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Journal articles on the topic 'Muromachi period'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Prieto, José M., and Javier Bustamante Donas. "Medieval Japanese Zen painting in the Muromachi period." De Medio Aevo 14, no. 1 (2025): 129–57. https://doi.org/10.5209/dmae.98608.

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2

Fang, Ruoning. "The Genji Changes: From the Album in the Muromachi Period to the Inaka Genji in the Edo period." Communications in Humanities Research 31, no. 1 (2024): 153–59. http://dx.doi.org/10.54254/2753-7064/31/20232056.

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This paper selects the illustrations from chapter four of The Tale of Genji to display the changes of Japan from Muromachi period to Edo period. It focuses on showing the changes of the media and the techniques the artists applied to meet the demands of the audience in these two periods. For the album from Muromachi period, the author takes a close look at the calligraphy and artsy techniques of the illustrations to emphasize the art achievement of the Japanese court at that time. For the Inaka Genji from the Edo period, the author analyses the illustrations that were mostly finished in a shor

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3

TADA, Jitsudo. "Jingu and Buddhism in the Muromachi Period." Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 62, no. 1 (2013): 219–26. http://dx.doi.org/10.4259/ibk.62.1_219.

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4

Lee, Se-Yoen. "Battles and Authority in the Early Muromachi Period." Journal for the Studies of Korean History 89 (November 30, 2022): 103–28. http://dx.doi.org/10.21490/jskh.2022.11.89.103.

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KISHI, Yasuko. "THE NAISHI-DOKORO DURING THE WARRING STATES PERIOD (LATE MUROMACHI PERIOD)." Journal of Architecture and Planning (Transactions of AIJ) 69, no. 583 (2004): 143–50. http://dx.doi.org/10.3130/aija.69.143_3.

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6

Sakharova, E. B. "Japan’s relations with China and Korea in the Muromachi era." Japanese Studies in Russia, no. 4 (January 18, 2024): 18–32. http://dx.doi.org/10.55105/2500-2872-2023-4-18-32.

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The article describes the main stages and characteristics of Japanese-Korean and Japanese- Chinese relations in the Muromachi era (1333–1573). From an international relations perspective, it is an extremely important period – after six centuries, formal relations with China (Ming) and Korea (Choson) were reestablished (relations with the Korean state of Silla were interrupted in 779; the last Japanese embassy to Tang China was sent in 838), and East Asia in general experienced an explosive growth of international trade. In the early Muromachi period, Japan maintained overseas relations only wi

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7

KATO, Hyakuichi. "The Feast of Court Noble and Warrior Class in MUROMACHI Period." JOURNAL OF THE BREWING SOCIETY OF JAPAN 98, no. 10 (2003): 716–23. http://dx.doi.org/10.6013/jbrewsocjapan1988.98.716.

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KATO, Hyakuichi. "The Feast of Court Noble and Warrior Class in MUROMACHI Period." JOURNAL OF THE BREWING SOCIETY OF JAPAN 98, no. 11 (2003): 775–84. http://dx.doi.org/10.6013/jbrewsocjapan1988.98.775.

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KATO, Hyakuichi. "The Feast of Court Noble and Warrior Class in MUROMACHI Period." JOURNAL OF THE BREWING SOCIETY OF JAPAN 98, no. 12 (2003): 840–47. http://dx.doi.org/10.6013/jbrewsocjapan1988.98.840.

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10

Pinnington, Noel J. "Invented origins: Muromachi interpretations of okina sarugaku." Bulletin of the School of Oriental and African Studies 61, no. 3 (1998): 492–518. http://dx.doi.org/10.1017/s0041977x00019315.

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Okina , a ritual play without plot, a collection of old songs and dialogues interspersed with dances, can be seen in many parts of Japan, performed in various versions. In village festivals, it may be put on by local people using libretti derived from oral traditions, and in larger shrines professional players might be employed to perform it at the New Year. Puppets enact Okina dances at the start of Bunraku performances and Kabuki actors use them to open their season. Such Okina performances derive from Nō traditions, and as might be expected, the Nō schools have their own Okina, based on tex

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11

Hiromichi, Yoshimura. "Interpretation of Du Fu’s Poetry by Medieval Japanese Zen Monks: On the “<i>Shōmono</i>” 抄物 of Du Fu’s Poetry<sup>1</sup>". Journal of Sinographic Philologies and Legacies 1, № 1 (2025): 71–90. https://doi.org/10.63563/jspl.2025.005.

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<i>Kaifūsō</i> 懷風藻 from the Nara period is the oldest surviving collection of Japanese <i>kanshi</i> 漢詩. Its poems were in a formative stage, imitating the poetry of the Six Dynasties and early Tang periods. However, after the middle and later Heian period, distinctly Japanese forms of <i>kanshi</i> such as the seven-character regulated verse and <i>kudaishi</i>句題詩 began to emerge amidst the popularity of Bai Juyi’s poetry. During the Kamakura period, the practitioners of <i>kanshi</i> starkly shifted from aristocrats to Zen monks, ma

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12

MIZOGUCHI, Masato. "THE BUILDING "NI-KAI" IN THE ARISTCRATIC RESIDENCE FROM HEIAN TO MUROMACHI PERIOD." Journal of Architecture and Planning (Transactions of AIJ) 59, no. 457 (1994): 189–95. http://dx.doi.org/10.3130/aija.59.189_2.

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13

Lee, Jungeun. "Politics of Ashikaga Shoguns’ Formal Interior Display (zashiki kazari) in the Muromachi Period." Art History Forum 41 (December 31, 2015): 63–86. http://dx.doi.org/10.14380/ahf.2015.41.63.

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14

Sugioka, Nahoko, Masahiro Kitada, and Masahiko Nishijima. "Metallurgical Microstructure of the Spear Blade Manufactured from the End of the Muromachi Period to the Edo Period." Journal of the Japan Institute of Metals and Materials 77, no. 5 (2013): 185–91. http://dx.doi.org/10.2320/jinstmet.j2012069.

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15

PARK, SEON OK. "The various aspects of the coined word of Hybrid words in the Kamakura period to the Muromachi period." Comparative Japanese Studies 47 (December 31, 2019): 243–64. http://dx.doi.org/10.31634/cjs.2019.47.243.

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16

FUJIMOTO, Kentsu. "Activities of the Pure Land School in the Hokuriku District during the Muromachi Period." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 40, no. 2 (1992): 794–96. http://dx.doi.org/10.4259/ibk.40.794.

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17

Young, Lee Sung. "A Study on Yeontak of Chinese Characters at Shomono in the Period of Muromachi." Korean Journal of Japanology 104 (August 30, 2015): 73–85. http://dx.doi.org/10.15532/kaja.2015.02.104.73.

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Lee, Sung Young. "A Study on Yeontak of Chinese Characters at Shomono in the Period of Muromachi." Korean Journal of Japanology 104 (August 31, 2015): 73. http://dx.doi.org/10.15532/kaja.2015.08.104.73.

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19

Sakharova, Evgeniya B. "Printed Buddhist Canon in the Context of Japanese-Korean Official Relations during Muromachi Period." Voprosy Filosofii, no. 11 (2022): 156–63. http://dx.doi.org/10.21146/0042-8744-2022-11-156-163.

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The article is based on the first Japanese collection of diplomatic documents, Zenrin Kokuhōki (1470), related to official diplomatic correspondence between Japan and Korea for the period from 1392 to 1428, that is to say during the reigns of the 3rd and 4th Ashikaga shoguns. For Koreans the main themes were suppress of piracy (anti-piracy program) and repatriation of Koreans who had been captured by Japanese pirates. Japanese embassies were concerned with Korean version of the Buddhist canon and repeatedly asked for the Koryŏ Tripitaka and sometimes even for a set of printed blocks for the

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20

Rappo, Gaétan. "Heresy and Liminality in Shingon Buddhism: Deciphering a 15th Century Treatise on Right and Wrong." Religions 13, no. 6 (2022): 541. http://dx.doi.org/10.3390/rel13060541.

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Traditional historiography of Japanese Buddhism presents the Muromachi period as an era of triumph for Zen, and of decline for the previous near-hegemony of Esoteric Buddhism. However, for the Shingon school, the period from the late Middle Ages to early Edo period was rather a phase of expansion, especially in the more remote locales of Eastern Japan. Focusing on a text authored during the fifteenth century, this article will analyze how this idea of the outskirts or periphery was integrated with the process of creation of orthodoxy in local Shingon temples. In doing so, it will shed new ligh

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21

Ma, Ziyao. "The “Mutual Influence” Between Buddhism and Political Factors in Its Spread and Development in Japan." Journal of Education, Humanities and Social Sciences 42 (December 9, 2024): 271–78. https://doi.org/10.54097/7gpms347.

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Since Buddhism was introduced to Japan in the 6th century – through individual efforts like Sima Da from China’s Southern Liang Dynasty and the official introduction by King Seong of Baekje from the Korean Peninsula – its spread and development in Japan have been closely intertwined with the political environment. Historical events such as the two prohibitions of Buddhism by the Mononoke clan during the Kofun period, Prince Shotoku’s promulgation of the Seventeen-Article Constitution that advocated respect for the “Three Treasures” in the Asuka period, the introduction of the clerical system i

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22

Reider, Noriko T. "YAMAUBA: REPRESENTATION OF THE JAPANESE MOUNTAIN WITCH IN THE MUROMACHI AND EDO PERIODS." International Journal of Asian Studies 2, no. 2 (2005): 239–64. http://dx.doi.org/10.1017/s1479591405000112.

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This paper discusses the nature of the yamauba and the transformation of its image over time through an examination of its appearance in literature, folktales and art, focusing on, but not limited to, the early modern period. Literally, “yamauba” means an old woman who lives in the mountains, an appellation indicating a creature living on the periphery of society. Medieval Japanese literature equates the yamauba to a female oni (ogre/demon), sometimes devouring human beings who unwittingly cross her path. She is, however, not entirely negative or harmful. She is also credited with nurturing as

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23

Tinsley, Elizabeth. "The Catechism of the Gods: Kōyasan’s Medieval Buddhist Doctrinal Debates, Dōhan, and Kami Worship." Religions 13, no. 7 (2022): 586. http://dx.doi.org/10.3390/rel13070586.

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A survey of the history of medieval Kōyasan, an important mountain-based headquarters for esoteric Shingon Buddhism since the early ninth century, cannot omit significant developments in the worship of kami (tutelary and ancestral gods) from the end of the Heian period (794–1185) to the Muromachi period (1333–1573). A fundamental aspect of kami worship at Kōyasan was the regular offering to the kami (shinbōraku 神法楽) of mondō-kō 問答講 (catechism/dialogue form, or ‘question and answer’ ‘lectures’) and rongi (debate examinations in the form of mondō). The relationship between Buddhist scholarship a

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24

이승영. "A Study on the Sino-Japanese of Final-m at Rhyme Texts in Muromachi Period." Journal of Japanese Language Education Association ll, no. 80 (2017): 43–60. http://dx.doi.org/10.26591/jpedu.2017..80.004.

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25

MAKI, Rie, and Tadafumi SHIBA. "The Landscape Composition of Gardens in Muromachi Period, a case study in Joei-ji Garden." Journal of The Japanese Institute of Landscape Architecture 74, no. 5 (2011): 375–78. http://dx.doi.org/10.5632/jila.74.375.

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26

MARUYAMA, Nami. "STUDY ON THE FIELD OF SARUGAKU OF THE MUROMACHI SHOGUNATE SIX SHOGUN YOSHINORI ASHIKAGA PERIOD." Journal of Architecture and Planning (Transactions of AIJ) 85, no. 772 (2020): 1275–85. http://dx.doi.org/10.3130/aija.85.1275.

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27

Novikova, Natalia A. "The gotokaku leaf horn in iconography of japanese mandalas of Muromachi and Edo periods." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 45 (2022): 207–23. http://dx.doi.org/10.17223/22220836/45/19.

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The subject of this article is the imagery of gotokaku leaf horn, a rare musical instrument found on Japanese mandalas depicting Pure Land of Muromachi (1336-1573) and Edo (1603-1868) periods. It looks like a green tree leaf, folded in half and intertwined with a silk ribbon. Specialized studies on him in domestic and foreign literature have not been found. Artistic images of gotokaku are quite rare; associated with the “celestial music” motif, they usually placed in peripheral space of mandala. Bearing in mind that each composition element of Buddhist mandala is related to various aspects of

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28

Sunarni, Nani, and Onin Najmudin. "SEJARAH PERKEMBANGAN BAHASA JEPANG DAN PENELITIANNYA." Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya 3, no. 1 (2018): 77–93. http://dx.doi.org/10.33558/makna.v3i1.843.

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There is a long history of the development and research of Japanese language. Morita (1990:282) divided the development of Japanese language into seven periods: Kodai (13000BC–600AD), Jodai (600-784), Chuuko (784- 1184), Chuusei (1184-1603), Kinsei (1603-1867),Kindai (1868-1945), and Gendai (1946-1989). On the other hand, Hibatani (1996) indicatedfive periods of Japanese language development: Nara (710) Jouko Nihongo’Old Japanese’,Heian (794) Chuuko Nihongo’ Late Old Japanese’, Kamakura (1185/1192), Muromachi[1331/1392] ) Chuusei Nihongo’Middle Japanese’, Edo (1603) Kinsei Nihongo’ or EarlyMod

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29

Lee, sungyoung. "A Study on the Sino-Japanese of ““Chinese Characters Contained Final /t/”at Rhyme Texts in Muromachi Period." Korean Journal of Japanology 120 (August 31, 2019): 1–26. http://dx.doi.org/10.15532/kaja.2019.08.120.1.

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30

Kugiya, Natsuko, Kazuhiro Nagata, and Masahiro Kitada. "Manufacturing Technique of Steel Chains Used for Japanese Armatures from the End of the Muromachi to the Edo Period." Journal of the Japan Institute of Metals and Materials 78, no. 4 (2014): 149–58. http://dx.doi.org/10.2320/jinstmet.j2013054.

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31

Jung, Yoo-kyung. "A Study on the Acceptance Process Goryeo Dawan in Japanese Tea Culture." Association for International Tea Culture 67 (March 31, 2025): 165–95. https://doi.org/10.21483/qwoaud.67..202503.165.

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This paper explored when and how the Goryeo Dawan (GD) was introduced in Japan, the relationship between GD and Wabi tea, and who brought the GD in to vogue. GD first appeared in 『Silung Gongi』 by Sanetaka Sanjonnishi on November 13th in 1506, but it can be presumed that it was introduced to Japan in the early Muromachi period before that. As the beauty of Takeno cho's Wabi was created, GD became a specialty of Japan rather thana fancy party while pursuing anappropriate Dawan for Wabi. Since 1537, the number of using GD has been gradually increased, but the porportion of it was still not very

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Kim, Sujung. "A Star God Is Born: Chintaku Reifujin Talismans in Japanese Religions." Religions 13, no. 5 (2022): 431. http://dx.doi.org/10.3390/rel13050431.

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This article examines a talismanic culture in Japanese religions through the case of the Chintaku reifu 鎮宅霊符 (“numinous talismans for the stabilization of residences”). Whereas previous scholarship viewed the set of seventy-two talismans as having an ancient Korean origin or connection to the Onmyōdō 陰陽道 tradition in Japan, my analysis of the talismans suggests that they arrived in Japan directly from Ming China around the late Muromachi period. Once introduced, the talismans were widely adopted across different religious traditions such as Buddhism, Shinto, Confucianism, and Shugendō under th

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Saito, Mika. "From The Tale of the Bamboo Cutter to Princess Kaguya: Metamorphoses of the Tale in Manga and Beyond." Japanese Language and Literature 55, no. 1 (2021): 181–213. http://dx.doi.org/10.5195/jll.2021.153.

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There are currently numerous manga adaptations of Japanese literary classics of the Heian period. Many of them have been created for educational purpose. It is debatable, however, whether they truly serve such a purpose. In this paper, I will discuss the case of Taketori monogatari (The Tale of the Bamboo Cutter, beginning of 10th century). Like all present-day adaptations of ancient texts, manga versions of Taketori monogatari differ significantly from its premodern counterparts. In this paper, I will examine the adaption of the theme, representations of the characters Princess Kaguya (Kaguya

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34

Choi, In-Ho. "A study on the cadastral investigation before the Meiji Restoration in Japan." Korean Public Land Law Association 102 (May 31, 2023): 175–93. http://dx.doi.org/10.30933/kpllr.2023.102.175.

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The purpose of the study to understand the cadastral survey and ownership management of land prior to the Meiji period. The temporal scope of this study is limited to the Nara period from 710 to 1868. A cadastral investigation is a survey conducted mainly by municipalities to survey the land owner, parcel number, and purpose of land use and to measure the location and area of the boundary for each parcel. However, there was no term for cadastral research at that time, but the same applies in terms of content. As a result of the study, manors and land subject to public authority in the late H

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Choi, In-Ho. "A study on the cadastral investigation before the Meiji Restoration in Japan." Korean Public Land Law Association 102 (May 31, 2023): 175–93. http://dx.doi.org/10.30933/kpllr.2023.102.175.

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The purpose of the study to understand the cadastral survey and ownership management of land prior to the Meiji period. The temporal scope of this study is limited to the Nara period from 710 to 1868. A cadastral investigation is a survey conducted mainly by municipalities to survey the land owner, parcel number, and purpose of land use and to measure the location and area of the boundary for each parcel. However, there was no term for cadastral research at that time, but the same applies in terms of content. As a result of the study, manors and land subject to public authority in the late H

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36

Sinitsyn, A. Yu, and A. I. Gabitova. "On the “Demonization” of Sengo Muramasa Blades." Vestnik NSU. Series: History and Philology 23, no. 10 (2024): 58–69. https://doi.org/10.25205/1818-7919-2024-23-10-58-69.

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The article focuses on a popular superstitious belief that has developed around the name of a famous swordsmith Sengo Muramasa 千子村正, namely the fabulous “curse” of his blades and the demonization of his person. The mythologized image had overshadowed a real school of swordsmiths active in the 16th – 17th cc.; the core of the school was formed by the first three and partly the fourth generations, and the periphery – by numerous smiths of the second and third plans. Muramasa I (初代 shodai) lived in Ise Province in the late Muromachi period; his blades were particularly sharp and well-forged, and

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37

Wu, Chenghao, and Haoyuan Zhang. "The Influence of Sino-Japanese Zen Communication on Five Mountain Poetry: A Case Study of Zekkai Chuushin." Communications in Humanities Research 21, no. 1 (2023): 132–41. http://dx.doi.org/10.54254/2753-7064/21/20231437.

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Five Mountain culture, a unique Sino-Japanese exchange, shaped Japan's development via Zen monks. These monks in China and Japan infused Zen's allure into Japan, initially captivating aristocrats and later the masses. As Five Mountain culture spread, it met the ruling party's needs, blending Chinese culture with local roots to form a distinct Japanese culture. Zen monks, especially Zekkai Chuushin, who studied in China, played pivotal roles. Zekkai Chuushin's Zen mastery, appreciation of Chinese customs, and study of Ming Dynasty calligraphy and poetry influenced the spread of Chinese culture.

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38

ULANOV, MERGEN S. "WOMEN IN THE HISTORY OF BUDDHIST CULTURE OF MEDIEVAL JAPAN." CASPIAN REGION: Politics, Economics, Culture 65, no. 4 (2020): 97–103. http://dx.doi.org/10.21672/1818-510x-2020-65-4-097-103.

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The article is devoted to the consideration of the role of women in the history of Buddhist culture in medieval Japan. The article examines the formation of the first female Buddhist monastic community in Japan. It is noted that the formation of the first Buddhist monastic community here was associated with women of Korean origin. A significant role in the institutionalization of Buddhism in Japan and its transformation into the dominant ideology was played by the Japanese empresses, who were impressed by the Buddhist approach to the religious status of women. The Japanese empresses actively s

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Watanabe, Yoshio. "Two kinds of feng-shui history in Japan: science and divination." Estudos Japoneses, no. 35 (March 7, 2015): 124–38. http://dx.doi.org/10.11606/issn.2447-7125.v0i35p124-138.

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In this paper, I don’tuse the word of “geomancy” but use “feng-shui”, as meaning a set of method and concept for an assessment for environmental impact against human life. Environmental impact assessment, connected with the feng-shui theory of later eras, first began with xiang-zhai (house and community observation), which appeared in the Zhou Period (770~256 BC.), Spring and Autumn/Warring States Periods(770~221 BC.) in China. Now I recognize the meanings of feng-shuiare indicated two kinds. One meaning is a kind of scientific thought through the ancient environmental impact assessment, and a

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Lippit, Yukio. "Puppy Love: The Legacy of Yi Am’s Paintings in Edo-Period Japan." Korean Journal of Art History 313 (March 31, 2022): 35–57. http://dx.doi.org/10.31065/kjah.313.202203.002.

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This essay examines the Japanese reception of the Korean painter Yi Am 李巌(b. 1499), and by extension considers the relationship between ink painting technique and pictorial meaning. In particular, it examines how Yi Am’s unique approach to the painting of puppies with blended washes of ink opened up new interpretive possibilities among Japanese viewers. Although Yi Am’s puppy paintings appear to have been circulating in Japan as early as the seventeenth century, they were misattributed to Chinese painters such as Mao Yi, and Yi Am’s seal was mistaken as belonging to a Japanese monk-painter of

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Minami, M., T. Nakamura, T. Nagaoka, and K. Hirata. "14C Dating Human Skeletons from Medieval Archaelogical Sites in Kamakura, Japan: Were they Victims of Nitta Yoshisada's Attack?" Radiocarbon 54, no. 3-4 (2012): 599–613. http://dx.doi.org/10.1017/s0033822200047287.

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We investigated the radiocarbon ages and carbon and nitrogen isotope ratios of human skeletal remains from burials at the Yuigahama-minami and Chusei-Shudan-Bochi sites in the Yuigahama area (Kamakura, Japan), which we believe are associated with the great attack on Kamakura by Nitta Yoshisada in AD 1333. The human bones produced enriched δ13C and δ15N values that could be affected by consumption of protein from marine fish and/or mammals with high δ13C and δ15N, and therefore older apparent 14C ages. We thus estimated the marine reservoir effect on human skeletons to determine their true ages

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42

KAMEDA, Toshitaka. "Study of <i>Muromachi</i> shogunate in <i>Nanbokucho</i> period and its importance in the history of Japanese law system." Legal History Review 68 (March 30, 2019): 123–51. https://doi.org/10.5955/jalha.68.123.

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43

Park, Seiyeon. "The Role and Status of the KyushuTandai in the Joseon-Japanese Relations in the Early 15th Century." Korean Association For Japanese History 62 (December 31, 2023): 5–50. http://dx.doi.org/10.24939/kjh.2023.12.62.5.

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Waegu, which plagued Joseon in the 14th and 15th centuries, decreased considerably as it entered the Taejong period. This is because, along with the strong lifting policy of Ming and Joseon, Japan ended the resistance of the North and South dynasties and formed a stable political power centered on the Muromachi shogunate. However, Yoshimachi, the fourth Shogun, reversed it head-on and suspended diplomacy and trade with Ming. At a time when the control of the shogunate gradually faltered, a large-scale Japanese pirates centered on Tsushima occurred, and Joseon, worried about Japan's conquest, t

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Yu, Hyeong-Seok. "The Request and Bestowal of Tripitaka in the Joseon-Japanese Relations in the Early 15th Century." Korean Association For Japanese History 65 (December 31, 2024): 201–33. https://doi.org/10.24939/kjh.2024.12.65.201.

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Changes of Japan’s foreign relations in the period of Ashikaga Yoshimitsu and Yoshimochi who were the 3rd and 4th shōguns of Ashikaga shōgunate were greatly influenced by domestic political changes in Japan, activities of Japanese raiders, relations with other East Asian countries. During the Yoshimitsu period, the political turmoil in Japan was ended, and the Japanese Northern and Southern dynasties were integrated to focus on stabilizing the shogunate's rule. While Yoshimitsu tried to stabilize the regime by resuming diplomacy, the shōgunates officially resumed international diplomatic relat

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Lee, Kyunghee, and Gumhwa Kim. "Color Culture of Japanese Medieval Age: Focusing on Kamakura & Muromachi Periods." Fashion business 19, no. 1 (2015): 95–105. http://dx.doi.org/10.12940/jfb.2015.19.1.95.

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Marra, Michele. "The Buddhist Mythmaking of Defilement: Sacred Courtesans in Medieval Japan." Journal of Asian Studies 52, no. 1 (1993): 49–65. http://dx.doi.org/10.2307/2059144.

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When buddhist institutions directed their efforts to the evangelization of the common people during the Kamakura and Muromachi periods (1192–1573), they met a set of popular beliefs that were deeply entrenched in the lives of their new audience. In spite of local variations in the names of the deities worshiped and in the details of ritual performances, a series of “defiling” practices that were perceived as dangerous taboos (imi) provided Japanese worshipers with a common denominator that transcended geographic, linguistic, and time boundaries.

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Kim, Bo-han. "Research on ‘Wakou in the Kamakura Period’ and ‘Wakou in the Muromatsi Period’, the main groups and characteristics." Korea-Japan Historical Review 52 (December 31, 2015): 61. http://dx.doi.org/10.18496/kjhr.2015.12.52.61.

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Makoto, Hayashi. "The Tokugawa Shoguns and Onmyōdō." Culture and Cosmos 10, no. 1 and 2 (2006): 49–62. http://dx.doi.org/10.46472/cc.01210.0207.

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Onmyōdō was widely disseminated in Japan from around the tenth century. Astronomy, calendar making, yin-yang practices, and the allotment of time were under the jurisdiction of the Onmyōryō (Ministry of Yin-Yang), but Onmyōdō soon developed from a yin-yang practice into religious practice. Onmyōdō rituals were created in Japan under the influence of kami worship, Buddhism, and Daoism. The study of Onmyōdō was initially focused on activities performed within the aristocratic society, but increasingly new research is being conducted on the relationship between the military government (bakufu) an

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ANISTRATENKO, Lidiia. "RESEARCH OF TERM FORMATION METHODS IN PROFESSIONAL LANGUAGE OF JAPANESE LITERARY STUDIES OF THE MUROMACHI (1336–1573), ADZUCHI-MOMOYAMA (1573–1603) AND EDO (1603–1868) PERIODS." Humanities science current issues 1, no. 62 (2023): 145–49. http://dx.doi.org/10.24919/2308-4863/62-1-20.

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Polhov, Sviatoslav. "On the Description of Oda Nobunaga’s Conquest of the Takeda Domain in “Shinchō-kō ki”." Oriental Courier, no. 4 (2023): 138. http://dx.doi.org/10.18254/s268684310029204-2.

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The paper examines the features of the narrative of the chronicle “Shinchō-kō ki”, one of the most valuable sources on the history of Japan of the Sengoku and Azuchi-Momoyama periods, written by Ōta Gyūichi, a vassal of Oda Nobunaga. The characteristic features of the description of Nobunaga&apos;s conquest of the Takeda domain, which became an important stage in the political unification of Japan at the end of the 16th century, are analyzed. The author of the chronicle seeks to justify the inevitability of the victory of the Oda army and the defeat of Katsuyori, the head of the Takeda

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