Relevant bibliographies by topics / Muratori, Ludovico Antonio

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Muratori, Ludovico Antonio'

Author: Grafiati
Published: 22 February 2023

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Journal articles on the topic "Muratori, Ludovico Antonio"

1

Parisi, Luciano. "Alcune Riflessioni Sugli Scritti Religiosi di Ludovico Antonio Muratori." Italian Culture 13, no. 1 (January 1995): 87–97. http://dx.doi.org/10.1179/itc.1995.13.1.87.

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2

D’Onofrio, Federico. "ON THE CONCEPT OF ‘FELICITAS PUBLICA’ IN EIGHTEENTH-CENTURY POLITICAL ECONOMY." Journal of the History of Economic Thought 37, no. 3 (August 11, 2015): 449–71. http://dx.doi.org/10.1017/s1053837215000401.

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This article presents some observations on “public happiness” in order to clarify the idea’s meaning in the eighteenth-century Italian context. It examines Lugino Bruni’s interpretation of this concept, and criticizes his understanding of public happiness as the continuation of Artistotle’s eudaimonia. Bruni stresses the social and collective nature of happiness in the civil economy of the Italian eighteenth century. By examining the works of Ludovico Antonio Muratori and Antonio Genovesi, this article addresses instead the political meaning of public happiness for absolute monarchies, and underlines its origins in the German tradition of natural law.
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3

Logan, Oliver. "Il governo delle passioni. Prudenza, giustizia e carità nel pensiero politico di Ludovico Antonio Muratori. By Chiara Continisio. (Biblioteca dell'Edizione Nazionale del Carteggio di L. A. Muratori, 11). Pp. viii+322. Florence: Olschki, 1999. 88 222 46669 1; 1122 4266." Journal of Ecclesiastical History 53, no. 3 (July 2002): 545–650. http://dx.doi.org/10.1017/s0022046902904768.

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4

Gaspari, Gianmarco. "LA CULTURA IN LOMBARDIA NELL’ETÀ TERESIANA." Istituto Lombardo - Accademia di Scienze e Lettere - Rendiconti di Lettere, December 12, 2019. http://dx.doi.org/10.4081/let.2019.554.

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The first half of the 18th century, in a way, is a period of preparation, ending with two facts that will soon acquire a considerable symbolic significance: the death of Ludovico Antonio Muratori and the Treaty of Aix-la-Chapelle. In Milan, Muratori’s legacy mainly lies in the historical studies, but it can also be seen in the project of an increasingly strong interaction between culture and society. The new intellectual generation, gathering around the periodical “Il Caffè”, adds to what Muratori had taught the explosive mixture of novelties from the transalpine countries, first of all, Diderot and d’Alembert’s Encyclopédie, and the revolutionary place it gives to ‘practice’ within the hierarchy of knowledge. “Il Caffè”, and works such as On Crimes and Punishments, Meditations on Happiness, and Observations on Torture, but even Parini’s civil poetry, hand down to the following century a multifarious reflection on justice, social coexistence, and improvement of mankind, which will become deeply rooted in the collective consciousness, thus reducing the 17th-century gap between Italy and Europe regarding science.
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5

Gaspari, Gianmarco. "LA CULTURA IN LOMBARDIA NELL’ETÀ TERESIANA." Istituto Lombardo - Accademia di Scienze e Lettere • Rendiconti di Lettere, December 12, 2019. http://dx.doi.org/10.4081/let.2017.554.

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The first half of the 18th century, in a way, is a period of preparation, ending with two facts that will soon acquire a considerable symbolic significance: the death of Ludovico Antonio Muratori and the Treaty of Aix-la-Chapelle. In Milan, Muratori’s legacy mainly lies in the historical studies, but it can also be seen in the project of an increasingly strong interaction between culture and society. The new intellectual generation, gathering around the periodical “Il Caffè”, adds to what Muratori had taught the explosive mixture of novelties from the transalpine countries, first of all, Diderot and d’Alembert’s Encyclopédie, and the revolutionary place it gives to ‘practice’ within the hierarchy of knowledge. “Il Caffè”, and works such as On Crimes and Punishments, Meditations on Happiness, and Observations on Torture, but even Parini’s civil poetry, hand down to the following century a multifarious reflection on justice, social coexistence, and improvement of mankind, which will become deeply rooted in the collective consciousness, thus reducing the 17th-century gap between Italy and Europe regarding science.
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6

"7. LUDOVICO ANTONIO MURATORI Della forza Della fantasia umana a cura di Claudio Pogliano 1995, 172 pp., Giunti, Firenze." Nuncius 14, no. 2 (1999): 759–60. http://dx.doi.org/10.1163/182539199x00526.

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7

"7. LUDOVICO ANTONIO MURATORI Della forza Della fantasia umana a cura di Claudio Pogliano 1995, 172 pp., Giunti, Firenze." Nuncius 14, no. 1 (1999): 401–2. http://dx.doi.org/10.1163/182539199x01372.

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8

"7. LUDOVICO ANTONIO MURATORI Della forza Della fantasia umana a cura di Claudio Pogliano 1995, 172 pp., Giunti, Firenze." Nuncius 14, no. 2 (January 1, 1999): 759–60. http://dx.doi.org/10.1163/221058799x00520.

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9

"7. LUDOVICO ANTONIO MURATORI Della forza Della fantasia umana a cura di Claudio Pogliano 1995, 172 pp., Giunti, Firenze." Nuncius 14, no. 1 (January 1, 1999): 401–2. http://dx.doi.org/10.1163/221058799x01376.

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Dissertations / Theses on the topic "Muratori, Ludovico Antonio"

1

Allegrini, Vincenzo. "La nuova retorica della memoria. Teorie e pratiche di memorizzazione da Vico a Leopardi." Doctoral thesis, Scuola Normale Superiore, 2019. http://hdl.handle.net/11384/86110.

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Gli ormai classici studi di Frances A. Yates e di Paolo Rossi sull’ars memoriae si chiudevano entrambi nel nome di Leibniz, poiché è possibile, scriveva la studiosa warburghiana, che con il filosofo di Lipsia, nel quale culmina e allo stesso tempo si esaurisce la tradizione sia lulliana sia ermetico-occultista, «si arresti l’influsso dell’arte della memoria come fattore nei progressi fondamentali dell’Europa»1 . Eppure, continua Yates, libri sulla mnemotecnica continueranno ad apparire (più avanti ne vedremo due esempi), e «probabilmente si potrebbe scrivere un altro libro che estendesse l’esame dell’argomento ai secoli successivi»2 . Le pagine che seguono non hanno un obiettivo così ambizioso, ma mirano a rintracciare ciò che resta, o non resta, della disciplina inaugurata da Simonide nell’arco cronologico che va da Vico a Leopardi. Tra questi due estremi, si è scelto di indagare testi e autori meno approfonditi dalla critica (Muratori, Conti, Genovesi e Bettinelli) con uno sguardo attento a una serie di fattori socioculturali di vasta portata: la crisi della retorica e la sempre più diffusa ‘scritturalizzazione’ della memoria (e dunque il diverso rapporto con la voce e con le immagini); la scissione tra segni, parole e cose (ovvero, in termini foucaultiani, il passaggio dalla cultura della somiglianza a quella della differenza) 3 ; l’esplosione del moderno mercato editoriale, la minaccia del troppo e il ‘collasso’ dell’enciclopedia; o ancora, l’affermarsi di un’estetica dell’originalità e la differente funzione attribuita alla memoria e alla fantasia nei processi creativi e conoscitivi (entrambe, almeno da Cartesio in poi, associate all’errore, ma con significative eccezioni, tra le quali, per non dire di Vico e Leopardi, vi è senz’altro Bettinelli e in parte anche Conti). [...].
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2

Britt, Joshua Edward. "Enlightenment on the Margins: The Catholic Enlightenment as Reflected in Ludovico Antonio Muratori's Il Cristianesimo Felice nelle Missioni De' Padri della Compagnia di Gesù nel Paraguai." Scholar Commons, 2014. https://scholarcommons.usf.edu/etd/5349.

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My research analyzes the way in which Ludovico Antonio Muratori portrayed marginal peoples of the New World in his Il Cristianesimo Felice nelle Missioni De' Padri della Compagnia di Gesù nel Paraguai, published in 1743. I argue that Muratori used his portrayal of the native people of Paraguay as a means to express his ideas of how to reform the Catholic Church, at a time when Catholicism was just experiencing the first waves of enlightened influence from the north. I engage with scholarship on the Enlightenment that has addressed specifically the cultural impact of what has been called the Catholic Enlightenment in Italy. In this scholarship Il Cristianesimo Felice has been virtually unrepresented, and I argue that it is a valuable resource in gaining a better understanding the reform agendas of Muratori and the Catholic Enlightenment movement in Italy. I center my analysis on two specific elements in Il Cristianesimo Felice. First, I address Muratori's assessment of the four political systems administered simultaneously by the native population, the Spaniards, the Mamelusses, and the Jesuits. Through my analysis of Muratori's representation of these systems, I situate him in the politically conservative Catholic Enlightenment and establish his commitment to the paternalistic social order prevailing in Europe in the eighteenth century. Second, I show that Muratori reveals broader ideas about religion and superstition as conceived by the Catholic Enlightenment movement in his account of the interaction between the Jesuit missionaries and the Paraguayans in the reductions. In conclusion, this study shows that Il Cristianesimo Felice is a source that historians of the Catholic Enlightenment movement should revisit, as it represents Ludivico Antonio Muratori's Pubblica Felicita in the flesh.
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Books on the topic "Muratori, Ludovico Antonio"

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Calapaj, Anna Burlini. Devozioni e "Regolata Divozione" nell'opera di Ludovico Antonio Muratori: Contributo alla storia della liturgia. Roma: C.L.V.-Edizioni Liturgiche, 1997.

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2

1672-1750, Muratori Lodovico Antonio, and Salvini Anton Maria 1653-1729, eds. Gli Anecdota Graeca di Ludovico Antonio Muratori e l'indagine filologica all'alba del secolo XVIII. Macerata: EUM, 2006.

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3

La libraria dei gesuiti di Modena: Il fondo antico dal Collegio di S. Bartolomeo al Liceo Muratori. Bologna: Pàtron, 2001.

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Book chapters on the topic "Muratori, Ludovico Antonio"

1

Heilbron, J. L. "Republican of Letters." In The Incomparable Monsignor, 106–24. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192856654.003.0005.

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Abstract “Republican of Letters” elevates Bianchini to chief intellectual of Rome and the main instrument of Clement XI’s use of monuments, art, science, and erudition to offset the loss of pontifical military power. Because of his increasing domestic importance and closeness to Clement, Bianchini was considered the natural leader of an academy promoted by the historian Ludovico Antonio Muratori that aimed to improve and defend Italian scholarship. The aim conflicted with Bianchjini’s cosmopolitan values, which were confirmed by his election to one of the most prestigious places in the Republic of Letters -- foreign associate of the Paris Academy of Sciences. The chapter analyzes Bianchini’s even-handed internationalism, which aligned with papal policy during the Spanish war, and his usually evenhanded criticism, which he exercised for the benefit of scholars and believers by reviewing books for the censorship.
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2

"2 Ut Lingua, Natio: Dominique Bouhours’s Genius of the Nation and Ludovico Antonio Muratori’s Italian Republic of Letters." In Irresistible Signs. Toronto: University of Toronto Press, 2011. http://dx.doi.org/10.3138/9781442695269-003.

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