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Books on the topic 'Mulk Raj Anand'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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1

Rajan, P. K. Studies in Mulk Raj Anand. New Delhi: Abhinav Publications, 1986.

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2

1905-, Anand Mulk Raj, Cowasjee Saros, Anand Mulk Raj 1905-, Anand Mulk Raj 1905-, and Anand Mulk Raj 1905-, eds. The Mulk Raj Anand omnibus. New Delhi: Penguin, Viking, 2004.

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3

Bamezai, Gita. Mulk Raj Anand: The journalist. New Delhi: Kanishka Publishers, Distributors, 2000.

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4

Rajan, P. K. Mulk Raj Anand: A revaluation. New Delhi: Arnold Associates, 1994.

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5

Anand, Mulk Raj. Anand to Atma: Letters of Mulk Raj Anand. Calcutta: Writers Workshop, 1994.

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6

Sethi, Vijay Mohan. Mulk Raj Anand, the short story writer. New Delhi: Ashish Pub. House, 1990.

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7

Nasimi, Reza Ahmad. The language of Mulk Raj Anand, Raja Rao, and R.K. Narayan. Delhi: Capital Pub. House, 1989.

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8

Class conflicts in the novels of Mulk Raj Anand. Jaipur: Book Enclave, 2005.

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9

Indian Society for Commonwealth Studies., ed. Major Indian novelists: Mulk Raj Anand, R.K. Narayan, Raja Rao, Bhabani Bhattacharya, Kamala Markandaya. New Delhi: Prestige Books in association with Indian Society for Commonwealth Studies, 1990.

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10

Agnihotri, G. N. Indian life and problems in the novels of Mulk Raj Anand, Raja Rao, and R.K. Narayan. Meerut: Shalabh Prakashan, 1993.

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11

Six Indian novelists: Mulk Raj Anand, Raja Rao, R.K. Narayan, Balachandran Rajan, Kamala Markandaya, Anita Desai. New Delhi: Creative Books, 1996.

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12

Anand, Mulk Raj. Old myth and new myth: Letters from Mulk Raj Anand to K.V.S. Murti. Calcutta, India: Writers Workshop, 1991.

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13

Anand, Mulk Raj. A day in the life of Maya of Mohenjo-Daro: By Mulk Raj Anand. New Delhi: Children's Book Trust, 1992.

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14

Mulk Raj Anand, his art and concerns: A study of his non-autobiographical novels. New Delhi: Atlantic Publishers and Distributors, 1994.

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15

The wisdom of the heart: A study of the works of Mulk Raj Anand. New Delhi: Sterling, 1985.

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16

Dubey, Meenu. Myths, legends and reality in the novels of Mulk Raj Anand, R.K. Narayan and Raja Rao: A critical study. New Delhi: Sarup Books Publishers, 2010.

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17

Prasad, Shaileshwar Sati. The insulted and the injured: Untouchables, coolies, and peasants in the novels of Mulk Raj Anand. Patna: Janaki Prakashan, 1997.

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18

Zwischen Dharma und Nation-building: Untersuchungen zur Präsentation der Identitätsproblematik in den Romanen von R.K. Narayan, Raja Rao und Mulk Raj Anand. Heidelberg: C. Winter, 1988.

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19

History-fiction interface in Indian English novel: Mulk Raj Anand, Nayantara Sahgal, Salman Rushdie, Shashi Tharoor, O.V. Vijayan. New Delhi: Prestige, 1999.

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20

Riethmüller, Wolfgang. England und Indien: Zur Darstellung und Entwicklung der Kulturkonflikte im anglo-indischen und indo-englischen Roman von Mulk Raj Anand bis Salman Rushdie. Heidelberg: R. Riethmüller, 1994.

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21

Anand, Mulk Raj. Conversations in Bloomsbury. Delhi: Oxford University Press, 1995.

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22

R, Agrawal B., ed. Mulk Raj Anand. New Delhi: Atlantic Publishers & Distributors, 2006.

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23

Kanaganayakam, Chelva. Mulk Raj Anand. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199609932.003.0019.

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This chapter focuses on Mulk Raj Anand. Anand's intellectual world was framed by politics, but his concern was largely with social reform and with culture—with art, aesthetics, and with literature. He was very much the social realist, sharply conscious of inequalities and fissures caused by tradition and by urbanization. It is difficult to identify specific influences in Anand's work, given the encyclopaedic reach of his interests, but the intellectuals and writers associated with Bloomsbury shaped his understanding of modernity. He was also inspired by a number of Indian saints and thinkers, but Jawaharlal Nehru and Mahatma Gandhi were central to shaping the course of Anand's early work. Very much like Gandhi and Nehru, he too attempted to reconcile the claims of modernity and tradition in his fiction and his critical writing.

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24

Vijayasree, C. Mulk Raj Anand: Raj & the Writer. B.R. Publishing Corp., 1998.

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25

Thakur, Upendra. Studies in Mulk Raj Anand. Abhinav Pubns, 1986.

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26

Dhawan, R. K. Novels of Mulk Raj Anand. Stosius Inc/Advent Books Division, 1997.

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27

Khan, Farhana. Mulk Raj Anand ; A Critical Spectrum. Shree Niwas Publications, 2005.

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28

The Novels of Mulk Raj Anand. New Delhi: Prestige Books in association with Indian Society for Commonwealth Studies, New Delhi, 1992.

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29

Mulk Raj Anand the Novel of Commitment. Atlantic, 2000.

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30

Annapurna, Garimella, Marg Publications, and National Centre for the Performing Arts (India), eds. Mulk Raj Anand, shaping the Indian modern. Mumbai: Marg Publications on behalf of the National Centre for the Performing Arts, 2005.

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31

Sales-Pontes, A. H. Dr Mulk Raj Anand: A critical biography. 1985.

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32

Mulk Raj Anand: Father of Indian English Fiction. Atlantic Publishers & Distributors (P) Ltd., 2006.

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33

1954-, Bhatnagar M. K., and Rajeshwar M. 1961-, eds. The novels of Mulk Raj Anand: A critical study. New Delhi: Atlantic Publishers and Distributors, 2000.

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34

Reddy, K. Venkata. Major Indian Novelists: Mulk Raj Anand, R.K. Narayan, Raja Rao, Bhabani Bhattacharya, Kamala Markandaya. Stosius Inc/Advent Books Division, 1991.

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35

Garimella, Annapurna. Mulk Raj Anand;Shaping the Indian Modern: Shaping the Indian Modern. Marg Publications, 2006.

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36

Mehan, Uppinder. The construction of self in selected novels of Mulk Raj Anand, R. K. Narayan, and Raja Rao. 1996.

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37

Mulk Raj Anand, A Reader ; Selections from His Fictional and Non-Fictional Writings. Sahitya Akademi, 2005.

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38

Jorjj, Si Je. Mulk Raj Anand, his art and concerns: A study of his non-autobiographical novels. Atlantic Publishers and Distributors, 1994.

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39

Voice of the Voiceless ; Mulk Raj Anand and Jayakanthan : Social Consciousness and Indian Fiction. Prestige Books, 2006.

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40

Bheemaiah, J. Class and Caste in Literature ; The Fiction of Harriet B. Stowe and Mulk Raj Anand. Prestige Books, 2005.

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41

Five contemporary Indian novelists: An anthology of critical studies on Mulk Raj Anand, Raja Rao, R.K. Narayan, Kamala Markandaya, and Bhabani Bhattacharya. Book Enclave, 2001.

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42

Bhushan, Nalini, and Jay L. Garfield. The Question of Subjectivity. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190457594.003.0012.

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This chapter examines the role of art, art criticism and aesthetic theory in philosophy, culture, and the nationalist movement. It devotes particular attention to the modernization of classical rasa theory and its deployment in art criticism, and to debates about that in which “authentic” Indian art consists. It considers the art of Ravi Varma, Abanindranath Tagore, and Amrita Sher-Gil and the aesthetic theory of A. K. Coomaraswamy, K. C. Bhattacharyya, M. Hiriyanna, and Mulk Raj Anand.

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43

1905-, Anand Mulk Raj, Ayyappapanicker K. 1930-, University of Kerala. Institute of English., and National Seminar on Contemporary Indian Fiction in English (1985 : Institute of English, University of Kerala), eds. Contemporary Indian fiction in English: Proceedings of the national seminar held at the University of Kerala on the 80th birthday of Mulk Raj Anand. [Trivandrum?: s.n.], 1987.

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44

Smith, Angela. Colonial Modernists. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199609932.003.0016.

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This chapter looks at a range of colonial fiction up to 1950 by writers native to Australia, New Zealand, India, the Caribbean, and Canada, which in some way develops and inflects modernist aspiration and practice. The old paradigm, that European models of literary modernism were disseminated to outposts of the British Empire, possibly via such cultural missionaries as E. M. Forster or D. H. Lawrence, and then belatedly imitated, or that artists from the colonies travelled to the metropolitan centre to discover and be transformed by the avant-garde, is evidently undermined by a cursory glance at colonial writing at the end of the nineteenth century. The colonial modernist fiction to 1950 discussed in this chapter is inflected by intimate experience of imperial power, as in the case of Mulk Raj Anand and Claude McKay, and by awareness of an alternative aesthetic and morality in the work of Emily Carr and Katherine Susannah Prichard.

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45

Thacker, Andrew. Modernism, Space and the City. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9780748633470.001.0001.

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This innovative book examines the development of modernism in four European cities: London, Paris, Berlin, and Vienna. Focusing upon how literary and cultural outsiders represented various spaces in these cities, it draws upon contemporary theories of affect, mood, and literary geography to offer an original account of the geographical emotions of modernism. It considers three broad features of urban modernism: the built environment of the particular cities, such as cafés or transport systems; the cultural institutions of publishing that underpinned the development of modernism in these locations; and the complex perceptions of writers and artists who were outsiders to the four cities. Particular attention is thus given to the transnational qualities of modernism by examining figures whose view of the cities considered is that of migrants, exiles, or strangers. The writers and artists discussed include Mulk Raj Anand, Gwendolyn Bennett, Bryher, Blaise Cendrars, Joseph Conrad, T. S. Eliot, Christopher Isherwood, Hope Mirlees, Noami Mitchison, Jean Rhys, Sam Selon, and Stephen Spender.

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