Relevant bibliographies by topics / Mural paintings and decoration

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Mural paintings and decoration'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Mural paintings and decoration"

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Shcheviova, Uliana. "Mural paintings in the decoration program of the residential buildings entrance spaces in Eastern Galicia at the end of the XIXth – first third of the XXth century." Bulletin of Lviv National Academy of Arts, no. 42 (December 27, 2019): 79–87. http://dx.doi.org/10.37131/2524-0943-2019-42-11.

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Background. Mural paintings occupy a special place in the ensemble decoration program of the residential buildings entrance spaces in Eastern Galicia at the end of the XIXth – first third of the XXth century. They are at the same level with decorative sculpture, exquisite staircase forging, ornamental floor decor, and polychrome stained glass. Not only do the decorative compositions in the entrance spaces mural paintings serve as a stylistic feature of decoration, but also are a component of owner's self-identification, testify to their aesthetic preferences and cultural level, demonstrate the
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Vojvodic, Dragan. "Wall paintings of the Davidovica monastery: Additions to the thematical programme and dating." Zograf, no. 39 (2015): 177–92. http://dx.doi.org/10.2298/zog1539177v.

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Owing to old photographic plates that recorded those segments of the mural decoration of Davidovica on the Lim which were later destroyed or considerably damaged, it is possible to put forward a more complete reconstruction of its thematic program. The programmatic and iconographic features of both the destroyed frescoes and the surviving ones correspond to the solutions that can be found in Post-Byzantine painting. The palaeographic analysis of inscriptions and the analysis of the style of the murals in the dome, the area under the dome and both chapels in Davidovica clearly indicate that we
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Lampakis, Dimitrios, Ioannis Karapanagiotis, and Olga Katsibiri. "Spectroscopic Investigation Leading to the Documentation of Three Post-Byzantine Wall Paintings." Applied Spectroscopy 71, no. 1 (2016): 129–40. http://dx.doi.org/10.1177/0003702816654151.

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The main churches of three monasteries in Thessalia, Central Greece, were decorated with wall paintings in the post-Byzantine period. The main goal of the present study is to characterize the inorganic and organic materials present in the paint layers of areas that have been gilded. Optical microscopic examination was carried out on samples taken from the gilded decoration of the paintings to view their layer build-up. The combined use of micro Fourier transform infrared (FT-IR) and micro-Raman spectroscopy led to the detection of the pigments and the binding media used. The results from speci
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Vampelj Suhadolnik, Nataša. "Han Mural Tombs: Reflection of Correlative Cosmology through Mural Paintings." Asian Studies, no. 1 (December 1, 2011): 19–48. http://dx.doi.org/10.4312/as.2011.-15.1.19-48.

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The main research materials of this study were tombs with murals from the Han Dynasty (206 B.C.–220 A.D.). The article deals with the issue of the reflection of ancient Chinesecosmologic concepts in the iconographic design of Han mural paintings. A thorough analysis of the iconographic design of murals shows that they possessed not only a decorative function, but together with the architectural structure and other burial objects reflected the entire cosmic image. The analysis of tomb paintings reveals a developed correlative cosmology yin-yang wuxing which manifests its concrete image in symbo
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Bevz, Mykola. "Artistic painted decorations on the outside walls of the castles in western Ukraine." Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych 16, no. 2 (2020): 94–106. http://dx.doi.org/10.35784/teka.812.

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The article describes the newfound fragments of polychrome paintings in the upper tiers of the southeastern castle tower in Pomoriany (Pomorzany – in polish). The pictures are found on the outside wall of the tower. The polychrome murals are preserved in fragments. The paintings decorated the plastered walls of the at the top two levels of the tower and can be dated roughly to the 17th century. Another mural fragment, discovered on the outside of the north wall of the castle in Yazlivets, is much smaller, but with more vibrant colors. Such exterior castle walls decorating with polychrome paint
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Dahmani, Fatma. "A Reassessment of the Location of the Mural Paintings in the Caliphal Palace of Samarra." Der Islam 97, no. 2 (2020): 367–404. http://dx.doi.org/10.1515/islam-2020-0026.

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AbstractThe mural paintings discovered in the Caliphal Palace of the ʿAbbāsid city of Samarra constitute a rare example of figural decoration in an urban Islamic palace as well as one of the most important testimonies to Medieval mural paintings that have come down to us from the region. However, as with the rest of the Samarra finds, these paintings suffered significant damage and were published several years after their excavation (Herzfeld, E., Die Malereien von Samarra, Berlin 1927). Although valuable in many respects, this publication presents a breach of methodology, as it does not atten
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Meijer, Bert W. "Lambert Sustris in Padua: fresco's en tekeningen." Oud Holland - Quarterly for Dutch Art History 107, no. 1 (1993): 3–16. http://dx.doi.org/10.1163/187501793x00072.

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AbstractThe Amsterdam painter Lambert Sustris stayed in Padua in the 1540s. During this period he worked, among other things, on a number of murals in palazzi and ville suburbane, and also in villas outside Padua and near Vicenza. Some of these murals still exist, others have vanished. A few drawings by Sustris associated with lost murals have however survived. In Padua, Sustris first worked in a subordinate position under Domenico Campagnola and Gualterio Padovano; later, having attained an independent status, he collaborated with the latter and with Andrea Schiavone, among others. Most of th
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Plante, Michael. ""Things to Cover Walls": Ellsworth Kelly's Paris Paintings and the Tradition of Mural Decoration." American Art 9, no. 1 (1995): 37–53. http://dx.doi.org/10.1086/424232.

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Estrada-Belli, Francisco, Alexandre Tokovinine, Jennifer M. Foley, et al. "A Maya Palace at Holmul, Peten, Guatemala and the Teotihuacan “Entrada”: Evidence from Murals 7 and 9." Latin American Antiquity 20, no. 1 (2009): 228–59. http://dx.doi.org/10.1017/s1045663500002595.

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AbstractExcavations at La Sufricaya, a minor ritual group in the outskirts of the Lowland Maya city of Holmul, have documented two mural paintings inside an elite building of Early Classic date (A.D. 300–A.D. 600). One of the paintings is mythological in nature (Mural 9). The second bears an inscription with references to calendrical and historical events. It commemorates a notorious arrival date at Tikal on 11 Eb 15 Mak (January 16, A.D. 378) on its first anniversary. The architecture and artifacts associated with the murals combine Maya and Teotihuacan decorative motifs, and offer several pa
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Naydenova, Mellie. "Public and Private: The Late Medieval Wall Paintings of Haddon Hall Chapel, Derbyshire." Antiquaries Journal 86 (September 2006): 179–205. http://dx.doi.org/10.1017/s000358150000010x.

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This paper focuses on the mural scheme executed in Haddon Hall Chapel shortly after 1427 for Sir Richard Vernon. It argues that at that time the chapel was also being used as a parish church, and that the paintings were therefore both an expression of private devotion and a public statement. This is reflected in their subject matter, which combines themes associated with popular beliefs, the public persona of the Hall's owner and the Vernon family's personal devotions. The remarkable inventiveness and complexity of the iconography is matched by the exceptionally sophisticated style of the pain
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Dissertations / Theses on the topic "Mural paintings and decoration"

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Meyers, Julia Isabell. "Prehistoric Wall Decoration in the American Southwest: A Behavioral Approach." Diss., The University of Arizona, 2007. http://hdl.handle.net/10150/194060.

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Major social and demographic changes occurred during the Pueblo IV Period (AD 1300-1600) in the American Southwest. Small scattered communities aggregated into large settlement centers with more complex social organization during this period. Mural paintings created at this time are dramatically different stylistically from murals created before the social and demographic shift. At Homol'ovi in northeastern Arizona, these mural changes were accompanied by changes in plastering behaviors, including the development of distinct pigment use patterns.The hypothesis of the present study is that the
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Li, Chun-tung, and 李俊彤. "Envisioning authority: the Mongol imperium and the Yonglegong mural paintings and architecture." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48079911.

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This thesis addresses the question of how the Mongol imperium’s patronage in combination with Quanzhen Taoist proselytism inspired the mural paintings and architectural forms of the Yonglegong永樂宮. The Taoist temple of Yonglegong was constructed during the Yuan dynasty (1279-1368) on the site of the former residence of the Taoist immortal L? Dongbin呂洞賓. During the period of the temple’s construction from 1244 to 1358, the Quanzhen 全真order, to which the Yonglegong was affiliated, thrived under the Mongol imperium. Previous scholarship has emphasized the Quanzhen order’s autonomous and exclusive
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Bayle, Beatrice. "Conserving mural paintings in Thailand and Sri Lanka : conservation policies and restoration practice in social and historical context /." Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/7144.

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Guerry, Emily Davenport. "The wall paintings of the Sainte-Chapelle." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608270.

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Tamm, John A. "Argentum potorium in Romano-Campanian wall-painting /." *McMaster only, 2001.

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Şerifaki, Kerem Böke Hasan. "Conservation problems of historic wall paintings of taxiarhis church in cunda, ayvalık/." [s.l.]: [s.n.], 2005. http://library.iyte.edu.tr/tezler/master/mimarirestorasyon/T000393.pdf.

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Suwannakudt, Phaptawan. "The Elephant and the Journey: A Mural in Progress." University of Sydney, 2005. http://hdl.handle.net/2123/1101.

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Master of Visual Arts<br>The Elephant and the Journey is about what and how people see in the land and how this is expressed through art forms. The dissertation consists of three main parts. The first in the introduction explains the use of the narrative figuration form in Thai temple mural painting in my practice, and how I used it to apply to the contemporary context in Australia. The second concerns three main groups of work including Australian landscape paintings in the nineteenth century, aboriginal art works and Thai mural painting, which apply to the topic of landscape. The second
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Loon, Gertrud J. M. van. "The gate of heaven wall paintings with Old Testament scenes in the altar room and the h̲ūrus of Coptic churches /." Istanbul : Leiden : Nederlands Historisch-Archaeologisch Instituut te Instanbul [sic] ; Nederlands Instituut voor het Nabije Oosten, distributor, 1999. http://catalog.hathitrust.org/api/volumes/oclc/43423978.html.

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Damiani, Piergiovanni. "L'oratorio dei confratelli di Civo religiosità popolare ed arte in Valtellina tra Quattro e Cinquecento /." Sondrio : Società storica valtellinese, 2003. http://catalog.hathitrust.org/api/volumes/oclc/53878936.html.

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Davos, Afroditi Climis. "Locating the politics of contemporary public art towards a new historiography /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1973060661&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Books on the topic "Mural paintings and decoration"

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Phlāinō̜i, Sombat. Mural paintings. Office of the National Culture Commission, Ministry of Education, 1985.

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Nagpall, J. C. Mural paintings in India. Gian Pub. House, 1988.

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Mural paintings of Andhra. B.R. Publishing Corporation, 2013.

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Vijayanagara paintings. Publications Division, Ministry of Information and Broadcasting, Govt. of India, 1985.

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ʻInthralip, Sonthiwan. Thai traditional paintings. Sonthiwan Intralib], 1994.

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Samōsō̜n, Phairōt. Čhittrakam fāphanang ʻĪsān =: E-sarn mural paintings. E-sarn Cultural Center, Khon Kaen University, 1989.

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The Buddhist cave paintings of Bagh. Aryan Books International, 2002.

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The MacCallum-Jackman cottage mural paintings. National Gallery of Canada, 1990.

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G, Víctor M. Ballesteros. La pintura mural del convento de Actopan =: Mural paintings of the Actopan Convent. Universidad Autónoma del Estado de Hidalgo, 1999.

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Agarawala, R. A. Wall paintings from Central India. Agam Kala Prakashan, 1987.

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Book chapters on the topic "Mural paintings and decoration"

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Mallik, Anupama, Santanu Chaudhury, Shipra Madan, T. B. Dinesh, and Uma V. Chandru. "Archiving Mural Paintings Using an Ontology Based Approach." In Computer Vision - ACCV 2012 Workshops. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-37484-5_4.

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Gutiérrez Martínez, María de la Luz. "Sierra de San Francisco: Great Mural Rock Paintings." In Encyclopedia of Global Archaeology. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_1632.

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de la Luz Gutiérrez Martínez, María. "Sierra de San Francisco: Great Mural Rock Paintings." In Encyclopedia of Global Archaeology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_1632.

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Paschali, Maria. "Mural Decoration in Saint George of the Greeks at Famagusta." In Mediterranean Nexus 1100-1700. Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.mednex-eb.4.00059.

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Baglioni, P., R. Carrasco Vargas, M. Cordeiro Baqueiro, and David Chelazzi. "CHAPTER 4. Maya Mural Paintings in Calakmul: Pictorial Technique and Conservation." In Science and Art. Royal Society of Chemistry, 2020. http://dx.doi.org/10.1039/9781839161957-00068.

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Sharma, Rohita, and Ila Gupta. "Assessment of Mughal Mural Decoration on Contemporary Architecture of Agra and Jaipur." In Understanding Built Environment. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-2138-1_19.

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Mounier, A., F. Daniel, and F. Bechtel. "Gilding Techniques in Mural Paintings: Three Examples from the Romanesque Period in France." In Proceedings of the 37th International Symposium on Archaeometry, 13th - 16th May 2008, Siena, Italy. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-14678-7_39.

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Ogura, D., T. Hase, Y. Nakata, et al. "Influence of Environmental Factors on Deterioration of Mural Paintings in Mogao Cave 285, Dunhuang." In Case Studies in Building Rehabilitation. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49202-1_6.

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Mazzeo, Rocco, Giorgia Sciutto, Silvia Prati, Irene Bonacini, and He Ling. "CHAPTER 3. Scientific Examination for the Investigation and Conservation of Far East Asian Mural Paintings." In Science and Art. Royal Society of Chemistry, 2020. http://dx.doi.org/10.1039/9781839161957-00046.

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Debastiani, Rafaela, Rolf Simon, Joerg Goettlicher, et al. "Identification of green pigments from fragments of Roman mural paintings of three Roman sites from north of Germania Superior." In inArt 2016. Springer Berlin Heidelberg, 2017. http://dx.doi.org/10.1007/978-3-662-55417-3_25.

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Conference papers on the topic "Mural paintings and decoration"

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Saihoo, Nam-oi. "THE STUDY OF COLOR SCHEME OF MURAL PAINTING AND DECORATION IN INTERIOR ARCHITECTURE (CASE STUDY: TEMPLES IN KHONKAEN)." In International Conference on Arts and Humanities. The International Institute of Knowledge Management (TIIKM), 2018. http://dx.doi.org/10.17501/icoah.2017.4103.

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Candoré, J. C., J. L. Bodnar, F. Depasse, N. Horny, V. Detalle, and P. Grossel. "Approach of the characterization of delamination in mural paintings." In 2008 Quantitative InfraRed Thermography. QIRT Council, 2008. http://dx.doi.org/10.21611/qirt.2008.16_01_07.

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Fontana, R., J. Striova, M. Barucci, et al. "Limewashed mural paintings as seen by VIS-IR reflectography." In SPIE Optical Metrology, edited by Luca Pezzati and Piotr Targowski. SPIE, 2015. http://dx.doi.org/10.1117/12.2197995.

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Cortea, Ioana, Luminita Ghervase, and Maria Dumbravicean. "Combined spectroscopic analysis for identification of mural paintings materials." In 2015 International Conference on Systems, Signals and Image Processing (IWSSIP). IEEE, 2015. http://dx.doi.org/10.1109/iwssip.2015.7314241.

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Doria, A., G. P. Gallerano, E. Giovenale, M. Greco, and M. Picollo. "THz detection of water: Applications on mural paintings and mosaics." In 2017 42nd International Conference on Infrared, Millimeter, and Terahertz Waves (IRMMW-THz). IEEE, 2017. http://dx.doi.org/10.1109/irmmw-thz.2017.8067164.

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Chanda, Bhabatosh, Dhruv Ratra, and B. L. S. Mounica. "Virtual restoration of old mural paintings using patch matching technique." In 2012 Third International Conference on Emerging Applications of Information Technology (EAIT). IEEE, 2012. http://dx.doi.org/10.1109/eait.2012.6407928.

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Jackson, J. Bianca, Marie R. Mourou, John F. Whitaker, et al. "Terahertz time-domain reflectometry applied to the investigation of hidden mural paintings." In 2008 Conference on Lasers and Electro-Optics (CLEO). IEEE, 2008. http://dx.doi.org/10.1109/cleo.2008.4551489.

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Popa, Irina, and Philippe Walter. "Scanning electro-microscopical study of the mural paintings of Stavropoleos Church (18th century)." In ROMOPTP '94: 4th Conference on Optics, edited by Valentin I. Vlad. SPIE, 1995. http://dx.doi.org/10.1117/12.203554.

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Agresti, Giorgia, Giuseppe Bonifazi, Giuseppe Capobianco, et al. "Tattoo Wall: study of the stability of an innovative decorative technique through hyperspectral imaging and possible application in the mural painting’s restoration." In Optics for Arts, Architecture, and Archaeology VII, edited by Piotr Targowski, Roger Groves, and Haida Liang. SPIE, 2019. http://dx.doi.org/10.1117/12.2525726.

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Boaglio, E., J. Lamas, Ana J. López, et al. "Development of a portable ESPI system for the analysis in situ of mural paintings." In SPECKLE 2012: V International Conference on Speckle Metrology, edited by Ángel F. Doval and Cristina Trillo. SPIE, 2012. http://dx.doi.org/10.1117/12.978263.

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