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Journal articles on the topic 'Museo archeologico nazionale di Cagliari'

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Published: 4 June 2021

Last updated: 28 July 2025

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1

Ammerman, Rebecca Miller, Lucia Amalia Scatozza Höricht, and Lucia Amalia Scatozza Horicht. "Le Terrecotte figurate di Cuma del Museo Archeologico Nazionale di Napoli." American Journal of Archaeology 94, no. 3 (1990): 511. http://dx.doi.org/10.2307/505825.

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Noferi, Claudia. "Materiali vulcenti nel Museo Archeologico Nazionale di Firenze : alcune riflessioni." Mélanges de l'École française de Rome. Antiquité, no. 135-1 (January 1, 2023): 107–15. http://dx.doi.org/10.4000/mefra.14146.

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3

Izzo, Filomena. "Technological Innovation and Management Skills: Case Study of the Museo Archeologico di Napoli." International Business Research 10, no. 8 (2017): 44. http://dx.doi.org/10.5539/ibr.v10n8p44.

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The aim of this article is to contribute to the debate on how management positions in museums can contribute in successfully implementing technological innovations within a museum. The results of a case study on the - Museo Archeologico Nazionale di Napoli (MANN) – which covers the theme of transferrable skills of a museum director for the successful implementation of technological innovations to improve the service the museum offers to the benefit of the public.

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4

Nicastro, G., and P. Puma. "VIRTUAL HERITAGE FOR THE DISSEMINATION OF THE BARATTI IN 3D PROJECT." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W9 (January 31, 2019): 529–34. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w9-529-2019.

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<p><strong>Abstract.</strong> The paper describes the final step of the Baratti in 3D project, aimed at the dissemination of the important archaeological heritage of the Etruscan city of Populonia (Tuscany, Italy). The chain of “data metrical surveying &amp;ndash; 2D and 3D representation &amp;ndash; communication” has been applied on the “Princes's tombs” of the monumental necropolis of San Cerbone and its finds to provide a detailed description of their context, workmanship, morphological characteristics and materials to realize the virtual recreation. The preservat

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5

Jackson-Martín, Rafael. "DOS Sincronía iconófaga: Picasso y las imágenes pompeyanas en el origen del Ballet Parade (1917)." Imagem: Revista de Hist´ória da Arte 4, no. 1 (2024): 96–122. http://dx.doi.org/10.34024/imagem.v4i1.19450.

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A partir del viaje de Picasso a Italia y, en especial, de sus visitas a Pompeya y al Museo di Napoli –en la actualidad, Museo Archeologico Nazionale–, el propósito de este texto es el de revisar el diálogo entre Picasso y algunos ejemplos de arte romano que pudo ver en ambos lugares a partir de su explotación soterrada en la producción abiertamente moderna cristalizada en el ballet Parade y en la pintura Arlequín y mujer con collar (ambos de 1917). De esta manera, se explorarán las posibilidades nuevas que le ofrecieron tales obras artísticas desde su mirada moderna y su espíritu cubista, aten

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6

Mainieri, Stefania. "A New Study on Two Yellow Coffins at the Museo Archeologico Nazionale di Napoli (MANN)." Annali Sezione Orientale 83, no. 1-2 (2023): 3–37. http://dx.doi.org/10.1163/24685631-12340139.

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Abstract The article focuses on the results obtained from the investigation of two yellow coffins in the Museo Archeologico Nazionale di Napoli (MANN; inv. nos. 2344, 2348; 2341, 2347), which were sold to the Real Museo Borbonico by the traveller Giuseppe Picchianti in 1827. Although first studied in 1989, a new and in-depth study on painting and typology of these objects was made in 2016 on the occasion of the rearrangement of the per- manent display. Starting with a detailed analysis and a precise description of the coffins, issues surrounding their provenance and chronology have now been up

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Germanò, Germano. "Il Museo della Magna Grecia. Dal progetto di Piacentini ai primi allestimenti del Museo Archeologico Nazionale di Reggio Calabria." Opus Incertum 9 (December 13, 2023): 122–33. http://dx.doi.org/10.36253/opus-14846.

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The paper retraces the history of the exhibition designs of the National Archaeological Museum of Reggio Calabria (Italy), investigating the museographic and museological instances that inspired them, with a glimpse of the cultural context in which they flourished. The investigation period spans from the 1930s, when the architect Marcello Piacentini developed the original planning ideas for the building and the interior of the “first museum in Italy built for this purpose”, to the first exhibition presented to the public at the opening in 1958. The paper concludes with an analysis of the expan

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8

Burnett, A. M. "F. Catalli, Tarquinia. Museo Archeologico Nazionale. Le Monete (Materiali del Museo Archeologico Nazionale di Tarquinia X). Rome: G. Bretschneider, 1987. Pp. 119, 17 pls. ISBN 88-7689-005-X." Journal of Roman Studies 79 (November 1989): 265–66. http://dx.doi.org/10.2307/301274.

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9

Masseti, Marco. "Gazelles (Gazella spp.) depicted in frescoes and sculpture from Herculaneum and Pompeii." Archives of Natural History 49, no. 2 (2022): 259–68. http://dx.doi.org/10.3366/anh.2022.0789.

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Paintings and sculptures depicting gazelles ( Gazella spp.) are frequent in Ancient Roman art. Images of gazelles have been discovered during the archaeological explorations of Herculaneum and Pompeii, devastated by the eruption of Mount Vesuvius in ad 79. Two bronze statues of ungulates from the Villa of the Papyri, Herculaneum, now on display at the Museo Archeologico Nazionale di Napoli (National Archaeological Museum of Naples), have not been correctly identified, consequently causing erroneous speculation about their cultural significance. The aim of this paper is to suggest which gazelle

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10

Tarantino, Chiara. "Plinio, Pausania e un modello di Marsia : riflessioni da una kylix del Museo Archeologico Nazionale Tarquiniese." Agoghè, no. 12 (2022): 7–45. http://dx.doi.org/10.12871/97888333951111.

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11

Barrile, Vincenzo, Antonino Fotia, Gabriele Candela, and Ernesto Bernardo. "Geomatics Techniques for Cultural Heritage Dissemination in Augmented Reality: Bronzi di Riace Case Study." Heritage 2, no. 3 (2019): 2243–54. http://dx.doi.org/10.3390/heritage2030136.

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The Riace Bronzes are two full-size bronzes cast around the 5th century BC, located at the ‘Museo Archeologico Nazionale della Magna Grecia’ in Reggio Calabria; they truly represent significant sculptural masterpieces of Greek art in the world due to their outstanding manufacture. This paper describes the methodology for the achievement of a 3D model of the two sculptures lead by the Geomatics Laboratory of the Department of Civil, Energetic, Environmental and Material Engineering (DICEAM) of the Mediterranean University of Reggio Calabria. 3D modeling is based on the use of imaging techniques

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12

Giovannini, Annalisa. "Pendenti in vetro di forma circolare. Spunti di ricerca dagli esemplari del Museo Archeologico Nazionale di Aquileia e dei Civici Musei di Storia ed Arte di Trieste." Pallas, no. 83 (October 1, 2010): 117–41. http://dx.doi.org/10.4000/pallas.10794.

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13

Sparkes, Brian A. "(A.M.) Esposito and (G.) De Tommaso Museo Archeologico Nazionale di Firenze. Antiquarium. Vasi attici. Florence: Edizioni II Ponte, 1993. Pp. 102, ill. L18,000." Journal of Hellenic Studies 117 (November 1997): 263. http://dx.doi.org/10.2307/632615.

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14

McPhee, Ian. "Corpus Vasorum Antiquorum. Italia LXVIII. Gioia del Colle, Museo archeologico nazionale, I. By A. Cancio. Rome: L'Erma di Bretschneider, 1995. Pp 35 + ill. L230,000." Journal of Hellenic Studies 116 (November 1996): 231–32. http://dx.doi.org/10.2307/632018.

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15

Weber-Lehmann, Cornelia. "Valentina Vincenti: La Tomba Bruschi di Tarquinia. Roma: Giorgio Bretschneider Editore 2009. XI, 190 S. 23 Taf. (Materiali del Museo Archeologico Nazionale di Tarquinia. 17. Archaeologica. 150.)." Gnomon 87, no. 1 (2015): 57–61. http://dx.doi.org/10.17104/0017-1417_2015_1_57.

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16

D'Auria, Alessia, Fabio Marzaioli, Isabella Passariello, et al. "Can plant material be considered part of cultural heritage? A lesson from Vitis vinifera L. remains stored in the Museo Archeologico Nazionale di Napoli, (Italy)." Journal of Cultural Heritage 60 (March 2023): 72–77. http://dx.doi.org/10.1016/j.culher.2023.02.001.

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17

Ridgway, F. R. Serra. "More Material From Tarquinia - Giampiero Pianu: Ceramiche etrusche sovradipinte. (Archaeologica 21: Materiali Del Museo Archeologico Nazionale di Tarquinia, 3.) Pp. viii + 149; 114 plates. Rome: Giorgio Bretschneider, 1982. Paper, L. 130,000. - Annamaria Comella: Il deposito votivo presso ;'Ara della Regina. (Archaeologica 22: Materiali del Museo Archeologico Nazionale di Tarquinia, 4.) Pp. xii + 242; 126 plates. Rome: Giorgio Bretschneider, 1982. Paper, L. 180,000." Classical Review 35, no. 1 (1985): 166–69. http://dx.doi.org/10.1017/s0009840x00107802.

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18

Estiot, Sylviane. "Médaillons romains. À propos de : P. F. Mittag, Römische Medaillons. Caesar bis Hadrian, Stuttgart 2010 ; S. Bani, M. Benci, A. Vanni, I Medaglioni Romani del Monetiere del Museo Archeologico Nazionale di Firenze, Gubbio s. d. (2011) ; S. Bani, M. Benci, A. Vanni, I Medaglioni Provinciali e i Contorniati Romani nelle raccolte del Monetiere del Museo Archeologico Nazionale di Firenze, Gubbio s. d. (2012)." Revue des Études Anciennes 117, no. 2 (2015): 613–20. http://dx.doi.org/10.3406/rea.2015.5943.

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19

Malone, Caroline, and Simon Stoddart. "Ripostigli di bronzi della sicilia nel museo archeologico di Siracusa. By Rosa Maria Albanese Procelli (with appendices by Fulvia Lo Schiavo). Palermo: Accademia Nazionale di Scienze, Lettere e Arti. 1993. 344 pp., 50 pls. 67 figs. L. 100.000." Proceedings of the Prehistoric Society 61 (1995): 472–73. http://dx.doi.org/10.1017/s0079497x0000325x.

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20

Wallace, Rex E. "Cippi inscribed in Etruscan and Latin from the Tarquinia Museum and their social context - JORMA KAIMIO, THE CIPPUS INSCRIPTIONS OF MUSEO NAZIONALE DI TARQUINIA (Materiali del Museo Archeologico Nazionale di Tarquinia XVIII; Archaeologica 154; Giorgio Bretschneider Editore, Roma2010). Pp. xii + 217, many figs. ISSN 0391-9293; ISBN 978-88-7689-242-4. EUR. 230." Journal of Roman Archaeology 24 (2011): 508–11. http://dx.doi.org/10.1017/s1047759400003512.

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21

Visonà, Paolo. "The coins of Tarquinia - FIORENZO CATALLI , LE MONETE (Materiali del Museo Archeologico Nazionale di Tarquinia 10, “Archaeologica” 69, Giorgio Bretschneider, Roma 1987). Pp. 119, Tav.17. Lit.170.000. ISBN 88-7689-005-X." Journal of Roman Archaeology 2 (1989): 154–55. http://dx.doi.org/10.1017/s1047759400010412.

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22

Whitehouse, David. "Glass from the port city of Aquileia - LUCIANA MANDRUZZATO e ALESSANDRA MARCANTE (a cura di), VETRI ANTICHI DEL MUSEO ARCHEOLOGICO NAZIONALE DI AQUILEIA. IL VASELLAME DA MENSA (Corpus delle Collezioni del Vetro nel Friuli Venezia Giulia, vol. 2; Comitato Nazionale Italiano dell’AIHV; Pasian di Prato2005). Pp. 173, numerous ills, including colour. ISBN 88- 88018-47-6." Journal of Roman Archaeology 19 (2006): 538–39. http://dx.doi.org/10.1017/s1047759400006772.

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23

Hanoune, Roger. "M. Cavalieri , Dei, eroi ed offerenti. La collezione di bronzetti etrusco-italici del Museo archeologico nazionale di Parma . Rome, Institut historique belge, 2006, 260 p., ill. (Institut historique belge de Rome). (Études de philologie, d’archéologie et d’histoire anciennes , 54). ISBN 90-74461-62-X." Revue du Nord 368, no. 5 (2006): I. http://dx.doi.org/10.3917/rdn.368.0231a.

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24

Serra Ridgway, Francesca R. "Etruscan mirrors and archaeological context - ALBA FRASCARELLI, ITALIA 2, PERUGIA-MUSEO ARCHEOLOGICO NAZIONALE I (Corpus Speculorum Etruscorum [henceforth CSE]; “L'Erma” di Bretschneider, Rome 1995). Pp. 179, figs. 126. ISBN 88-7062-912-0. - GABRIELE CATENI, ITALIA 3, VOLTERRA-MUSEO GUARNACCI I (CSE; “L'Erma” di Bretschneider, Rome 1995). Pp. 194, figs. 140. ISBN 88-7062-911-2. - DENISE EMMANUEL-REBUFFAT, FRANCE 1, PARIS-MUSÉE DU LOUVRE III (CSE; “L'Erma” di Bretschneider, Rome 1997). Pp. 190, figs. 112. ISBN 88-7062-946-5. - LARISSA BONFANTE, USA 3, NEW YORK-THE METROPOLITAN MUSEUM OF ART (CSE; “L'Erma” di Bretschneider, Rome 1997). Pp. 186, figs. 100. ISBN 88-7062-997-X. - MARIA STELLA PACETTI, ITALIA 4, ORVIETO–MUSEO “CLAUDIO FAINA” (CSE; “L'Erma” di Bretschneider, Rome 1998). Pp. 167, figs. 110. ISBN 88-8265-028-6. - GABRIELLA BARBIERI (with LORENZO GALEOTTI), ITALIA 5, VITERBO–MUSEO ARCHEOLOGICO NAZIONALE (CSE; “L'Erma” di Bretschneider, Rome 1999). Pp. 209, figs. 156. ISBN 88-8265-050-2." Journal of Roman Archaeology 13 (2000): 407–18. http://dx.doi.org/10.1017/s1047759400019024.

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25

Turfa, Jean MacIntosh. "Rehabilitating the Tomba Bruschi at Tarquinia: Etruria's élite in the later 4th and early 3rd c. B.C. - VALENTINA VINCENTI, LA TOMBA BRUSCHI DI TARQUINIA (Materiali del Museo Archeologico Nazionale di Tarquinia, vol. XVII; Archaeologica 150; Giorgio Bretschneider Editore, Roma2009). Pp. xi + 190, Tav. 23 including colour. ISSN 0391-9293; ISBN 978-88-7689-235-6. EUR. 190." Journal of Roman Archaeology 23 (2010): 455–58. http://dx.doi.org/10.1017/s1047759400002555.

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26

Ridgway, F. R. Serra. "Etruscan Vases - Birgitte Ginge: Ceramiche etrusche a figure nere. (Archaeologica 72: Materiali del Museo Archeologico Nazionale di Tarquinia, 12.) Pp. 117; 105 plates. Rome: Bretschneider, 1987. Paper, L. 250,000. - Nigel Jonathan Spivey: The Micali Painter and his Followers. (Oxford Monographs on Classical Archaeology.) Pp. xv + 103; 19 figures; 40 plates. Oxford: Clarendon Press, 1987. £30." Classical Review 39, no. 2 (1989): 341–44. http://dx.doi.org/10.1017/s0009840x00272120.

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27

Griffith, Alison B. "ARCHITECTURAL TERRACOTTAS - P. Lulof, C. Rescigno (edd.) Deliciae Fictiles IV. Architectural Terracottas in Ancient Italy. Images of Gods, Monsters and Heroes. Proceedings of the International Conference held in Rome (Museo Nazionale Etrusco di Villa Giulia, Royal Netherlands Institute) and Syracuse (Museo Archeologico Regionale ‘Paolo Orsi’), October 21–25, 2009. Pp. xiv + 634, ills, maps, colour pls. Oxford: Oxbow Books, 2011. Cased, £40, US$80. ISBN: 978-1-84217-426-5." Classical Review 63, no. 1 (2013): 243–45. http://dx.doi.org/10.1017/s0009840x12003228.

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28

Serra Ridgway, Francesca R. "Etruscan bronzes from Tarquinia - MARIA PAOLA BINI, GIANLUCA CARAMELLA, SANDRA BUCCIOLI, I BRONZI ETRUSCHI E ROMANI (Materiali del Museo Archeologico Nazionale di Tarquinia XIII = Archaeologica 114, Giorgio Bretschneider, Roma 1995). 1: pp. xxxiv + 296; 2: pp. 297-624, pls. i-cxvi (line) and cxvii-clxii (half tone) (vol. curato da G. Pianu). ISBN 88-7689-149-8. Lit. 1,250,000." Journal of Roman Archaeology 11 (1998): 404–7. http://dx.doi.org/10.1017/s1047759400017426.

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29

Ridgway, David. "Etrusco-Italic progress - SINCLAIR BELL and HELEN NAGY (edd.), NEW PERSPECTIVES ON ETRURIA AND EARLY ROME. IN HONOR OF RICHARD DANIEL DE PUMA (University of Wisconsin Press, Madison2009). Pp. xxiv + 305, ills. 122. ISBN 978-0-299-23030-2. $55. - FULVIA LO SCHIAVO and ANTONELLA ROMUALDI (edd.), I COMPLESSI ARCHEOLOGICI DI TRESTINA E DI FABBRECCE NEL MUSEO ARCHEOLOGICO DI FIRENZE (Accademia Nazionale dei Lincei, Monumenti Antichi, serie miscellanea 12; Giorgio Bretschneider, Rome2009). Pp. 206, ills. ISBN 978-88-7689-214-1; ISSN 0391-8084. EUR. 230. - ANTHONY TUCK, THE NECROPOLIS OF POGGIO CIVITATE (MURLO). BURIALS FROM POGGIO AGUZZO (Archaeologica 153; Giorgio Bretschneider, Rome2009). Pp. ix + 146, fig. 16, tav. 33 fuori testo. ISBN 978-88-7689-217-6; ISSN 0391-9293. EUR. 180. - ROBERTA GABRIELLI, CERAMICA ETRUSCO-CORINZIA DEL MUSEO ARCHEOLOGICO DI TARQUINIA (Archaeologica 155; Materiali del Museo Archeologico Nazionale di Tarquinia XIX; Giorgio Bretschneider, Rome2010). Pp. xiii + 567, fig. 26, tav. 30 fuori testo. ISBN 978-88-7689-251-6; ISSN 0391-9293. EUR. 190. - CORINNA RIVA, THE URBANISATION OF ETRURIA. FUNERARY PRACTICES AND SOCIAL CHANGE, 700-600 BC (Cambridge University Press2010). Pp. xii + 247, ills. 59. ISBN 978-0-521-51447-7. $98." Journal of Roman Archaeology 24 (2011): 512–22. http://dx.doi.org/10.1017/s1047759400003524.

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30

Serra Ridgway, Francesca R. "The University of Milan's final reports on Tarquinia, and two exhibitions on Tarquinia and her neighbours - CRISTINA CHIARAMONTE TRERÉ (ed.), TARQUINIA. SCAVI SISTEMATICI NELL' ABITATO, CAMPAGNE 1982-1988. I MATERIALI, 1 (Université degli Studi di Milano, Tarchna II; ‘L'Erma’ di Bretschneider, Rome 1999). Pp. xxxiii + 402, 89 pls. ISBN 88-8265-068-5. Euro 299. - MARIA BONGHI JOVINO (ed.), TARQUINIA. SCAVI SISTEMATICI NELL'ABITATO, CAMPAGNE 1982-1988. I MATERIALI, 2 (Università degli Studi di Milano, Tarchna III>; ‘L'Erma’ di Bretschneider, Rome 2001). Pp. xxxviii + 576, 151 pls. ISBN 88-8265-165-7. Euro 403. - MARIA CATALDI (ed.), TARQUINIA, MUSEO ARCHEOLOGICO NAZIONALE. GUIDA BREVE (‘L'Erma’ di Bretschneider- Ingegneria per la Cultura, Rome 2001). Pp. 79, 95 colour figs. in text. ISBN 88-8265-122-3. Euro 26. - ANNA MARIA MORETTI SGUBINI (ed.), TARQUINIA ETRUSCA. UNA NUOVA STORIA (Catalogo della Mostra, Tarquinia, Museo Archeologico Nazionale, 4 ottobre–20 dicembre 2001; ‘L'Erma’ di Bretschneider – Ingegneria per la Cultura, Rome 2001). Pp. x + 140, 198 figs. in text (many colour). ISBN 88-8265-175-4. Euro 104. - ANNA MARIA MORETTI SGUBINI (ed.), VEIO, CERVETERI, VULCI. CITTÀ D'ETRURIA A CONFRONTO (Catalogo della Mostra, Roma, Museo Nazionale Etrusco di Villa Giulia–Villa Poniatowski, 1 ottobre–30 dicembre 2001; ‘L'Erma’ di Bretschneider – Ingegneria per la Cultura, Rome 2001). Pp. xiv + 276, 545 black and white figs., 19 pls. (colour). ISBN 88-8265-174-6. Euro 155." Journal of Roman Archaeology 16 (2003): 463–68. http://dx.doi.org/10.1017/s1047759400013301.

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31

Maffre, Jean-Jacques. "Vases étrusques et vases attiques au Musée de Tarquinia [Archeologia 13, 16, 32 et 33, Materiali del Museo archeologico nazionale di Tarquinia, I, II, V et VI ; Giampiero Pianu, Ceramiche etrusche a figure rosse ; Lucrezia Campus, Ceramica attica a figure nere : piccoli vasi e vasi plastici ; Carlo Tronchetti, Ceramica attica a figure nere : grandi vasi : anfore, pelikai, crateri ; Elena Pierro, Ceramica « ionica » non figurata e coppe attiche a figure nere]." Bulletin de l'Association Guillaume Budé : Lettres d'humanité 44, no. 4 (1985): 417–21. http://dx.doi.org/10.3406/bude.1985.1697.

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32

Crawford, Michael H. "M. Staub Gierow, POMPEJANISCHE KOPIEN AUS DÄNEMARK (Studi della Soprintendenza Archeologica di Pompei 24). Rome: ‘L'Erma’ di Bretschneider, 2008. Pp. 308, illus. isbn9788882654405. €230.00. - P. Guzzo and M. Guidobaldi, NUOVE RICERCHE ARCHEOLOGICHE NELL'AREA VESUVIANA (Studi della Soprintendenza Archeologica di Pompei 25). Rome: ‘L'Erma’ di Bretschneider, 2008. Pp. 578, illus. isbn9788882654795. €350.00. - A. Carrella , MARMORA POMPEIANA NEL MUSEO ARCHEOLOGICO NAZIONALE DI NAPOLI (Studi della Soprintendenza Archeologica di Pompei 26). Rome: ‘L'Erma’ di Bretschneider, 2008. Pp. 301, illus. isbn9788882654740. €220.00. - P. Guzzo and V. Scarano Ussani, EX CORPORE LUCRUM FACERE. LA PROSTITUZIONE NELL'ANTICA POMPEI (Studi della Soprintendenza Archeologica di Pompei 27). Rome: ‘L'Erma’ di Bretschneider, 2009. Pp. 179, illus. isbn9788882655587. €120.00. - D. Esposito, LE OFFICINE PITTORICHE DI IV STILE A POMPEI: DINAMICHE PRODUTTIVE ED ECONOMICHE-SOCIALI (Studi della Soprintendenza Archeologica di Pompei 28). Rome: ‘L'Erma’ di Bretschneider, 2009. Pp. 294, illus. isbn9788882654962. €250.00. - A. Varone and G. Stefani, TITULORUM PICTORUM POMPEIANORUM QUI IN CIL VOL. IV COLLECTI SUNT: IMAGINES (Studi della Soprintendenza Archeologica di Pompei 29). Rome: ‘L'Erma’ di Bretschneider, 2009. Pp. 544, illus. isbn9788882653927. €250.00. - M. Verzár-Bass and F. Oriolo, RILEGGERE POMPEI. II. L'INSULA 13 DELLA REGIO VI (Studi della Soprintendenza Archeologica di Pompei 30). Rome: ‘L'Erma’ di Bretschneider, 2009. Pp. 556, illus. isbn9788882655280. €330.00. - A. Varone, TITULORUM GRAPHIO EXARATORUM QUI IN CIL VOL. IV COLLECTI SUNT: IMAGINES (Studi della Soprintendenza Archeologica di Pompei 31). Rome: ‘L'Erma’ di Bretschneider, 2012. Pp. 550, illus. isbn9788882656263. €440.00." Journal of Roman Studies 103 (October 14, 2013): 297–98. http://dx.doi.org/10.1017/s0075435813000373.

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33

Ciro, Parodo. "Il rituale della lucertola. Una gemma romana con iconografia dionisiaca del Museo Archeologico Nazionale di Cagliari." December 29, 2018. https://doi.org/10.5281/zenodo.5511479.

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The object of analysis of this paper is a carnelian preserved in the National Archaeological Museum of Cagliari on which is represented an Eros that holds a lizard in hand. On the basis of the comparison with other artefacts that have a similar iconography, this study focuses on the meaning of this image connected to the Dionysian sphere of the evil forces’ expulsion and of the propitiation of fertility within the cult of Bacchus/Liber Pater in Sardinia in Roman times.

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Berriola, Riccardo. "Un gruppo di culle-tintinnabula del Museo Archeologico Nazionale di Napoli." Les Carnets de l'ACoSt, no. 15 (December 2, 2016). http://dx.doi.org/10.4000/acost.922.

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Berriola, Riccardo. "Le terrecotte della collezione di Raffaele Gargiulo al Museo Archeologico Nazionale di Napoli." Les Carnets de l'ACoSt, no. 14 (March 5, 2016). http://dx.doi.org/10.4000/acost.874.

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Berriola, Riccardo. "Le terrecotte della collezione di Raffaele Gargiulo al Museo Archeologico Nazionale di Napoli." September 20, 2020. https://doi.org/10.4000/acost.874.

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The collection of terracottas belonging to Raffaele Gargiulo that was purchased by the Museum of Naples in 1855 was accompanied by a rich assortment of architectural terracotta fragments, pottery, plastic vases, and lamps, among other objects. Of these objects, the terracottas are in the majority (73.88%) and account for about three-quarters of the entire collection. Five hundred seventy-eight of these terracottas (95.54%) come from Apulia and Campania, areas that are well known for their coroplastic production. While the architectural terracottas date from the end of the 4th century B.C.E. to

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Vine, Brent. "Jorma Kaimio. The Cippus Inscriptions of Museo Nazionale di Tarquinia. Materiali del Museo Archeologico Nazionale di Tarquinia XVIII. (Rome: Giorgio Bretschneider Editore, 2010)." Etruscan Studies 14, no. 1 (2011). http://dx.doi.org/10.1515/etst.2011.14.1.217.

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Varner, Eric R. "Book Review of Museo Archeologico Nazionale di Palestrina: Le Sculpture, by Nadia Agnoli." American Journal of Archaeology 110, no. 4 (2006). http://dx.doi.org/10.3764/ajaonline1104.varner.

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Di Santi, Alessia, and Martina Borroni. "Da Submissio a Concordia. ‘Biografia’ di un singolare gruppo scultoreo da un sarcofago romano." ANNALI SCUOLA NORMALE SUPERIORE - CLASSE DI LETTERE E FILOSOFIA, December 16, 2024, 489–520. https://doi.org/10.2422/2464-9201.202402_03.

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Il contributo riguarda un gruppo scultoreo in marmo dalle collezioni del Museo Archeologico Nazionale di Firenze, ancora pressoché inedito. Il gruppo è, in realtà, un frammento di un sarcofago romano (II secolo d.C.), raffigurante un generale con Virtus, secondo l’iconografia della nota scena di submissio, anche se in epoca moderna è stato restaurato con integrazioni che hanno trasformato il rilievo originale del sarcofago in un gruppo scultoreo dal significato diverso, molto probabilmente una rappresentazione moderna della concordia coniugale. Grazie ai risultati dell’esame tecnico e formale-

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Risser, Erik, Kenneth Lapatin, and Luigia Melillo. "The Drunken Satyr from the Villa dei Papiri at Herculaneum." Dissertationes Archaeologicae, September 30, 2024, 231–45. http://dx.doi.org/10.17204/dissarch.suppl4.231.

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Prior to the international loan exhibition Buried by Vesuvius: Treasures from the Villa dei Papiri at the Getty Villa in Los Angeles (26 June – 28 October 2019), the Museo Archeologico Nazionale di Napoli (MANN) generously lent the ancient bronze statue of a Drunken Satyr for study, analysis, and conservation. Discovered in pieces in tunnels excavated through what has come to be recognized in the outer peristyle garden of the Villa dei Papiri at Herculaneum on July 10, 1754 and restored in 1759 at the Royal Foundry at Portici, the Drunken Satyr was praised as one of the most beautiful bronze s

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Cormier, Anselme, and Letizia Nonne. "Étude au Museo Archeologico Nazionale di Napoli et à la Casa Bacco : les artefacts en ivoire et en os de Pompéi." Bulletin archéologique des Écoles françaises à l’étranger, 2025. https://doi.org/10.4000/142zo.

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"“Bronzi Di Riace” Geomatics Techniques in Augmented Reality for Cultural Heritage Dissemination." International Journal of Innovative Technology and Exploring Engineering 9, no. 3 (2020): 1001–10. http://dx.doi.org/10.35940/ijitee.c7953.019320.

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In the ‘Museo Archeologico Nazionale della Magna Grecia' in Reggio Calabria (south Italy) are located two full-size bronzes cast around the 5th century BC: The Riace Bronzes; thanks to their outstanding manufacture, they truly represent significant sculptural masterpieces of Greek art in the world. This paper describes the methodology used by the Geomatics Laboratory of the DICEAM of the Mediterranean University of Reggio Calabria to achieve a 3D model of the two sculptures. The 3D modelling is based on the use of imaging techniques, such as digital photogrammetry and computer vision. The achi

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Corso, Antonio. "Praxitelian Dionysi." EULIMENE, December 31, 2000, 25–53. http://dx.doi.org/10.12681/eul.32682.

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Si percorre l'evoluzione dell'interpretazione statuaria di Dioniso nel Santuario di Dioniso Eleutereo ad Atene, dallo xoanon arcaico del dio alla statua criselefantina di Alcamene, ai tipi Hope, alcamenico, e Sardanapalo, cefisodoteo. Questa tradizione figurativa, e l'Ermete con Dioniso di Cefisodoto il Vecchio, stanno alla base della ridefinizione del dio operata da Prassitele. L'immagine di Dioniso accreditata nelle 'Baccanti' di Euripide ebbe pure un rilevante impatto nelle cultura figurativa tardoclassica. Alla bottega di Prassitele è riconducibile la base di monumento coregico, con Dionis

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Meyers, Gretchen E. "Tesori dalle terre d’Etruria. La collezione dei conti Passerini, Patrizi di Firenze e Cortona. Museo Archeologico Nazionale di Firenze, October 29, 2020–July 30, 2021 (extended until October 22, 2022), curated by Mario Iozzo and Maria Rosaria Luberto with Stefano Casciu." Etruscan and Italic Studies, September 26, 2022. http://dx.doi.org/10.1515/etst-2022-2002.

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