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1
Borgomano, Jean. "La Plate-forme et le talus carbonates de crétacé supérieur du Gargano et des Murges (Italie méridionale) stratigraphie, sédimentologie, diagenèse, fonctionnememnt tectono sédimentaire /." Grenoble 2 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37603183w.
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Borgomano, Jean. "La plate-forme et le talus carbonates du cretace superieur du gargano et des murges (italie meridionale) : stratigraphie, sedimentologie, diagenese, fonctionnement tectono-sedimentaire." Aix-Marseille 1, 1987. http://www.theses.fr/1987AIX11063.
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Ce travail concerne les formations du cretace superieur du massif du gargano et des murges (italie meridionale). L'etude stratigraphique, basee sur la faune de foraminiferes et de rudistes, permet de mettre en evidence plusieurs discontinuites dans la serie et une tendance a l'emersion marquee egalement par la formation de bauxite. Les depots sont caracteristiques de milieux de plateforme carbonatee et de talus. Les breches et depots bioclastiques du talus correspondent a des mises en place par ecoulements ou glissements gravitaires controles par des phenomenes tectoniques en relation avec la structuration de la marge. Les phenomenes diagenetiques sont egalement etudies
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Nguyen-Thanh, Mai-khoi. "Does capital punishment save lives? an examination of the deterrent effect of capital punishment /." Diss., Connect to the thesis, 2008. http://hdl.handle.net/10066/1454.
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Williams, Wendy Ann 1960. "Changes in blood parameters, muscle myoglobin and muscle lactate dehydrogenase of the Common Murre (Uria aalge) during maturation." Thesis, Thesis (M.S.)--University of Oregon, 1992, 1992. http://hdl.handle.net/1794/9933.
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Typescript.
Includes vita and abstract.
Bibliography: Includes bibliographical references (leaves 95-99).
Description: xii, 99 leaves : ill. ; 29 cm.Blood oxygen carrying capacity, myoglobin levels and LDH isozyme compositions in the heart, gastrocnemius and pectoralis muscles were determined in Common Murre adults and during maturation of the chick at sea. Oxygen stores in the chick (hemoglobin, hematocrit, muscle myoglobin) increased significantly with growth. High levels of the aerobic isozyme, LDH 1, were maintained throughout maturation in the heart. All five LDH isozymes were maintained at similar levels in the gastrocnemius muscle. The pectoralis showed an increase in LDH 1, 2, 3, and 4, yet retained relatively high levels of LDH 5 throughout maturation. Upon leaving the nesting colony, metabolic capacities in the heart and gastrocnemius of the chick are similar to those of adults. The chick pectoralis tissue, however, gains aerobic capacities with maturation which is concomitant with the needed capacity for aerial and aquatic flight upon fledging.
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Netshiavha, Avhatakali Rosemary. "Tsenguluso ya u tenda kha u via kha Tshivenda." Thesis, University of Limpopo, 2013. http://hdl.handle.net/10386/1256.
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Thesis (MA. (Translation Studies and Linguistics)) --University of Limpopo, 2013Ngudo iyi yo sengulusa u via kha Tshivenḓa. Hu na nḓila nnzhi dzine u tenda kha u via ha itelwa zwone. U tenda kha u via ndi zwa ndeme kha mvelele ya Tshivenḓa. Fhedzi maitele aya a u via a vhonala a si avhuḓi, nahone a tshi khou lwiwa nao uri a fhele.
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Murgas, Torrazza Rolando. "Entrevista a Rolando Murgas Torrazza." THĒMIS-Revista de Derecho, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/109242.
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Terminando la serie de entrevistas que sobre materia laboral hemos venido presentando, ofrecemos en esta ocasión las esclarecedoras opiniones de don Rolando Murgas T.El Dr. Murgas ha sido Ministro de Trabajo de Panamá y, dentro del campo de su especialidad, se encuentra entre las más reputadas figuras del continente.En este sentido, contar con las apreciaciones de tan destacado especialista supone un verdadero honor para nuestra revista. Las labores de elaboración y edición correspondieron a Cecilia Blume, Mariana Cazarla, Marfa Teresa Quiñones, Juan José Ruda y Rosario Saco.
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RODRIGUES, BERNARD CUNHA. "ÂNGELO MURGEL: SINGULAR TRAJECTORY (1932-1939)." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2016. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=28439@1.
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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIROCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
Dentro da trajetória profissional de Ângelo Murgel foi selecionado recorte temporal caracterizado por sua afinidade com o Art Déco, aproximadamente entre os anos de 1932 e 1939. Foram selecionados para estudo três obras projetadas pelo arquiteto no referido período e modelo arquitetônico: Cine Theatro Brasil, Hospital São Lucas e Brasil Palace Hotel. Do exame do contexto cultural vivenciado por Murgel até sua formação, do estudo da conjuntura de anseio por modernidade existente em Belo Horizonte especialmente durante a década de 1930 e da análise dos três projetos selecionados, pretende-se relacionar nosso objeto de pesquisa, Ângelo Murgel, ao modelo de arquitetura Art Déco muito difundido na capital mineira entre as décadas de 1930 e 1940. Sendo projetos de um mesmo arquiteto, que se consolidou como o primeiro profissional a desenvolver um projeto no estilo em Belo horizonte, o estudo é feito de maneira a compreender a formação tanto de sua pratica projetual, contemplando a apropriação das formas tradicionais e modernas, como também do seu discurso, discutindo o aproveitamento das novas técnicas e tecnologias construtivas nas construções.
Within the professional career of Angelo Murgel was selected time frame characterized by its affinity for Art Deco, approximately between the years 1932 and 1939 were selected to study three works designed by the architect in the period and architectural model: Cine Theatro Brazil, Hospital Luke and Brazil Palace Hotel. Examining the cultural context experienced by Murgel to their training, the study of existing modernity by longing situation in Belo Horizonte especially during the 1930s and the analysis of the three selected projects, would seek to link our research object, Angelo Murgel, the architecture model Art Deco widespread in Belo Horizonte between the 1930s and 1940. as projects of the same architect who has become the first professional to develop a project in style in Belo Horizonte, the study is done in order to understand the formation of both its practice architectural design, considering the appropriation of traditional and modern forms, but also of his speech, discussing the use of new techniques and construction technologies in construction.
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Murase, Hiroshi, and Ichiro Ide. "Murase Laboratory." INTELLIGENT MEDIA INTEGRATION NAGOYA UNIVERSITY / COE, 2005. http://hdl.handle.net/2237/10370.
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Spruill, Jeffery. "Murder/rapture /." Read online, 2008. http://library.uco.edu/UCOthesis/SpruillJR2008.pdf.
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Goldchmit, Sara Miriam. "Odiléa Setti Toscano: do desenho ao design." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-18012010-141648/.
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Esta pesquisa documenta e analisa uma série de trabalhos realizados pela arquiteta Odiléa Setti Toscano, entre o fim da década de cinqüenta e o início dos anos noventa, no âmbito do design visual: o design gráfico editorial vinculado ao trabalho de ilustração e o design ambiental de painéis e murais para espaços privados e públicos.This paper documents a series of projects by architect Odiléa Setti Toscano from the late 1950s to the early 1990s, in the scope of visual design: editorial graphic design related to the work of illustration and environmental design of panels and murals for public and private spaces.
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Sawada, Chikako. "Muriel Spark's postmodernism." Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/1561/.
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This study explores the shifting notions of postmodernism developed through Muriel Spark’s fiction, and thereby clarifies this artist’s own postmodernism. I use Jean-François Lyotard’s definition of the notion in his The Postmodern Condition (1979), that there is no grand narrative, as my starting point, and deploy various postmodernist theories, which can illuminate Spark’s art and can in turn be illuminated by her art, in my arguments. Throughout the thesis, I focus on two of Spark’s most important themes as crucial keys to understanding her postmodernism: the theme of individual subjectivity and the theme of the interplay of life and art. The thesis begins with the claims Spark makes for her individuality and her individual art through the voice of “I”. Chapter I considers issues about being a woman and an artist, which Spark raises around the narrator-heroine of a fictional memoir, A Far Cry from Kensington (1988). Here I present this heroine as a definition of the strength of Sparkian women who liberate themselves by practicing art. Chapter II discusses Loitering with Intent (1981), a fictional autobiography of a fictional woman novelist, alongside Spark’s own autobiography and her various biographical works. This section illustrates Spark’s notion of the “author” in relation to the “work” - and an author in control in her sense - by investigating the dynamic interplay of life and art in the form of this novel. Chapter III analyses The Driver’s Seat (1970), the novel which most shockingly elucidates the postmodern condition according to Spark and demonstrates her postmodernist narrative strategies. Her concern with the crisis of the “subject” in the world in its postmodern phase is observed in the figure of the heroine, a woman who has tried and failed to be an author in control. I argue that Spark here theorises the notion of subject, by providing her own version of the psychoanalytical “death drive” and also represents the Lacanian real as the unfigurable with this figure. Chapter IV and Chapter V follow the developments of Spark’s discussion of the crisis of the “subject” in two of her later novels. Chapter IV concentrates on the theme of Otherness in Symposium (1990). Chapter V discusses Reality and Dreams (1996), in which Spark pursues the theme of excess and opens up the contradictions inherent in this notion to bring about a new philosophy of life by art as excess.
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Limbrick, Colette. "Perceptions of murder-suicide." Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/51293/.
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The thesis is an exploration of discourse on a particular type of familial child homicide referred to as ‘murder-suicide’ and often appearing to occur ‘out of the blue’. The purpose of the research is to contribute to social work understanding of the cultural context of murder-suicide through description and exploration of how murder-suicide is perceived and constructed in five specific cases. The empirical basis includes a narrative analysis of selected newspaper reports, semi-structured interviews with social workers using vignettes and semi-structured interviews with relevant professionals who had post-incident involvement in the cases. The structure of the thesis follows the format of an introductory chapter; a review of the literature relevant to murder-suicide, family ideology, childhood and the role of professional social work and the influence of the media on the creation of discourse; followed by a discussion of the research methods; and three empirical chapters concerned with narrative analysis of newspaper reports and interviews of social workers and relevant professionals. The thesis concludes with a chapter on the relevance to social work. The key theoretical perspectives are a focus on the social construction of social problems and the existence of multiple discourses. The thesis concludes that a single interpretation of murder-suicide is insufficient. Social workers in particular identify a range of social and individual factors, intertwined and difficult to disconnect from each other, that contribute to the actions of the individual in committing murder of their own children. Familiar discourses are identified within which the phenomenon of murder-suicide is described and made sense of, including gender roles, domestic abuse, power and control and mental health. The thesis concludes that for murder-suicide, like other forms of child abuse, social workers must give up ideas of omnipotence and accept the fallibility of social work in protecting all children.
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Chan, Wendy. "Women, murder and justice /." Basingstoke : Palgrave, 2001. http://catalogue.bnf.fr/ark:/12148/cb389559400.
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Tolley, Rebecca. "Lee Krasner, Muriel Rukeyser." Digital Commons @ East Tennessee State University, 2011. https://www.amzn.com/1587657449.
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Book Summary:The stories of over 650 fascinating individuals of Jewish heritage are told in this unique four-volume set. Coverage includes famous entertainers and sports figures, as well as leaders in the fields of business, science, and politics. Every essay was written exclusively for this set, and all essays adhere to the comprehensive, easy-to-use format that is standard for all the Great Lives titles. Plus, complimentary online access is provided through Salem History.
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Walls, Kate. "Muriel Spark and Catholicism." Thesis, Queen's University Belfast, 2014. https://pure.qub.ac.uk/portal/en/theses/muriel-spark-and-catholicism(2d16b200-588b-4866-a1d6-dea6396b68cb).html.
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My PhD thesis analyses Catholic themes in the novel,s of Scottish born writer Muriel Spark. Spark's career spanned five decades, and much of her work was influenced by her conversion to Catholicism. She is a sophisticated and enigmatic writer whose work defies categorisation. Part of this difficulty stems from her position as "other" within Catholicism· -a result of her conversion and her refusal to adhere to traditional Catholic gender roles. What does become clear upon examining Spark's fiction is that she uses subversive and paradoxical rhetoric to highlight the problems inherent in being unable to fully comprehend God's mystery. Spark appears to be obsessed with several religious concepts that appear constantly in her fiction. In the case of the Catholic convert and the Book of Job, these threads appear repeatedly and build to a climax-once Spark comprehensively addresses them in her fiction, the threads disappears from her work entirely. In exploring these Catholic themes, it becomes clear that, despite Spark's work being abundant with references to religion, there is very little narrative space devoted to the character's internal thoughts regarding God and religious thought. I argue that in Spark's fiction, creativity is a proxy for religious faith. Spark draws parallels to the personal and individual nature of both, but devotes more narrative space to explaining a sense of faith in the creative process. She also appears to grant narrative endorsement to characters who believe in and ate guided by their creativity, even when they clearly traverse the boundaries of acceptable "moral" behaviour.
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Jarosch, Dirk. "Thomas Murners satirische Schreibart Studien aus thematischer, formaler und stilistischer Perspektive." Hamburg Kovač, 2006. http://www.verlagdrkovac.de/3-8300-2436-3.htm.
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Doel, Irralie. "Muriel Rukeyser : Poetry, process, practice." Thesis, University of Liverpool, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.526830.
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Maykrantz, Jessica. "Problems with Serial Murder Investigations." Honors in the Major Thesis, University of Central Florida, 2005. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/779.
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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucfB.S.
Bachelors
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Green, Alexandra Raissa. "Buddhist narrative in Burmese murals." Thesis, SOAS, University of London, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367563.
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Royer, Moës Anne Escande Denis. "Canalopathies cardiaques et modèles murins." [S.l.] : [s.n.], 2004. http://theses.univ-nantes.fr/thesemed/DOCroyer.pdf.
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Leoni, Anne-Laure Escande Denis. "Modèles murins en rythmologie expérimentale." [S.l.] : [s.n.], 2006. http://castore.univ-nantes.fr/castore/GetOAIRef?idDoc=38466.
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Grine, Jennifer D. "Serial Murder in Institutional Settings." [Tampa, Fla.] : University of South Florida, 2003. http://purl.fcla.edu/fcla/etd/SFE0000053.
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Weiss, Katherine. "Catherine Bush: Quilts and Murder." Digital Commons @ East Tennessee State University, 2008. https://dc.etsu.edu/etsu-works/2272.
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Bonavia, Duccio. "Pinturas murales Mochicas: algunas consideraciones." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/121616.
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COSTA, Andréa Danuta Aguiar. "Murais Didáticos: caracterização e discrição." Universidade Federal de Pernambuco, 2012. https://repositorio.ufpe.br/handle/123456789/11610.
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CAPES; PROCAD
Este trabalho tem como objetivo investigar os sistemas semióticos e as disposições gráficas em murais didáticos de diferentes áreas do conhecimento, além de desenvolver uma proposta de caracterização desses murais. Para compor o corpus da pesquisa, selecionamos quarenta murais didáticos das áreas de humanas, saúde e exatas elaborados por alunos do Ensino Fundamental II e do Ensino Médio oriundos de escolas públicas e privadas. Na consecução de nosso objetivo, inicialmente, abordamos as noções de evento comunicativo, suporte e gênero textual respaldados pelos estudos de Saville-Troike (1982), Marcuschi (2002; 2003), Bazerman (19994, 2005) e Miller (1994; 2009). Em um segundo momento, apresentamos os principais conceitos da multimodalidade tendo por base a Gramática de Design Visual (KESS e VAN LEEUWEN 1996, 2006), destacando a Função Composicional, da qual extraímos as principais categorias de análise dessa pesquisa; discutimos também a questão da retórica visual presente na construção dos murais, tomando como base os estudos de Blair (2008) e Hill (2008). Por fim, analisamos como ocorre o processo de caracterização dos murais didáticos, a partir da observação dos contextos de produção e dos objetivos comunicativos que envolvem a elaboração desses murais, e como os sistemas semióticos se articulam, através das três estruturas da função Composicional: zonas de imagem, saliência e estruturação na constituição dos murais didáticos. Os resultados obtidos revelaram que os murais didáticos se constituem como um objeto de estudo versátil, podendo ser caracterizados ora como suporte e ora como gênero textual. Atentamos também que os sistemas semióticos que participam da elaboração dos murais são bastante diversificados e, em geral, são organizados e orquestrados para didatizar e dar visibilidade ao conteúdo presente nos murais didáticos. Constatamos, ainda, que os murais da área de humanas e de saúde apresentam um equilíbrio entre as partes verbal e visual, já os murais de exatas são constituídos por uma diversidade de imagens.
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Leoni, Anne-Laure. "Modèles murins en rythmologie expérimentale." Nantes, 2006. http://archive.bu.univ-nantes.fr/pollux/show.action?id=538b454d-5553-4cc8-8af0-c8f22d052097.
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L’activité électrique cardiaque prend naissance dans le nœud sinusal et se propage au myocarde contractile grâce au tissu de conduction. Le travail exposé dans cette thèse démontre le rôle de deux sous-unités de canaux ioniques dans l’automatisme des cellules sinusales et la conduction de l’influx électrique dans le cœur, grâce à l’utilisation de modèles murins. Le premier confirme in vivo l’hypothèse selon laquelle le canal calcique de type T, Cav3. 1, participe à l’automatisme du nœud sinusal et démontre son implication dans la conduction auriculo-ventriculaire (AV) de l’influx électrique. Dans un second, l’invalidation du canal sodique Nav1. 5 (Scn5a+/-) conduit à une dysfonction sinusale, des troubles de conduction AV et intra-ventriculaires identiques à ceux observés chez des patients porteurs de mutations du gène SCN5A. Ce modèle reproduit fidèlement l’hétérogénéité phénotypique existant chez les patients, suggérant l’importance de gènes modulateurs ou de l’environnement dans le phénotype des maladies génétiques. Enfin, la modulation du rythme constituant un enjeu majeur en thérapeutique cardiaque, nous avons montré que l’inhibition chronique des canaux pacemaker HCN induisait un remodelage ionique sinusal mais avait peu d’effet sur l’expression des canaux ioniques dans le ventricule chez la sourisCardiac impulse originates from the sinus node and propagates through the cardiac conduction system to depolarise atrial and ventricular myocardium. The work exposed herein reveals the implications of two ion channel subunits in sinus node automaticity and in cardiac electrical conduction by the use of mouse models. The first model confirms the hypothesis implicating the calcium channel subunit Cav3. 1 in sinus node automaticity, and shows its implication in atrioventricular (AV) conduction. The second model shows that heterozygous invalidation of Nav1. 5 sodium channel subunit (Scn5a+/- mice) induces sinus node dysfunction, impaired AV conduction and delayed intramyocardial conduction. These cardiac abnormalities are similar to the phenotype observed in patients with SCN5A mutations. Moreover, Scn5a+/- mice showed phenotype heterogeneity, just as in patients, revealing the importance of modulator genes or environment in the phenotype of genetic disorders. Finally, as cardiac rhythm modulation is of major interest in cardiac therapeutics, we have shown that chronic inhibition of HCN channels induces a complex ionic remodelling in the sinus node, but has little impact on ion channel expression in the mouse ventricle
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Royer, Moës Anne. "Canalopathies cardiaques et modèles murins." Nantes, 2004. http://www.theses.fr/2004NANTA001.
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Les "canalopathies" cardiaques sont des maladies d'origine congénitale ou acquise associées à des dysfonctionnements des canaux ioniques. Cette thèse est consacrée à l'étude de deux modèles transgéniques murins. L'intérêt de la transgenèse réside dans le fait que l'expression et la fonction des gènes peuvent être étudiées in vivo. Le premier modèle consiste en la sur-expression du canal humain HERG au niveau cardiaque chez !a souris. L'étude de ce modèle a pour la première fois mis en évidence que l'expression de canal HERG a des effets antiarythmiques in vivo. Le second est l'étude de souris invalidées pour le gène Scn5a. Ces souris hétérozygotes présentent une réduction de 50% de leur courant sodique et des troubles de conduction, s'aggravant avec l'âge, associés à un processus scléreux dégénératif. Ce modèle murin présente toutes les caractéristiques phénotypiques de la maladie de LenègreCardiac channelopathies are inherited or acquired diseases linked to ionic channel dysfonction. This thesis is about two transgenic murine models. The interest of transgenese is that gene expression and function can be study in vivo. The first murine model overexpresses the human HERG channel in the mouse heart. Its study has shown for the first time antiarrhythmic effects of HERG expression in vivo. The second murine model is a knock-out of Scn5a gene. Heterozygous mice have a 50 % reduction in their cardiac myocytes Na+ current and exhibit cardiac conduction defects. These cardiac conduction defects worsen with age and are associated with fibrosis. Scn5a +/- mice are a convincing model for Lenègre's disease
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Daniels, Robert McLane Knight. "Murder at the Palace Theater." Cleveland State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=csu1525359384485044.
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Giner, Martínez Francisco. "Los murales de Torres García." Doctoral thesis, Universitat Politècnica de València, 2003. http://hdl.handle.net/10251/86027.
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Joaquín Torres García es un artista uruguayo que formado en Cataluña, recorrió a lo
largo de su vida los principales focos del nuevo arte que anunciaban las vanguardias
históricas de principios del siglo XX, formando parte definitoria de ellas. Figura
indispensable para entender el actual arte latinoamericano, desarrolló su trabajo desde el
compromiso que pocos artistas asumen de formar al espectador, y a través de diferentes
disciplinas como la pintura, la escultura, el ensayo, y la docencia, conformó un legado
plástico y teórico de indudable valor. Especial atención merece su aportación en el
campo plástico, y que centramos en este proyecto en sus pinturas murales, donde nos
muestra la imagen de un artista comprometido con sus principios, formado en el
clasicismo más puro, pero permeable a las nuevas tendencias, de las que fue al final de
su vida, precursor.
Los murales de Torres García, son pues el tema principal de esta Tesis doctoral. El
estudio se ha planteado desde la necesaria catalogación de las obras de este género que
llevó a cabo a lo largo de su carrera, así como la recreación del contexto en el que
fueron llevadas a cabo, con el propósito de establecer las condiciones evolutivas
plásticas y de pensamiento que llevaron a Torres García a realizar obras tan sumamente
diferentes.
Su catalogación ha supuesto, ante la notoria falta de documentación publicada, el
desplazamiento a los dos lugares en donde restan las únicas intervenciones murales en
pie, Cataluña, en las ciudades de Terrassa y de Barcelona, y Montevideo, en Uruguay.
Desde el análisis del contexto histórico y los lugares originales de realización de las
obras, hemos reconstruido la razón de ser, el proceso y las repercusiones de cada una de
ellas, presentando por primera vez en su totalidad una catalogación que abarca todos las
fases históricas y geográficas que hasta el momento se habían estudiado por separado y
que nos permite contrastar las premisas de diferente índole desde las que fueron
realizadas, arrojando una nueva luz sobre la obra de este autor.Giner Martínez, F. (2002). Los murales de Torres García [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/86027
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Field, Ian Thomas. "The Moors Murders : the media, cultural representations of Ian Brady, Myra Hindley, and the English landscape, c. 1965-1967." Thesis, University of Manchester, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.686801.
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On 6 May 1966 the ‘Trial of the Century’ came to an end. Chester Assizes court convicted Ian Brady and Myra Hindley for the murders of 12-year-old John Kilbride, 10-year-old Lesley Ann Downey, and 17-year-old Edward Evans. The court found Brady guilty on all three murder charges and sentenced him to three concurrent life sentences. Hindley received two life sentences for the murders of Downey and Evans, and a further seven years for being an after-the-fact accomplice in Brady’s murder of Kilbride. Following the description already given to the police investigation and trial, the newspapers gave Brady and Hindley the infamous label of the ‘Moors Murderers’ straight after the trial. The Moors murders have become a part of British folklore since the 1960s, but the case itself has hitherto received surprisingly little attention from academic historians. Following Martin Wiener’s injunction for historians to pay closer attention to murder stories, this doctoral thesis presents a cultural history of the Moors murders case. My study analyses the courtroom arguments, media coverage and post-trial books about the case, to interrogate broader themes of moral and cultural change in 1960s Britain. My thesis emphasises the multi-vocal nature of representations of both the case and the murderers in order to challenge the linear and progressive historiographies of the 1960s, associated in particular with Arthur Marwick. The thesis examines four major facets of the Moors murders story, dedicating a chapter to each. The first chapter explores how the news media (primarily the press, but also broadcast media) negotiated the story. The first detailed empirical analysis of newspaper coverage of the case reveals the limitations of studies structured primarily around social class. The thesis follows Stuart Hall and A.C.H. Smith in arguing that analyses of the press should not be reduced to a simple differentiation between popular, middle-brow and high-brow but should instead consider the ‘personalities’ of each publication and the moral relationships constructed with readers. Furthermore, the chapter engages with Adrian Bingham’s recent argument about the moral politics of the press, exploring his assertion that the popular press balanced commercial profits alongside a commitment to maintain their reputation as ‘family newspapers’. The chapter argues that content of the press coverage of the Moors murders case generated far greater concerns than the suspect practices of journalists. Chapters two and three focus in turn on the diverse representations of Ian Brady and Myra Hindley. Commentators debated the origins of the evil behind the murders, with some highlighting his illegitimacy, others his reading of ‘dangerous’ books, the writings of the Marquis de Sade especially. Hindley’s role was hotly contested: most commentators emphasised how she had changed under Brady’s influence, but disagreed over the extent of her own involvement in the murders. The thesis reveals for the first time how images of Nazi Germany shadowed the case. The thesis thus contributes to historical investigations of permissiveness in post-war England, engaging with debates about censorship, child-rearing, the changing role of women, and the popular memory of the holocaust. The fourth and final chapter analyses the tensions generated around a murder story which took place in urban settings, but which became indelibly associated with the rural locations of the moors. The story mobilised a distinctive combination of gothic imagery with a long literary heritage, and the more recent language of social realism.
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Bustami, Basil. "Der Constant-Murley Score als Fragebogen." Diss., lmu, 2004. http://nbn-resolving.de/urn:nbn:de:bvb:19-31469.
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Miles, Jr John. "A Clutch, A Pride, A Murder." Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5989.
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A Clutch, A Pride, A Murder is a linked collection of seven short fiction pieces and one novella that examine a world much like our own, but with the cover revealed—a world laid bare, exposed by its desires, its emotions, its beauties, and all its machinations. All of the stories involve, either directly or indirectly, the fictional Ohio city of Milton. Some of the stories take place within this seemingly typical American city, while others only involve characters coming from or in some cases returning to this unassuming location. Regardless, the events of these stories either in cause or effect all have their roots in Milton.
The world at large also plays a part within these pages. While the stories themselves are completely fictitious, many of the peripheral events that happen beyond the principle storylines are pulled from today's real-world headlines: a series of increasingly devastating tornadoes in the American heartland; a mysterious suicide of a wealthy industrialist; the amazing technological feats of a nation's space program; the heinous crimes of a serial kidnapper. These events, each a worthy story in their own right, filter into the events of this collection, much as they do in our world—through the media. Television, radio, newspapers, social media all are outlets of information and current events making the stories of others part of our lives as we all live out our own personal adventures. I utilize these true-life events to add scope and breadth to the world of my fictions so that these events might at times inform and offer new perspective on the principle narratives. And while these true-life stories unfold in the backgrounds of their fictitious hosts, the hope is that the reader will be able to have a better sense of the timeline as the events unfold over the days, months, and years that these stories inhabit.
Humanity in all its wonder and woe is on full display within this collection. From the journey of idyllic love to tragic romance, and the thin line that turns passion to obsession, we will see all the places theses complex emotions lead: a young botanist travels half-way around the world for a chance to reconnect with a lost love; a young girl's love for her family pushes her to extremes to protect her brother; a man's love for his city challenges his morality; the bond between brothers is put to the test; and a young man's reverence for history, and his love of family leads him down a dark path. How far will someone go to protect themselves? Their loved ones? Or even their way of life? The lengths these characters will go, or in some cases will not go, are central to the stories in this collection. I intend to show those lengths and tell my characters' all too human stories.?M.F.A.
Masters
English
Arts and Humanities
Creative Writing
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Hillshafer, David. "Managing the Problem of Mass Murder." Digital Commons at Loyola Marymount University and Loyola Law School, 2013. https://digitalcommons.lmu.edu/etd/398.
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McIlroy, Colin William. "Muriel Spark and the Romantic ideal." Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6439/.
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By narrowing the disparate and often contradictory trajectories of Romantic thought into a compressed framework, this thesis seeks to scrutinise the treatment of the Romantic ideal in the fiction of Muriel Spark. A number of recurring themes can be understood to collectively constitute this Romantic ideal. These include Coleridge’s theory of the power of the imagination to coalesce disparities into unity and harmony. The relationship between creativity and psychosis in The Comforters (1957) is considered within a wider discussion on the nature of creativity and the conception of the visionary Romantic artist. This leads to an investigation of the Romantic Movement’s emphasis on interiority and the self, and the influence of John Henry Newman in The Mandelbaum Gate (1965). The resulting discussion treats the concepts of transfiguration and the sublime as they relate to individual subjectivity in The Driver’s Seat (1970). The Romantic fascination with the reinvigoration of myth, legend and oral narrative cultures is examined in relation to The Ballad of Peckham Rye (1960), and the discussion returns to unity, harmony, vision, and the artist in The Finishing School (2004). The investigation of these elements of the Romantic ideal highlights a number of corollary questions. The emphasis on the self prompts the examination of Spark’s engagement with the themes of solipsism, ego, and performance, while Keats’ ‘Negative Capability’ is considered in the attempt to comprehend the other. The methodology will be comparative textual analysis with reference to relevant extant criticism, alongside consideration of literature from anthropology and folklore studies. By illuminating previously overlooked connections with Romanticism and Romantic literary methodologies, this interdisciplinary approach will assist in ascertaining whether Spark’s sustained engagement with these themes is evidence of a complex, multivalent relationship with the Romantic ideal, or whether recent criticism positing her rejection of Romanticism can be upheld.
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Agbulut, Onnik. "Modeles murins mimant des maladies neuromusculaires." Paris 7, 2001. http://www.theses.fr/2001PA077002.
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Les mutants de souris presentant une modification genetique procurent des renseignements essentiels pour comprendre le role joue par les proteines codees par le gene, et les mecanismes physiopathologiques impliques dans des maladies chez l'homme. L'objectif de mon travail est de participer a l'elaboration de nouveaux mutants correspondant a certaines atteintes neuromusculaires. Les deux modeles animaux presentes dans ce travail sont le mutant dystrophique sans desmine, et le mutant de la dystrophie myotonique. La desmine est un constituant des filaments intermediaires et un marqueur musculaire precoce. Afin de mieux comprendre le role joue par la desmine dans le developpement et la regeneration du muscle squelettique, une lignee de souris mutantes sans desmine a ete etablie (li et coll. , 1996). Nos resultats montrent que la desmine ne modifie pas la differenciation et la fusion des myoblastes mais qu'elle joue un role essentiel pour maintenir la structure de la fibre musculaire et ainsi la force musculaire. La dystrophie myotonique est une maladie genetique autosomique dominante associant des atteintes musculaires et des anomalies multisystemiques. Le defaut moleculaire de la dystrophie myotonique correspond a l'amplification d'un trinucleotide ctg repete situe dans le gene de la dmpk. Plus cette sequence est repetee, plus la maladie est grave. Des mutants de souris ont ete mis au point par l'equipe du pr c. Junien. En fonction du nombre de repetitions de ctg inserees chez les souris, nous avons analyse les perturbations du programme musculaire. Les souris portant une amplification de 300 ctg donnent les resultats les plus interessants : une atrophie des fibres lentes, des noyaux centraux et une myotonie. La comparaison
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VIALE, ANNE-CLAIRE. "Lymphocytes b murins : origine et devenir." Paris 6, 1992. http://www.theses.fr/1992PA066629.
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Nous etudierons la regulation de l'expression des familles de genes vh dans des souris congeniques pour le locus igh. Cette expression par les cellules b spleniques immunocompetentes est dictee par l'haplotype igh chez le nouveau-ne et par le fond genetique chez l'adulte. Cependant, les plasmocytes spleniques adultes ont une expression dictee par l'haplotype igh, comme les cellules b du nouveau-ne. Des souris irradiees et reconstituees avec des precurseurs lymphoides b de foie ftal ou de moelle osseuse adulte montrent que la regulation differe entre ces precurseurs. Des chimeres de moelle osseuse de f1 dans un parent montrent que l'environnement cellulaire de l'hote ne peut pas induire cette regulation et l'expression des familles de genes vh par les cellules b de souris f1, triees selon l'allotype mu exprime, montre une regulation en cis. Le phenotype d'une souris congenique igh adulte montre que les plasmocytes naturels proviennent de precurseurs perinataux differents des precurseurs medullaires des cellules b au repos et des precurseurs des cellules b1. Cette regulation montre une correlation entre l'origine des precurseurs b et l'etat d'activation des cellules b. De plus, nous montrerons que la persistance ces lymphocytes b au repos est liee a la specificite de leurs immunoglobulines. Ceci montre une survie selective des lymphocytes b en absence de toute activation cellulaire ulterieure. Nous montrerons aussi que le renouvellement de cellules b monoclonales est plus eleve que celui de cellules b polyclonales. Finalement, nous montrerons que les repertoires b peripheriques de souris axeniques conservent une expression preferentielle des familles de genes vh d-proximales, caracteristique des stades precoces de l'ontogenese et de la lymphopoiese normales. Et nous montrerons que les immunoglobulines seriques normales, injectees a des souris axeniques, participent a la selection des repertoires b peripheriques, montrant une interaction constante entre les cellules b au repos et naturellement activees
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Magloire, Marie-Christine. "Approche intersémiotique des inscriptions murales taguées." Besançon, 2001. http://www.theses.fr/2001BESA1015.
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L'objet d'étude de cette recherche concerne les inscriptions graphiques désignées sous le nom de tag et apparues au début des années quatre-vingt en France. Relevant à la fois, de problématique linguistique de par sa relation au nom et à la signature, de problématique de l'image par son attrait visuel et spacial par son inscription dans les lieux publics urbains, le tag au carrefour de pratique humaine et sociale nous invite à ré-interroger l'écrit ou du moins le "faire scriptural" autrement. La pratique scripturale taguée comme objet d'étude ne peut être appréhendée uniquement sous l'angle sociologique. Système non clos, le tag implique dans son fonctionnement des relations avec d'autres systèmes pour mieux en saisir sa portée, dans une démarche interdisciplinaire (intersémiotique). . .
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Nasaif, F. K. I. "Muriel Rukeyser : poetry and the body." Thesis, University of Reading, 2015. http://centaur.reading.ac.uk/55811/.
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The human body occupies a central place in Rukeyser’s poetry. Her characters’ physical experiences inspire their search for an artistic form and a holistic vision that reconciles the corporeal and conceptual aspects of their life. My thesis deals with Rukeyser’s reconciliation of disparate aspects of existence through the image of the human body and the practical experiences she underwent in her personal life and incorporated in her poetry. I discuss her poetry of the 1940s, where a tension is observed between the artist’s personal life and her art, which she attempts to resolve by adopting an artistic form that accommodates her quotidian experiences. I study, mainly through her poetry of the 1950s, Rukeyser’s poetic technique in the light of her organicist poetics and the combination of tendencies to coercion and suggestiveness distinguishing her style. I examine her portrayal of the suffering body in her poetry of the 1960s and 1970s. By means of their physical experiences, the ill, her despised and the imprisoned protagonists undergo a process of development whereby they perceive the different aspects of their identity and attempt to broaden perspectives on their situation by reconciling them. I argue that Rukeyser’s engagement with physical encounters and with the poem as an inclusive, organic body enables her to reconcile disparate elements in her poetry, such as her personal life and her art, her individual existence and the public world, as well as the distinct aspects of her characters’ identity. Her vatic outlook, which integrates distinct aspects of experience, is consistent with Merleau-Ponty’s idea of human perception as characterised by the two interdependent positions of immanence and transcendence. Rukeyser’s poetry depicts her physical engagement with quotidian events of her life as a factor of artistic inspiration. These situations constitute shared human experiences that enable her to imagine the links binding her to other people and the world at large. The poet’s personal experiences inspire her search for an artistic form that accommodates them. Her perception of the concrete aspect of her individual existence gains significance when it is linked to social and political issues. Both the private and public are thus seen as interconnected, and they affect the existence of each other while retaining their distinctness.
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Elliott, Liz Carleton University Dissertation Social Work. "Murder one; the politics and human science of the State response to first degree murder in Canada." Ottawa, 1986.
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Berkowitz, Leah E. "A homicide in the family the dual perspective of mothers' experience parenting and use of community resources & community providers' report on services utilized by mothers and their children : a project based upon an independent investigation /." Click here for text online. Smith College School for Social Work website, 2007. http://hdl.handle.net/10090/967.
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Thesis (M.S.W.)--Smith College School for Social Work, Northampton, Mass., 2007Thesis submitted in partial fulfillment for the degree of Master of Social Work. Includes bibliographical references (leaves 75-77).
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Kenney, James Scott. "Coping with grief : survivors of murder victims /." *McMaster only, 1998.
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Solórzano, Solórzano Raúl. "Regarding the moral right of the authors to the integrity of their work: reflections about the damage done to the murals in the Centre of Lima." Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/115773.
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Based on the recent damage done to the murals in the Centre of Lima, this article analyzes the conflict that can occur between the moral right of authors to the integrity of their work and the property rights of the holders of the support containing the intellectual creation. Criteria are provided to analyze conflicts in which murals are involved. Finally, the infringement of moral right of integrity is discussed.Sobre la base del reciente daño efectuado a los murales en el Centro de Lima, a través del presente artículo se analiza el conflicto que puede producirse entre el derecho moral de los autores a la integridad de sus obras y el derecho de propiedad de los titulares del soporte que contiene la creación intelectual. Se brinda criterios a tomarse en cuenta en los conflictos donde estén involucrados murales. Finalmente, se examina las posibles infracciones al derecho moral de integridad.
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Lepé, Delgado Jaime. "El antifaz de la cobra, o, De mulas y murgas sobre el signo." Tesis, Universidad de Chile, 2003. http://repositorio.uchile.cl/handle/2250/133572.
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Blombäck, Jacob. "Fenway corner - bakom muren." Thesis, KTH, Arkitektur, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-97458.
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Avancerad program- och funktionsstudie i form av multi-use-byggnad uppbyggd kring ett badhus i urban miljö i stadsdelen Fenway i Boston. Byggnadens huvudteman är "den klättrande parken" och "bakom muren". Det förstnämna genom att det befintliga parkrummet invid byggnaden tematiskt ges en förlängning in i byggnaden och trappar sig uppåt i badets olika nivåer för att mynna i en södervänd takträdgård och soldäck högst upp. Temat kring muren uttrycks genom en massiv långsträckt byggnad mot gatan som skärmar av det södervända badet från den trafikerade gatan. Mot parkens lummiga träd vänder sig ett tredje objekt i form en glasad byggnad i fyra plan med café/restaurang och bibliotek med läsrum och studieplatser.
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Silva, Leonardo Passinato e. "Os muros da cidade." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/2/2139/tde-10012014-080734/.
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L\'activité législative dans l\'Antiquité a sens cosmique, puisqu\'elle traite de l\'organisation de l\'espace habité par l\'être humain. La pratique politique a été placée sous la protection des murs de la cité et de la loi. Ce travail vise à démontrer la fonction de la loi et des législateurs dans la formation de l\'espace urbain grec et romain.A atividade legislativa na Antiguidade tem significado cósmico, uma vez que lida com a organização do espaço habitado pelo ser humano. A prática política foi situada sob a proteção concreta dos muros da cidade e da lei. Este trabalho pretende demonstrar a função da legislação e dos legisladores na conformação do espaço urbano grego e romano.
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Soares, Hellen Cristina Ribeiro. "Por trás dos muros." Florianópolis, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/100618.
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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas. Programa de Pós-Graduação em Sociologia PolíticaMade available in DSpace on 2013-06-25T20:56:31Z (GMT). No. of bitstreams: 1 309853.pdf: 1347551 bytes, checksum: e9586a99cb36c49621175a150f7da3fa (MD5)
Esta dissertação é resultado da pesquisa etnográfica realizada com os jovens do Presídio Masculino de Florianópolis. A metodologia utilizada foi de abordagem quali-quantitativa. De modo mais especifico focamos nossa análise nos modos de vida, nas experiências e trajetórias de vida de jovens de 18 a 24 anos, que respondem ao crime de tráfico de drogas e estão cumprindo pena naquela institução. O objetivo central desta pesquisa foi investigar e analisar como o jovem vive a condição social da juventude no sistema prisional, visto que este segmento se encontra em maioria significativa nos presídios brasileiros. Identificou-se que a ressocialização pela segregação se configura como uma prática ineficaz e que não obtêm resultados favoráveis na reintegração do jovem à sociedade, fato que pode ser constatado pelo alto índice de reincidência. Verificou-se ainda, que as estratégias adotadas pelo sistema prisional invariavelmente causam no individuo principalmente nos jovens um efeito contrário àquele que se espera da pena, visto que ao passar por violações institucionais o condenado passa a se sentir uma vítima e não mais o autor de violência. Apesar, do poder e do controle exercido pela instituição sob os presos tornou-se evidente que entre os mais jovens existe uma resistência em não se limitar a condição de preso e tentar imprimir uma marca, uma personalidade que os distinguisse do status de preso.
This dissertation is the result of an ethnographic research with young men in the Male Prison of Florianópolis. The methodology applied was a qualitative and quantitative approach. In a more specific way, the focus of the analysis is on lifestyles, experiences and life#s trajectories of young people aged between 18 and 24 years old, who are serving time in that institution for drug trafficking. The main purpose of this research was to investigate and analyze how these young men live the social condition of youth in the prison system, since this segment represents the large majority of prisoners in Brazilian prisons. It was found that the practice of rehabilitation by segregation is an inefficient one and does not obtain favorable results in the reintegration of the young offenders into society, which can be evidenced by the high rates of recurrence. It was also found that the strategies adopted by the prison system invariably cause in the individual, especially in young men, an opposite effect to that expected in the sentence, because after passing through institutional violations the offender begins to feel more like a victim and less like the author of a crime. Despite the power and control imposed by the institution upon them, it became evident that among the young prisoners there is a resistance that attempts to not limit oneself to the condition of prisoner, but to try to leave a mark and to develop a personality that distinguish them.
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Keppel, Robert D. "An analysis of the effect of time and distance relationships in murder investigations /." Thesis, Connect to this title online; UW restricted, 1992. http://hdl.handle.net/1773/10313.
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Giancaspero, Laura. "L'art mural comme stratégie de survie des communautés rurales. Trois études de cas en milieu rural italien." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA158/document.
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Cette thèse s'intéresse aux peintures murales en milieu rural, dans la péninsule italienne. A travers trois études de cas elle propose d'analyser le phénomène muraliste comme l'expression des rapports écologiques des communautés locales avec leur environnement. L'étude de ce phénomène, mené en conjuguant l'approche géohistorique à l'écocriticism américain, révèle que ces peintures murales représentent une riposte aux nombreuses fractures, territoriales, identitaire et écologiques, qui sont intervenues dans ce territoires ruraux à l'époque contemporaine. Tout ces changements ont en effet brisé les rapports séculaires que les communautés locales entretenaient avec leur territoire en menaçant leur existence même. Il s'agit d'un phénomène courant en Italie qui a entrainé l'abandon de nombreux villages ruraux. Dans le cas des trois villages analysés, la population locale a fait recours à l'art murale afin de se réapproprier les lieux et de redéfinir les rapports avec son environnement, ce qu'enfin a garanti la survie des ces petites communautésThis thesis is focused on Italian mural paintings in rural environments. Through three case studies, it analyses artistic phenomenon as an expression of the ecological relationship between the local community and their environment. The study of this phenomenon, conducted by combining the geohistorical approach with American ecocriticism, reveals that these murals represent a response to the many fractures: territorial, identity and ecological, which have occurred in this rural area during contemporary times. All these changes, therefore, broke the centuries-old relationships that local communities maintained with their territory by threatening their own existence. This is a common phenomenon in Italy that has resulted in the abandonment of many rural villages. In the case of the three villages analyzed, the local population employed the mural art in order to reclaim their place and to redefine the relationship with their environment, which finally affirmed the survival of these small communities
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MASTRANGELO, MARICA. "TECNOLOGIE GIS APPLICATE ALLO STUDIO DEL PAESAGGIO. IL CASO DELLE MURGE MERIDIONALI." Doctoral thesis, Università Cattolica del Sacro Cuore, 2015. http://hdl.handle.net/10280/6143.
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Il progetto di ricerca ha come scopo lo sviluppo e l’applicazione di tecnologie informatiche, come il GIS, su una specifica porzione di territorio rappresentata dall’area delle Murge Meridionali. L’oggetto di questa ricerca non è circoscrivibile in un territorio definito da confini amministrativi precisi ma, piuttosto, è identificabile in un a comprensorio geografico e geomorfologico unitario, le Murge Meridionali. La zona, non è oggetto di indagini archeologiche sistematiche, è compresa tra le province di Bari, Taranto e Brindisi. Il progetto implica una ricerca che rientri nell’ambito dell’archeologia del paesaggio, perciò procedere alla documentazione di quanto resta degli insediamenti dei diversi periodi storici e comprenderne le relazioni e le dinamiche degli stessi.
L’applicazione delle tecnologie GIS è fondamentale nello studio dei sistemi insediativi e di popolamento antichi dell’area e nella realizzazione di modelli predittivi, come strumento per potenziare le strategia di ricerca.The research project has as its goal the development and application of computer technology , such as GIS , on a specific portion of the territory represented by the area of the Southern Murgia . The object of this research is not limited in a territory defined by administrative boundaries precise but , rather , is identifiable in a geographic territory and geomorphological unit , the Southern Murgia . The area is not the subject of systematic archaeological investigations , is between the provinces of Bari , Taranto and Brindisi . The project involves research that falls within the archeology of the landscape , so proceed to the documentation of what remains of the settlements of the different historical periods and understand the relationships and the dynamics of the same. The application of GIS technology is fundamental in the study of settlement patterns and population of the old and construction of predictive models , as a tool to enhance the search strategy .
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Moraes, Mello Magno. "A pintura de tectos em perspectiva : no Portugal de D. João V /." Lisboa : Editorial Estampa, 1998. http://catalogue.bnf.fr/ark:/12148/cb388076993.
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