Relevant bibliographies by topics / Muromachi painting

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Muromachi painting'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Muromachi painting"

1

Chang, Chinsung. "Muromachi Ink Painting and Early Joseon Landscape Painting The Cases of Shūbun, Shūbun, and Bunsei." Art History Forum 36 (June 30, 2013): 33–60. http://dx.doi.org/10.14380/ahf.2013.36.33.

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"Muromachi Screen Paintings." Monumenta Nipponica 44, no. 2 (1989): 221. http://dx.doi.org/10.2307/2384969.

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Dissertations / Theses on the topic "Muromachi painting"

1

Ng, Yuk-lan. "Mid-Muromachi flower and bird painting in Ashikaga painting circles /." View the Table of Contents & Abstract, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38030962.

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Ng, Yuk-lan, and 吳玉蘭. "Mid-Muromachi flower and bird painting in Ashikaga painting circles." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B45015624.

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Fang, Hui. "Sesshu Toyo's Selective Assimilation of Ming Chinese Painting Elements." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/12984.

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Sesshu Toyo (1420-1506) was a preeminent Japanese monk painter who journeyed to China in the mid-fifteenth century. This thesis focuses on a diptych of landscape paintings by Sesshu Toyo, Autumn and Winter Landscapes (Shutou sansui zu), to analyze how Sesshu; selectively synthesized traditions of Chinese painting tradition that had already been established in Japan and the art conventions he discovered in fifteenth-century China. To contextualize this topic, this thesis explores the revival of the Southern Song (1127-1279) painting tradition which had impacts on both contemporary Chinese painters and landscape painters in Japan during the fifteenth century. I also analyze the culture of Japanese Zen monastics and their art-related activities and the transformation of Southern Song painting traditions within China in the early Ming period (later half of the fourteenth century-first half of the fifteenth century).
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Books on the topic "Muromachi painting"

1

Yamashita, Yūji. Muromachi kaiga no zanzō =: Visual echoes of Muromachi painting. Tōkyō: Chūō Kōron Bijutsu Shuppan, 2000.

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2

Muromachi ōken to kaiga: Shoki Tosa-ha kenkyū. Kyōto-shi: Kyōto Daigaku Gakujutsu Shuppankai, 2004.

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Suibokuga to yamatoe: Muromachi jidai. Tōkyō: Shōgakkan, 2014.

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Muromachi suibokuga to Gozan bungaku. Kyōto-shi: Shibunkaku Shuppan, 2012.

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Hakubutsukan, Kyōto Kokuritsu. Muromachi jidai no Kanō-ha: Gadan seiha e no michi : tokubetsu tenrankai = The Kano school in the Muromachi period : special exhibition. [Kyoto]: Kyōto Kokuritsu Hakubutsukan, 1996.

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1935-, Kanazawa Hiroshi, Varley H. Paul, Henshaw Julia P. 1941-, Fogliatti Cynthia Jo, Detroit Institute of Arts, Honolulu Academy of Arts, and Japan Bunkachō, eds. Of water and ink: Muromachi-period paintings from Japan, 1392-1568. Detroit, Mich: Founders Society, Detroit Institute of Arts, 1986.

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7

Muromachi emaki no maryoku: Saisei to sōzō no chūsei. Tōkyō: Yoshikawa Kōbunkan, 2008.

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8

Zen Buddhist landscape arts of early Muromachi Japan (1336-1573). Albany, N.Y: State University of New York Press, 1999.

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9

Hyōshō to shite no bijutsu, gensetsu to shite no bijutsushi: Muromachi Shōgun Ashikaga Yoshiharu to Tosa Mitsumochi no kaiga. Kunitachi-shi: Buryukke, 2003.

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10

Shinkōkai, Tōkyō-to Bunka, ed. Muromachi bijutsu to Sengoku gadan: Ōta Dōkan kinen bijutsu ten : Shōwa 61-nen 10-gatsu 5-nichi--11-gatsu 9-nichi, Tōkyō-to Teien Bijutsukan. Tōkyō: Tōkyō-to Bunka Shinkōkai, 1986.

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Book chapters on the topic "Muromachi painting"

1

Ng, Yuk Lan. "Veiled Zen Journeys through Early Muromachi Flower-and-Bird Paintings." In Animating the Spirited, 240–62. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496826268.003.0014.

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This essay largely explores early Muromachi flower-and-bird painting in Zen monastic context and examines how these works convey symbolic connotations related to Zen (Chan) Buddhism. The development of Zen Buddhism in 13th century Japan not only paved the way for the flourishing of Gozan culture, but also contributed to vigorous cultural exchange between Japan and China in the Muromachi period. The author analyzes the spiritual insights of the Zen priest-painters and their productions, which are a combination of art and poetry. The religious meanings of the flower-and-bird motifs are investigated according to the artistic and literary traditions of that time. The influence of Zen on other Japanese art forms are just as salient and the author concludes that the later development of 2-D art and contemporary 3-D installations of Buddhist art shows the continual development of the Zen spiritual journey.
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2

Ng, Yuk Lan. "Veiled Zen Journeys through Early Muromachi Flower-and-Bird Paintings." In Animating the Spirited, 240–62. University Press of Mississippi, 2020. http://dx.doi.org/10.2307/j.ctvx5w9nd.18.

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