Relevant bibliographies by topics / Museu do Vaticano

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  2. Dissertations / Theses
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  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Museu do Vaticano'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Museu do Vaticano"

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Carvalho, Aivone, and Dulcília Lúcia De Oliveira Silva. "Conservação preventiva, intervenção e restauro em acervo etnológico: sugestões metodológicas." Revista do Museu de Arqueologia e Etnologia, no. 15-16 (December 14, 2006): 347. http://dx.doi.org/10.11606/issn.2448-1750.revmae.2006.89726.

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Este artigo teve como fundamento trabalhos e pesquisas realizados no setor de Etnologia do Museu Dom Bosco de Campo Grande, durante o projeto de transferência do acervo para um novo espaço museal, obedecendo a normas e técnicas desenvolvidas a partir de consultorias com especialistas nacionais e internacionais, dos quais citamos: Gedley Braga, Museu de Arqueologia e Etnologia da Universidade de São Paulo, Agostinho Eibajwu e Ayrton Meri Ekureu, Centro de Cultura Bororo da Aldeia de Meruri- Mato Grosso; Dra. Claudia Kusch, restauradora em diversos museus da Itália, principalmente do Museu do Va
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Da Silva, Paula Rafaela. "O sagrado e o profano no museu: uma mediação através da moda." dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda 11, no. 24 (2018): 353–59. http://dx.doi.org/10.26563/dobras.v11i24.790.

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A exposição Heavenly Bodies: Fashion and the Catholic Imagination (Corpos sagrados: moda e a imaginação católica), realizada pelo Metropolitan Museum of Arts and Costume Institute (MET) em Nova York, de 10 de maio a 8 de outubro de 2018, teve como objetivo promover a reflexão sobre o diálogo entre moda, religião e arte1 . A mostra esteve pautada em três elementos principais: trajes assinados por renomados estilistas que tiveram inspiração na arte sacra, a coleção de arte medieval do MET e peças raras do Museu do Vaticano, cedidas exclusivamente para a exibição. [...]
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Cecalupo, Chiara. "WOLFGANG FRITZ VOLBACH COME MUSEOLOGO A ROMA. UNA RIFLESSIONE CON TESTI INEDITI." Papers of the British School at Rome 92 (October 2024): 257–77. https://doi.org/10.1017/s0068246224000096.

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L'articolo si propone di presentare lo storico dell'arte paleocristiana e bizantina tedesco Wolfgang Fritz Volbach (1892–1988) come museologo, alla luce di alcune ricerche recenti, di nuove acquisizioni documentarie e di una più ampia rassegna della sua attività tra Magonza, Berlino e Roma. Il testo si concentra sul suo periodo romano (e in particolare vaticano), sia in qualità di precoce professore di museologia al Pontificio Istituto di Archeologia Cristiana di Roma, sia come attivo collaboratore nella riorganizzazione del Museo Sacro della Biblioteca Vaticana. Si riflette poi anche sulle su
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Cabral, Newton Darwin de Andrade, Cícero Williams Da Silva, and Lucy Pina Neta. "Fronteiras do Arcebispo: a casa de Dom Helder Camara." Fronteiras - Revista de Teologia da Unicap 1, no. 2 (2018): 431. http://dx.doi.org/10.25247/2595-3788.2018.v1n2.p431-459.

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A partir da última casa habitada por Dom Helder Camara (anexa à Igreja das Fronteiras, no Recife), o artigo estuda o quanto aquela residência foi emblemática em sua perspectiva de não encarar limites como intransponíveis, mas, ao contrário, enxergar a possibilidade de ampliá-los ou aboli-los. Assim, foram abordados três eixos: o primeiro explora aspectos da construção, desde a capela primitiva, localizada na fronteira da estância de Henrique Dias, até quando, após visita do Imperador Pedro II, ela recebeu o título de Capela Imperial; o segundo trata das inquietações de Dom Helder que, ao assum
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Abazi, Fatbardha. "L’IMPORTANZA DEGLI ARCHIVI, DEI MUSEI ITALIANI NELLA CONSERVAZIONE DI DOCUMENTI PREZIOSI PER L’ALBANIA." Годишњак Филозофског факултета у Новом Саду 49, no. 3 (2024): 43–60. http://dx.doi.org/10.19090/gff.v49i3.2462.

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L’Italia ha sempre offerto e offre una fonte inesauribile di conoscenze in vari aspetti. Evidenzierei in particolare la sua cultura, il suo contributo nella conservazione presso i suoi archivi, musei e biblioteche, in epoche diverse, di materiali e documenti di inestimabile valore non solo italiani ma anche di altri paesi, il cui recupero aiuta a informarsi, a illuminare il passato, ad avere memoria documentata di scambi tra i popoli, momenti, vicende, personaggi storici. In questo contesto, sottolineerei l’importanza degli Archivi Vaticani, veneziani e napoletani per la storia e la lingua alb
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Wasmuth, Melanie. "Persika in der Repräsentation der ägyptischen Elite." Journal of Egyptian Archaeology 103, no. 2 (2017): 241–50. http://dx.doi.org/10.1177/0307513317743725.

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Egyptian elite representation in the Twenty-seventh Dynasty features a number of statues with Persian honour awards. The following paragraphs discuss the socio-cultural significance of displaying Persian jewellery in the statues of Udjahorresnet in the Musei Vaticani, of Ptahhotep in the Brooklyn Museum, and of a man of unknown name in the Landesmuseum Karlsruhe. The context of these persika will be contrasted to those in the tomb reliefs of Petosiris in Tuna el-Gebel, which open up very different lines of interpretation.
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Mandelli, A., L. Perfetti, F. Fiorillo, F. Fassi, C. Rossi, and C. Greco. "THE DIGITALIZATION OF ANCIENT EGYPTIAN COFFINS: A DISCUSSION OVER DIFFERENT TECHNIQUES FOR RECORDING FINE DETAILS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (August 23, 2019): 743–50. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-743-2019.

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<p><strong>Abstract.</strong> This work starts from the request to have a physical high-resolution 3D model of the external, anthropoid coffin of the scribe Butehamon, held at the Museo Egizio, Turin. At the time of writing, a replica of the coffin, based on this survey work, functions as final and focal installation of the temporary exhibition Archeologia Invisibile of the Museo Egizio, Turin, running from March 2019 to January 2020. The replica acts as support for a micro-mapping installation meant to re-project a pattern of images onto the coffin’s surface, including the r
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Collins, Jeffrey. "Marshaling the Muses: The Vatican's Pio-Clementino Museum and the Greek Ideal." Studies in the Decorative Arts 16, no. 1 (2008): 35–63. http://dx.doi.org/10.1086/652813.

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de Puma, Richard Daniel, Roger Lambrechts, Alba Frascarelli, and Gabriele Cateni. "Corpus Speculorum Etruscorum, Stato della Citta del Vaticano 1. Citta del Vaticano, Museo Profano della Biblioteca Apostolica Vaticana; Roma, Collezione di antichita dell'Abbazia di San Paolo fuori le mura." American Journal of Archaeology 101, no. 3 (1997): 609. http://dx.doi.org/10.2307/507127.

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Costa, Roberto. "Building an Indigenous Museum in the Vatican." TSANTSA – Journal of the Swiss Anthropological Association 25 (September 21, 2020): 141–52. http://dx.doi.org/10.36950/tsantsa.2020.025.14.

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Debates around the significance, function and social value of museums are still challenging museum practices and models. In particular, the demands of “source communities” for self-representation and self-emancipation in the global community continue to call into question the role of the museum as a catalyst for promoting social change across cultures. In this paper, I push this question further by discussing the desires of a group of Roman Catholic woodcarvers in central Asmat (Indonesian Papua) to build a museum for exhibiting their carvings in the Vatican. To them, the Vatican is not only t
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Dissertations / Theses on the topic "Museu do Vaticano"

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Pasta, Emilia Germana <1989&gt. "Musei Vaticani, management, fundraising: una best practice per l’Italia." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6833.

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Nei loro 500 anni di vita, i Musei Vaticani sono stati oggetto di un processo di crescita continua, che li ha portati a configurarsi come una tra le più evolute ed efficienti realtà museali europee: servizi dagli standard di qualità elevata, un organigramma funzionale, un flusso di visitatori che risente assai poco della stagionalità e una domanda di biglietti in costante aumento. L’apparato scientifico dei Musei non soffre la concorrenza mondiale e i laboratori di restauro lavorano instancabilmente per assicurare che l’integrità dell’enorme patrimonio culturale dei Musei non venga compromess
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Andreani, Elena <1997&gt. "I musei come attori di una rete. L’internazionalizzazione attraverso i prestiti delle opere d’arte nei Musei Vaticani." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17734.

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Lo scopo di questo elaborato è quello di analizzare i diversi meccanismi attraverso cui i grandi musei mondiali escono dai propri confini fisici, ovvero attraverso cui si internazionalizzano. Vengono qui analizzati, con l’aiuto di alcuni esempi, diversi meccanismi che vengono utilizzati dalle istituzioni per tale scopo, tra cui la dislocazione fisica di un museo, attraverso l’apertura di una nuova sede, la digitalizzazione delle mostre grazie ai nuovi mezzi tecnologici e i prestiti delle opere d’arte al fine di realizzare esposizioni temporanee in sedi diverse. Nella seconda parte, poi, viene
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Books on the topic "Museu do Vaticano"

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Cardoso, Andrea. Madonna: Tesouros dos Museus do Vaticano : Museu Nacional de Arte Antiga, 19 maio a 10 setembro -2017. Edited by Museu Nacional de Arte Antiga (Portugal). Museu Nacional de Arte Antiga, 2017.

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Xexéo, Monica F. B. ˆA ‰herança do sagrado: Obras-primas do Vaticano e de museus italianos : 10.07 a 13.10, 2013, Museu Nacional de Belas Artes, Rio de Janeiro, Brasil. Edited by Museu Nacional de Belas Artes (Brazil). Expomus, 2013.

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3

Friederike, Sinn, and Vatican Museo vaticano, eds. Reliefgeschmückte Gattungen römischer Lebenskultur: Griechische Originalskulptur : Monumente orientalischer Kulte. Reichert Verlag, 2006.

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Steinby, Eva Margareta. La necropoli della via Triumphalis: Il tratto sotto l'autoparco Vaticano. Quasar, 2003.

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Masala, Elisabetta. Salvatore Fiume e i giochi della memoria. Edizioni Musei Vaticani, 2015.

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Cimino, Vittoria. Come si conserva un grande museo: L'esperienza dei Musei Vaticani. Edizioni Musei vaticani, 2016.

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Lega, Claudia. Le iscrizioni cristiane di Roma conservate nei Musei vaticani: Indice dei vocaboli. Monumenti musei e gallerie pontificie, 2000.

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Ivan, Di Stefano Manzella, and Galleria Lapidaria (Vatican City), eds. Index inscriptionum Musei Vaticani. Ex Officina Libraria Pontificia, 1995.

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York, New. The Metropolitan Museum of Art guide. The Museum, 1987.

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City), Museo Pio-Clementino (Vatican. Vatican. Musei Vaticani, 2004.

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Book chapters on the topic "Museu do Vaticano"

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Kahn, Alison L. "The Making of the Vatican’s ‘Modern’ Museum Dynasty: The Ethnology of Fr. Wilhelm Schmidt SVD." In Imperial Museum Dynasties in Europe. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-3189-7_2.

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"Letters on Accessing the Vatican Missionary Ethnological Museum." In Eternal Sovereigns. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478059844-007.

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The appendix includes two letters the author wrote to pope Francis and Justin Trudeau, prime minister of Canada, in the effort to access Indigenous archival materials and belongings at the Vatican. Her appeals for access were turned down by the Vatican.
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"Tagging the Vatican Museum with Vernon Lee:." In Reading with the Senses in Victorian Literature and Science. University of Virginia Press, 2019. http://dx.doi.org/10.2307/j.ctvsn3n5j.8.

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"Two Roman Women Proselytes." In Women’s Religions in the Greco-Roman World, edited by Ross Shepard Kraemer. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195170658.003.0108.

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Abstract work: The following Latin burial inscription, now in the Pio Christiano section of the Vatican Museum, is originally from the Roman Jewish catacomb known as Monteverde. The text is difficult to decipher, although the letters are clear enough. It is possible, but not certain, that this inscription and the subsequent one demonstrate a practice of giving proselytes a new name. translation: RSK. bibliography: JIWE 2.54–55.
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Ford, Mark. "Votary of the Muse." In Woman Much Missed. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192886804.003.0002.

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Abstract This chapter presents a synoptic account of Hardy’s ideas about poetry, drawing on his fiction, on extracts from his diary included in the Life, and on his poems about poetry and about other poets such as Shelley and Keats. It considers in detail his short story ‘An Imaginative Woman’ (1894), which features two poets, and dramatizes the schism between the spiritual or poetic and the material or commercial. Like the heroine of this story, in his twenties Hardy came to consider himself a ‘votary of the muse’, and this chapter explores the gulf between the exalted vision of the poetic im
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Siegel, Jonah. "Failure and Revision at the Vatican." In Material Inspirations. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198858003.003.0007.

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Every museum is the repository not only of the objects it gathers together, but also of the spoken and unspoken concepts that determined the accumulation of its collections. The previous two chapters have addressed the intersection of idea, experience, and mediation in the reception of antique art in literature. This brief interchapter traces changes in the account of the classical antiquities on display at the Vatican museums as reflected in changes to the text of the most influential travel guide to Rome when it was revised at the end of the nineteenth century. The transformations in these v
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"Appendix. Letters on Accessing the Vatican Missionary Ethnological Museum." In Eternal Sovereigns. Duke University Press, 2024. http://dx.doi.org/10.1515/9781478059844-009.

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"Unsettling The Indian Museum In Rome." In Eternal Sovereigns. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478059844-002.

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The first chapter establishes historical precursors to the Vatican Missionary Exposotopm by placing the sculptures and life experiences of Ferdinand Pettrich, a white German artist, into productive comparison with those of Edmonia Lewis, an Ojibwa and African American artist. By assessing the two artists, who both lived in Rome during the late nineteenth century, and analyzing their work, the chapter unsettles core colonial assumptions in studies of neoclassical art: that Indigenous peoples belonged in the past, had no place in the future, and existed only on the margins of civilization. Compa
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Siegel, Jonah. "The Experience of Form (Bewilderment at the Vatican in George Eliot and Vernon Lee)." In Material Inspirations. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198858003.003.0006.

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The consolidation of the fields of art history and archeology in the nineteenth century was characterized by a number of fundamental revisions that were bound to track unevenly with developments in taste. Shifts in aesthetic values and in the history of art itself presented unavoidable challenges to the status of major collections. And yet, some collections were so esteemed that it was difficult for public interest in them to shift along with the vicissitudes of advanced taste. This chapter analyzes the place of the Vatican museum in two distinct but characteristic works of the later part of t
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Aigner, Katherine. "Father Wilhelm Schmidt, Indigenous beliefs and Oceanic collections in the Vatican’s Anima Mundi Museum." In Uncovering Pacific Pasts: Histories of Archaeology in Oceania. ANU Press, 2022. http://dx.doi.org/10.22459/upp.2021.22.

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Conference papers on the topic "Museu do Vaticano"

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Aguilar Martínez, Ricardo. "El marketing digital del Museo del Virreinato de San Luis Potosí como modelo de las buenas prácticas de estrategias digitales." In Congreso CIMED - II Congreso Internacional de Museos y Estrategias Digitales. Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/cimed22.2022.15662.

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El Museo del Virreinato de San Luis Potosí está ubicado en un exconvento de la orden de carmelitas descalzos, del siglo XVIII, en el corazón del centro histórico de la ciudad de San Luis Potosí que abrió sus puertas en el año 2003 con una importante colección de arte virreinal en comodato que, paulatinamente, fue retirada por parte de los coleccionistas privados y que dejó, para el año 2020, al museo sin colección, contando únicamente con menos de 10 piezas del acervo propiedad del museo.En el año 2018, llegó un especialista en marketing digital, que incorporó al museo una nueva propuesta de e
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Hennessey, Michael P., Alex J. Beaulier, and Cheri Shakiban. "Modeling and 3D Printing of Ruled Surfaces." In ASME 2015 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/detc2015-46494.

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Ruled surfaces play an important role in disciplines such as applied mathematics, mechanical engineering, and architecture. We present a general methodology for creating handheld-sized 3D printed models of such surfaces, which can be useful for educational, research, and design purposes. The process begins with a mathematical description of the surface, either by means of establishing a series of line segment endpoint coordinates followed by a “connect the dots” approach or continuously sweeping a portion of a line throughout 3D space using a time-varying homogeneous transformation, thereby de
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