Relevant bibliographies by topics / Museality

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Museality'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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Journal articles on the topic "Museality"

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Laack, Isabel, Esther-Maria Guggenmos, and Sebastian Schüler. "Agency and the Senses in the Context of Museality from the Perspective of Aesthetics of Religion." Journal of Religion in Europe 4, no. 1 (2011): 102–33. http://dx.doi.org/10.1163/187489210x553511.

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AbstractThe aim of this paper is to apply the perspective of aesthetics of religion to the context of museality, focusing on notions of the agent and the senses. After sketching different roles of agency in the field of museality and suggesting some theoretically interesting links to research on European history of religions, the notion of agency will be extended to aesthetic, sensual, bodily, cognitive, and other aspects of experience, perception, sense-making, and interpretation of objects and media in the context of museality. Furthermore, questions of how specific cultural and religious sense hierarchies affect the interaction of agents with museality are raised. Finally, the insights gained are applied to a discussion of the analytical value of the concept of 'museality.'
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Triplett, Katja, Alexandra Grieser, and Adrian Hermann. "Museality as a Matrix of the Production, Reception, and Circulation of Knowledge Concerning Religion." Journal of Religion in Europe 4, no. 1 (2011): 40–70. http://dx.doi.org/10.1163/187489210x553494.

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AbstractAesthetics of religion focuses on the sensual and representational aspects of religion and develops appropriate terminological tools. The idea of museality as an analytical and heuristic term for culture analysis is specified in the present paper by linking it to the history and dynamics of knowledge. Museums as institutions and cultural practice play a crucial role in the orders and politics of knowledge about religion in Europe. By means of different examples, museality is described as a specific and historically generated cultural pattern of perceiving, imagining, and knowing about religion in modernity. The examples focus on the production of different qualities of knowledge in exhibitions relating to religion, on transitions between religion and science in museums, and on popularisation as a mode of the circulation of knowledge about religion.These reflections on museality and knowledge dynamics could provide new potentials for inter-connective academic research, as well as for trans-disciplinary cooperation between the study of religion and museums.
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Luepken, Anja. "Politics of Representation—Normativity in Museum Practice." Journal of Religion in Europe 4, no. 1 (2011): 157–83. http://dx.doi.org/10.1163/187489210x553548.

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AbstractThis article explores the relevance of normativity for the critical term 'museality.' The normative structures that become visible in museum practice are outlined in connection with the practice of appropriation. The relations between museum practice and the ruling paradigm of incumbent political systems are shown as strategies of legitimization. An additional focus is laid on the blurred boundaries between museums and temples. Finally, the 'ethization' of museums in recent decades is discussed. It is shown that normativity is a central aspect of museality, being correlated to all its facets.
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Mitina, L. S. "Title Museality as a Trend in the World Literature of the Last Fifty Years." Culture of Ukraine, no. 71 (April 2, 2021): 49–60. http://dx.doi.org/10.31516/2410-5325.071.06.

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The aim of this study is to define the concept of the title museality, the selection and analysis of relevant works of the world literature both separately and as a unified group of narratives, and determining the existence of a separate literary trend. Research methodology. The author uses analysis, synthesis, abstraction, concretization and generalization of scientific sources and literary texts with features of title museality. Results. The main characteristic evidence of the concept of “title museality” is determined and a group of literary narratives is identified. These features correspond to: “The Heritage” by Siegfried Lenz (Germany), “Outside the Dog Museum” by Jonathan Carroll (USA), “The Night at the Museum” by Milan Trenc (Croatia), “Behind the Scenes at the Museum” by Kate Atkinson (Great Britain), “The Museum of Innocence” by Orhan Pamuk (Turkey), “The Museum of Abandoned Secrets” by Oksana Zabuzhko (Ukraine) and “Museum of Thieves” by Lian Tanner (Australia). We considered and analyzed the museological features of each of these texts of the novel form, belonging to the seven national literatures of the world. The general and distinctive features of the considered works are revealed and their museological properties are established as a unified group of narratives. It is argued that the title museality is a trend in world literature of the last fifty years and this trend is steadily growing. Novelty. An attempt is made to formulate a new museal­literary concept, to highlight and analyze the relevant literary works as a unified group of narratives and identify a certain trend in world literature. The practical significance. The key results of this study can be used for further research of other literary works with signs of the title museum that is reviewed, and also other national literatures of the world. They also can be used in studying of museological aspects of the literary studies or literary aspects of the museology.
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Wilkens, Katharina, Christian Meyer, Anne Koch, Petra Tillessen, and Annette Wilke. "Museum in Context." Journal of Religion in Europe 4, no. 1 (2011): 71–101. http://dx.doi.org/10.1163/187489210x553502.

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AbstractIn using the critical term museality in aesthetics of religion, it is our aim in this article to reveal the socio-cultural embeddedness of museums in Western societies and beyond. To do this we draw on two distinct cultural and sociological models of society, dispositive theory and Luhmann's communicational systems theory. Dispositive theory allows us to include non-discursive practices and materialisations in the aesthetic analysis of religious identification strategies mediated through museums and exhibitions. The boundaries, environment and self-referentiality of the system museum are discussed with a view to the shifting place and visibility of religious and secular messages in museum contexts. The focus on museality leads beyond museums to discover object wanderings, religious re-interpretations and museum displays in a number of other socio-cultural fields.
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Nelle, Anja Barbara. "Museality in the urban context: An investigation of museality and musealisation processes in three Spanish-colonial World Heritage Towns." URBAN DESIGN International 14, no. 3 (2009): 152–71. http://dx.doi.org/10.1057/udi.2009.15.

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Mohr, Hubert. "Reflections on 'Museality' as a Critical Term in the Aesthetics of Religion." Journal of Religion in Europe 4, no. 1 (2011): 14–39. http://dx.doi.org/10.1163/187489210x553520.

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Abstract'Museality' and 'museal' can be viewed as perceptible qualities of a social—and thus also religious—complex of forms of expression, representation, and action, which have become consolidated in modern times in Europe in the institution of the 'museum,' but which are not restricted to it as group-specific and individual representation patterns. The basic aim of this article is to show that there is a 'museal principle' which, like theatrality, permeates both social and individual action, which is not restricted to the European tradition, and which can described by the term 'museality.' Taking a combined perspective of cultural anthropology and the aesthetics of religion the following study understands the 'museal principle' as a social practice, a perceptible and productive gesture and habitus centred around the collecting and exhibiting of artifacts. The prototype of museality is the modern European institution of the 'museum' that is found also in premodern and religious contexts: cathedral treasures, church interiors, cemeteries are types of museal practice and aesthetics, as well as home altars, private collections, or ensembles of sacred buildings.
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Latham, Kiersten F. "The Laboratory of Museum Studies: Museality in the Making." Journal of Education for Library and Information Science 58, no. 4 (2017): 219–35. http://dx.doi.org/10.3138/jelis.58.4.219.

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Latham, Kiersten. "The Laboratory of Museum Studies: Museality in the Making." Journal of Education for Library and Information Science Online 58, no. 4 (2017): 219–35. http://dx.doi.org/10.12783/issn.2328-2967/58/4/3.

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Schellenberg, Renata. "Museums and Museality: Celebrating the 150th Anniversary of Vienna's Ringstrasse." Journal of Austrian Studies 51, no. 2 (2018): 31–50. http://dx.doi.org/10.1353/oas.2018.0020.

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Dissertations / Theses on the topic "Museality"

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Vaz, Ivan Gomide Ramos. "Sobre a Musealidade." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/103/103131/tde-15122017-080610/.

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Este estudo propõe a discussão da construção, desenvolvimento e apropriação do conceito de musealidade, não apenas dentro do campo museológico - em sua teoria e prática -, mas sua possível reverberação em campos correlatos e sua influência na delimitação das formas de enquadramento e tratamento do patrimônio. Propõe-se que esse conceito é central para o universo museológico, sendo um dos catalisadores das operações de salvaguarda e comunicação museológicas. Neste sentido, a sua qualificação - ou, melhor dizendo -, a tentativa de dotação de musealidade às coisas, é algo que define a Museologia como uma área específica do saber e do fazer humanos. Seria pelo prisma da musealidade que a Museologia poderia, dentro das áreas do conhecimento, lançar um olhar próprio ao mundo, qualificando ao mesmo tempo em que cria mecanismos de atuação sobre aquilo que consideramos herança. Também faz parte desta discussão a problematização das noções de Museologia, museu, musealia, musealização, entre outras. Utilizar-se-á, para este intuito, uma básica abordagem metodológica. Visa-se à revisão da literatura teórica sobre o assunto, encarando, além dos autores pilares da teoria museológica e do patrimônio, algumas definições, normas, diretrizes e outros documentos produzidos no âmbito de associações, órgãos governamentais e entidades a fim de tentar perceber as implicações do pensamento museológico no campo de sua experimentação, ou seja, os museus e o patrimônio. Finalmente, esta pesquisa visa a uma contribuição nas discussões em torno da teoria museológica. Se intenciona, também, compreender como a Museologia se configura como uma área específica e aplicada do conhecimento, sendo a musealidade um dos artifícios centrais neste processo.<br>This study proposes to discuss the construction, development and appropriation of the concept of museality, not only within the museological field - in its theory and practice - but its possible reverberation in related fields and its influence on the delimitation of the forms of framing and treatment of heritage. It is proposed that this concept is central to the museological universe, being one of the catalysts of museological preservation and communication operations. In this sense, its qualification - or rather -, the attempt to endow museality on things is something that defines Museology as a specific area of human practice and knowledge. It is through the prism of museality that Museology may, within the areas of knowledge, launch a proper look at the world, qualifying it at the same time that creates mechanisms of action on what we consider inheritance. It is also part of this discussion the problematization of the notions of Museology, museum, musealia, musealization, among others. For this purpose, a basic methodological approach will be used. It aims at reviewing the theoretical literature on the subject considering in addition to the pillar authors of the museological theory and the heritage field, some definitions, norms, guidelines and other documents produced by associations, government agencies, and other entities in order to perceive the implications of museological thinking in the field of its experimentation, that is, museums and heritage. Finally, this research aims at a contribution on the discussions around the museological theory. It also intends to understand how Museology is a specific and applied area of knowledge, with museality being one of the central devices on this process.
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Ginoulhiac, Michèle. "Muséalités de l'espace urbain : l'œuvre comme dispositif de médiation dans l'espace public au tournant du XXIe siècle." Thesis, Toulouse 2, 2015. http://www.theses.fr/2015TOU20112.

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« Musée à ciel ouvert » est devenu une formule de communication choisie par quelques métropoles pour valoriser leur patrimoine artistique auprès du public. Nous allons interroger sa validité en regard de la notion de muséalité, puisque les règles du musée sont dûment convoquées pour légitimer l’espace urbain comme un lieu de mémoire. La muséalité, prise dans son sens le plus large, désigne « la valeur culturelle ou la qualité d’une chose muséalisée », c’est-à-dire la valeur de témoignage de la réalité qu’elle informe. Cette valeur, « en rapport avec l’aspect ontologique de la réalité, est conditionnée par sa pluridimensionnalité et sa charge énergétique, elle dépasse les valeurs temporaires par son importance culturelle. » Or, si l’espace urbain est bien un musée, les formes muséalisées, à savoir l’art public, en appellent à revoir ces valeurs qui restent trop attachées à l’objet. Cette valeur culturelle prêtée aux objets muséaux par l’institution traditionnelle est actée grâce aux frontières que cette dernière établit avec la réalité. Dans un premier temps, nous verrons comment la remise en question de ces limites oblige à repenser les qualités des choses muséalisées. Dans un deuxième temps, nous examinerons l’hypothèse suivante : les pratiques plastiques contemporaines, qu’elles soient ou non autorisées, et notamment celles de l’installation et de l’installation in situ vont accélérer le processus de questionnement de la muséalité. En effet, les recherches des plasticiens concernant le rapport de l’œuvre au lieu et au spectateur vont permettre d’envisager la notion de sculpture de manière élargie. Elles font notamment ressortir les qualités inhérentes au lieu, à ses mémoires identitaires hybrides qui nous paraissent être la clé d’une redéfinition de valeurs muséales plus attachées à une dimension sociale. De fait, l’objet n’est plus le seul légitime porteur de ces valeurs, l’espace ou même une situation peuvent se révéler avoir une importance culturelle. Aussi, la notion de muséalité doit-elle intégrer des valeurs temporelles de l’ordre de l’éphémère, du contingent et du précaire. Ces nouvelles valeurs ne peuvent advenir que parce que les outils de mémorisation, qui sont aussi des outils de diffusion, ont évolué : la photographie, Internet. L'espace urbain, en tant qu'espace public, a toujours été le lieu de dispositifs de démonstration du pouvoir et de commémorations. L’art sculptural en était l'outil privilégié. Au XXIe siècle, cet espace, qui devient le théâtre d'enjeux plus complexes liés à la métropolisation, garde pourtant l'œuvre comme média. Les commandes publiques s’accélérant, en lien aux innovations de l’architecture ou de l’urbanisme et à la valeur portée au patrimoine, tout semble aller dans le sens d’une esthétisation de l’espace public. L’œuvre va s’imposer comme un dispositif de médiation incontournable. Afin de préciser les enjeux de la valeur culturelle attachée à un tel dispositif, nous examinerons des cas actuels, différents et complémentaires, comme l’apport d’œuvres contemporaines sur le site patrimonial du Palais-Royal, mais aussi le site de La Défense à Paris qui propose plus d'une soixantaine de sculptures sur sa longue dalle piétonnière, ou encore le métro de Toulouse qui est doté d'une quarantaine d’œuvres conçues pour chaque station. Les qualités muséales de l'œuvre dans l’espace urbain ne s’évaluent pas en regard des mêmes critères que celles de l’œuvre dans l'institution du musée et nécessitent un changement de paradigme. Au sein de cet espace public, les dispositifs artistiques, muséaux et politiques se rencontrent autour d’objectifs communs de médiation plus que de médiatisation et redéfinissent la muséalité au plus près de son opérativité sociale<br>"The Open Air Museum" is the chosen means of communication by some metropolitan areas to promote their artistic heritage. We will question its validity in comparison with the concept of museality, since the principles of the museum are duly convened to legitimize an urban space as a place of memory. The museality, taken in its broader sense, refers to « the cultural value or quality of something conferred upon a museum object », that is to say, the evidential value of the reality it informs. This value "in relation to an ontological aspect of reality is conditioned by its multidimensionality and its vital impact to exceed temporal values by its cultural significance". Yet, if the urban space is a museum, public art calls to review these values that remain too attached to the object. Traditional institutions relied on the lines it established between reality and the museum to give value to museum objects. First, we will see how the reassessment of these limits requires a rethink of all things museality. Second, we will see that these are contemporary visual art practices, whether they are authorized or not, notably installation works and site specific installation works that will accelerate the process of questioning museality. Actually, the visual artist’s research, with regard to the relation of the art work within the space and to the spectator, will permit to envisage a wider concept of what sculpture can be. In particular, they force the inherent qualities of a site to stand out, to record its hybrid identities that, to us, appear to be the key to redefine museum values attached to a more social dimension. Indeed, these values are no longer solely conferred upon the object; the space, situation or an event can be of cultural importance. Also, the concept of museality must integrate ephemeral temporal values of a contingent and precarious nature. These new values can only happen because recording tools have also evolved: photography, internet. Urban spaces, as public places, have always been used as a mechanism for the public demonstration of power and commemoration. Sculpture was the preferred means. However, the public space which becomes, in the twenty-first century, the most complex theatre of issues related to metropolization, keeps the art work as media. Public commissions are increasing due to innovations in architectural or urban planning and value given to heritage. Everything appears to be heading in the direction of an aestheticization of public places where the art work will impose as an essential mediation mechanism. Finally, to clarify the issues of cultural values attached to such a system we will examine real cases, different and complimentary, such as the contribution of contemporary art works on the heritage site of the Palais-Royal, but also the site of La Défense in Paris which proposes more than sixty sculptures along a footpath, or the Toulouse underground which has allocated forty stations to accommodate art works conceived on site. A paradigm shift is necessary, as the criteria used to evaluate art work in an urban space are not the same as those used for art work in an institutional museum. Within the public space artistic organizations, museums and politics meet around common objectives of mediation rather than media coverage, to redefine museality closer to their own social operativity
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Beattie, Ashlee E. "Performing Historical Narrative at the Canadian War Museum: Space, Objects and Bodies as Performers." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/20345.

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This thesis explores the symmetry between theatres and museums, and investigates how a museum experience is similar to a theatrical event. Particularly, this project examines how the Canadian War Museum performs historical narrative through its use of three performative elements of a theatre production: space, objects and actor’s body. Firstly, this thesis analyses how creating a historical narrative is similar to fiction writing and play writing. It follows the argument of Hayden White and Michel de Certeau who recognize a historical narrative as a performative act. Accordingly, this thesis examines the First World War exhibit at the Canadian War Museum as a space of performance. I apply Lubomír Doležel’s literary theory on possible worlds, illustrating how a museum space can create unique characteristics of a possible world of fiction and of history. Secondly, this thesis employs Marie-Laure Ryan’s theory of narrativity to discuss how museum objects construct and perform their stories. I argue that the objects in museums are presented to the public in a state of museality similar to the condition of theatricality in a theatre performance. Lastly, this thesis investigates the performance of people by applying various theories of performance, such as Michael Kirby’s non-acting/acting continuum, Jiří Veltruský’s concept of the stage figure, and Freddie Rokem’s theories of actors as “hyper-historians.” In this way, this thesis explores concrete case studies of employee/visitor interactions and expands on how these communications transform the people within the walls of the museum into performers of historical narrative. Moreover, according to Antoine Prost, the museum as an institution is an educational and cultural authority. As a result, in all of these performative situations, the Canadian War Museum presents a historical narrative to its visitors with which it can help shape a sense of national identity, the events Canadians choose to commemorate and their personal and/or collective memories. In its interdisciplinary scope, this thesis calls upon theories from a variety of academic fields, such as performance studies, history and cultural studies, museology, and literary studies. Most importantly, however, this project offers a new perspective on the performative potentials of a national history museum.
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Fuchs, Thomas. "Bibliotheken zwischen Kultureller Memoria, Wissenschaft und Musealität." Das Buch in Antike, Mittelalter und Neuzeit : Sonderbestände der Universitätsbibliothek Leipzig / hrsg. von Thomas Fuchs ... Wiesbaden : Harrassowitz, 2012. S. 1-36. ISBN 978-3-447-06689-1, 2012. https://ul.qucosa.de/id/qucosa%3A13578.

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Fuchs, Thomas. "Bibliotheken zwischen Kultureller Memoria, Wissenschaft und Musealität." Universitätsbibliothek Leipzig, 2016. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-201157.

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Arlotti, Elena. "Un sistema di navigazione indoor per la fruizione di percorsi museali personalizzati." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/15669/.

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Trattasi di un sistema di navigazione indoor per la fruizione di percorsi museali personalizzati. Il sistema prevede la realizzazione di un'applicazione per smartphone e un sito web di amministrazione dei dati. Nel primo capitolo viene descritto il contesto di studio e le ricerche sullo stato dell'arte. Nel secondo capitolo è stata descritta tutta la fase di progettazione del sistema e la scelta delle tecnologie. Nel terzo capitolo viene descritta la fase di implementazione: le problematiche emerse e come sono state risolte. In quest'ultimo capitolo sono anche descritti i test svolti per valutare la precisione del sistema di navigazione realizzato. Le conclusioni invece contengono una valutazione complessiva del progetto, analizzando i risultati ottenuti ed eventuali sviluppi futuri.
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Paliani, Luca <1974&gt. "Per un museo virtuale dell'informatica. Un supporto automatico per creare "visite museali"." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2009. http://amsdottorato.unibo.it/1305/.

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The subject of the present research is related to the field of computer technology applied to support intellectual activities such as text translation, screenwriting and content organization of popular and education courses, especially concerning museum visits. The research has started with the deep analysis of the cognitive process which characterizes a screenwriter while working. This choice has been made because a screenplay is not only an aid to the realization of a show but, more in general, it can be considered as the planning of an education, popular and formative intellectual activity. After this analysis, the research has focused on the specific area of the planning, description and introduction of topics related to the history of science, and in particular, of computer science. To focus on this area it has been fundamental to analyse subjects concerning the didactics of museum visits organization. The aim was to find out the guide lines that a teacher should follow when planning the visit of a museum (virtual museum of the history of computer science). The consequent designing and realisation of an automatic support system for the description and the production of a formative, education and popular multimedia product (for the history of computer science), has been possible thanks to the results achieved through this research. The system obtained is provided by the following features: ·management of multimedia slides (such as texts, video, audio or images) which can be classified on the bases of the topic and of the profile of the user; ·automatic creation of a sequence of multimedia slides which introduce the topic; ·management of the interaction with the user to check and give validity to the product. The most innovative aspect of the present research is represented by the fact that the product is realised on the bases of the profile of the user.
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Felice, Mirko. "Sviluppo di un'app mobile per la gestione di opere in contesti museali attraverso NFC." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amslaurea.unibo.it/21858/.

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L'obiettivo di questo volume di tesi è di presentare il contesto e l'implementazione del progetto di tesi che riguarda lo sviluppo di un'applicazione mobile che permette la gestione facilitata di opere d'arte all'interno di un contesto museale. Il volume tratta innanzitutto i concetti di Pervasive Computing e Smart Environment, per poi andare a delineare dettagliatamente il cosiddetto IoT e i sensori che lo caratterizzano, con particolare attenzione ai sensori di prossimità ed in particolare alla tecnologia NFC. Successivamente, verranno presentate le tecnologie utilizzate per sviluppare l'app e i requisiti del sistema. Il volume si conclude poi con la descrizione dettagliata dell'applicazione mobile sviluppata. In particolare, l'applicazione, sviluppata in Android, riguarda la gestione di opere d'arte in un contesto museale e ha lo scopo di semplificare le operazioni che gli utenti finali andranno ad eseguire in loco. Il progetto prevede la visualizzazione e l'amministrazione dei pezzi d'arte contenuti nel museo: il proposito è infatti automatizzare e facilitare i flussi lavorativi degli operatori museali in relazione al monitoraggio quotidiano dello stato delle opere. In particolare, l'applicazione è stata sviluppata per essere utilizzata sia dal personale addetto alla custodia del patrimonio museale, sia dai conservatori incaricati alla conservazione. La particolarità di quest'applicazione è l'uso della tecnologia NFC. Essa infatti, tramite apposito modulo hardware, permette di ricercare e visualizzare i dettagli dell'opera tramite tag preconfigurati.
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Potente, Margherita. "Mhrauli, New Delhi, India: riqualificazione del parco archeologico e progetto di nuovi spazi museali." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amslaurea.unibo.it/3628/.

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Lo spazio periurbano della città di Mehrauli è caratterizzato dalla massiccia presenza di reperti archeologici di importanza rilevante. L’intervento si pone come obbiettivo la valorizzazione di questo vasto patrimonio storico-culturale attraverso il progetto di un parco archeologico che alterna verde attrezzato ad un reticolo di percorsi connettivi. In particolare il parco archeologico individua un sistema museale capace di connettere il tessuto urbano della città ai reperti storici più rilevanti. Il sistema parco si connette quindi alla città attraverso la realizzazione di servizi, dove oltre al museo possono essere individuati: un mercato, un aggregato residenziale e differenti edifici che possono ospitare in maniera flessibile diverse attività.
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Grahn, Wera. "”Känn dig själf” : Genus, historiekonstruktion och kulturhistoriska museirepresentationer." Doctoral thesis, Linköpings universitet, Filosofiska fakulteten, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-7271.

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I den här avhandlingen undersöks hur privilegierade representationer av femininitet och maskulinitet tar sig uttryck och konstrueras i samtida museipraktiker med fokus på Nordiska museet i Stockholm. Studien visar hur dessa musealt imaginära representationer samverkar med intersektionella aspekter som klass, etnicitet, nationalitet och sexualitet. Avhandlingen diskuterar också epistemologiska och ontologiska frågor om hur historiska narrativ skapas och hur museala artefakter kan förstås. Huvudargumentet är att de dominerande representationerna skapas med hjälp av en reducerad matris av stereotypa skript för kön, klass, etnicitet, nationalitet såväl som sexualitet, vilket kan ses som uttryck för en fallogocentrisk betydelseekonomi. Denna undersökning av samtida skript på Nordiska museet har använt teoretiska tankegångar och analytiska redskap från de överlappande kunskapsfälten sexual difference, queer- och sexualitetsforskning, genus/könsmaktforskning, kvinnohistorisk forskning, maskulinitetsforskning, postkolonial feministisk forskning, samt feminist studies of science and technology. Ett pluralistisk feministisk nomadologisk metateoretiskt ramverk har skapats för att analysera och försöka förstå det empiriska materialet utifrån de nämnda teorierna. Världen och däribland museernas verksamhet är så komplex och mångfasetterad att många olika genusteoretiska ingångar krävs för att kunna läsa och förstå olika gestaltningar. I avhandlingen ritas en översiktskarta över de fallogocentriska museala skripten upp bredvid vilken en partiellt situerad terrängkarta placeras som kastar ljus över det musealt imaginära.<br>This study investigates how privileged representations of femininity and masculinity are created in contemporary work at The Swedish National Museum of Cultural History, Nordiska museet, in Stockholm. The thesis shows how these representations closely intersect with the museal imaginaries of class, ethnicity, nationality and sexuality. The study gives rise to ontological questions of how historical narratives are produced and how museal artifacts are apprehended. The main argument is that the dominating representations are created through a reduced matrix of stereotyped scripts for gender, class, ethnicity, nationality and sexuality that can be understood as reflections of a phallogocentric order. This exploration of contemporary scripts at Nordiska museet is performed with analytic tools from the overlapping fields of sexual difference, queer and sexuality studies, gender studies, women’s studies, masculinity studies, post colonial feminist studies and feminist studies of science and technology. A pluralistic feministinformed nomadological metatheoretical frame is used as an umbrella to embrace these theoretical approaches. The complexity of the social world and of a museum demand different theories to be applied to different situations. A general map of the phallogocentric museal scripts is drawn, besides which a partial and locally accounted one is juxtaposed that gives shape to the museal imaginary.
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Books on the topic "Museality"

1

Costanzo, Michele. Costantino Dardi: Architetture museali. Electa, 1992.

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Costanzo, Michele. Josef Paul Kleihues: Architetture museali. Electa, 1991.

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Lazzeretti, Luciana, ed. I sistemi museali in Toscana. Firenze University Press, 2006. http://dx.doi.org/10.36253/978-88-6453-112-0.

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Il volume presenta i risultati di una ricerca promossa da una convenzione tra il Dipartimento di Scienze Aziendali dell'Università di Firenze e la Regione Toscana con l'obiettivo di definire il quadro dei sistemi museali. Dato che non esiste ancora un concetto teorico di sistema museale la ricerca ha inquadrato l'effettiva situazione della regione studiando "i sistemi museali toscani in atto".
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Scuola di San Rocco (Venice, Italy). Ceramiche alla Scuola di San Rocco a Venezia: Tra musealità e collezionismo. Doniamo Speranza, 1987.

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Bernardi, Adriana. Conservare opere d'arte: Il microclima negli ambienti museali. Il prato, 2003.

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Ezio, Mattiocco, Tuteri Rosanna, Sulmona (Italy) Museo civico, and Italy. Soprintendenza per i beni ambientali, architettonici, artistici e storici per l'Abruzzo-L'Aquila, eds. Guida alla visita del Museo civico di Sulmona: Progetto : itinerari museali nelle città d'arte, valorizzazione del Museo civico di Sulmona. BetaGamma, 2000.

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Sandrina, Bandera Bistoletti, and Pinacoteca di Brera, eds. Brera e la guerra: La pinacoteca di Milano e le istituzioni museali milanesi durante il primo e il secondo conflitto mondiale. Electa, 2009.

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Convegno "Restituire la memoria, modi e forme dei linguaggi museali" (2010 Aosta, Italy). Restituire la memoria: Modi e forme dei linguaggi museali : Convegno internazionale promosso dall'Assessorato istruzione e cultura della Regione autonoma Valle d'Aosta, Aosta, 4 e 5 giugno 2010. Giunti, 2011.

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Piero, Pruneti, and Ronc Maria Cristina, eds. Restituire la memoria: Modi e forme dei linguaggi museali : Convegno internazionale promosso dall'Assessorato istruzione e cultura della Regione autonoma Valle d'Aosta, Aosta, 4 e 5 giugno 2010. Giunti, 2011.

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Glittica elamita: Dalla metà del III alla metà del II millennio a. C. : sigilli a stampo, sigilli a cilindro e impronte rinvenute in Iran e provenienti da collezioni private e museali. L'Erma di Bretschneider, 2011.

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Book chapters on the topic "Museality"

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Kugele, Jens. "Museality." In The Bloomsbury Handbook of The Cultural and Cognitive Aesthetics of Religion. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781350066748.ch-011.

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"CONTESTI E COLLEZIONI MUSEALI." In Letti votivi e culti domestici. Pisa University Press, 2010. http://dx.doi.org/10.2307/j.ctvb1hrs7.9.

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Österle, David. "Von den „Kleinigkeiten der Culturgeschichte“ Musealität bei Hugo von Hofmannsthal." In Tradition in der Literatur der Wiener Moderne, edited by Wilhelm Hemecker, Cornelius Mitterer, and David Österle. De Gruyter, 2017. http://dx.doi.org/10.1515/9783110549539-008.

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Uhrig, Max-Rainer. "3. Auf dem Weg in die Musealität: Anthologien, Editionen und Abhandlungen." In Auf gewundenen Pfaden. Ergon Verlag, 2019. http://dx.doi.org/10.5771/9783956506017-61.

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"Das Museum des Unvermögens. Musealität des Alltags in Georges Perecs Les Choses." In Museales Erzählen. Wilhelm Fink Verlag, 2020. http://dx.doi.org/10.30965/9783846764497_005.

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Conference papers on the topic "Museality"

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Suter, Ulrich W., Michael Wechner, and Titus Eichenberger. "Musealia – an artistic and documentary research project." In Electronic Visualisation and the Arts. BCS Learning & Development, 2016. http://dx.doi.org/10.14236/ewic/eva2016.17.

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