (Centro Europeu de Aperfeiçoamento e Pesquisa dos Intérpretes do Espetáculo), dirigido pelo coreógrafo Maurice Béjart em Bruxelas, na Bélgica, do qual fui integrante da primeira turma em 1970 e que desembocou na fundação do grupo Chandra (Teatro de Pesquisa de Bruxelas); e o Teatro de Dança Galpão, berço da dança contemporânea em São Paulo e do qual fui responsável pela primeira montagem, Caminhada (1974), e pela última, De pernas para o ar (1981), em parceria com o diretor teatral Maurice Vaneau, nos primórdios da fusão de procedimentos singulares próprios à dança e ao teatro. A linguagem investigativa praticada no Galpão desencadeou um movimento que transformou o modo de se conceber e construir a estrutura de peças coreográficas, e os resultados dessa experiência ecoam até a atualidade. O ciclo de sete anos de existência desse grupo ocorreu durante o período da ditadura civil-militar brasileira e também da contracultura, tornando-se refúgio de um público atento e curioso. O período corresponde ao interstício entre as vanguardas modernistas tardias e o pós-modernismo. A hipótese levantada é a de um procedimento específico interlinguagens com foco na dança que aliou investigação estética e participação política. O processo interlinguagens é um derivado coreográfico das visões de Antonin Artaud e tem como protagonista o corpo concebido como um processo em devir. Aliado ao movimento, relaciona tempo e espaço por meio da mutação, instaurando uma dramaturgia poética cinestésica. Pensar a questão do tempo vai remeter às noções de experiência e memória. Elejo o método da descrição associado à análise e problematização, em um procedimento hermenêutico, que inclui explicação e interpretação. Presentificam-se ainda propostas técnicas praticadas, frutos da fusão interlinguagens e de estudos somáticos recentes, resultando na elaboração da Técnica Orgânica, uma opção para o treinamento do performer. O objetivo é o de oferecer uma contribuição pessoal aos estudos e reflexões aos múltiplos praticantes e pensadores da dança no Brasil, cujo número é crescente, bem como fornecer uma referência à constituição de currículos de departamentos de Dança, acadêmicos ou não.
The research aims to record and analyze important and innovative periods of the performing arts ? with an emphasis on dance ? in which inter-languages proposals were developed, focusing on two experiences that I experienced in the 1970s: the Mudra (European Center for the Improvement and Research of Performing Artists), directed by the choreographer Maurice Béjart in Brussels, Belgium, of which I was a member of the first group in 1970 and which led to the founding of the Chandra Group (Brussels Research Theater); and the Teatro de Dança Galpão, the cradle of contemporary dance in São Paulo, where I was responsible for the first installation, Walk (1974), and the last one, Legs to the Air (1981), in partnership with theatrical director Maurice Vaneau, in the beginnings of the fusion of singular procedures proper to the dance and the theater. The investigative language practiced in the Galpão unleashed a movement that transformed the way of conceiving and constructing the structure of choreographic pieces, and the results of this experience echo until the present time. The cycle of seven years of existence of this group occurred during the period of the Brazilian civil-military dictatorship and lso of the counterculture, becoming a refuge for an attentive and curious public. The period corresponds to the intersection between late modernist vanguards and postmodernism. The hypothesis raised is that of a specific inter-languages procedure focusing on dance that allied aesthetic research and political participation. The inter-languages process is a choreographic derivative of the visions of Antonin Artaud and has as protagonist the body conceived as a process in becoming. Allied to the movement, it relates time and space through mutation, establishing a kinesthetic poetic dramaturgy. Thinking about the question of time will refer to the notions of experience and memory. I choose the description method associated with analysis and questioning, in an hermeneutic procedure, which includes explanation and interpretation. Presented techniques are also practiced, fruits of inter-languages fusion and recent somatic studies, resulting in the elaboration of the Organic Technique, an option for the training of the performer. The objective is to offer a personal contribution to the studies and reflections of the many dance practitioners and thinkers in Brazil, whose number is increasing, as well as provide a reference to the formation of curricula of Dance departments, academic or otherwise.
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Sökeland, Katharina [Verfasser], and Harald [Akademischer Betreuer] Mudra. "Bedeutung verschiedener Schlaganfalldefinitionen für die Beurteilung von Karotisinterventionen / Katharina Sökeland ; Betreuer: Harald Mudra." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2017. http://d-nb.info/1153711966/34.

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Rahul, Kuddus Md Salem. "Muslim amale banglar takshal nagari 1204-1858 akti mudra vittik anusandhan মুসলিম আমলে বাংলার টাকশাল নগরী, ১২০৪-১৮৫৮ একটি মুদ্রা ভিত্তিক অনুসন্ধান." Thesis, Rajsahi University, Bangladesh, 1998. http://hdl.handle.net/123456789/1668.

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Schmid-Stebani, Christina [Verfasser], and Harald [Akademischer Betreuer] Mudra. "Karotisstenting - Vergleich von periprozeduralen Komplikationsraten und Langzeitverlauf zwischen Rauchern und Nicht-Rauchern / Christina Schmid-Stebani ; Betreuer: Harald Mudra." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2020. http://d-nb.info/1227188269/34.

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Krollmann, Christine [Verfasser], and Harald [Akademischer Betreuer] Mudra. "Der interventionelle Vorhofohrverschluss als Alternative zur oralen Antikoagulation : erste Ergebnisse und Verlaufsbeobachtungen bei 90 Patienten / Christine Krollmann ; Betreuer: Harald Mudra." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2019. http://d-nb.info/1187135623/34.

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Björk, Oliver, and Sebastian Sihvo. "KARTLÄGGNING OCH REDUCERING AV FÖRLUSTER I EN PRODUKTION UTIFRÅN LEAN." Thesis, Tekniska Högskolan, Högskolan i Jönköping, JTH, Maskinteknik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-40751.

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The purpose of this study is to investigate the presence of losses in a production department. Based on this analysis, improvements and suggestions that meet the performance requirements set by the company on the department’s planed cycle time. With this purpose in mind, two questions have been raised. These are the questions: 1. What losses can be identified in the department? 2. How can these identified losses in the department be reduced? A case study has been performed on a producing company, where the production has been observed and staff from the department has been interviewed for increased insight into the situation. The data presented has been analyzed in relation to the theoretical framework set up to achieve the results of the study. The result shows how the presence of losses in a production can be connected to production planning and batch size. These connections have in this study support in Lean production and its three M. Losses associated with waste were also found, such as movement, transport and waiting. In this study, there was only focus on one case company. The case company is a producing company, the department that the study focuses on produces a compressor product. The study does not take into account the production design or requirements beyond what is relevant for designing the improvement proposals.
Syftet med denna studie är att undersöka förekomsten av förluster på en produktionsavdelning. Utifrån denna analys ta fram förbättringsförslag som möter de prestandakrav företaget ställer på avdelningens planerade cykeltid. Med detta syfte i åtanke har det tagits fram två frågeställningar. Dessa frågeställningar lyder: 1. Vilka förluster kan identifieras på avdelningen? 2. Hur kan dessa identifierade förluster på avdelningen reduceras? Det genomfördes en fallstudie på ett producerande företag, där produktionen har observerats och personal från den studerade avdelningen har intervjuats för en ökad insikt i situationen. Den data som tagits fram har analyserats i förhållande till det teoretiska ramverk som ställts upp för att nå fram till studiens resultat. Resultatet visar hur förekomsten av förluster i en produktion kan kopplas till produktionsplanering och partistorlek. Dessa samband har i denna studien stöd i Lean Production och dess tre M. Förluster kopplade till slöseri hittades också, såsom rörelse, transport och väntan. I denna studie fanns endast fokus på ett fallföretag. Fallföretaget är ett producerande företag, där studien fokuseras på en avdelning som tillverkar en kompressorprodukt. Studien tar ingen hänsyn till produktions utformning eller kravspecifikation utöver det som är relevant för utformning av förbättringsförslagen.
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Luttmann, Thomas [Verfasser], and Harald [Akademischer Betreuer] Mudra. "Standardisierte Datenerfassung und - analyse zur Optimierung der Behandlung von Patienten mit ST-Streckenhebungsinfarkt-FITT-STEMI ("Feedback Intervention and Treatment Times in ST-Elevation Myocadial Infarction") in einer Großstadt / Thomas Luttmann ; Betreuer: Harald Mudra." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2018. http://d-nb.info/1155097343/34.

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Kapuscinski, Jaroslaw. "Mudras /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9820984.

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Thesis (Ph. D.--Music)--University of California, San Diego, 1997.
Vita. Consists of the musical score to a soundtrack for a video piece integrating sounds and images of hands and arms. Musical material is for one mezzo soprano (overdubbed to achieve two primary voices), piano, and tape of electronic and concrete sounds. Also includes color illustrations of how the hands are painted and posed in some of the video sequences. Includes extensive commentary on the piece in English.
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Guerreiro, Nelson. "Mudar de vida." Master's thesis, Universidade da Beira Interior, 2010. http://hdl.handle.net/10400.6/1296.

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O projecto de mestrado apresentado no suporte audiovisual pretende retratar a vida e obra do músico português, José Mário Branco. Este retrato foca sobretudo a sua obra musical mais politizada, e o género comummente designado de Canto de Intervenção, ou de Protesto, surgido em finais dos anos 60, em Portugal, e em português. José Mário Branco, nasceu em 1942 no Porto, durante o regime Fascista do Estado de Novo. Desde muito cedo que a sua personalidade inquieta procurou, e, ainda procura nos dias de hoje identificar os “males” de que padecem as Sociedades actuais. A sua obra procura abrir caminho para a libertação dos povos, quer através da música, quer através da poesia, ou da politica. Um humanista raro na nossa contemporaneidade, homem dos sete ofícios procura desde sempre denunciar e tornar visíveis as injustiças que povoam os nossos dias. O José Mário Branco é um músico eclético, e singular no panorama Português, um agente social e criador único que trabalha e denuncia como poucos, a(s) mudança(s) do(s) nosso(s) tempo(s). Surgido em finais da década de 60, tornou-se músico por acidente, quando estava exilado em Paris, e não mais parou. É raro encontrar um musico tão versátil e imprevisível como José Mário...basta ouvir os seus discos. Este trabalho cinematográfico pretende entrelaçar e confrontar a mensagem da sua obra com o seu País, porque o seu trabalho como músico é um testemunho histórico, permitindo estabelecer um ponto de vista ímpar com a sua terra, e as suas gentes. Percurso singular, a sua obra caracteriza-se pelo valor humanista, da mudança, e da libertação. Ironicamente, essa mudança é rara e injustamente compreendida pelo público, talvez por culpa das suas posições e intervenções politicas que foi tendo ao longo da vida, cristalizando-se na sua obra um carimbo ou rótulo de Intervenção que vem dos tempos de Abril rotulo esse redutor, para um eclético talento criador. Por isso tentei revelar outros aspectos, como o de activista social, compositor-camaleão, e autor de outros géneros musicais como o Fado, as marchas populares, ou o Tradicional Português, influenciado pelas Recolhas de Michel Giacometti e Lopes Graça, de modo a descobrir outras “geografias” musicais presentes na sua obra, publicamente desconhecidas ou desvalorizadas. Só ao ver e ouvir as recolhas captadas por Michel Giacometti e Fernando Lopes Graça, me apercebi da enorme riqueza musical, etnográfica, e cinematográfica existente num país tão pequeno como Portugal. É caso único! Urge dizer e mostrar, pela riqueza e valor sonoro, como visual. José Mário Branco carrega essa herança impar, e transforma-a, recria-a no seu universo musical próprio, e oferece-nos através da sua música, de um raro e em vias de extinção Ser Português. Este filme é um documento humanista, social, histórico, politico, musical, etnográfico, e poético, de expressão portuguesa.
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Books on the topic "Mudra"

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Dēśaṃ, En Ke. Mudra. [Kottayam]: Kar̲ant̲ Buks, 2006.

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Radhika, Kalamandalam. Mudra. Kozhikode: Mathrubhumi Books, 2010.

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Mudra. Boston: Shambhala, 1987.

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Trungpa, Chogyam. Mudra. London: Shambhala, 1987.

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Mudra. Tirupati: Vi. Ār. Rāsāni, 2013.

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The Mudra. Brooklyn, USA: Litmus Press, 2004.

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Māṅṅāṭ, Ambikāsutan. Raṇṭu mudra: Nōvalet̲t̲ukaḷ. Kōṭṭayaṃ: Sāhityapr̲avarttaka Sahakaraṇasaṅghaṃ, 1997.

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Śīlā, Subhadrādēvi, and Bhārgavīrāvu, eds. Mudra: Vanitala kavitalu. Beṅguḷūru: Prisaṃ Buks, 2001.

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Narasiṃhaṃ, Vuppala. Mudra: Telaṅgāṇa antaraṅga kathājala. Haidarābād: Mainā Pracuraṇalu, 1989.

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Yoga, Bihar School of, and Bihar Yoga Bharati, eds. Asana, pranayama, mudra, bandha. 3rd ed. Bihar: Yoga Publications Trust, 1999.

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Book chapters on the topic "Mudra"

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Bhaumik, Gopa, and Mahesh Chandra Govil. "Buddhist Hasta Mudra Recognition Using Morphological Features." In Communications in Computer and Information Science, 356–64. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-6315-7_29.

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Paul, Soumen, and Partha Pratim Das. "Fast Detection and Rule Based Classification of Bharatanatyam hasta mudra." In Communications in Computer and Information Science, 589–603. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-31407-0_44.

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Kumar, K. V. V., and P. V. V. Kishore. "Indian Classical Dance Mudra Classification Using HOG Features and SVM Classifier." In Smart Computing and Informatics, 659–68. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5544-7_65.

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Varsha, K. S., and Maya L. Pai. "Bharatanatyam Hand Mudra Classification Using SVM Classifier with HOG Feature Extraction." In Innovations in Computer Science and Engineering, 175–83. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-2043-3_22.

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Roy, Manas. "MUDRA: The Transformation of Microfinance in India: Review, Experiences and Future Prospect." In Advances in Finance & Applied Economics, 93–104. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-1696-8_6.

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Paul, Taraknath. "Supervised Pradhan Mantri Mudra Yojana Tarun Model Using Neuro-Fuzzy Optimization Techniques." In Studies in Big Data, 127–46. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-4677-8_8.

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Helmold, Marc, Ayşe Küçük Yılmaz, Triant Flouris, Thomas Winner, Violeta Cvetkoska, and Tracy Dathe. "5S Concept: Muda (無駄), Muri (無理) and Mura (斑)." In Management for Professionals, 85–101. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-10104-5_8.

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Chicoine, David. "Murra, John." In Encyclopedia of Global Archaeology, 7499–503. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_2598.

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Chicoine, David. "Murra, John." In Encyclopedia of Global Archaeology, 1–5. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-51726-1_2598-1.

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Traeger, Dirk H. "Muda (Verschwendung)." In Grundgedanken der Lean Production, 23–28. Wiesbaden: Vieweg+Teubner Verlag, 1994. http://dx.doi.org/10.1007/978-3-663-12148-0_3.

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Conference papers on the topic "Mudra"

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Hoste, Lode, Bruno Dumas, and Beat Signer. "Mudra." In the 13th international conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2070481.2070500.

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Zhang, Ouyang, and Kannan Srinivasan. "Mudra." In CoNEXT '16: The 12th International Conference on emerging Networking EXperiments and Technologies. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2999572.2999582.

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Srivastava, Aman, and Sanskriti Dawle. "Mudra." In AH '15: The 6th Augmented Human International Conference. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2735711.2735821.

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Nandeppanavar, Anupama S., Shanta S. Kallur, Puneeth Thotad, and Vaishnavi A. Sankannavar. "Bharatanatyam hasta mudra categorization using deep learning approaches." In 2023 IEEE North Karnataka Subsection Flagship International Conference (NKCon). IEEE, 2023. http://dx.doi.org/10.1109/nkcon59507.2023.10396139.

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Chaitanya, Vadlamanati Krishna, Mahimanjali Lolla, Ayush Barik, Veeresh Kondapaneni, and O. K. Sikha. "Bharatnatyam Pose and Mudra Recognition Using MediaPipe and Deep Features." In 2022 International Conference on Computing, Communication, and Intelligent Systems (ICCCIS). IEEE, 2022. http://dx.doi.org/10.1109/icccis56430.2022.10037655.

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Jayadeep, Gautham, N. V. Vishnupriya, Vyshnavi Venugopal, S. Vishnu, and M. Geetha. "Mudra: Convolutional Neural Network based Indian Sign Language Translator for Banks." In 2020 4th International Conference on Intelligent Computing and Control Systems (ICICCS). IEEE, 2020. http://dx.doi.org/10.1109/iciccs48265.2020.9121144.

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Futane, Pravin R., and Rajiv V. Dharaskar. "“Hasta Mudra”: An interpretation of Indian sign hand gestures." In 2011 3rd International Conference on Electronics Computer Technology (ICECT). IEEE, 2011. http://dx.doi.org/10.1109/icectech.2011.5941722.

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Parameshwaran, Anuja P., Heta P. Desai, Michael Weeks, and Rajshekhar Sunderraman. "Unravelling of Convolutional Neural Networks through Bharatanatyam Mudra Classification with Limited Data." In 2020 10th Annual Computing and Communication Workshop and Conference (CCWC). IEEE, 2020. http://dx.doi.org/10.1109/ccwc47524.2020.9031185.

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Parameshwaran, Anuja P., Heta P. Desai, Rajshekhar Sunderraman, and Michael Weeks. "Transfer Learning for Classifying Single Hand Gestures on Comprehensive Bharatanatyam Mudra Dataset." In 2019 IEEE/CVF Conference on Computer Vision and Pattern Recognition Workshops (CVPRW). IEEE, 2019. http://dx.doi.org/10.1109/cvprw.2019.00074.

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Guo, Kaiwen, Hao Zhou, Ye Tian, Wangqiu Zhou, Yusheng Ji, and Xiang-Yang Li. "Mudra: A Multi-Modal Smartwatch Interactive System with Hand Gesture Recognition and User Identification." In IEEE INFOCOM 2022 - IEEE Conference on Computer Communications. IEEE, 2022. http://dx.doi.org/10.1109/infocom48880.2022.9796879.

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Reports on the topic "Mudra"

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Levy, Avraham A., and Virginia Walbot. Regulation of Transposable Element Activities during Plant Development. United States Department of Agriculture, August 1992. http://dx.doi.org/10.32747/1992.7568091.bard.

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We have studied the regulation of the maize Ac and MuDR transposable elements activities during plant development. Ac was studied in an heterologous system (transgenic tobacco plants and cell suspensions) while MuDR was studied in the native maize background. The focus of this study was on the transcriptional regulation of Ac and MuDR. For Ac, the major achievements were to show that 1-It is autoregulated in a way that the Ac-encoded transposase can repress the activity of its own promoter; 2-It is expressed at low basal level in all the plant organs that were studied, and its activity is stronger in dividing tissues -- a behaviour reminiscent of housekeeping genes; 3- the activity of Ac promoter is cell cycle regulated -- induced at early S-phase and increasing until mitosis; 4- host factor binding sites were identified at both extremities of Ac and may be important for transposition. For MuDR, It was shown that it encodes two genes, mudrA and mudrB, convergently transcribed from near-identical promoters in the terminal inverted repeats. Distinct 5' start sites, alternative splicing, production of antisense RNA and tissue specificity were all shown to be involved in the regulation of MuDR.
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Rios Rojas, Liliana. Manejo de plagas y enfermedades: fisiopatía Wood Pocket. Corporación colombiana de investigación agropecuaria - AGROSAVIA, 2022. http://dx.doi.org/10.21930/agrosavia.infografia.2022.50.

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Wood Pocket no tiene asociado un patógeno, es un desorden fisiológico que está relacionado a climas cálidos y secos; este genera muerte descendente en tejidos, ocasionando que el árbol muera deshidratado. Se presenta en el Tolima con un déficit hídrico cercano al 34%, y suelos arenosos con excesivo drenaje.
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Respatiadi, Hizkia, and Sugianto Tandra. Di Bawah Umur dan Ilegal (Konsumsi Alkohol dan Risiko Kesehatannya Bagi Anak-anak Muda). Jakarta, Indonesia: Center for Indonesian Policy Studies, 2018. http://dx.doi.org/10.35497/270467.

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Suyamto, D. A., M. van Noordwijk, B. Lusiana, A. Ekadinata, and N. Khasanah. Prospects of adoption of tree-based systems in a rural landscape and its likely impacts on carbon stocks and farmers' welfare: the fallow model application in Muara Sungkai, Lampung, Sumatra, in a "clean development mechanism" context ICRAF Working Paper no. 14. World Agroforestry Centre (ICRAF), 2006. http://dx.doi.org/10.5716/wp06034.pdf.

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Rodrigues, Fabiano de Abreu. O QI desenvolve a cognição. CPAH REDAÇÃO, April 2023. http://dx.doi.org/10.56238/cpahciencia-009.

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A cognição e a inteligência são conceitos que têm sido amplamente estudados em diversas áreas do conhecimento, incluindo a psicologia, a neurociência e a educação. A cognição é um processo complexo e multifacetado que envolve a aquisição, o armazenamento, a recuperação e o uso de informações. Ela pode ser influenciada por diversos fatores, como a experiência, a educação, a idade, a saúde e o ambiente em que o indivíduo vive. A inteligência, por sua vez, é uma capacidade geral que permite ao indivíduo aprender, compreender, adaptar-se e resolver problemas de forma eficaz, assim como a lógica e a criatividade. Ela pode ser medida por meio de testes padronizados, como o teste de QI (quociente de inteligência). No entanto, é importante destacar que o QI é uma medida de inteligência que não necessariamente tem interferência cognitiva e pode ser influenciado por diversos fatores, como o ambiente cultural e educacional em que o indivíduo foi criado, a saúde mental e física, a genética e outros aspectos. Uma pessoa pode ter alto QI e baixa capacidade cognitiva por diversos fatores. Seja genético ou transtornos como TDAH - Transtorno Déficit de Atenção e Hiperatividade, autismo, entre outros. Ou seja, devemos compreender que inteligência e capacidade cognitiva são coisas distintas. Pensando em números de QI através de testes de Inteligência, quanto maior a pontuação, maior a capacidade do indivíduo desenvolver a sua cognição a depender, claro, do ambiente onde foi criado desde a gestação, alimentação, educação, hábitos e experiência de vida. Os desafios são um grande aliado da neuroplasticidade cerebral para um melhor desenvolvimento cerebral. A neuroplasticidade cerebral é um conceito importante para entender o desenvolvimento cognitivo e a capacidade de aprendizagem ao longo da vida. Ela se refere à capacidade do cérebro de se adaptar e mudar em resposta à experiência, à aprendizagem e a outros estímulos. A plasticidade cerebral pode ser influenciada por diversos fatores, como o envelhecimento, a educação, a prática e a estimulação intelectual. Os desafios e as atividades cognitivamente exigentes são importantes para promover a neuroplasticidade cerebral e o desenvolvimento cognitivo. Mas a neuroplasticidade também pode ser eficaz no desenvolvimento da inteligência lógica, relacionada ao córtex pré-frontal no cérebro que serve de precursor para o desenvolvimento cognitivo. Estudos têm mostrado que o treinamento de memória, atenção e resolução de problemas, pode melhorar o desempenho cognitivo e da inteligência em indivíduos saudáveis e em pessoas com transtornos cognitivos e neurológicos. Em suma, a cognição e a inteligência são conceitos complexos e interconectados que são influenciados por diversos fatores. O desenvolvimento cognitivo e a capacidade de aprendizagem ao longo da vida podem ser promovidos por meio de atividades exigentes e estímulos que promovam a neuroplasticidade cerebral.
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