Relevant bibliographies by topics / Muromachi period

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Muromachi period'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Muromachi period"

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Prieto, José M., and Javier Bustamante Donas. "Medieval Japanese Zen painting in the Muromachi period." De Medio Aevo 14, no. 1 (2025): 129–57. https://doi.org/10.5209/dmae.98608.

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Fang, Ruoning. "The Genji Changes: From the Album in the Muromachi Period to the Inaka Genji in the Edo period." Communications in Humanities Research 31, no. 1 (2024): 153–59. http://dx.doi.org/10.54254/2753-7064/31/20232056.

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This paper selects the illustrations from chapter four of The Tale of Genji to display the changes of Japan from Muromachi period to Edo period. It focuses on showing the changes of the media and the techniques the artists applied to meet the demands of the audience in these two periods. For the album from Muromachi period, the author takes a close look at the calligraphy and artsy techniques of the illustrations to emphasize the art achievement of the Japanese court at that time. For the Inaka Genji from the Edo period, the author analyses the illustrations that were mostly finished in a shor
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TADA, Jitsudo. "Jingu and Buddhism in the Muromachi Period." Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 62, no. 1 (2013): 219–26. http://dx.doi.org/10.4259/ibk.62.1_219.

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Lee, Se-Yoen. "Battles and Authority in the Early Muromachi Period." Journal for the Studies of Korean History 89 (November 30, 2022): 103–28. http://dx.doi.org/10.21490/jskh.2022.11.89.103.

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KISHI, Yasuko. "THE NAISHI-DOKORO DURING THE WARRING STATES PERIOD (LATE MUROMACHI PERIOD)." Journal of Architecture and Planning (Transactions of AIJ) 69, no. 583 (2004): 143–50. http://dx.doi.org/10.3130/aija.69.143_3.

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Sakharova, E. B. "Japan’s relations with China and Korea in the Muromachi era." Japanese Studies in Russia, no. 4 (January 18, 2024): 18–32. http://dx.doi.org/10.55105/2500-2872-2023-4-18-32.

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The article describes the main stages and characteristics of Japanese-Korean and Japanese- Chinese relations in the Muromachi era (1333–1573). From an international relations perspective, it is an extremely important period – after six centuries, formal relations with China (Ming) and Korea (Choson) were reestablished (relations with the Korean state of Silla were interrupted in 779; the last Japanese embassy to Tang China was sent in 838), and East Asia in general experienced an explosive growth of international trade. In the early Muromachi period, Japan maintained overseas relations only wi
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KATO, Hyakuichi. "The Feast of Court Noble and Warrior Class in MUROMACHI Period." JOURNAL OF THE BREWING SOCIETY OF JAPAN 98, no. 10 (2003): 716–23. http://dx.doi.org/10.6013/jbrewsocjapan1988.98.716.

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KATO, Hyakuichi. "The Feast of Court Noble and Warrior Class in MUROMACHI Period." JOURNAL OF THE BREWING SOCIETY OF JAPAN 98, no. 11 (2003): 775–84. http://dx.doi.org/10.6013/jbrewsocjapan1988.98.775.

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KATO, Hyakuichi. "The Feast of Court Noble and Warrior Class in MUROMACHI Period." JOURNAL OF THE BREWING SOCIETY OF JAPAN 98, no. 12 (2003): 840–47. http://dx.doi.org/10.6013/jbrewsocjapan1988.98.840.

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Pinnington, Noel J. "Invented origins: Muromachi interpretations of okina sarugaku." Bulletin of the School of Oriental and African Studies 61, no. 3 (1998): 492–518. http://dx.doi.org/10.1017/s0041977x00019315.

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Okina , a ritual play without plot, a collection of old songs and dialogues interspersed with dances, can be seen in many parts of Japan, performed in various versions. In village festivals, it may be put on by local people using libretti derived from oral traditions, and in larger shrines professional players might be employed to perform it at the New Year. Puppets enact Okina dances at the start of Bunraku performances and Kabuki actors use them to open their season. Such Okina performances derive from Nō traditions, and as might be expected, the Nō schools have their own Okina, based on tex
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Dissertations / Theses on the topic "Muromachi period"

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Ng, Yuk-lan, and 吳玉蘭. "Mid-Muromachi flower and bird painting in Ashikaga painting circles." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B45015624.

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Soler, Masota María de la Paz. "Karesansui. Un estudio sistemático de las reglas de diseño y los valores estéticos de los jardines secos japoneses durante el periodo Muromachi. Su conceptualización como obra de arte espacial desde una perspectiva comparada con el Movimiento Land Art." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/397806.

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Los jardines secos japoneses (karesansui) constituyen una obra de arte espacial, a la que atribuir un conjunto de características formales y criterios estéticos. Al efecto, se plantea un análisis comparativo mutatis mutandis con obras señeras del movimiento Land Art. El ejercicio permite categorizar a los primeros como una obra de arte artística espacial, al tiempo que aporta una lectura renovada de los orígenes y postulados propios del citado movimiento Land Art.
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Huang, Jia-Ling, and 黃佳鈴. "The Image of Fox in Japanese and Chinese Literature -focusing on folk tales in Muromachi period and “Tai Pin Guan Chi”.-." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/93695452955640803277.

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碩士<br>國立臺灣大學<br>日本語文學研究所<br>100<br>During the Muromachi period in Japan, stories different from Heian period were created due to the power transition from the nobility to samurai. As the main audience shifted to the common people, the tales become easier to understand, and were usually published with illustrations. There are many types of tales, including religious stories, wars and supernatural fantasies of animals, etc. As opposed to the tales in Muromachi period, in China a collection of stories called “Tai Pin Guan Chi” was published in Song Dynasty. It contains about 7000 stories and most
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Books on the topic "Muromachi period"

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Tsumoto, Yō. Kenkon itteki. Sōgō Hōreishuppan, 2000.

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1935-, Kanazawa Hiroshi, Varley H. Paul, Henshaw Julia P. 1941-, et al., eds. Of water and ink: Muromachi-period paintings from Japan, 1392-1568. Founders Society, Detroit Institute of Arts, 1986.

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Hakubutsukan, Kyōto Kokuritsu. Muromachi jidai no Kanō-ha: Gadan seiha e no michi : tokubetsu tenrankai = The Kano school in the Muromachi period : special exhibition. Kyōto Kokuritsu Hakubutsukan, 1996.

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Gemmell, Graham. Tosogu: treasure of the Samurai: Fine Japanese sword fittings from the Muromachi to the Meiji period. Sarzi-Amadè, 1991.

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Yoshizawa, Hajime. Muromachi bunka no zahyōjiku: Kenminsen jidai no Rettō to bunji = The coordinate axis of the Muromachi culture : literary culture in the Japanese Archipelago between Japan and China in the Ming period. Bensei Shuppan, 2021.

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Takizawa, Mika. Rufubon "Hōgen monogatari" "Heiji monogatari" ni miru monogatari no hensen to haikei: Muromachimatsu, Sengokuki o chūshin ni = Transformations of the tale and their background as seen in the rufubon of Hōgen monogatari/Heiji monogatari : focusing on the late-Muromachi and Sengoku periods. Kyūko Shoin, 2021.

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Muromachi jidai no Gionmatsuri = Gion festival of the Muromachi period. Hōzōkan, 2020.

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Of Water and Ink: Muromachi-Period Paintings from Japan, 1392-1568. Univ of Washington Pr, 1987.

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Muromachi jidai no yamatoe: Eshi to sakuhin = Yamato-e painting of the Muromachi period : the artists and their works. Tōkyō Kokuritsu Hakubutsukan, 2017.

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Publishers, Museum Museum. Notebook : Life of the Buddha: Subjugation of Demons, Muromachi Period , Early 15th Century, Japan. Independently Published, 2020.

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Book chapters on the topic "Muromachi period"

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van der Linden, Martin. "Shadowing the Brutality and Cruelty of Nature: On History and Human Nature in Princess Mononoke." In History and Speculative Fiction. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_12.

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AbstractIn the Japanese animated movie Princess Mononoke (1997), humanity’s relationship with nature is commented upon historically by the movie’s director Miyazaki Hayao. Against the backdrop of Japan in the Muromachi period covered with ancient forests and inhabited by marginalized societies in conflict, the movie functions as a speculative fictional tool for Miyazaki to communicate and demonstrate an important historical and historiographic idea to the audience. Going against the romantic and nativist notion that humanity has lost its historical connection and harmony with nature, a major n
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"17. Warriors and Estates in Muromachi-Period Harima." In Land, Power, and the Sacred. University of Hawaii Press, 2018. http://dx.doi.org/10.1515/9780824875466-023.

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"The Development of Feudal Institutions through the Muromachi Period." In Japan: A Documentary History. Routledge, 2016. http://dx.doi.org/10.4324/9781315703206-13.

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Ng, Yuk Lan. "Veiled Zen Journeys through Early Muromachi Flower-and-Bird Paintings." In Animating the Spirited. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496826268.003.0014.

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This essay largely explores early Muromachi flower-and-bird painting in Zen monastic context and examines how these works convey symbolic connotations related to Zen (Chan) Buddhism. The development of Zen Buddhism in 13<sup>th</sup> century Japan not only paved the way for the flourishing of Gozan culture, but also contributed to vigorous cultural exchange between Japan and China in the Muromachi period. The author analyzes the spiritual insights of the Zen priest-painters and their productions, which are a combination of art and poetry. The religious meanings of the flower-and-bird motifs ar
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Park, Eugene Y. "Death and Resurrection, 1392–1450." In A Genealogy of Dissent. Stanford University Press, 2018. http://dx.doi.org/10.11126/stanford/9781503602083.003.0002.

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Chapter 1 examines the early-Chosŏn period, when the new dynasty virtually exterminated the former royals, only to rehabilitate them. Rather than just recounting the oft-told story of the May 1394 massacre and the violent persecution thereafter until 1413, this chapter seeks to elucidate the Chosŏn state’s understanding of the royal Wangs as a target of persecution, the number of victims, the veracity of the claim that some surviving Wangs changed their surnames, and the rationale for officially rehabilitating the Wangs. For comparative perspective, the chapter also considers China’s Yuan-Ming
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Shin’ya, Yasutomi. "The Life of Rennyo: A Struggle for the Transmission of Dhanna." In Rennyo and the Roots of Modern Japanese Buddhism. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195132755.003.0002.

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Abstract In this passage, the essence of Rennyo’s restoration of the tradition is stated clearly and concisely. Rennyo used the phrase “entrusting Amida” (mida o tanomu) to demonstrate the foundation of the Jodoshin school faith to the people of his time. Rennyo’s life coincides with the middle of the Muromachi period (1392-1573), a time of social upheaval and natural disasters. Treason undercut the previous military ethic of loyalty, exemplified by the assassination of the Shogun Ashikaga Yoshinori (1394-1441) by his subordinate, Akamatsu Mitsusuke (1373-1441). Frequent famines plagued the po
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Wert, Michael. "3. War and culture." In Samurai: A Very Short Introduction. Oxford University Press, 2021. http://dx.doi.org/10.1093/actrade/9780190685072.003.0004.

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Warrior combat and culture are the highlights of this chapter. It details early warrior weapons, armour, and castles, describes how combat changed over time from smaller skirmishes to large-scale battles, and ends with a discussion of the “three conquerors” who brought an end to the Warring States Period. The chapter goes beyond the violence of warrior life. The second half of the chapter illustrates the increased salience of noble culture in daily elite warrior life during a time when a new shogunate, the Muromachi Shogunate, replaced the Kamakura shogunate. Led by the Ashikaga shoguns, this
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Levine, Gregory P. A. "The Look and Logos of Zen Art." In Long Strange Journey. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824858056.003.0005.

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What makes art “Zen” and Zen art “Art”? From where and when does it arise: Southern Song dynasty China (1127-1279), Muromachi period Japan (1333-1573), London in the 1920s, Manhattan or Japan in the 1950s and 1960s? How do we describe Zen art—including heirloom works such as Muqi Fachang’s Six Persimmons or the contemporary artist Murakami Takashi’s Daruma works—and why do we build description around particular religious terms, such as mushin, and seemingly timeless aesthetic qualities such as simplicity, spontaneity, abbreviation, monochromatic, abstraction, nothingness, and so forth? How do
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"Muromachi and Sengoku Periods:." In The Circulation of Elite Longquan Celadon Ceramics from China to Japan. Liverpool University Press, 2018. http://dx.doi.org/10.2307/j.ctv3029vmh.13.

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"6 T he Past in the Present: Troping Warrior Power in the Muromachi and Tokugawa Periods." In Authorizing the Shogunate. BRILL, 2013. http://dx.doi.org/10.1163/9789004255333_007.

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Conference papers on the topic "Muromachi period"

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Ren, Yian. "The Prevalence of the Song Tea Bowl Among Japanese Elites in the Kamakura and Early Muromachi Period." In 2021 International Conference on Social Development and Media Communication (SDMC 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220105.278.

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"Pulsed Neutron Imaging Based Crystallographic Structure Study of a Japanese Sword made by Sukemasa in the Muromachi Period." In Neutron Radiography. Materials Research Forum LLC, 2020. http://dx.doi.org/10.21741/9781644900574-32.

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"Crystallographic Microstructure Study of a Japanese Sword made by Noritsuna in the Muromachi Period by Pulsed Neutron Bragg-Edge Transmission Imaging." In Neutron Radiography. Materials Research Forum LLC, 2020. http://dx.doi.org/10.21741/9781644900574-33.

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Dyakonova, Elena. "THE “WAY OF POETRY” (UTA-NO MICHI) IN THE TREATISES OF MASTERS OF “LINKED VERSE”." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.38.

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The paper analyzes Sasamegoto (Whispered Conversations, 1463–1464), a treatise by Shinkei, the influential Buddhist poet and thinker of the Muromachi period (1392–1568). In this treatise on the collaborative poetry of “linked verse” (renga), the author addresses the category of the “Way” (michi) or the “Way of Poetry” (uta-no michi), which he interprets on the basis of ancient Chinese philosophers (Confucius and Lao Tze) and early Japanese authors of Zen school (e. g., Mujū Ichien, who wrote the Shasekishū — The Collection of Sand and Rocks, 13th century) and even endows it with a new meaning.
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Reports on the topic "Muromachi period"

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Suriyawongpaisal, Saowalak. The parent-child image in Noh plays. Chulalongkorn University, 2006. https://doi.org/10.58837/chula.res.2006.93.

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This research analyses the parent-child image in 57 Noh plays in the current repertoire, and 76 Noh plays outside the current repertoire. All the 133 plays were written in the Muromachi period. The image of the father, mother, and child found in the first type of plays is both the same and different from that found in the second type. The overall image of the child is that of filial piety. The daughter appears much less than the son. But her image of filial piety is not weaker than that of the son. The mother is loving and dedicated to the child particularly the son. The father also has this s
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