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Books on the topic 'Multiplex theaters'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Yu, Hyŏng-jin. 멀티플렉스산업연구. Yŏnghwa Chinhŭng Wiwŏnhoe, 2005.

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2

Engineers, Institute of Transportation. Trip generation characteristics of traditional and multiplex movie theaters: Informational report. Institute of Transportation Engineers, 2001.

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3

Santamaría, José Vicente García. La exhibición cinematográfica en España: Cincuenta años de cambios. Cátedra, 2015.

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4

Calzini, Mario. Cento anni di cinema al cinema: Storia dei cinematografi, dalla saletta dei Lumière ai multiplex. Gestioni editoriali Agis, 1995.

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5

Klinger, Barbara. Beyond the multiplex: Cinema, new technologies, and the home. University of California Press, 2006.

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6

Douglas, Hill, ed. The multiplex in India: A cultural economy of urban leisure. Routledge, 2010.

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7

Erika, Fischer-Lichte, Gronau Barbara, and Weiler Christel, eds. Global Ibsen: Performing multiple modernities. Routledge, 2010.

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8

Johnny, Saldaña, ed. Ethnodrama: An anthology of reality theatre. AltaMira Press, 2005.

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9

K, Headley Robert. Motion picture exhibition in Washington, D.C.: An illustrated history of parlors, palaces, and multiplexes in the metropolitan area, 1894-1997. McFarland & Co., 1999.

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10

McGuinness, Dean A. An assessment of three Dublin cinemas in terms of relative customer-perceived service quality: A comparative of multiplexes with a city-centre cinema. University College Dublin, 1994.

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11

Megale, Teresa, ed. Occasioni malapartiane. Progetti teatrali della compagnia universitaria dei Corsi di Laurea in Pro.Ge.A.S e in Pro.S.M.Ar.T. Firenze University Press, 2009. http://dx.doi.org/10.36253/978-88-8453-864-2.

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This book appraises the multiple experiences connected with the dramatic activities of a group of students on two degree courses in the Faculty of Arts in Prato, namely: the three-year course in artistic events and enterprise management and the two-year course in music, art and textile production. This experiment, which greatly enhanced the creative and organisational skills of the young people, exploited theatre to inject new blood into the university teaching approach, translating theory into practice. Beyond the textbooks, the Prato theatre workshop experience illustrated here shows how dra

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12

C, Lovelace Douglas, Young Thomas-Durell, and Army War College (U.S.). Strategic Studies Institute., eds. "Shaping" the world through "engagement": Assessing the Department of Defense's theater engagement planning process. Strategic Studies Institute, U.S. Army War College, 2000.

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13

Rajan, Jacob. Indian ink. Victoria University Press, 2005.

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14

Lindfors, Viveca. I am a woman. Applause Theatre Book Publishers, 1990.

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15

Andrea Viviani: Multiplex decoder. Il poligrafo, 2007.

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16

Yee, Pei Lynn. Multiplex mania: A study of the new movie theaters. 2001.

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17

Thailand's Movie Theatres. River Books, 2019.

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18

Hill, Douglas Arthur, and Adrian Athique. Multiplex in India. Taylor & Francis Group, 2014.

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19

Kino Cubix Am Alexanderplatz Berlin: Englische Ausgabe. Schnell und Steiner GmbH, Verlag, 2001.

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20

Kino Cubix Am Alexanderplatz Berlin. Schnell und Steiner GmbH, Verlag, 2001.

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21

Athique, Adrian, and Douglas Hill. Multiplex in India: A Cultural Economy of Urban Leisure. Taylor & Francis Group, 2009.

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22

Athique, Adrian, and Douglas Hill. Multiplex in India: A Cultural Economy of Urban Leisure. Taylor & Francis Group, 2009.

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23

Athique, Adrian, and Douglas Hill. Multiplex in India: A Cultural Economy of Urban Leisure. Taylor & Francis Group, 2009.

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24

P'osŭt'ŭ Halliudŭ: Hyŏndae Miguk yŏnghwa sanŏp ŭi kujo wa kyŏngyŏng chŏllyak. K'ŏmyunik'eisyŏn Puksŭ, 2007.

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25

Klinger, Barbara. Beyond the Multiplex: Cinema, New Technologies, and the Home. University of California Press, 2006.

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26

Nuovo Palazzo del Cinema di Venezia: Il progetto Kada : concorso internazionale di progettazione. Libreria internazionale Cortina, 2008.

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27

Multiplex in India: Cultural Economy of Urban Leisure. Routledge, 2009.

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28

Beyond the multiplex: Cinema, new technologies, and the home. University of California Press, 2006.

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29

Athique, Adrian, and Douglas Hill. Multiplex in India: A Cultural Economy of Urban Leisure. Taylor & Francis Group, 2009.

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30

(Editor), Anthony Iannacci, Gensler Entertainment (Corporate Author), and Robert L. Ward (Introduction), eds. Gensler Entertainment: The Art of Placemaking. Edizioni Press, 2001.

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31

Traditional Indian Theatre ; Multiple Streams. National Book Trust (NBT), 2005.

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32

Parker, John. Persona. Edited by James Simpson and Brian Cummings. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199212484.013.0031.

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This chapter argues that Christian antitheatricalists could persuasively oppose pagan theater only by offering their faith as a superior but fundamentally similar substitute — starting with Tertullian's use ofpersona(the Latin term for a theater mask) to describe the multiple facets of a Trinitarian godhead. The patristic hermeneutics of prosopopoeia (or in Latin,fictio personae) likewise treated scripture explicitly as a drama in which God plays multiple roles. Medieval Christians went even further by staging the Bible and once again using masks as an indispensable theatrico-theological prope

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33

Multiple stages: On theatrical events, performance production and cultural politics. Ajon, 2007.

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34

Kelz, Robert. Competing Germanies. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501739859.001.0001.

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Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their efforts at community-building, and each population devoted considerable resources to competing against its rival onstage. This book tracks the paths of several stage actors from European theaters to Buenos Aires and explores how two of Argentina's most influential immigrant groups, German nationalists and antifascists (Jewish and non-Jewish), clashed. Theatrical performances articulated strident Nazi, antifascist, and Zionist platforms. Meanwhile, as their thespian representatives

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35

Albee, Sarah. The Mean, Multiple-Meaning Troll (Reader's Theater Word Plays). Benchmark Education Company, 2013.

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36

Richard, Sam. Cinema Viscera: An Anthology of Movie Theater Horror. Weirdpunk Books, 2021.

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37

Richard, Sam. Cinema Viscera: An Anthology of Movie Theater Horror. Weirdpunk Books, 2021.

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38

Wilson, Edwin, and Alvin Goldfarb. Anthology of Living Theater. 3rd ed. McGraw-Hill Humanities/Social Sciences/Languages, 2006.

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39

Rabindranath among the arts: Multiple perspectives. Academy Theatre, 2011.

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40

Cavanagh, Sheila T. Multisensory Shakespeare and Specialized Communities. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350296459.

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How can theatre and Shakespearean performance be used with different communities to assist personal growth and development, while advancing social justice goals? Employing an integrative approach that draws from science, actor training, therapeutical practices and current research on the senses, this study reveals the work being done by drama practitioners with a range of specialized populations, such as incarcerated people, neurodiverse individuals, those with physical or emotional disabilities, veterans, people experiencing homelessness and many others. With insights drawn from visits to num

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41

The kamishibai classroom: Engaging multiple literacies through the art of "paper theater". Libraries Unlimited, 2010.

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42

Prints and multiples. Christie's, 2004.

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43

Erin, Courtney, Drury Jackie Sibblies, Jones Nick 1978-, Mac Taylor 1973-, Nguyen Qui, and Silverman Jen, eds. The downtown anthology: 6 hit plays from New York's downtown theaters. Playscripts, Inc., 2015.

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44

Prints and multiples. Christie's, 2003.

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45

Orgel, Stephen. The Globe in Print. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198920557.001.0001.

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Abstract All that survives from the great ages of theater is a relatively small number of texts of plays. But a play is designed to be a spectacle performed by actors. Is it reducible to its text? Every text we have of a play conceived for the theatre has been through some editorial process to render it appropriate to readers, and restoring it to the stage involves another process of translation. A number of the classics of the Elizabethan stage acknowledge that they have been revised for readers, and the eighteen Shakespeare plays that exist in multiple texts testify to the instability of tho

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46

Iyengar, Sujata. Intermediated Bodies and Bodies of Media. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.36.

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This essay argues that, when screen media such as television, film, and digital video appropriate and remediate Othello, they do so through intermediality: the simultaneous and self-conscious communication of information and experiences through multiple material and sensory modes. Using Dmitri Buchowetski’s silent version, Orson Welles’s feature film, Geoffrey Sax’s British movie, and Zaib Shaikh’s television films, Ready Set Go Theatre’s web-series, and the National Theatre Live streamed performances as case-histories, the chapter investigates ‘race’ itself as a communicative medium. It concl

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47

Fischer-Lichte, Erika, Christel Weiler, and Barbara Gronau. Global Ibsen: Performing Multiple Modernities. Taylor & Francis Group, 2012.

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48

Global Ibsen: Performing Multiple Modernities. Routledge, 2012.

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49

Fischer-Lichte, Erika, Christel Weiler, and Barbara Gronau. Global Ibsen: Performing Multiple Modernities. Taylor & Francis Group, 2012.

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50

Fischer-Lichte, Erika, Christel Weiler, and Barbara Gronau. Global Ibsen: Performing Multiple Modernities. Taylor & Francis Group, 2012.

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