Academic literature on the topic 'Multimedia composition'

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Journal articles on the topic "Multimedia composition"

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Mey, Vicki, Christian Breiteneder, Laurent Dami, Simon Gibbs, and Dennis Tsichritzis. "Visual Composition and Multimedia." Computer Graphics Forum 11, no. 3 (May 1992): 9–22. http://dx.doi.org/10.1111/1467-8659.1130009.

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Crampen, Michel. "Auto-adaptative multimedia composition (abstract)." ACM SIGWEB Newsletter 5, no. 2 (June 1996): 31. http://dx.doi.org/10.1145/231738.232620.

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Okpara, Mabel Ugochi. "Multimedia technology: a vital instrument for music composition." AFRREV IJAH: An International Journal of Arts and Humanities 7, no. 3 (September 10, 2018): 55–64. http://dx.doi.org/10.4314/ijah.v7i3.6.

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Music composition over the years has continued to be a much dreaded course of study by so many Nigerian students of Music in tertiary institutions. Through the interview conducted in this study, it was discovered that the students’ fear of the course stems from its abstractness or rather as a result of the erroneous belief that it is a very complex area of specialization to venture into, in music pedagogy. This study is aimed at disabusing the minds of the students of music from this xenophobic wrong impression and by creating an enabling mind-set and interest in music composition through this
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KELLER, DAMIÁN, and ARIADNA CAPASSO. "New concepts and techniques in eco-composition." Organised Sound 11, no. 1 (March 15, 2006): 55–62. http://dx.doi.org/10.1017/s1355771806000082.

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This paper has two main objectives: (i) to discuss essential concepts of the ecological approach to composition, proposing the term eco-composition as a common reference for theoretical perspectives and compositional techniques; and (ii) to present the multimedia piece Vivir sin después, realised within the context of the Paititi Project.Following the Introduction, the paper is divided into two main sections. In section 2 we discuss issues raised by the application of the ecological approach to composition. Regarding the data-gathering procedures, eco-composition provides two effective methods
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Heba, Gary. "HyperRhetoric: Multimedia, literacy, and the future of composition." Computers and Composition 14, no. 1 (January 1997): 19–44. http://dx.doi.org/10.1016/s8755-4615(97)90036-0.

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Xiaohui Gu and K. Nahrstedt. "Distributed multimedia service composition with statistical QoS assurances." IEEE Transactions on Multimedia 8, no. 1 (February 2006): 141–51. http://dx.doi.org/10.1109/tmm.2005.861284.

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Kosuga, Masakatsu, Naoki Kirimoto, Tatsuya Yamazaki, Tomonori Nakanishi, Masakazu Masuzaki, and Kazuo Hasuike. "A multimedia service composition scheme for ubiquitous networks." Journal of Network and Computer Applications 25, no. 4 (October 2002): 279–93. http://dx.doi.org/10.1006/jnca.2002.0140.

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BURTNER, MATTHEW. "Ecoacoustic and shamanic technologies for multimedia composition and performance." Organised Sound 10, no. 1 (April 2005): 3–19. http://dx.doi.org/10.1017/s1355771805000622.

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The author's close connection to traditional Alaskan culture has inspired the creation and implementation of new multimedia instruments based on the use of ritual objects in shamanic cultures of the far north. Simultaneously, the musical processes articulated by this music are structurally tied to environmental systems in a technique discussed here as ‘ecoacoustics’. In this work, performer/composer interaction, musical composition theory, multimedia performance, and musical instrument design have been transformed in response to these influences.
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Piatnytska-Pozdnyakova, Iryna, Halyna Kolomoiets, Andrii Furdychko, Oleksandr Sazhiienko, Anatolii Rebryna, and Oleh Dykyi. "Distance education: the introduction of new computer technologies in the learning process." LAPLAGE EM REVISTA 7, no. 3A (September 3, 2021): 156–62. http://dx.doi.org/10.24115/s2446-6220202173a1384p.156-162.

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The article defines the concept of distance multimedia training system and consider the use of distance multimedia training systems in higher education in the field of design; investigated the structure and composition of distance learning multimedia systems; identify the specific features of learning using distance multimedia learning systems; the specifics of user personalization in the multimedia space are considered; a format for describing data in distance multimedia learning systems has been developed. The results show that the automatic evaluation system for graphic images is an importa
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Little, T. D. C., and A. Ghafoor. "Network considerations for distributed multimedia object composition and communication." IEEE Network 4, no. 6 (November 1990): 32–40. http://dx.doi.org/10.1109/65.60734.

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Dissertations / Theses on the topic "Multimedia composition"

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Pinto, Paulo da Costa Luis da Fonseca. "An interaction model for multimedia composition." Thesis, University of Kent, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.317594.

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Chen, Chi Wai, and cwchen@ied edu hk. "The creative process of computer-assisted composition and multimedia composition - visual images and music." RMIT University. Education, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080107.115525.

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This research study investigates how music technology can enhance and develop the musical ideas of students, focusing on the creative processes involved in computer-assisted composition and multimedia composition. The study investigates the Creative Multimedia Music Project, a module of the Associate of Arts (Music) Degree where students are using computers as music workstations. The aims of the study are (a) to evaluate the use of music technology for composing; (b) to describe the creative process of composing and investigate how the students comprehend this; and (c) to analyze the relations
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Fitzgerald, Thomas A. "New music composition for live performance and interactive multimedia." Faculty of Creative Arts, 2004. http://ro.uow.edu.au/theses/284.

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The focus of this DCA thesis is the development of original creative audio and audio-visual work. Central to this is a study of the nature of interactivity and sonic relationships between electroacoustic and acoustic music, extended further by the application of sonic and visual interactivity. This written documentation accompanies the major part of the DCA submission, a folio of five original works. Its purpose is to clarify, document and contextualise the creation of these works and to illuminate the aesthetic underpinnings and compositional techniques that I have developed during the period
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Khan, Muhammad Asadullah. "Aspect-oriented adaptation composition and dynamic reconfiguration in multimedia frameworks." Lübeck Zentrale Hochschulbibliothek Lübeck, 2010. http://d-nb.info/1002133513/34.

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Zhou, J. (Jiehan). "Pervasive service computing: community coordinated multimedia, context awareness, and service composition." Doctoral thesis, Oulun yliopisto, 2011. http://urn.fi/urn:isbn:9789514296451.

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Abstract This thesis introduces a novel Web service-centric solution to pervasive computing, called Service-oriented Pervasive Computing (also called Pervasive Service Computing), which enables computer systems to deal with context in the user’s environment, to dynamically discover and compose existing services, and to develop Internet-scale multimedia applications that support users’ activities. First, this thesis introduces the concept of Pervasive Service Computing and its relation to community coordinated multimedia, context awareness, and service-oriented computing. It then investigates t
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MacDonald, James Donald III. "Study in Rain and Light: An approach for audiovisual composition." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1554491734331463.

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Karmouch, Eric. "Dynamic Composition and Management of Virtual Devices for Ad Hoc Multimedia Service Delivery." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/19865.

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Pervasive computing implies the invisibility of the technology involved in providing ubiquity, such that technology is integrated into the environment and non-intrusive. In such a manner, computing and networking resources become diffused into physical environments, enabling users to exploit their provided functionalities such that functionality is distributed, enabling it to be controlled, monitored, managed, and extended beyond what it was initially designed to do. Moreover, computer awareness moves towards user-centricity, whereby systems seamlessly adapt to the characteristics, preferences
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Khan, Muhammad Asadullah [Verfasser]. "Aspect-oriented adaptation composition and dynamic reconfiguration in multimedia frameworks / Muhammad Asadullah Khan." Lübeck : Zentrale Hochschulbibliothek Lübeck, 2010. http://d-nb.info/1002133513/34.

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Parker, Beard Jeannie C. Ph D. "Composing on the Screen: Student Perceptions of Traditional and Multimodal Composition." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_diss/98.

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When college composition teachers carefully consider the role and function of multimodal composition in their classrooms, they can enhance the teaching of writing and communication, engage and empower students, and better prepare students for the challenges and possibilities of life in our rapidly changing digital age. To meet this teaching challenge and study the impact of multimedia on student writers, I designed this mixed-methods case study to examine how video documentary essays function as a form of multimodal composition in first-year composition courses and how these types of texts may
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deDeugd-McComas, Inez S. "I Lost my Life in Long Term Parking." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1250691957.

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Books on the topic "Multimedia composition"

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1942-, Wells Richard H., ed. Writing PR: A multimedia approach. Boston: Pearson/Allyn and Bacon, 2004.

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Rock, Claudia. Style and substance: A multimedia approach to literature and composition. Saint-Laurent, Québec: Pearson Education ESL/ERPI, 2001.

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Exploring multimodal composition and digital writing. Hershey PA: Information Science Reference, 2014.

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Freedman, Barbara. Teaching music through composition with technology: A multimedia curriculum for the twenty-first century. New York: Oxford University Press, 2013.

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Remixing composition: A history of multimodal writing pedagogy. Carbondale: Southern Illinois University Press, 2012.

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Systems, Twelve Tone. Cakewalk Professional 8. Watertown, MA: Twelve Tone Systems, 1999.

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Luckow, Dirk, and Jan Winkelmann. Moving images: Film-Reflexion in der Kunst : Galerie für Zeitgenössische Kunst Leipzig, 22.08.99-17.10.99. Edited by Galerie für Zeitgenössische Kunst Leipzig and Siemens Kulturprogramm. Leipzig: Galerie für Zeitgenössische Kunst Leipzig, 1999.

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The rhetoric of cool: Composition studies and new media. Carbondale, IL: Southern Illinois University Press, 2006.

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Dowling, Carolyn. Writing and learning with computers. Melbourne, Australia: ACER Press, 1999.

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Connolly, Evelyn M. The incorporation of multimedia and multimodal learning tools into the teaching of research: A case study of digital storytelling in a high school English class. Lewiston [N.Y.]: The Edwin Mellen Press, 2011.

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Book chapters on the topic "Multimedia composition"

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Gibbs, Simon, Laurent Dami, and Dennis Tsichritzis. "An Object-Oriented Framework for Multimedia Composition and Synchronisation." In Multimedia, 101–11. Berlin, Heidelberg: Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-642-77331-0_8.

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Ohm, Jens-Rainer. "Signal Composition, Rendering and Presentation." In Multimedia Communication Technology, 717–37. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-642-18750-6_16.

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Ohm, Jens-Rainer. "Signal Composition, Rendering and Presentation." In Multimedia Content Analysis, 333–66. Berlin, Heidelberg: Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-662-52828-0_7.

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Murray, Niall, Brian Lee, A. K. Karunakar, Yuansong Qiao, and Enda Fallon. "Virtual Device: Media Service Fitness, Selection and Composition Considering Composition Interactivity and Synchronization." In Mobile Multimedia Communications, 281–94. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-30419-4_24.

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Drezewski, Rafal, and Przemyslaw Tomecki. "Evolutionary System Supporting Music Composition." In Intelligent Interactive Multimedia Systems and Services, 29–38. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-22158-3_4.

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Xu, Jianfeng, Toshihiko Yamasaki, and Kiyoharu Aizawa. "Motion Composition of 3D Video." In Advances in Multimedia Information Processing - PCM 2006, 385–94. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11922162_45.

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Kühme, Thomas, and Matthias Schneider-Hufschmidt. "Direct Composition of Adaptable Multimedia User Interfaces." In Innovative Programmiermethoden für Graphische Systeme, 97–110. Berlin, Heidelberg: Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-642-77581-9_8.

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Brenner, Martin. "Designing Multimedia User Interfaces by Direct Composition." In Computer Graphics: Systems and Applications, 210–27. Berlin, Heidelberg: Springer Berlin Heidelberg, 1994. http://dx.doi.org/10.1007/978-3-642-85046-2_13.

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Keramane, Chérif, and Andrzej Duda. "Operator based composition of structured multimedia presentations." In Lecture Notes in Computer Science, 1–32. Berlin, Heidelberg: Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/bfb0026615.

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Park, Eunjeong, and Heonshik Shin. "Multimedia Service Composition for Context-Aware Mobile Computing." In Lecture Notes in Computer Science, 115–24. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/978-3-540-69429-8_12.

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Conference papers on the topic "Multimedia composition"

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Hepting, Daryl H., David Gerhard, Matthew McKague, and Paul Schmiedge. "Managing parameter spaces for multimedia composition." In ACM SIGGRAPH 2004 Posters. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1186415.1186505.

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Lin, Qian, Daniel Tretter, Jerry Liu, and Eamonn O'Brien-Strain. "Multimedia analysis and composition cloud service." In the Third International Conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2043674.2043691.

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Müller, Stefan, Simon Schubiger-Banz, and Matthias Specht. "A real-time multimedia composition layer." In the 1st ACM workshop. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1178723.1178739.

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Nahrstedt, Klara, and Wolf-Tilo Balke. "A taxonomy for multimedia service composition." In the 12th annual ACM international conference. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1027527.1027544.

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Liang, Jin, and Klara Nahrstedt. "Service composition for advanced multimedia applications." In Electronic Imaging 2005, edited by Surendar Chandra and Nalini Venkatasubramanian. SPIE, 2005. http://dx.doi.org/10.1117/12.592307.

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Chang, Hui-Tang, Yu-Chiang Frank Wang, and Ming-Syan Chen. "Transfer in Photography Composition." In MM '14: 2014 ACM Multimedia Conference. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2647868.2654976.

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Marakhimov, Azizbek, Jaegeol Yim, and Jaehun Joo. "Technologies Used for Petri Net-Based Web Service Composition." In Multimedia 2013. Science & Engineering Research Support soCiety, 2013. http://dx.doi.org/10.14257/astl.2013.43.20.

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Maredj, Azze-Eddine, and Nourredine Tonkin. "CSP-based adaptation of multimedia document composition." In 2015 IEEE International Conference on Semantic Computing (ICSC). IEEE, 2015. http://dx.doi.org/10.1109/icosc.2015.7050811.

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Lee, Hyun, Dongmin Shin, Sun Hur, Jingyu Nam, and Hyunwoo Kim. "An Evaluation Model of Multimedia Composition Processes." In 2007 International Conference on Convergence Information Technology (ICCIT 2007). IEEE, 2007. http://dx.doi.org/10.1109/iccit.2007.397.

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Lee, Hyun, Dongmin Shin, Sun Hur, Jingyu Nam, and Hyunwoo Kim. "An Evaluation Model of Multimedia Composition Processes." In 2007 International Conference on Convergence Information Technology (ICCIT 2007). IEEE, 2007. http://dx.doi.org/10.1109/iccit.2007.4420328.

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