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Journal articles on the topic 'Musée d'Orsay'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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1

Schweitzer, Sylvie. "Schneiderville au Musée D'Orsay." Vingtième Siècle, revue d'histoire 48, no. 1 (1995): 154–55. http://dx.doi.org/10.3406/xxs.1995.4439.

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2

Schweitzer, Sylvie. "Schneiderville au Musée D'Orsay." Vingtième Siècle. Revue d'histoire 48, no. 4 (October 1, 1995): 154–55. http://dx.doi.org/10.3917/ving.p1995.48n1.0154.

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3

Thuillier, Jacques. "De la gare au Musée d'Orsay." Revue de l'Art 74, no. 1 (1986): 5–11. http://dx.doi.org/10.3406/rvart.1986.347588.

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4

Woods, Alan. "The Barnes Collection in the Musée d'Orsay." Cambridge Quarterly XXIII, no. 3 (1994): 286–91. http://dx.doi.org/10.1093/camqtly/xxiii.3.286.

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5

Vadelorge, Loïc. "European Museums in the Twentieth Century." Contemporary European History 10, no. 2 (July 2001): 307–16. http://dx.doi.org/10.1017/s0960777301002077.

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James D. Herbert, Paris 1937: Worlds on Exhibition (Ithaca: Cornell University Press, 1998), 207 pp., £31.50, ISBN 0-801-43494-7. Andrea Kupfer Schneider, Creating the Musée d'Orsay. The Politics of Culture in France (University Park, PA: Pennsylvania State University Press, 1998), 150 pp., $25.00, ISBN 0-271-01752-X. Juan Pedro Lorente, Cathedral of Urban Modernity. The First Museums of Contemporary Art, 1800–1930 (Aldershot: Ashgate, 1998), £47.50, ISBN 1-859-28383-7. Ministère de la Culture et de la Communication, Direction des Musées de France, Centre national de la Recherche Scientifique, Centre de Sociologie des Organisations, Musée National du Moyen Age, Publics et projets culturels. Un enjeu des musées en Europe. Actes des Journées d'étude 26 et 27 octobre 1998, Paris, Musée national du Moyen Age (Paris: L'Harmattan, 2000), price not given, ISBN 2-738-48645-2. Paul Rasse, Les Musées à la lumière de l'espace public. Histoire, évolution, enjeux (Paris: L'Harmattan, Logiques Sociales, 1999), 238 pp., price not given, ISBN 2-738-47769-0. Selma Reuben Holo, Beyond the Prado. Museums and Identity in Democratic Spain (Liverpool University Press, 1999), 222 pp., price not given, ISBN 0-853-23535-X. Brandon Taylor, Art for the Nation. Exhibitions and the London Public 1747–2001 (Manchester University Press, 1990), 314 pp., price not given, ISBN 0-719-05452-4.
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6

Almeida, Maria Teresa. "Les collections permanentes au Musée d'Orsay de Paris." Museum International (Edition Francaise) 39, no. 2 (April 24, 2009): 113–19. http://dx.doi.org/10.1111/j.1755-5825.1987.tb01084.x.

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7

Korff-Sausse, Simone. "Les hommes de l'automne, « Masculin/Masculin », Musée d'Orsay. 2013." Champ psy 65, no. 1 (2014): 199. http://dx.doi.org/10.3917/cpsy.065.0199.

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8

Beetem, Robert N. "EXHIBITING MODERN ART IN PARIS: THE MUSÉE D'ORSAY AND OTHERS." Contemporary French Civilization 13, no. 1 (April 1989): 91–95. http://dx.doi.org/10.3828/cfc.1989.13.1.008.

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9

Almeida, Maria Teresa. "The display of permanent collections at the Musée d'Orsay, Paris." Museum International 39, no. 2 (June 1987): 113–19. http://dx.doi.org/10.1111/j.1468-0033.1987.tb00678.x.

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10

Hak-Ro Yoon. "Le musée d'Orsay et le patrimoine industriel : espace culturel de l'éclectisme et de la reconversion." Etudes de la Culture Francaise et de Arts en France 32, no. ll (May 2010): 565–91. http://dx.doi.org/10.21651/cfaf.2010.32..565.

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11

Jacobs, Vince. "ART FOR ART'S SAKE? CÉZANNE: les années de jeunesse, 1859–1872 AT THE MUSÉE D'ORSAY." Contemporary French Civilization 14, no. 1 (April 1990): 100–104. http://dx.doi.org/10.3828/cfc.1990.14.1.010.

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12

SukYoungHan. "Etude sur la touristification du patrimoine en France : le cas du Musée d'Orsay et du Louvre." Etudes de la Culture Francaise et de Arts en France 26, no. ll (November 2008): 601–24. http://dx.doi.org/10.21651/cfaf.2008.26..601.

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13

Nieto Yusta, Constanza. "RESEÑA de: Clair, Jean (Dir.). Nihil novi sub sole : sobre la exposición Crime and Châtiment. París : Musée d'Orsay / Gallimard , 2010." Espacio Tiempo y Forma. Serie V, Historia Contemporánea, no. 24 (January 1, 2012): 385. http://dx.doi.org/10.5944/etfv.24.2012.10271.

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14

Cardoso de Matos, Ana, and Fernanda De Lima Lourencetti. "Reusing railway infraestructures in the spirit of circular construction. A contribution to an operational concept." VITRUVIO - International Journal of Architectural Technology and Sustainability 6, no. 1 (June 30, 2021): 12. http://dx.doi.org/10.4995/vitruvio-ijats.2021.15487.

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<p class="Abstracttext-VITRUVIO">This paper aims to be a contribution to establish a position to the reuse of obsolete railway buildings in the field of circular construction. Recent discussions argue that considering that the circular economy is only related to the use of materials or waste is a misconception. The reuse of buildings is also an issue circular architecture. The European Union itself, since 2002, supports the Programme ESPON - European Territorial Cooperation Programme, which incisively inserts obsolete buildings in the "spirit of the circular economy", giving greater attention to industrial areas undergoing change and deindustrialisation. Considering that the concepts of circular construction and circular architecture originated in the circular economy, which emerged as a way to promote and ensure urban sustainability, this article addresses in a first moment the concept of circular construction from the first documents developed in the context of sustainable development to the latest policies proposed by ESPON. It also analyses the reuse of obsolete railway spaces based on the analysis of some emblematic examples of reuse, namely the <em>Musée d'Orsay</em> and the <em>Promenade Plantée</em> in Paris. These two examples represent different types of railway infrastructure and their fate will frame the reuse of railway buildings within the concept of circular construction.</p>
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15

Schroeder-Gudehus, Brigitte. "Creating the Musée d'Orsay: The Politics of Culture in FranceAndrea Kupfer Schneider University Park: Pennsylvania State University Press, 1998, pp. ix, 150." Canadian Journal of Political Science 32, no. 3 (September 1999): 591–93. http://dx.doi.org/10.1017/s0008423900014098.

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16

Cox, Brian. "Musee d'Orsay." Hudson Review 50, no. 1 (1997): 105. http://dx.doi.org/10.2307/3852402.

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17

Schweitzer, Sylvie. "Schneiderville au musee d'Orsay." Vingtième Siècle. Revue d'histoire, no. 48 (October 1995): 154. http://dx.doi.org/10.2307/3770226.

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18

Mainardi, Patricia. "Postmodern History at the Musee d'Orsay." October 41 (1987): 30. http://dx.doi.org/10.2307/778328.

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19

Bourrinet, Patrick. "Musée pharmaceutique de l'abbaye d'Orval (Belgique)." Revue d'histoire de la pharmacie 94, no. 350 (2006): 282–83. http://dx.doi.org/10.3406/pharm.2006.6007.

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20

Edwards, Gary. "Photographs of Greece in the Musée D'orsay's album of the Duc De Chartres." History of Photography 14, no. 2 (April 1990): 165–79. http://dx.doi.org/10.1080/03087298.1990.10441043.

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21

"Musee d'Orsay: virtual visit." Choice Reviews Online 39, no. 11 (July 1, 2002): 39–6212. http://dx.doi.org/10.5860/choice.39-6212.

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22

"Birth of Impressionism: masterpieces from the Musee D'Orsay." Choice Reviews Online 48, no. 05 (January 1, 2011): 48–2484. http://dx.doi.org/10.5860/choice.48-2484.

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23

"Van Gogh, Gauguin, Cezanne, and beyond: post-Impressionist masterpieces from the Musee d'Orsay." Choice Reviews Online 48, no. 05 (January 1, 2011): 48–2486. http://dx.doi.org/10.5860/choice.48-2486.

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