Relevant bibliographies by topics / Murry, john middleton, 1889-1957

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Academic literature on the topic 'Murry, john middleton, 1889-1957'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 January 2023

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Books on the topic "Murry, john middleton, 1889-1957"

1

Mustoe, Winifred J. Pilgrimage of discovery: A centenary essay on John Middleton Murry, 1889-1957. (Great Britain): (W. J. Mustoe?), 1990.

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2

Katherine, Mansfield. Letters between Katherine Mansfield and John Middleton Murry. London: Virago, 1988.

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Katherine, Mansfield. Letters between Katherine Mansfield and John Middleton Murry. New York: New Amsterdam, 1991.

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4

Circulating genius: John Middleton Murry, Katherine Mansfield and D.H. Lawrence. Edinburgh: Edinburgh University Press, 2010.

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5

A critical difference: T.S. Eliot and John Middleton Murry in English literary criticism, 1919-1928. Oxford: Clarendon Press, 1998.

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John Middleton Murry, 1889-1957: A collection. [London: C.R. Johnson Rare Book Collections, 1987.

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7

Lea, F. A. Life of John Middleton Murray. Telegraph Books, 1986.

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8

Kaplan, Sydney Janet. Circulating Genius: John Middleton Murry, Katherine Mansfield, and D. H. Lawrence. Edinburgh University Press, 2010.

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9

Kaplan, Sydney Janet. Circulating Genius: John Middleton Murry, Katherine Mansfield and D. H. Lawrence. Edinburgh University Press, 2012.

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Kaplan, Sydney Janet. Circulating Genius: John Middleton Murry, Katherine Mansfield, and D. H. Lawrence. Edinburgh University Press, 2012.

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Book chapters on the topic "Murry, john middleton, 1889-1957"

1

Kaplan, Sydney Janet. "Seated between ‘Geniuses’: Conrad Aiken’s Imaginative and Critical Responses to Katherine Mansfield and Virginia Woolf." In Katherine Mansfield and Virginia Woolf, 42–54. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474439657.003.0004.

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The writing of the American poet, fiction writer and critic, Conrad Aiken (1889-1973) significantly affected the critical receptions of Katherine Mansfield and Virginia Woolf in the United States during the first half of the twentieth century. His personal encounters with them during his time of involvement in the production of the Athenaeum is reflected not only in his incisive reviews of their fiction, but in his own creative writing as well. His short stories and experimental memoir, Ushant, (1963) reveal the two women's differing forms of influence upon him. In his memoir, he portrays the relations between Woolf and Mansfield as representative of the ‘merciless warfare’ that prevailed in the London literary world in 1920. If his creative legacy from Woolf was stylistic and psychological, from Mansfield it was inspirational. He was in love with the spontaneity and life-enhancing vitality of her prose, her ‘genius’ for making her characters ‘real.’ The sense of an intuitive connection between himself and Mansfield underpins his imaginative efforts to recreate his encounters with her, as is exemplified most powerfully in his short story: ‘Your Obituary, Well Written,’ (1928) in which he creates a thinly veiled portrait of characters uncannily similar to Katherine Mansfield and John Middleton Murry.
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